SPENCER : Monday 24th January 2022

I saw the M Rated 'SPENCER' at the Open Air Cinema at Mrs. Macquarie's Chair, in Sydney earlier this week. This work of historical fiction is a psychological drama film Directed and Co-Produced by Pablo Larrain, whose prior film making credits include his 2006 debut 'Fuga' and then 'No' in 2012, 'Neruda' in 2016 and the critically acclaimed 'Jackie' in 2016 also, with 'Ema' in 2019. The film saw its World Premier screening at the Venice International Film Festival in early September last year before its release in the US and UK in early November. Having generated largely positive Critical Reviews, 'Spencer' has so far recovered US$16M from its US$18M budget outlay, and has picked up thirty-four awards and a further 106 nominations (many of which are still pending an outcome) from around the awards and festival circuit. 

Set during the Christmas holiday 1991 with the royal family all gathering at the Queen's Sandringham estate in Norfolk, England. Among the invited guests are Diana, Princess of Wales (Kristen Stewart), whose ten year old marriage to Prince Charles (Jack Farthing) has reached the point of no return because of his affair with Camilla Parker Bowles (Emma Darwall-Smith). As the staff of the Sandringham Estate prepare for the imminent arrival of the royal family and their entourage, led by the very capable Major Alistair Gregory (Timothy Spall), Diana drives around the Norfolk countryside in a haze. Being on the verge of a nervous breakdown, she avoids driving into the grounds of the Estate until she meets Royal Head Chef Darren McGrady (Sean Harris) claiming that she got lost en route. 

Diana duly arrives to a less than warm greeting on Christmas Eve. Her sons William (Jack Nielen) and Harry (Freddie Spry) are excited to see her, but she does not attempt to mix with the royal family, who for the most part ignore her. Diana's only friend at the Estate is Royal Dresser Maggie (Sally Hawkins), who encourages her to combat the royal family and fulfil the obligations expected of her. Diana finds a book on Anne Boleyn in her designated bedroom. She begins to have dreams about Boleyn, eventually coming to believe that Boleyn's ghost (Amy Manson) is haunting her in her capacity as a fellow betrayed and abandoned royal wife. Diana tries to visit her now abandoned and boarded up childhood home of Park House, which neighbours the Sandringham Estate, but is stopped by the royal security, who initially mistake her for an intruder.

On Christmas morning, Diana joins the service at St Mary Magdalene Church, Sandringham, where she observes Camilla among the attendees and is photographed by hundreds of gathered paparazzi. She later has a stilted conversation with Charles, who rejects her concern over William and Harry's joining in a pheasant shoot the next day. Charles secretly arranges for Maggie to be sent back to London and spreads rumours that she had planted the Boleyn book in Diana's room and made critical comments about her mental health, to which McGrady denies that she had done so when questioned by Diana. 

Major Gregory attempts to encourage Diana to observe the pressures of royal life by reminding her that the soldiers of the British Army die attempting to protect the interests of the Crown, and therefore her also. Diana responds by stating that she never asked anyone to die for her. After imagining wounding herself with a pair of wire cutters given to her by McGrady, Diana avoids the formal Christmas Day dinner, instead running to her childhood home and gaining access to it with the wire cutters. Memories of her happier childhood overtake her, and she dances from room to room while imagining her younger selves. She considers committing suicide by throwing herself down a flight of stairs, but the hallucination of Boleyn prevents her from doing so. 

On Boxing Day morning, Diana awakens in her room to find that Maggie had been called back from London. The pair drive on to a nearby deserted beach and walk along the sand where Diana talks about her mental and marital challenges. Maggie responds by confessing that she is in love with Diana. After leaving the beach, Diana rushes to the pheasant shoot and walks out in front of the crowd of royal shooters, imitating the movements of the birds. She tells Charles that she is leaving the royal entourage and taking William and Harry to London, an arrangement to which Charles reluctantly agrees. 

Diana bids farewell to Maggie and McGrady and Major Gregory returns the Boleyn book to the library. As they drive away, in the distance, a scarecrow that Diana had created when she was younger is seen, now dressed in clothes from her early adulthood. After stopping en route for some fast food, Diana drives to London, where she begins the process of raising her children independently. She looks out over the River Thames in the shadow of Tower Bridge as the boys chow down on a bucket of KFC, uncertain of her future but no longer burdened by memory or the responsibilities of being a royal.

