'ANT-MAN' : Monday 20th July 2015.

I like a Marvel film, and so I saw the latest offering in the Marvel Cinematic Universe with the just released 'ANT-MAN' earlier this week. Introducing us to a not seen before comic book hero but referencing many a character from the MCU that we have come to know and love, this film stands alone from the eleven films that have gone before but ties in to those that we have so far followed, and it does so well. Made for US$130M and at the time of writing has brought in US$120M this film has been a long time in gestation having been in development since early 2006 when Edgar Wright was hired to write a script with Joe Cornish. Fast forward to late 2013 and the film went finally into pre-production with Edgar Wright Directing and Paul Rudd set to play Scott Lang (aka Ant-Man). By May 2014 Edgar Wright had left the Director's chair citing creative differences with the Studio. The next month Peyton Reed was introduced as the new Director, with Wright & Cornish still gaining a storyline and screenplay credit.

The film opens in 1989 when a young Hank Pym (Michael Douglas) quits S.H.I.E.L.D. as Howard Stark (John Slattery) makes attempts to replicate his Ant-Man shrinking technology for other means. Vowing to keep his technology a secret until his dying day we fast forward to the present day and Darren Cross (Corey Stoll), a former protege of Pym has forced him out of his own company with designs on finalising his own shrinking technology - and it seems that Hope van Dyne (Evangeline Lilly), Pym's estranged daughter, is part of Cross' grand plan to militarise the technology.

Meanwhile Scott Lang is about to be released from a stint in San Quentin prison where he served time for robbery. His ex-wife Maggie (Judy Greer) and young daughter now live with Paxton (Bobby Cannavale), a police officer, who are both reluctant to let Lang access to his daughter until he gets a home, gets a job, gets a life and gets the means to support his young daughter. Trying to get on the straight and narrow and leave his cat burgling life behind, after a string of failed jobs in his wake he agrees to a home robbery that should be an easy bust. But of course it's not, and this 'robbery' is in fact a set-up by Hank Pym to snare Lang for his own means, and whom he has been watching for sometime now. During the household heist however, Lang recovers what looks like an old motorcycle suit & helmet.

Back home, Lang out of curiosity tries on the suit, presses a few buttons and in an instant is shrunken to the size of an insect. What follows is a montage of a tiny Scott Lang battling all the elements of a suddenly very big world - getting trampled underfoot, washed down a drain, and other terrifying larger than life experiences that he would rather forget. These effects by the way are handled very well with just the right amount of humour to add levity to the action, and create a degree of realism to the new world that Lang is confronted with.

This in turn leads to Lang's introduction to Pym, at which he is given the low-down on the shrinking suit, the ins & outs of the technology, the do's and dont's of the outfit, and what it is that Pym wants of Lang. The bottom line is that Darren Cross is developing his own shrinking technology and is inching ever closer to perfecting the procedure. Cross has developed a 'yellowjacket' suit which he has weaponised and militarised and is seeking to sell to the highest bidder once his own technology is perfected . . . but for now Pym has the upper hand for a short while longer.

With a sequence of 'training' that is conducted by Pym's not so estranged daughter Hope, who is using her estrangement as a front to win the confidence of Darren Cross, we see the new Ant-Man put through his strength paces, his at will shrinking ability, and his control of the ant kingdom to use as necessary to thwart the enemy foe. When Lang is able to control his new found abilities and his ant colleagues at will, he is given his mission to infiltrate Cross HQ, overpower him, and prevent him from using the 'yellowjacket' suit, but Ant-Man is just too late, leading to the final showdown.

As Ant-Man and Yellowjacket collide in both large and small form with an impressive enough fight sequence coupled with some laugh out loud moments that largely take place around a Thomas the Tank Engine train track, it all comes down to survival of the fittest, fastest and smallest. As good conquers evil, the little guy kicks the big guys ass, and old tech beats new tech so all's well that ends well. As the credit's roll stay seated for the mid-credits scene that help sets up the next instalment and then stay seated until the end credits for The Avengers 'The Falcon' and 'Captain America' leading us into the upcoming 'The Avengers : Civil War' . . . maybe!

Ant-Man is a welcome addition to the Marvel big screen canon and is certainly worth the price of your ticket and worth catching on the big screen.

  

-Steve, at Odeon Online-