Birthday's to share this week : 29th October - 4th November 2017.

Do you celebrate your Birthday this week?

Ben Foster does on 29th October - check out my tribute to this Actor Producer Birthday Lad turning 37, at the end of this feature.

Do you also share your birthday with a well known, highly regarded & famous Actor or Actress; share your special day with a Director, Producer, Writer, Cinematographer, Singer/Songwriter or Composer of repute; or share an interest in whoever might notch up another year in the coming seven days? Then, look no further! Whilst there will be too many to mention in this small but not insignificant and beautifully written and presented Blog, here are the more notable and noteworthy icons of the big screen, and the small screen, that you will recognise, and that you might just share your birthday with in the week ahead. If so, Happy Birthday to you from Odeon Online!

Sunday 29th October

• Kate Jackson - Born 1948, turns 69 - Actress | Producer | Director
• Winona Ryder - Born 1971, turns 46 - Actress | Producer
• Richard Dreyfuss - Born 1947, turns 70 - Actor | Producer | Writer | Singer
• Rufus Sewell - Born 1967, turns 50 - Actor
• Ben Foster - Born 1980, turns 37 - Actor | Producer 

Monday 30th October

• Henry Winkler - Born 1945, turns 72 - Actor | Producer | Director | Writer
• Kevin Pollak - Born 1957, turns 60 - Actor | Producer | Writer | Director
• Juliet Stevenson - Born 1956, turns 61 - Actress 
• Clemence Poesy - Born 1982, turns 35 - Actress | Writer | Director  

Tuesday 31st October

• Piper Perabo - Born 1976, turns 41 - Actress | Producer
• Willow Smith - Born 2000, turns 17 - Actress | Singer
• Stephen Rea - Born 1946, turns 71 - Actor 
• Peter Jackson - Born 1961, turns 56 - Director | Producer | Writer | Actor | 
• Dermot Mulroney - Born 1963, turns 54 - Actor | Producer | Director | Singer | Musician
• Rob Schneider - Born 1963, turns 54 - Actor | Writer | Producer | Director   

Wednesday 1st November

• Lyle Lovett - Born 1957, turns 60 - Singer | Songwriter | Actor | Composer | Producer | Director 
• Robert Luketic - Born 1973, turns 44 - Director | Producer | Writer
• Toni Collette - Born 1972, turns 45 - Actress | Producer | Singer  

Thursday 2nd November

• Stephanie Powers - Born 1942, turns 75 - Actress | Producer | Writer
• David Schwimmer - Born 1966, turns 51 - Actor | Director | Producer 
• Jon M. Chu - Born 1979, turns 38 - Director | Producer | Writer 

Friday 3rd November

• Gary Ross - Born 1956, turns 61 - Writer | Director | Producer
• Dolph Lundgren - Born 1957, turns 60 - Actor | Producer | Director | Writer
• Dylan Moran - Born 1971, turns 46 - Actor | Writer
• Lulu (aka Marie McDonald McLaughlin Lawrie) - Born 1948, turns 69 - Singer | Actress
• Roseanne Barr - Born 1952, turns 65 - Actress | Producer | Writer | Director | Singer
• Kate Capshaw - Born 1953, turns 64 - Actress   

Saturday 4th November

• Loretta Swit - Born 1937, turns 80 - Actress | Singer
• Ralph Macchio - Born 1961, turns 56 - Actor | Producer | Director | Writer
• Matthew McConaughey - Born 1969, turns 48 - Actor | Producer | Singer | Songwriter
• Sean 'Diddy' Combs - Born 1969, turns 48 - Singer | Songwriter | Composer | Producer | Actor | Writer | Director 

