ROOFMAN : Tuesday 21st October 2025

I saw the M Rated 'ROOFMAN' earlier this week, and this American crime comedy drama film is Co-Written for the screen and Directed by Derek Cianfrance who made his Directorial debut with 'Brother Tied' in 1998 and would follow this up with 'Blue Valentine' in 2010, 'The Place Beyond the Pines' in 2012, and 'The Light Between Oceans' in 2016. The film had its World Premiere at the Toronto International Film Festival in early September, was released in the US and here in Australia on 9th October, has generated largely positive press and has so far grossed US$21M from a production budget of US$18M. 

The films story opens in 1998 with Jeffrey Manchester (Channing Tatum), a divorced US Army veteran living in North Carolina. He struggles to provide for his three young children, and after one of his daughters sixth birthday, he is reminded by Steve (LaKeith Stanfield), his friend and fellow member of the 82nd Airborne Division, of his powerful skills of observation. Jeffrey uses this 'superpower' for noticing and exploiting routines to rob a McDonald's, breaking in through the roof at night. Surprising the morning shift before they start work for the day, Jeffrey orders the employees into the walk-in freezer but treats them kindly, even giving the manager his own coat to keep warm, before escaping with the contents of the safe. Over the course of the following two years, Jeffrey carries out about forty-five or so robberies with the same strategy, capturing the attention of the authorities and the media as the mysterious 'Roofman'. He is subsequently caught and arrested at his daughter's birthday party after attempting to escape the clutches of the local Police, and is sentenced to 45 years in prison, while his ex-wife Talana (Melonie Diaz) meanwhile ends his contact with their children.

In July 2004, he works in the prison shop, using his attention to detail to escape by hiding underneath a delivery truck and concealing himself above a black painted plank of wood that fits snugly under the truck and is sturdy enough to bear his weight. Hitchhiking to Charlotte in makeshift street clothes, he is unable to reach his children with a manhunt underway, and his face on all the news channels. He calls Steve, who warns him to lie low for a month and make contact with nobody. He is forced to hide in the bathroom ceiling at a Toys 'R' Us store.

And so Jeffrey ventures into the employee area once the store closes for the night, and finds the security system manual and puts a stop to the stores CCTV cameras from recording. He kits out a hiding place in a hollow wall behind a bicycle display using whatever he can find from the stores shelves to make himself a mattress and a chair. Concealing himself, sleeping, watching and listening in on the remote baby monitoring system to track the staff he has set up during the day, and roaming the empty store at night. 

Helping himself to clothes from the donation bin and other merchandise, he survives on Peanut M&M's and baby food. When Mitch (Peter Dinklage), the store's manager, is unwilling to accommodate his employee Leigh's (Kirsten Dunst) schedule as a single mother, so Jeffrey accesses Mitch's computer to change Leigh's shifts himself, by viewing Mitch's log in and password through his hidden cameras.

Jeffrey steals toys to donate to the toy drive Leigh has organised at her church, and when he is pressed to enter the church by another member of the congregation he claims to be a visiting New Yorker named John Zorn and is introduced to Leigh. He pawns stolen video games to pay for dental work after living on a diet of peanut M&M's. He later evades questions at a church singles lunch event by telling Leigh and the other gathered women that he is an undercover government agent. Leigh asks 'John' on a date, and they begin a relationship. Missing his own children, Jeffrey makes a concerted  effort to bond with Leigh's daughters Lindsay (Lily Collias) and Dee (Kennedy Moyer), but is unable to persuade Leigh to start a new life together some place else.

Early one morning while washing himself at the store, a naked and soap covered Jeffrey is interrupted by Mitch who comes into work much earlier than usual. Jeffrey quickly retreats to his hideout, while Mitch frightened bolts to the relative safety of his office, leaving Police to believe a homeless man snuck in and then fled through a fire escape. Later Lindsay and Leigh get into a heated argument, as she lashes out at her mother. Jeffrey buys a used car to teach her to drive and gain some independence and takes the family on a reckless test drive, with the used car salesman (Jimmy O.Yang) sat in the passenger seat nearly crapping himself over Jeffrey's high speed driving antics. 

Steve returns after months overseas, and agrees to help Jeffrey escape the country under a new identity for US$50K. Steve's partner Michelle (Juno Temple) aids the process by co-ordinating a hair piece for disguise purposes to help him clear customs. Desperate, Jeffrey botches a break-in at the pawn shop to steal a gun, and burns down his dentist's office to cover his tracks for fear of being identified through his dental records. 

