Turning the attention then back to this weeks slew of new movies to grace a big screen Odeon near you, of which there are six, we kick start with the fourth offering in this action franchise that sees this team of elite mercenaries go head to head with a ruthless terrorist intent on igniting WWIII. Next up we have a horror film that is a direct sequel to a classic 1973 film that sees a 12-year-old girl and her friend possessed by a mysterious demonic entity, forcing her father to seek the help of two priests, and the only person who has witnessed such events before, to save her. This is followed by a biographical comedy drama film about a group of rag-tag investors who banded together to put the squeeze on at least two hedge funds that had bet that GameStop shares would fall. Then we turn to a Norwegian offering about a young woman who becomes increasingly overshadowed by her boyfriend's recent rise to fame as a contemporary artist creating sculptures from stolen furniture, so she hatches a vicious plan to reclaim her rightfully deserved attention within the milieu of Oslo's cultural elite. Following this up, we have an Aussie drama about a young Iranian mother and her six year old daughter who find refuge in an Australian women's shelter over the two week period of the Iranian new year festivities; before closing out the week with an Aussie music drama film about a terminally ill forty-something year old musician who forms an unlikely bond with a teenage runaway.
Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.
'THE EXPEND4BLES' (Rated MA15+) - this American action film is Directed by Scott Waugh whose previous feature film offerings include 'Act of Valor' in 2012, 'Need for Speed' in 2014, '6 Below : Miracle on the Mountain' in 2017 and 'Hidden Strike' released on Netflix earlier this year. This is the fourth instalment in 'The Expendables' film series, following 2014's 'The Expendables 3' and the previous two films released in 2010 and 2012. Those first three films in the franchise grossed worldwide US$804M off the back of combined production budgets of $US275M, with this fourth, and seemingly final instalment so far grossing US$40M off the back of a budget of US$100M since its release in the US on 22nd September. The film has generated largely unfavourable reviews.Armed with just about every weapon they can get their hands on and the skills to use them, The Expendables are the world's final line of defence and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give 'new blood' a whole new meaning. The cast takes in returning Sylvester Stallone, Jason Statham, Dolph Lundgren and Randy Couture joined by that new blood, Megan Fox, 50 Cent, Tony Jaa, Iko Uwais, Jacob Scipio and Andy Garcia.
'THE EXORCIST : BELIEVER' (Rated MA15+) - is an American supernatural horror film that is Co-Written and Directed by David Gordon Green whose prior feature film making efforts take in his debut in 2000 with 'George Washington' and then the likes of 'Pineapple Express' in 2008, 'Our Brand Is Crisis' in 2015 and then 'Halloween', 'Halloween Kills' and 'Halloween Ends' in 2018, 2021 and 2022 respectively. This film is the sixth instalment in 'The Exorcist' franchise, and serves as a direct sequel to 1973's 'The Exorcist'. When his daughter, Angela (Lidya Jewett), and her friend Katherine (Olivia Marcum), show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding (Leslie Odom Jnr.) to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil (Ellen Burstyn, reprising her role from the first film), the only person alive who's witnessed anything like it before. The film is released this week too in the US and is the first in a new trilogy of films, with the second 'The Exorcist : Deceiver', also to be Directed by Green, due for release in mid-April 2025.
'DUMB MONEY' (Rated MA15+) - this American biographical comedy drama film is Directed by Craig Gillespie whose prior feature film making credits take in his debut with 'Mr. Woodcock' in 2007 and 'Lars and the Real Girl' also in 2007 and then 'Fright Night' in 2011, 'Million Dollar Arm' in 2014, 'The Finest Hours' in 2016, 'I, Tonya' in 2017 and 'Cruella' in 2021. This film is based on the 2021 book 'The Antisocial Network' by Ben Mezrich. Based on the true story of everyday people who turn the tables on Wall Street and get rich by turning GameStop into one of the world's hottest companies in January and February of 2021. In the middle of everything is Keith Gill (Paul Dano), a regular guy who starts it all by sinking his life savings into the stock. When his social media posts start blowing up, so does his life and the lives of everyone following him. As a stock tip becomes a movement, everyone gets wealthy, until the billionaires fight back and both sides find their worlds turned upside down. The film saw its World Premiere at the Toronto International Film Festival in early September and was released in the US in limited theatres a week later before expanding into a wider release on 29th September. The film garnered generally favourable reviews and stars Pete Davidson, Vincent D'Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, Seth Rogan and Dane DeHaan. It has so far grossed US$8M against a production budget of US$30M.
'SICK OF MYSELF' (Rated MA15+) - is a Norwegian film Written, Directed and Edited by Kristoffer Borgli. The film saw its World Premiere screening at the 2022 Cannes Film Festival and was released in its native Norway in early September last year, and only now does it get a limited showing in Australia, having so far grossed US$1M at the Box Office and having garnered generally favourable reviews. Signe (Kristine Kujath Thorp) and Thomas (Eirik Saether) are in an unhealthy, competitive relationship that takes a vicious turn when Thomas suddenly breaks through as a contemporary artist. In response, Signe makes a desperate attempt to regain her status by creating a new persona hell-bent on attracting attention and sympathy.
'SHAYDA' (Rated M) - this Australian drama film is Written, Co-Produced and Directed by Noora Niasari in her feature film debut having Directed a number of short films and the documentary 'Antunez House' in 2017. The film had its World Premiere screening at this years Sundance Film Festival in late January where it won the Audience Award in the World Cinema Dramatic Competition and has subsequently been selected as the Australian entry in the Best International Feature Film category for the 2024 Academy Awards. Here, a young Iranian mother Shayda (Zar Amir Ebrahimi) and her six-year-old daughter (Selina Zahednia) find refuge in an Australian women's shelter during the two weeks of the Iranian New Year (Nowruz) while trying to escape the manipulations of her separated, abusive husband. Also starring Leah Purcell and Osamah Sami. The film has garnered widespread critical acclaim.
'THREE CHORDS AND THE TRUTH' (Rated M) - this Aussie music drama film is Written and Directed by first time feature film maker Claire Pasvolsky, and is inspired by the real life story of singer and songwriter Jackie Marshall. If Angie (Jackie Marshall) wasn't so self-sabotaging, she could have been one of Australia's leading musicians. Now in her forties, she finds herself terminally ill and alone. She struggles financially and plays in a seedy downbeat pub to help finance the recording of her final album. When Angie meets Ruby (Maisie Owens), a teenage runaway, the two form an unlikely bond when Angie teaches her to play guitar and write songs, but as Ruby becomes increasingly dependent on Angie, it becomes unbearable for Angie to tell her new young friend that she only has months to live.
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