Benjamin A. Foster was born in Boston, Massachusetts to mother Gillian Kirwan and father Steven Foster - restauranteurs. He described his parents as 'free spirited Vietnam protesting hippies'. When he was four years old the family, together with younger brother Jon, relocated themselves to Fairfield in Iowa as a result of a burglary on their home while they were present in the house. Whilst living in Fairfield, Ben attended the Maharishi University of Management featuring a consciousness based education system that includes the practice of Transcendental Meditation technique (which he still practices to this day). Foster began his career as a jobbing Actor from the age of sixteen having dropped out of High School and moving to Los Angeles to chase his dream. However, he discovered acting much earlier on in his life when he wrote, Directed and starred in his own stage play at age twelve - which came second place in an international competition. By age fourteen he has attended the Interlochen Theatre Arts Summer Programme at Interlochen in Michigan, so it almost became inevitable that in time he'd move to Tinsel Town.

He gained his first acting gig in the direct to video release of 'Kounterfeit' - an action crime thriller from 1997 with Hilary Swank. This was followed up that same year with all 26 episodes on the Disney family comedy television series 'Flash Forward' which ran from 1996 through to 1997, with Foster playing a lead role as Tucker James. He followed this up with a single episode on 'You Wish' and then made for television films - 'I've Been Waiting For You', 'Breakfast with Einstein' and '1973' in 1998 with two episodes on 'Freaks and Geeks' and then feature film 'Liberty Heights' closing out the decade in 1999 as Written and Directed by Barry Levinson and also starring Adrien Brody.

2000 launched with a single episode on 'Family Law' and then RomCom 'Get Over It' with Kirsten Dunst, Colin Hanks, Mila Kunis, Zoe Saldana, and Martin Short. TV movie 'The Laramie Project' based on a true crime murder story also starred Peter Fonda, Laura Linney, Steve Buscemi, Clancy Brown and Christina Ricci. This in turn led to two episodes on 'Boston Public' then comedy crime caper offering Directed by Barry Sonnenfeld 'Big Trouble' with Tim Allen, Stanley Tucci, Tom Sizemore, Johnny Knoxville, Rene Russo, Zooey Deschanel and Sofia Vergara. 'Bang Bang You're Dead'; 'Northfork' with James Woods, Nick Nolte and Daryl Hannah; '11:14' with Colin Hanks, Patrick Swayze, Hilary Swank and Barbara Hershey, 'The Punisher' based on the Marvel Comics character of Frank Castle, aka 'The Punisher' played by Thomas Jane with John Travolta, Will Patton, Roy Schneider and Rebecca Romijn; and then 'The Heart Is Deceitful Above All Things' took us up to mid-decade.

2005 saw 'Hostage' - the action crime drama with Bruce Willis, and running concurrently over 23 episodes was the critically acclaimed television series 'Six Feet Under' between 2003 and 2005. These were followed up by 'Alpha Dog' based on a true crime story Directed by Nick Cassavetes and with an ensemble cast taking in Bruce Willis, Harry Dean Stanton, Justin Timberlake, Emile Hirsch, Anton Yelchin, Sharon Stone, Amanda Seyfried, Amber Heard and Olivia Wilde. Foster's performance gained him a Breakthrough Performance Award win at the Young Hollywood Awards. 2006 also saw his turn as Warren Worthington III/'Angel' in 'X-Men : Last Stand', and then the James Mangold Directed Western drama '3:10 to Yuma' alongside Christian Bale and Russell Crowe. David Slade's vampire horror thriller '30 Days of Night' came next in 2007 with Josh Hartnett, Danny Huston and Melissa George, and in between time there were appearances on television series 'The Dead Zone' and 'My Name Is Earl'.

2009 brought 'The Messenger' Directed and Co-Written by Oren Moverman to critical acclaim about an injured American soldier returning from a Tour of Duty in Iraq who becomes involved with with the widow of a fallen officer. Also starring Woody Harrelson and Samantha Morton the film was nominated for two Academy Awards, and picked up seventeen award wins and a total 46 nominations including a number of Best Actor wins and nominations for Fosters performance. Sci-Fi action horror 'Pandora' with Dennis Quaid and Norman Reedus closed out the decade.