At a team meeting held by Mitch just before the onset of the busiest time of the year, Christmas, he informs his team that all hours as rostered must be worked, no exceptions, and that he expects 110% commitment from every team member to achieve the stores sales goals. Jeffrey then once again adjusts Leigh's schedule to keep her away from the store until 10:30am on the day that Jeffrey holds the Toys 'R' Us staff at gunpoint and pistol-whips an armoured car guard knocking him unconscious. However, Leigh arrives early while he is calling for an ambulance. She recognises the masked Jeffrey, who flees with the store's cash before the Police arrive, who upon investigating the store premises discover his hideout. Jeffrey pays Steve for his fake documents and leaves for the airport, but receives a call from Leigh while en route. Unwilling to abandon her, he arrives at her apartment at their designated time of 5:00pm clutching helium filled festive balloons and gifts, but it turns out to be a trap by the Police after Leigh gave him up. He is taken into custody and receives an additional forty-year sentence.

Leigh visits Jeffrey in prison and they forgive each other, and tearfully embrace. He reconnects with his own daughter as he accepts life behind bars. An epilogue reveals that Leigh remarried but visited Jeffrey again for the first time in decades, while Jeffrey made two more escape attempts in 2009 and 2017, but says that no more escape plans feature on his agenda, that he is resigned to his fate in prison, and it is where he deserves to be. He is eligible for parole in 2036. Also starring Ben Mendelsohn and Tony Revolori.

I enjoyed 'Roofman' - up to a point. This film is part RomCom, part drama and part thriller, and is ably held together by two on point performances by a likeable rogue thief in Channing Tatum, and his trusting but ultimately betrayed girlfriend Kirsten Dunst. It has heart, humour, emotion and tension and Director Derek Cianfrance knows how to weave these elements in to a neat and tidy unoffensive package, but at a run time of 126 minutes the film for me outstayed its welcome by twenty minutes and I felt it dragging at the midpoint. That said this is a crowd pleaser of a film that demonstrates that life is stranger than fiction but I would have liked to have seen more of Manchester's roofman exploits and a little less of his Toys 'R' Us squat.

'Roofman' merits three claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 16th October 2025

This years Adelaide Film Festival (AFF) runs from Wednesday 15th through until Sunday 26th October in the South Australian capital city of Adelaide. AFF is South Australia’s premier screen event and one of Australia’s leading film festivals. It’s a celebration of courageous cinema where filmmakers and audiences come together for two weeks of local and international film premieres, art, talks and parties in October. Named as one of the top fifty film festivals in the world by Variety, and winner of the 2021 Ruby Award for Best Festival, AFF has a reputation for being distinct and innovative. AFF screens features, shorts, documentaries and moving image projects you can’t see anywhere else - from both emerging and established Australian and global talent. AFF is renowned for its warmth and inclusivity, welcoming new audience members and industry guests alike to South Australia and its eclectic cinema theatres . . . so reads the official website.

This years Opening Night Gala film presentation is 'Jimpa' from Australia, Netherlands and Finland and Directed by Sophie Hyde. In Amsterdam, an Adelaide filmmaker Hannah (Olivia Colman) and their non-binary teen Frances (Aud Mason-Hyde) reconnect with the family’s flamboyant patriarch known as Jimpa (John Lithgow). As old tensions resurface, Jimpa becomes a tender, emotionally precise portrait of queer family, care and the shifting boundaries between generations. The Closing Night Gala feature film is 'Wolfram' from Australia and Directed by Warwick Thornton and set in 1932 in Central Australia, marking the follow up to his acclaimed 'Sweet Country'. Aboriginal children are forced into wolfram (tungsten) mining until violence entangles them with ruthless outlaws. At the heart of the story is Pansy (Deborah Mailman), longing for her stolen children in a tightly wrought western of reckoning.

This years Feature Fiction Film Competition sees the following entries :-

* 'Vanilla' - from Mexico and Directed by Mayra Hermosillo. In late-1980's Mexico, Vanilla is a textured family drama told through the eyes of a young girl raised by seven formidable women. As debt threatens their home, she witnesses resilience, tenderness and struggle that reshape her sense of belonging and the meaning of family. Australian Premiere.

