Here, set in modern day London, the film opens on a building site in Paddington where an excavation reveals what appears to be an unexploded WWII bomb. The site foreman calls the local Police who spring into action and alert the Army bomb disposal unit. The Police, under the command of Chief Superintendent Zuzana Greenfield (Gugu Mbatha-Raw), cordon off an area the size of several city blocks, and order the immediate evacuation of all civilians, including Rahim (Elham Ehsas) and his parents, to Hyde Park. Meanwhile, Greenfield has contacted Major Will Tranter (Aaron Taylor-Johnson) a seasoned bomb disposal expert to lead the investigation into the nature of said device and its defusing.
Upon arrival at the Paddington site, Tranter and his team set the ground rules for handling the alleged bomb, which sits buried in mud and partially submerged in waste water. The operation is hampered when Tranter discovers a timed trigger, and that it is ticking. One of the soldiers uses a magnetic device to temporarily disable the timer, while the rest attempt to build a wall to contain and reduce the blast zone. Tranter relays back to his team and Greenfield that the bomb could off anytime between now and the next 48 hours.
The thieves are able to successfully evade the Police - first on foot through the sewers of central London and then they escape in a van to a safehouse in the countryside. There, Karalis reveals uncut diamonds among the loot, then double-crosses them by calling in a team of armed gangsters he works for, who come in with shotguns blasting away, and take out Y with a blast to his shoulder. They then cable tie the thieves up and lock them in a shed. Karalis, who is in cahoots with his uncle, who turns the tables on his nephew by stating that he now wants a 50% cut of the share from the sale of the diamonds when they had originally agreed a 20% cut. Karalis is none too pleased with this development and when he tries to explain the work involved in fencing off uncut diamonds, and their true value only when they are cut, the uncle slams down a wrench on the table smashing the diamond into dust. Upon discovering the diamonds to be fake, the gangsters break his hand with the wrench, lock him in the boot of their car and drive off with him, leaving the other thieves locked in the shed. Y succumbs to his shotgun wound and dies. X breaks free from his cable tied wrists and frees the others. Using the van to break out of the shed door, X grabs his tablet from two getaway cars and says that he placed tracking devices on each of them, because he felt none of his accomplices could be trusted. and Karalis is able to use his phone to broadcast his location. With X, Hardeep and Z tracking him, they eventually catch up, kill the gunmen, and attempt to suffocate Karalis, but Tranter arrives and shoots X dead, and wounds Hardeep and Z, so allowing Karalis to escape. With Hardeep and Z left for dead, they both retrieve the stash of cash and jewellery from the gunmen's car, and are last seen grinning from ear to ear.
A closing sequence tells us that Tranter, Karalis and Rahim first met ten years earlier in Afghanistan, when Karalis was double-crossed by his employer, who kidnapped him, only for their convoy to be caught up in an IED blast. Tranter and Rahim who happened to be in the locale at the time provided cover fire against the insurgents, as Karalis was able to disarm a land mine that Tranter had inadvertently stepped on. However, whilst Karalis cut the wire leading to the land mine, he neglected to disengage the grenade at the mine's control box causing a chain reaction of explosions from other buried IED's sending the three of them flying albeit unharmed.
'Fuze' hardly reinvents the bank heist film genre that goes adrift before the final payoff and the villains walk away to spend their millions on ill gotten gains, but nonetheless, it is an enjoyable, entertaining and engaging robbery romp ramping up the tension, the plot twists and turns and the double crosses into a reasonably respectable 97 minute run time. The character development is somewhat lacking (until that final sequence) and the at times ho-hum dialogue, but the cinematography, editing, Mackenzie's deft Directorial hand and a more than competent cast all add up to an acceptable thrill ride.
'Fuze' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-






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