'Here', then the remake of
the classic early '70's Charles Bronson actioner 'The Mechanic' in 2011 as Directed by Simon West and starring Jason Statham as Arthur Bishop/The Mechanic followed, with '360' and gritty crime drama 'Rampart' Directed again by Oren Moverman and starring Woody Harrelson, Sigourney Weaver, Jon Bernthal, Brie Larson and Cynthia Nixon all came along that same year.

2012 saw crime drama action film 'Contraband' with Mark Wahlberg, Kate Beckinsale, Giovanni Ribisi, then in 2013 the biographical drama 'Kill Your Darlings' about the intertwined lives of three great poets - Allen Ginsberg, Jack Kerouac and William Burroughs and starring Daniel Radcliffe, Dane DeHaan, and Jack Huston. The David Lowery Written and Directed 'Ain't Them Bodies Saints' with Casey Affleck and Rooney Mara, and then the true story of Navy Seals on a mission to take out a notorious Taliban leader, when their capture or kill objective goes horribly wrong on a remote mountain side - 'Lone Survivor'. Starring Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Eric Bana and Directed by Peter Berg the film was nominated for two Academy Awards and picked up a SAG Award for best stunt ensemble among its haul of five wins and sixteen nods.

Stephen Frears sports biopic of the failed Tour de France winner Lance Armstrong, starred Foster as the seven time cycling champion ultimately outed for his banned substance abuse that fuelled his multiple victories, his fame and his fortune. Also starring Chris O'Dowd, Jesse Plemons, Dustin Hoffman and Lee Pace 'The Program' had a limited release but garnered Foster much critical praise for his impressive portrayal of the doomed cyclist. Historical seafaring search and rescue film 'The Finest Hours' was released in 2016 with Chris Pine, Casey Affleck, Eric Bana, John Ortiz and Holliday Grainger.

2016 also saw the modern day Western set in America's West Texas rust belt about a couple of down on their luck brothers who resort to desperate measures to save their family ranch from the bank foreclosing. 'Hell or High Water' also starred Chris Pine, Jeff Bridges and Gil Birmingham and was nominated for four Academy Awards, three BAFTA's, three Golden Globes amongst its combined tally of 39 Award wins and another 160 nominations. This was followed by action adventure fantasy film 'Warcraft' as Directed by Duncan Jones and starring Travis Fimmel, Dominic Cooper, Toby Kebbell, Clancy Brown and Ruth Negga. Costing US$160M this video game adaptation grossed US$433M making it the highest grossing video game film adaptation of all time. 'Inferno' based on the Dan Brown book of the same name about Professor of Symbology Robert Langdon played for the third time by Tom Hanks, and his attempts to foil a deadly global plot masterminded by a wealthy industrialist intent on wiping out half the worlds population because it can't sustain itself. Foster plays that guy.

Bringing us up to date are the French comedy Directed, Co-Written and also starring Guillaume Canet 'Rock'n Roll' with Marion Cotillard and the soon to be released Western drama set in 1892 'Hostiles' with Christian Bale, Jesse Plemons, Stephen Lang, Peter Mullan and Rosamund Pike. Also due soon and in post-production is 'My Abandonment' and hitman revenge film 'Galveston' with Beau Bridges and Elle Fanning due later in 2018.

All up Foster has 53 Acting credits under this belt so far, and one as Producer on 'Rampart'. He also has a stage credit for appearing alongside Gillian Anderson in 2014 in 'A Streetcar Named Desire' at London's Young Vic Theatre, later transferring in 2016 to New York's St. Ann's Warehouse in Brooklyn. He has so far garnered seven Award wins for 'Hell or High Water', 'The Messenger' and 'Alpha Dog' plus a further thirty nominations.

Foster was in a long term relationship with Actress Robin Wright from early on in 2012, becoming engaged to be married two years later, only to call it all off in late 2014. They reconciled their differences a few months later only to abandon the relationship for good by August 2015. Fourteen months later in October 2016 he became engaged to Actress Laura Prepon, and the couple celebrated the birth of their first child together, a daughter in August of this year.