* 'Reedland' - from the Netherlands and Belgium and Directed by Sven Bresser in his feature film debut. Johan harvests reeds in the Dutch marshlands. When he discovers the body of a girl, he embarks on a search for the killer. Australian Premiere.

* 'Perla' - from Austria and Slovakia and Directed by Alexandra Makarova. In 1981 Vienna, a Slovakian exile struggles to support her daughter. When the child’s father re-appears in her life, Perla makes the dangerous journey back to communist Czechoslovakia, where she is torn between the demands of conflicting loves that threaten to pull her life apart. Australian Premiere.

* 'Phantoms of July' - from Germany and Directed by Julian  Radlmaier. When Ursula and Neda embark on a ghost hunt, their encounter becomes a story of eccentric locals, spectral rumours and the surprising connections strangeness can spark. Australian Premiere.

* 'A Useful Ghost' - from Thailand, France, Singapore and Germany and Directed by Ratchapoom Boonbunchachoke, here we have a politically tinged, absurdist comedy/drama in which the ghost of a young woman returns to her husband as a bright-red vacuum cleaner, determined to prove herself a loving ghost.

For the details of the Feature Documentary Film Competition, plus all the other film strands being showcased, and a whole lot of other good stuff, you can go to the official website at : https://www.adelaidefilmfestival.org

Homing in on this weeks five new release movies coming to your local big screen Odeon, we kick off with a psychological thriller in which a college professor finds herself at a personal and professional crossroad when a star student levels an accusation against one of her colleagues, threatening to expose a dark secret from her own past. This is followed by another psychological thriller telling the story of when his past and his debts start to catch up with him, a high-stakes gambler laying low in Macau encounters a kindred spirit who might just hold the key to his salvation. Then we turn to a supernatural horror film sequel that sees this young man, now 17, struggling with life after his captivity and subsequent escape having killed his abductor, when his sister begins receiving calls in her dreams from the black phone and seeing disturbing visions. Next up is a crime comedy drama offering based on an unbelievable true story, the film follows a former Army Ranger and struggling father who turns to robbing McDonald’s. And closing out the week we have a drama film telling the story of a group of troubled boys who are kidnapped, abandoned and forced into a ruthless 'Wilderness Therapy' programme in the Utah desert, and cut off from the world, they must survive both the elements and the mind games of a director who may not be trying to save them at all.

Whatever your taste in big screen film entertainment is this week - be it any of the five latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the week ahead.

'AFTER THE HUNT' (Rated MA15+) - is a psychological thriller film Co-Produced and Directed by Luca Guadagnino who prior feature film making credits include his debut offering in 1999 with 'The Protagonists' and which he would follow up with the likes of 'I Am Love' in 2009, 'A Bigger Splash' in 2015, 'Call Me by Your Name' in 2017, 'Suspiria' in 2018, 'Bones And All' in 2022, and both 'Challengers' and 'Queer' in 2024. This film had its World Premiere showcasing out of competition in this years Venice International Film Festival in late August, where it received mixed reviews from critics. It saw a limited released last week in the USA, before going wide from this week. 

Alma Olsson (Julia Roberts) is a respected, well-liked professor at Yale University, who is forced to grapple with her own secretive past after one of her colleagues Henrik 'Hank' Gibson (Andrew Garfield) is faced with a sexual abuse allegation involving one of her students, Margaret 'Maggie' Resnick (Ayo Edebiri). Also starring Michael Stuhlbarg and Chloe Sevigny. 

'BALLAD OF A SMALL PLAYER' (Rated MA15+) - this British psychological thriller film is Directed by Edward Berger whose most recent feature film making credits are the two critically lauded films 'All Quiet on the Western Front' and 'Conclave'. This film is based on the 2104 novel of the same name by Lawrence Osborne. Here, Lord Doyle (Colin Farrell) is laying low in Macau, spending his days and nights on the casino floors, drinking heavily and gambling what little money he has left. Struggling to keep up with his ever mounting debts, he is offered a lifeline by the mysterious Dao Ming (Fala Chen), a casino employee with secrets of her own. However, in hot pursuit is Cynthia Blithe (Tilda Swinton), a private investigator ready to confront Doyle with what he is running from. As Doyle tries to climb to salvation, the confines of reality start to close in. The film saw its World Premiere screening at the Telluride Film Festival on 29th August, will have a limited release in the USA, UK and here in Australia from this week before streaming on Netflix from 29th October. 

