The film opens up on a beautiful sunny day in New York City, and its now been twenty years since Andrea 'Andy' Sachs (Anne Hathaway) left her position as Second Assistant to Miranda Priestly (Meryl Streep) at Runway magazine. In the intervening years she has become a respected journalist and reporter for New York newspaper 'Vanguard'. We join Andy as she and her colleagues sit around a table at a New York awards gala luncheon, just as Andy is called out as the recipient of a prestigious journalism award. Before she can stand up and walk to the lectern to collect her award and say a few words all of the mobile phones at her table receive the same text message - they have all been fired with immediate effect, and Vanguard has gone into receivership.
Meanwhile, Miranda, Andy's former boss, is seemingly under attack from all sides for her failure to short circuit an on-line news piece about a fashion brand heavily promoted by Runway that uses Asian sweatshop labour. The news breaks just as Miranda arrives at a high-end fashion event and is greeted by her right-hand man Nigel (Stanley Tucci), and they both put on a brave face and carry on regardless. In an attempt to make the magazine respectable again Irv Ravitz (Tibor Feldman), the owner of Runway's parent company Elias-Clarke and Miranda's boss, calls Andy out of the blue and offers her a job as Features Editor at Runway without Miranda's knowledge or approval, much to her chagrin.
After penning serious articles that receive praise for the writing and content, yet gain minimal traction, and after getting shut down by Miranda in a team meeting, Andy rescues her flagging reputation at Runway by brokering a coveted interview with Sasha Barnes (Lucy Liu), the reclusive divorcee of Silicon Valley billionaire Benji Barnes (Justin Theroux). Irv promises to make Miranda Elias-Clarke's global head of content, but before he can make the promotion official, he dies from a heart attack during his lavish 75th birthday party. His son, Jay (B.J. Novak), lacks Irv's sentimental attachment to both any sense of fashion or Runway. Jay puts Miranda's promotion on hold while engaging management consultants to recommend cost cuts and business efficiencies. Much to Andy's surprise, Miranda seems to go with the flow. Meanwhile, Andy's relationship with her new boyfriend Peter (Patrick Brammall) sours when she unintentionally insults his job as an apartment renovator while sat in an apartment she purchased from the same renovator, while also fretting she may lose her own position, as part of the major shake-up at Runway. Considering her options, Andy explores writing a tell-all book about Miranda with a publisher, who offers her a lucrative US$350K advance, but Andy is torn by this prospect, and ultimately declines the offer.
To prevent Benji and Emily from ultimately destroying Runway, Miranda instructs Andy to find a competing buyer. Andy convinces Sasha to buy not just Runway but all of Elias-Clarke, and Jay accepts her offer, pulling out of his deal with Benji while he, Benji and Emily are sat around a table at Benji's private villa on the edge of Lake Como. Needless to say Benji and Emily are left completely gobsmacked by this sudden turn of events having come so close to finalising the deal. Later that evening Miranda realises she has taken Nigel for granted for almost the whole time they have worked side by side. To make amends, she invites him to deliver the gala's keynote speech instead of her, so she and Andy can fly back to the US to finalise the deal in person with Sasha. At first he is very reluctant, but Miranda responds saying that he wrote the speech anyway, so he'll know it, and he nails it.
With 'The Devil Wears Prada 2' here returning Director David Frankel has reassembled the core team from the 2006 movie and added a whole bunch of other A-list talent from the cinema and fashion worlds, and adorned them all in the most stunning haute couture outfits seen possibly in any film since the original graced our screens twenty years ago. Whilst this film doesn't reach the lofty heights that the first instalment did, it is nonetheless a respectable sequel that has some pointed messages about fast fashion, the decline in print media, the reliance we have on social media and emerging AI, career dynamics, and the cut throat world of big business. Streep, Tucci, Hathaway and Blunt are all on top form and its good to see them all back together riffing off each other and delivering some notable one liners along the way. The production values are also top notch, and its easy to see where the US$100M budget went as both New York City and Milan are presented in all their sun drenched glistening city tower blocks and ancient buildings will attest to. All that said, an enjoyable time at the Odeon, but please, lets end on a high note and we don't need 'The Devil Wears Prada 3'.
'The Devil Wears Prada 2' merits four claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-







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