Ben Foster - described by some Critics as giving powerful 'unhinged' and 'intense' performances that even 'make a bad film worth seeing'; often plays crazy, violent roles; has a soft, mellow and calming voice; was ranked highly on the '30 under 30' Actors list and the '10 Actors to Watch' list and has already gained the accolades and recognition to prove it, and, is only improving with age and is increasingly in demand. With a varied body of work across the small screen, the silver screen and the stage taking in just about all genres (except a song and dance number . . . yet!), we'll stay tuned for your further offerings. In the meantime, Happy Birthday to you Ben, from Odeon Online.

-Steve, at Odeon Online-

HELL OR HIGH WATER : Tuesday 1st November 2016.

'HELL OR HIGH WATER' which I caught early last week had its release Stateside in mid-August having Premiered at Cannes in May this year in the Un Certain Regard category, and only this past week has it reached Australian shores. Written by Taylor Sheridan, this modern day Western themed heist drama film has already received high praise from the critics and has made US$30M from its US$12M budget. Directed by David Mackenzie this cops & robbers thriller is set in no-hope west Texas where towns are diminished to desolate outposts - the shadows of the bristling communities they once were. Businesses have closed down, debt runs rife, the populations are dwindling, towns are dying a slow painful death in America's mid-west and its a hot dust bowl on the edge of a vast expanse of desert.

As the film opens we are introduced to brothers Tanner (Ben Foster) a somewhat hot headed ex-Con recently released from prison for killing their abusive father, and Toby Howard (Chris Pine) a divorced father of two who is estranged from his sons but who desperately wants to do the right thing by them. The two are in a car driving up to a small town branch of the Texas Midlands Bank which they intend to rob at gun point during the early morning quiet period. The robbery is simple enough and reasonably well planned. Take just the cash money from the registers in small denominations, get in quick, get out fast, no one gets hurt and no one can trace the stolen bills. The first heist goes according to plan, and so does the second, each time the pair making off with just seven or eight thousand dollars, leaving the local cat napping Police wondering WTF just happened.

We learn that the brothers mother has recently died in the last three months leaving the family farm in West Texas facing foreclosure if the mortgage isn't paid off imminently. The reverse mortgage on the property is held by Texas Midlands Bank, with about US$40K due before the weeks end - it has to be paid off come Hell of High Water by Friday, otherwise the Bank takes possession. Toby is determined to pay off the mortgage because oil has recently been discovered on the farm and he wants to sell the oil rights (worth about US$50K a month) and leave the farm to his two sons, so that they need never worry about money again. The brothers plan another heist on the same bank but a different branch in a nearby town, accumulating more funds towards the ultimate pay day which they launder through a casino over the border in Oklahoma. For each heist the brothers use a different vehicle, burying the cars on the farm dug out with a bulldozer.

After a number of robberies two Texas Rangers are put on the case - grizzled and fast approaching retirement Marcus Hamilton (Jeff Bridges) and his native Indian partner in law enforcement Alberto Parker (Gil Birmingham). Hamilton soon wises up to Toby & Tanner and works out their strategy, methods and personalities and realises their pattern of focusing on the regional Texas Midland Bank branches. In a third raid Tanner goes off on his own for a quick no nonsense robbery while Toby sits in a diner unknowing. Easy money which is laundered through the casino. In all nighter Tanner plays poker and wins up big so increasing their stash of cash, which Toby cashes in the form of a cheque made out to Texas Midlands Bank for by now, about half the sum owing, so paying back the Bank with their own stolen money! Brilliant!