'BLACK PHONE 2' (Rated MA15+) - is an American supernatural horror film Co-Written for the screen, Co-Produced and Directed by Scott Derrickson and is a sequel to the 2021 film that took US$162M at the global Box Office off the back of a US$17M production budget, and was also Directed by Scott Derrickson. Bad dreams haunt fifteen-year-old Gwen (Madeleine McGraw, reprising her role from the first film) as she receives calls from the black phone and sees disturbing visions of three boys being stalked at a winter camp. Accompanied by her brother, Finn (Mason Thames, also reprising), they head to Alpine Lake Camp to solve the mystery, only to confront the Grabber (Ethan Hawke, reprising), a killer who's grown even more powerful in death. Also starring Demian Bichir, Jeremy Davies and Arianna Rivas. The film Premiered at Fantastic Fest on 20th September, is released in the US and here in Australia this week, and has garnered generally favourable critical reviews. 

'ROOFMAN' (Rated M) - this American crime comedy drama film is Co-Written for the screen and Directed by Derek Cianfrance who made his Directorial debut with 'Brother Tied' in 1998 and would follow this up with 'Blue Valentine' in 2010, 'The Place Beyond the Pines' in 2012, and 'The Light Between Oceans' in 2016. The film is a biopic of the fugitive Jeffrey Manchester (Channing Tatum), a former United States Army Reserve officer and struggling father, known colloquially as Roofman due to his propensity to steal from branches of McDonald's after entering their premises via the roof. After escaping prison, he secretly lives inside a Toys 'R' Us store for six months, surviving undetected while planning his next move. But when he falls for Leigh (Kirsten Dunst), a divorced mum drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in. The film had its World Premiere at the Toronto International Film Festival in early September, was released in the US last week and has generated largely positive press. Also starring Ben Mendelsohn, Peter Dinklage, Juno Temple, LaKeith Stanfield and Tony Revolori.

'THE WILDERNESS' (Rated CTC) - is an American drama film that is Written, Co-Produced and Directed by Spencer King who made his feature film debut in 2016 with 'Black Petunia' and would follow this up with the documentary 'Death on Me : The Story of Dex Osama' in 2020 and 'Time Now' in 2021. In this story, a group of troubled teenage boys are kidnapped from their homes and taken deep into the unforgiving Utah desert and forced to attend a wilderness therapy programme. Cut off from the outside world, their only path home lies in gaining the favour of the cryptic programme director, whose intentions are anything but healing. As rehabilitation slips into manipulation, the boys must choose to either endure the programme or find a way out. Starring Hunter Doohan, Lamar Johnson, Vinessa Shaw, Sam Jaeger, Sean Avery and Liana Liberato. This film is released Stateside this week too.

With five new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the coming week.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 3rd November 2016.

It's good to see Mel Gibson back in the Director's Chair after an absence of ten years! The American born, Australian raised Actor, Director, Producer and Screenwriter has to a large extent been languishing in the Hollywood wasteland since his alcohol induced drink driving arrest and subsequent anti-Semitic rant back in mid-2006 which led to him being dropped by his agency and the movie offers well & truly drying up. With just six films made as an Actor in the last ten years including the recently released 'Blood Father', his last duty as Director came in 2006 with the acclaimed 'Apocalypto', with the much praised, commercially successful and controversial 'The Passion of the Christ' in 2004, the multi-award winning 'Braveheart' in 1995 and 'The Man Without a Face' in 1993. Being no stranger to multiple Academy Award and other noteworthy wins and nominations for his Directing efforts, Gibson is back in full force and it seems, finally once again, with the full blessing of Hollywood that appears prepared to forgive and hopefully forget those troubles of a decade ago now. This week sees the Australian release of his latest film behind the camera in the true story of WWII conscientious objector hero Desmond T. Doss who saved the lives of seventy-five or more men without firing a shot in anger, carrying a weapon or killing an enemy soldier. 'Hacksaw Ridge' was filmed entirely in Australia and largely in remote New South Wales where the battlefield scenes replicating the Japanese island of Okinawa were shot on a 500 hectare spread of cleared land near Bringelly, located about 70kms from the heart of Sydney. Featuring a who's who of Aussie acting talent and Andrew Garfield playing the lead role of Desmond Doss, 'Hacksaw Ridge' is already receiving much Oscar buzz. Marking thirty years since Gibson made a film in Australia ('Mad Max : Beyond Thunderdome' in 1985) lets hope that this latest offering puts Mel back in the driving seat, in demand, and doing what he does best - both in front and behind the camera.