I have to say that I came away from 'Spencer' feeling a little nonplussed. I neither loved it, nor did I hate it. There is no doubt that Kristen Stewart nails her depiction of Princess Diana to a tee from her vocal inflections, her ticks and foibles, her mannerisms and the way in which she would tilt her head - an Oscar contender here for sure for Best Actress I would think. And Timothy Spall also gives a strong, stoic, stiff upper lip performance as the Queen's Equerry, as does Sally Hawkins as Diana's dresser in the all too brief screen time she enjoys. But for me the film is all too repetitive with Head Chef Darren telling us what every meal over the three days comprises of, from sandwiches on arrival on Christmas Eve to the lavish picnic in the grounds of Sandringham during the pheasant shoot on Boxing Day and every mealtime in between; to Diana chundering into the toilet bowl after every meal she consumes; to what Diana had to wear to every meal and to every occasion throughout her three day stay; and that she is being portrayed as some spoiled brat of a woman who only want's her way in life and bursts into tears when she doesn't get it, which I'm not entirely sure rang true of the Princess. And as for the soundtrack, the first half is so off kilter with all its clanking cello's, violins and oboe's that it really grated on me, before the second half which moves into more classical territory which I guess is fine, but I would have thought that a more modern soundtrack would be in keeping with the depiction of a more modern Princess, despite her anxiety over her circumstances. Diana Spencer was a Princess who just wanted the fairy tale, and instead she got the nightmare!

'Spencer' merits three claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

MR. TURNER : Thursday 5th February 2015.

I received a phone call early yesterday evening to replace a sick friend at an open air screening of 'MR. TURNER' on a clear Sydney evening overlooking the Sydney Opera House and Harbour Bridge from Sydney's Royal Botanic Gardens. Needless to say I was very happy to accept this late invitation, having not yet seen this English/French/German Co-Production Directed by Mike Leigh and starring Timothy Spall in the lead role as Joseph Mallord William Turner - the much acclaimed and highly celebrated English painter who lived from 1775 to 1851, and whose transformational artistic legacy remains as relevant today as it did then.

This film is nominated for four Academy Awards, being Costume Design, Production Design, Cinematography, and Original Score, and interestingly it seems it has been largely snubbed by BAFTA with nominations also for  Costume Design, Production Design, Cinematography and for Make-Up & Hair too. No mentions here of Best Film, Best Director or Best Acting gong's for what would easily be a career best for Timothy Spall, and that you think would be a shoe-in for an English historical telling of one of it's favourite artist sons! If it's any consolation Timothy Spall has won Best Actor Awards for his portrayal of Turner at The Cannes Film Festival, and by the London and New York Film Critics Circle and National Society of Film Critics.

The story here opens up sometime in the 1820's and we are quickly introduced to the principle characters being Turner himself, his father William Turner (Paul Jesson) a retired barber and wig maker  of some repute who now is Turner's assistant of sorts - buying exotic paint powders, mixing the paint and making canvas's of the right size for his son's artistic requirements. He is suffering with poor health increasingly, but stoically carries on for the love of his son and his craft - the two are obviously very close and when he dies in 1829 Turner Junior takes it very hard. Up to that point they had lived together in a sizeable house in London for some 30 years with their housekeeper Hanna Danby (played convincingly by Dorothy Atkinson). Danby had been Turner's housekeeper for forty years and the film depicts her (perhaps secret) love for him more that he for her, but nonetheless Turner exploited her for occasional sex throughout their many years together and despite his continued comings and goings she remained ever faithful. She survived him by only two years after his death in 1851 - having been a long term sufferer of psoriasis, which in time spread across her whole body.

Turner grew up in Margate - a small coastal fishing village which he started to return to later in life to paint and seek inspiration for his works. During an early visit he boarded with Sophia Booth (Marion Bailey) and her ageing husband in a small terrace cottage right on the harbour frontage, in a first floor room that looked out across the sea. He would return their year on year for many years during the summer months to paint and explore, and returning one year we learn of the death of Sophia's husband. Turner fairly quickly makes a move and before you know it they are an item and have consummated their feelings for one another. As the landlady with the mostest she becomes Turner's second lover and eventually she sells up in Margate so that they can both move together to a small little desirable residence in Chelsea on the banks of the River Thames. Throughout this period neither lover knows of the other - there is no marriage and there are no children, although Turner had two daughters by his first lover - Sarah Danby (played very po-faced by Ruth Sheen) who he distanced himself from and in time denied their existence - one died in childbirth in 1843 aged 32.

All of this is set against the backdrop of his painting; his studio time spent stabbing maniacally at his canvas to accentuate colour and depth in his artwork . . . often aided by a wad of spit; his toing and froing between London and Margate and then Chelsea; his membership at the Royal Academy of Arts and his interaction with his many contemporaries of the time; how well (or not) his works are received by the public, the critics and by Royalty; and as he grows older his own failing health, his increasing eccentricities and the legacy of his works which he remains steadfast will stay in England even when offered one hundred thousand pounds for them all back in 1850 by Joseph Gillott.