Through the process of elimination, Hamilton works out where the brothers next heist will be. En route to the next suspected robbery location they arrive after the fact, but amidst a scene of carnage. The brothers raided a bank on pay day when the branch was full of people paying in their wages. Tanner proceeded with the heist not realising that some of this customers were carrying guns, and one alerted the authorities while face down on the ground using her mobile phone. A shoot out occurs in which Tanner shoots and kills a Security Guard and an armed customer, and Toby sustains a bullet wound in his side. Getting out with another stash of cash but an angry and armed mob hot on their tails, a car chase ensues out of town. On the outskirts of town and with enough distance between them, they stop their vehicle and Tanner fires upon the pursuing convoy with a semi-automatic weapon, causing them to stop in their tracks and turn back.

The brothers split into two cars. Tanner driving off into the hills to lure the Police, Hamilton and Parker off the scent and confront them in an inevitable shoot out; and Toby to freedom with the cash. It doesn't end well for Tanner having taken out Parker and several officers in the process, which only incurred the wrath of Hamilton to call in the SWAT boys and use a locals knowledge of the desert hills with which to sneak around a ridge and take out Tanner with a single well aimed long range shot. In the meantime, Toby manages to get through Police checkpoint despite his bleeding wound, sweaty brow, nervous disposition and stash of cash hidden away under his seat.

Toby makes it to the casino to launder the rest of the money, and have a cheque raised for the final balance on the monies owing to Texas Midlands Bank. Whilst there he learns over a news broadcast on the television that his brother has been killed. He delivers the cheques to the Bank in good time to prevent them foreclosing on the farm, and in so doing saves his property and sets up a cash legacy for his sons from the oil rights he can now sell.

Sometime later, Hamilton has retired and Toby has been cleared of any suspicion in the case given that he has a clean record and no motive for the robberies since he is a rich man anyway now. Hamilton however, is still suspicious but has nothing firm to pin on Toby other than his gut instinct. He drives out to the farm confronting Toby with what he suspects and the two face off in a battle of wits and words only to be interrupted by Toby's ex-wife who has moved onto the property with their two sons, who are now owners of the farm with it held in trust until they turn adults. Hamilton leaves the property wanting to bring Toby to justice at the end of his gun. Toby responds by saying that he is living in a rental in town and how Hamilton should drop by sometime so that they can finish their conversation - implying that the pair will meet again with weapons drawn.

This is a simple story very well told, well written and well filmed. A modern take on a tale of the old West, backed up by strong performances from Foster, Pine and Bridges, and sweeping vistas of a land that stretches for as far as the eye can see and down & dirty too with mid-western townships in a state of steady decline. Brotherly love, family values, right and wrong, good and bad, crime and punishment are all explored here in a film that takes time to allow for character development, amidst the hiatus of bank hold-ups and the sense of urgency brought about by their impending situation. Well worth searching out.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 27th October 2016.

The heavily hyped, highly anticipated next instalment in the Marvel Cinematic Universe is released this week in the form of 'Doctor Strange' as Previewed below. Representing the 14th film in the MCU, the good Doctor is a lesser known character in the rapidly expanding portfolio of Marvel superheroes to get the big screen treatment as the MCU enters its third stage which launched with the hugely successful 'Captain America : Civil War' earlier this year. Stephen Vincent Strange - world acclaimed neurosurgeon - first appeared in Marvel's Comic Books back in July 1963 created by artist and conceptualist Steve Ditko with the storyline coming from Stan Lee. Since then there have been a long line of comic books, novels, video games, cross-over animated television series and a few films including a 1978 live action film titled 'Dr. Strange' with Peter Hooten in the lead role, the animated direct to DVD 'Doctor Strange : The Sorcerer Supreme' in 2007, and a brief cameo in the 2010 animated 'Planet Hulk'. Now in 2016, after a gestation period that commenced in 1986 when a movie adaptation went into pre-production and then faltered, various Writers including David S. Goyer, Alex Cox and Wes Craven coming and going over subsequent years, and as Studios came and went, finally Scott Derrickson scored the gig to Direct. As a self-confessed fan of the mystic superhero since childhood, he had his mind set on just one Actor to play the lead role - Benedict Cumberbatch. After this outing, we'll see Cumberbatch reprising his role as Doctor Strange in 'Avengers : Infinity War' due in May 2018.

This week there are just three new cinema releases coming to an Odeon near you, but each have been critically acclaimed and therefore merit your strongest consideration when pondering what to see on the big screen in the week ahead. We kick off with the latest offering from your favourite cinematic universe that has already yielded thirteen films of superhero goodness, with this fourteenth introducing us to a new lesser known character who learns to fight mystical threats against our humble world using newly acquired metaphysical powers and a higher learning. We then move to rural Texas and a modern day game of cops and robbers in the mid-West that brings a couple of young guns up against an old hand Ranger and his trusted pardner. The week then wraps up with a French foreign language film about rape, female empowerment and revenge from a Director not too concerned about courting controversy.

As always, remember to share your views and observations with your like minded readers here, by leaving your Comment below this or any other Post. We'd love to hear form you, and in the meantime, enjoy your film.

'DOCTOR STRANGE' (Rated M) - the fourteenth instalment in the Marvel Cinematic Universe is upon us in the guise of one Doctor Stephen Strange, a lesser known character in the comic canon, but one nonetheless who has carved out a niche following and who has been around since being created by artist Steve Ditko in 1963, with Stan Lee penning the mystical mind bending story. Made for US$165M, the early Reviews of 'Doctor Strange' have been very positive, with Marvel looking as though they have backed another winner, with Scott Derrickson in the Director's Chair and also taking a Screenplay and Story credit, and Benedict Cumberbatch playing the title role ably supported by a strong cast.

And so Doctor Stephen Strange is a world acclaimed neurosurgeon - both brilliant and egotistical. When a car accident robs him of the use of both hands and therefore his ability to perform surgery he scales the globe seeking a cure that will repair and restore the use of his hands. When this doesn't eventuate and he has lost his way in life and used up all of his accumulated wealth, he comes across 'The Ancient One' (Tilda Swinton) in a mysterious mountain enclave known as the Kamar-Taj located in the Himalayas. Here The Ancient One shows him what might be and what he is capable of, and he also learns that those others of the enclave represent the front line of defence against dark forces intent of destroying reality. 'Through the mystic arts we harness energy to shape reality' she tells him. It's not long before Strange is caught between the world he once knew, and giving that all up to defend the world against mystical threats as an all powerful sorcerer using his new found metaphysical abilities. Also starring Chiwetel Ejiofor, Mads Mikkelsen, Benjamin Bratt, Benedict Wong and Rachel McAdams.

'HELL OR HIGH WATER' (Rated MA15+) - released Stateside in mid-August having Premiered at Cannes in May this year, and only now reaching Australian shores, this film has already received high praise from the critics and has made US$30M from its US$12M budget. Directed by David Mackenzie this modern day Western crime thriller tells the story of two brothers, Tanner (Ben Foster) and Toby Howard (Chris Pine) whose mother has recently died, leaving the family farm in West Texas facing foreclosure if the mortgage isn't paid off imminently. Needing to raise some fast cash to pay off the loan to secure the house and farm, and set themselves up, the two brothers embark on a spree of local bank robberies on the Texas Midlands Bank. What they don't count on though is that local wise, grizzled and fast approaching retirement Texas Ranger Marcus Hamilton (Jeff Bridges) and his partner in law enforcement Alberto Parker (Gil Birmingham) are hot on their tails and closing in. This cops and robbers saga plays out until the final showdown, when Ranger Marcus Hamilton just might prove that in fact this is a country for old men!

'ELLE' (Rated MA15+) - this French foreign language film is Directed by Paul Verhoeven in his first feature film outing in ten years and his first in French. The film Premiered in competition at Cannes earlier this year and it has been chosen as the French entry into the Best Foreign Language Film category at the Academy Awards in February 2017. The film has been critically acclaimed. Telling the story of hard as nails high flying corporate Chief Executive Officer of a Paris based video game production company, Michele LeBlanc (Isabelle Huppert) who lives her love life as tough and as ruthless as her business life. Until that is, one day she is raped in her own home by an unknown assailant, which changes her life forever. When Michele, determined to track down her attacker, finally does so, what begins is a cat and mouse game of violent sexual encounters that could escalate out of control at any time, but which nonetheless she appears to be aroused by - or is this just part of her plan to exact revenge on the perpetrator?