Timothy Spall excels in this role and is larger than life as J.M.W. Turner - his almost perpetual grunting; his mannerisms; his recreation of the colourful, almost prose like language of the time; his energy and enthusiasm; his triumph's and his tragedies; his then failing health; and his unwavering commitment to his craft that produced the legacy we have today.

Mike Leigh faithfully recreates the mood and the tone of the time in intimate detail and extracts from his cast nuanced performances that complete this whole package that will leave you wanting to Google 'J.M.W. Turner' after the credits roll to fill in the gaps that this film could not plug, but which nonetheless do not detract from what a great story this is, deftly handled and beautifully delivered.

-Steve, at Odeon Online-

What's new in Odeon's this week - Friday 26th December 2014.

Merry Christmas to the national and international readership of this Blog, and best wishes to you all for a happy, healthy and safe festive season from your friends at Odeon Online.

And so the biggest day in the movie release year is upon us with another raft of new film content coming to our big screens on Boxing Day. December kicked off with ten new release movies and then the brakes were applied in successive weeks in anticipation of the Christmas week releases to capitalise upon the holiday season and some eagerly awaited offerings that once again are sure to offer something for everyone.

For the week ahead then we have the epic final chapter in a monumental saga that has been fifteen years in the making; one of Australia's favourite sons has turned Director for the first time to deliver us a tale of WW1 in the wake of Gallipoli; Disney Studio's have come good with their animation to deliver us a heart warming futuristic story that ticks many boxes; then there is probably Hollywood's most grumpy old man who forges an unlikely friendship with his polar opposite in almost every sense, that is being touted as a long-term best for this grumpy old Actor; we then have an English period piece about a renowned ageing painter as he struggles in his later years to come to terms with what is going on all around him; and finally, and next up is the third instalment in another successful franchise that reunites a familiar cast and a Hollywood great that we sadly lost earlier this year.

There it is then, six new films to tempt, tease and tantalise your taste buds with big screen entertainment that will deliver on spectacle; be sure to  surprise and delight; make you laugh and maybe make you choke back a tear and all will certainly entertain in 2D or 3D over the coming week. Drop me a Comment when you've chosen your filmic entertainment in the week ahead and sat through the experience, and share your views and opinions with your favourite movie Blog and the cinema going world. We'll be pleased to hear from you!

THE HOBBIT : THE BATTLE OF THE FIVE ARMIES (Rated M) - Peter Jackson's closing chapter in his 'Hobbit' trilogy brings to an end over fifteen years of film making that started the J.R.R. Tolkien saga with the first instalment of the 'Lord of the Rings' trilogy in 2001 and which went on to yield US$2.92B in Box Office receipts off a US$281M production budget. This series of three has so far cost US$745M to bring to the big screen and has made (out of the first two films) US$2.13B, so looks set to surpass the global haul from all three L.O.T.R films if past performance is anything to go by.

Following on from where 'The Desolation of Smaug' left off, we see the same bunch of characters led by Bilbo recapture Erebor as Smaug has fled and in so doing destroys Laketown. With Bilbo and the dwarves led by an increasingly obsessive and distant Thorin, they must now protect The Lonely Mountain with the help of the Elves, Men and The Great Eagles against an oncoming army of Orcs unleashed by the evil enemy Sauron. Effects laden, CGI heavy with huge set-pieces culminating in the battle to end all battles (until the next one), 'The Battle of Five Armies' has already earned US$358M since its US and European release earlier in December. A must see, with expectations running high and given what we know Peter Jackson is more than capable of.

THE WATER DIVINER (Rated M) - Russell Crowe here delivers his Directorial debut, and stars in this telling of Water Diviner Joshua Connor (Crowe) who makes the journey from his native Australia to Gallipoli in search of his three missing sons in the aftermath of that tragic battle in World War 1. Four years have passed since, and in travelling to Turkey he forges a relationship with the owner of the hotel where he is staying in Istanbul, Ayshe (Olga Kurylenko) and enlists the help of Australian Lt. Col Cyril Hughes (Jai Courtney) and his Turkish opposite Major Hasan (Yilmaz Erdogan) to search for his missing boys. Will his water divining skills enable him to devine his missing-in-action-presumed-dead sons and so bring them home to Australia to be laid to rest in peace in there. This of course is the crux of the story intertwined with beautiful Turkish scenery, some Hollywood screen magic, and a story of endless hope, courage, faith, determination, love and friendship amidst the backdrop of tragedy, loss and death on an unfathomable scale.