Three highly acclaimed films then to choose from this coming week that give you ample excuses to get out to your local Odeon at least once over the next seven days. When you have done so, share a Comment with us and let us know what you thought of you movie going experience. In the meantime, I'll see you at the Odeon.

-Steve, at Odeon Online-

INFERNO : Tuesday 18th October 2016

'INFERNO' which I saw this week was written by Dan Brown, and he has so far had two other Robert Langdon adaptations committed to the big screen - 'The Da Vinci Code' in 2006 which made US$758M from its US$125M budget outlay, and 'Angels and Demons' in 2009 which returned US$486M from its US$150M budget. 'Inferno' is the third movie outing for Harvard Professor of Symbology, Robert Langdon and the fourth book of the series. 'The Lost Symbol' - the third book in the series was skipped over as it was thought by those all knowing Studio Exec's that 'Inferno' would make a more compelling transition to the cinema screen. The Langdon character is reprised once again by Tom Hanks and with Director Ron Howard at the helm. David Koepp wrote the screenplay. The film was made for US$75M and has so far made US$50M ahead of its US release date on 28th October.

The film opens up with a lone man being chased on foot by three assailants. He disappears up a bell tower and upon reaching the top with no where to turn he steps out on to the ledge overlooking the cobbled streets below of Florence. The three men chasing after him emerge, the man is caught, he turns inwards to face the men, some words are exchanged, and the man leans back and plummets to his death onto the street below. We then cut to a hospital bed where a semi-conscious Robert Langdon (Tom Hanks) is hooked up to a drip, heart monitors and his head bandaged. He is having visions of Hell, the plague, ravaged bodies, violence and death and rivers of blood but all in a modern day setting. He comes around and is greeted by Dr. Sienna Brooks (Felicity Jones) who advises him that he was admitted muttering the words 'very sorry' over and over again and with a bullet wound to the head that is likely to have caused temporary amnesia. Langdon has no recollection of the events that caused him to end up in the hospital bed, and in Florence of all places which he recognises instantly from his bedroom window.

Whilst Langdon is still in pain from his head wound and experiencing ongoing visions which he is seemingly caught in the middle of, Vayentha (Ana Ularu) an assassin, arrives at the hospital in police uniform and makes for the room where Langdon is in recovery. A hospital orderly is gunned down, and in the melee Brooks acts upon her survival instincts and gets herself and Langdon out of the hospital just in time to evade the rapid gunfire at the hand of the disguised assassin. The pair flee to Brooks' apartment where Langdon sleeps. When he wakes he freshens up but still has little memory of the events that brought him to Florence. Rummaging through his old bloodied clothes he comes across an object that he has never seen before, that requires his thumb print to open the stainless steel tube. Reluctantly the pair agree to open it revealing a 'Faraday Pointer' - a miniature projector - which reveals an image of Botticelli's late 15th Century Map of Hell which is based on Dante's 14th Century epic dark masterpiece 'Inferno'. But within the map on closer inspection are certain adjustments, hidden letters and a clue pointing to Betrand Zorbrist (Ben Foster) - the man who fell to his death at the beginning of the film.

Zorbrist it turns out was a billionaire geneticist who believed that the world is overpopulated and that rigorous measures are necessary to reduce the ever increasing population, which he sees as a modern plague. Through his seminars he has captured the interest of a group of followers around the world, and Langdon deduces that Zorbrist had created a virus capable of reducing the global populace by more than 50% - sustainable levels for a fresh start! By now the pair have been traced by the local authorities and the assassin once again, but again Langdon and Brooks manage to evade capture on foot. With Langdon's intimate knowledge of Dante, and of Florence the two embark on a cat and mouse game across the city's secret passageways, hidden vaults and network of tunnels and chambers all the while unlocking other clues as the clock counts down to the release of the virus in some hidden and secure place.