ST. VINCENT (Rated M) - this Comedy Drama stars an A-List Hollywood Actor known for being grumpy and who has become very selective in the roles he now plays, and with whom. Originally intended for Jack Nicholson who turned it down, the role ended up with Bill Murray who puts in a tour-de-force as Vietnam Vet Vincent who has led a squandering stubbornly self-satisfied life which in his twilight years have left him with next to nothing. When Vincent's new neighbours need a babysitter for teenage son Oliver (Jaeden Lieberher), Vincent agrees, but for a fee. What unfolds is an unlikely friendship between these two polar opposites as Vincent downloads on Oliver his adult experiences of alcohol, gambling, bad food, loose women and over indulgence in life. What Oliver offers Vincent is an inward looking view of a lonely existence and a secret past that perhaps he would prefer laid to rest but must now confront - particularly as life events take an unexpected turn for the worse for Vincent leading both to move in a direction that neither they or those around them could ever have imagined. Directed and Written by Theodore Melfi and starring too Melissa McCarthy, Naomi Watts and Chris O'Dowd.

MR. TURNER (Rated M) - this is the story of 19th Century English landscape and seascape painter J.M.W. Turner as played by Timothy Spall. Set during the last 25 years of his life this is a detailed, nuanced, finely balanced film that sees Turner at the height of his fame, popularity and output but torn between his ever faithful housekeeper and mistress of 40 years, Hannah Danby (Dorothy Atkinson) and his seaside landlady with whom he forms a relationship, Sophia Booth (Marion Bailey) and eventually resides in Chelsea unbeknownst to most, and where he eventually dies. During this time, the film charts the many exploits and idiosyncrasies of Turner - the man, the artist, the eccentric, the socialite and the obsessive. Spall gives a career defining performance in this Mike Leigh Directed film that could well be the sleeper hit at the upcoming Academy Awards.

NIGHT AT THE MUSEUM : SECRET OF THE TOMB (Rated PG) - Directed by Shawn Levy this film stars two Hollywood greats who very sadly passed away earlier this year - Mickey Rooney as Gus reprising his role from the first film and Robin Williams who has appeared in all three as Teddy Roosevelt. Ben Stiller is back at Larry Daily the night watchman at New York's Museum of Natural History only now he has gained promotion to 'Director of Night-time Operations'. The 'tablet' which gives the museum artifacts the power to become animated at night-time is beginning to lose its powers, and as such those exhibits are beginning to exhibit some strange behaviours. Investigating further Larry learns that the tablet's powers are not infinite and that 'the end will come', only now sooner rather than later. The only way to prevent this is to travel to London to the British Museum of Natural History and the origin of the tablet that can only be regenerated by moonlight. As the tablets powers begin to wane so does the staying power of the animated exhibits who begin to age and turn back to wax. As the tablet falls into the wrong hands of an  historical English figure, a race against time begins in the London museum and across the city as Larry and his friends seek to retrieve the tablet before it crumbles away to dust forever, and any chance of retaining its magic disappears completely. Starring also Owen Wilson, Steve Coogan, Ricky Gervais, Ben Kingsley, Dick Van Dyke and a host of historical figures, animals and set pieces this is sure to please for a number of reasons, including those aforementioned two late great Hollywood legends.

BIG HERO 6 (Rated PG) - Disney Studio's have pulled out all the stops to bring this animated feature to life and in doing so have created a delightful story with heart, great visuals, an east meets west backdrop and the rich pedigree of Marvel Comics. Following on from their recent success too with 'Frozen' this is set in a futuristic San Fransokyo and sees an oversize inflatable health-care robot called 'Baymax' (a mix of the 'Michelin Man' and 'Stay-Puft Marshmallow Man') who was designed to be activated upon hearing the word 'ouch' and continues administering aid until the 'patient' proclaims 'I am satisfied with your care'! This is all good until our hero of the piece - young Hiro (voiced by Ryan Potter) whose recently killed older brother Tadashi (Daniel Henney) was working on various robotic devices with his friends GoGo, Wasabi, Honey Lemon, Fred and of course Baymax at the local University. Hiro himself is a robot whizz and so he and Baymax adopt each other with a view to continuing brother Tadashi's work. But all is not well as they soon discover, and someone else is mass producing robots for potential unsavoury gain, and so Baymax is re-programmed by Hiro to thwart the no-good enemy, discover the truth behind his brothers death, and ultimately continue the good work his brother had initiated. This film is Directed by Don hall and Chris Williams and stars the voice talents too of Scott Adsit as Baymax, Damon Wyans Jnr. as Wasabi and James Cromwell as Professor Callaghan amongst others. There is an animated short film shown before the main event and remain seated through the credits for additional footage that lays the foundation for a possible sequel.

Wow - some big releases this coming week as you would expect for Boxing Day. Get out there and see something on the big screen and take in the spectacle of what these films have to offer - something for everyone, young and young at heart. Plenty of choice - enjoy your movies, enjoy Christmas, best wishes, and we'll report next week for the first of 2015's new releases.

-Steve, at Odeon Online-