The pair are pursued at every turn by both Christoph Bouchard (Omar Sy) who claims to be working for the World Health Organisation, and Elizabeth Sinskey (Sidse Babett Knudsen) who heads up the WHO and is well known to Langdon. All the while Langdon's memory is coming back to him in flashback. In the meantime, Harry Sims (Irrfan Khan) heads up 'The Consortium' - a very special and secretive interest group who conduct dirty deeds for vast sums of money for the worlds wealthiest clients, no questions asked and confidentiality guaranteed. Sims is in possession of a video recorded by Zorbrist to be played only after the virus has been released, but since his client is dead, Sims plays the video recording, revealing the magnitude of what his client was planning. Sims approaches Sinskey with the knowledge of Zorbrist's final message, and the pair agree to work together to track down Langdon who is the only one capable of uncovering the puzzle and locating the virus stash before it is released. Bouchard however, gets to Langdon and Brooks first and wins them over with tall tales of Sinskey and how she has her own agenda for the virus.

Sims, using his own very particular set of skills tracks down Langdon who has now been captured by Bouchard, and Brooks has made off, but not before Brooks has revealed to Langdon that she was in fact Zorbrist's lover and his accomplice in the plan to release the virus, but the whereabouts of it were not known even to her. She needed him to reveal the location by following the clues and using his expert knowledge, and has since made off, evading capture by Bouchard, so ensuring the virus will be released as planned. In a run down building Sims quickly dispenses with Bouchard freeing Langdon to continue the chase for the virus. After an explanation of how Sims fits into the equation, Langdon reveals that the virus is in fact in Istanbul in the Hagia Sophia, and so the pair make off with  Sinskey in a private jet. We further learn that Langdon and Sinskey have romantic history and that she in fact asked Langdon with help in deciphering the meanings hidden in the Faraday Pointer. Langdon was kidnapped by The Consortium and given a memory loss drug and the whole hospital episode was a ruse, aimed at keeping Langdon off the scent.

The virus is hanging in a plastic bag dangling in the waters of the 6th Century Basilica Cistern close by to the Hagia Sophia. With a once a year music festival taking place within the Cistern and the gathered orchestra in place and well dressed on lookers filling the Basilica, the WHO Team, Sims, Sinskey and Langdon head down to search out the virus bag. So too do Brooks and two other enlisted foot soldiers intent on detonating two bombs in close proximity to the bag that when ruptured with aerosolize the virus. Needless to say its get pretty hairy in the closing minutes as bodies flay about in the shallow waters of the ancient Cistern and the virus is contained. It doesn't end well for the antagonists or Sims, leaving Langdon and Sinskey to return to the respective lives wondering what might have been if they had their time over again, and leaving the world's population in tact at almost eight billion and counting!

For me, after the novelty of seeing Robert Langdon in 'The Da Vinci Code' and then 'Angels and Demons' which were far better introductory films to the world of symbols, imagery, and iconology, I went in to the theatre with higher expectations and came out underwhelmed! In 'Inferno' we have a pedestrian, predictable, popcorn offering that sees the same old same old regurgitated again for the sake of some historic ancient landmarks whilst making light work of Langdon's particular set of skills to thwart a dead mans evil plot. There are too a number of liberties with the story as written by Dan Brown in his book, which I guess is Hollywood's poetic license at work here, but those that have read his page turning unputdownable novels as I have, are likely to pick up on this too. The story here takes a while to get into gear and then when it does it takes its foot off the peddle and meanders along in a by the numbers offering that make this the least engaging of the three films so far. Disappointing, particularly for another Hanks/Howard collaboration, but maybe for half the budget of its predecessors therein lies your answer? Wait for the DVD or BluRay to watch in the comfort of your own home and save yourself the price of a ticket.

-Steve, at Odeon Online-