This week there are  four new films to entice you out to your local Odeon kick starting with a true telling of a WWII hero who never fired a gun or killed another man but saved countless others, and is Directed by one of Australia's favourite sons - his first in ten years. This is followed up by a super smart mathematician (un)cooking the books for known criminals who discovers more than he bargained for when he takes on a seemingly legit company and bodies start dropping like flies. Up next is a teen coming of age story about the new found freedom of life on the road with a bunch of misfits travelling across the American mid-west discovering for themselves the good, the bad and the ugly of what the world has to offer. We then wrap up with an Australian post-WWI period piece of a couple desperate for a child, a baby thrust upon them and the decisions they make that in later years will have far more reaching consequences than they ever imagined.

With more adult fare on offer this week, there is plenty of choice with these films as Previewed below, and those Reviewed and Previewed in previous Posts throughout this Blog, and still out on General Release. When you have seen your film of choice, feel free to share your moviegoing thoughts, views and opinions by leaving a Comment below this or any other Post. As always, we'd love to hear from you. Meanwhile, enjoy your film.

'HACKSAW RIDGE' (Rated MA15+) - Mel Gibson is back - finally - and in the Director's chair for the first time since his acclaimed 'Apocalypto' in 2006 which he also Co-Wrote and Co-Produced. Since then he has starred in six films only, and most recently 'Blood Father' released only a few months ago to critical praise but lacklustre Box Office. Hollywood turned their back on Gibson for reasons that are well known and well documented, and so too did the movie going public, but in 'Hacksaw Ridge' it seems the Actor, Director, Producer and Screenwriter has served his time and there has been widespread applause for this, his latest Directorial offering which Premiered at the Venice Film Festival in early September to a ten minute standing ovation. After languishing in film development hell for a very long time, and having turned down the film twice before, Gibson finally agreed to helm the movie in 2014. Made for US$40M and filmed entirely in Sydney and rural New South Wales, Australia, this film features a string of fine Australian acting talent, and is already touted for Academy Award recognition come next February.

The film is set in WWII and principally around the Battle of Okinawa, an island 550kms off the Japanese coast, that saw intense and ferocious fighting that lasted for 82 days and saw extensive casualties on both sides. In particular, the film surrounds the true story of US Army Medic Desmond Doss (Andrew Garfield) who was a devout Seventh Day Adventist and wanted to enlist and serve his country but refused to carry a weapon into battle or kill an enemy soldier. As a conscientious objector he single handedly saved the lives of more than 75 men under a barrage of constant enemy fire whilst upholding his firm religious beliefs. He was discharged from the US Army in 1946 and spent the next five years recovering from his own injuries (he was shot three times) and illness. He died in 2006 aged 87, having been awarded the Medal of Honour in November 1945 by President Harry S. Truman, as well as The Bronze Star and Purple Heart, and numerous others. This is his story, and the film also stars Vince Vaughn, Hugo Weaving, Sam Worthington, Richard Roxburgh, Ryan Corr, Luke Bracey, Teresa Palmer and Rachel Griffiths. Nominated for thirteen AACTA Awards, this is one not to be missed.

'THE ACCOUNTANT' (Rated MA15+) - Directed by Gavin O'Connor for US$44M and so far making back US$84M this drama thriller film has garnered mixed Reviews, despite its strong cast with Ben Affleck as Christian Wolff in the lead role as a forensic Accountant - a maths savant with more in common with numbers than personalities. He works for a small town Certified Public Accountants Office in Illinois, which he uses as a cover to effectively uncook the books of dangerous underworld and criminal organisations. When Treasury Agent Raymond King (J.K.Simmons) starts to close in on Wolff, The Accountant takes on a legitimate Client, Living Robotics - a state of the art robotics technology company which he soon discovers has its own financial discrepancies amounting to millions of dollars. Before you know it, the body count starts to rise as Wolff gets closer to the truth, and with various antagonists closing in, The Accountant reveals his true colours and his particular set of skills acquired over the years from dealing with various shady characters and organisations. Also starring Anna Kendrick, Jon Bernthal, Jeffrey Tambor and John Lithgow.

'AMERICAN HONEY' (Rated MA15+) - Written and Directed by British film-maker Andrea Arnold, made for just US$3.5M and selected to compete for the Palme D'Or at this years Cannes Film Festival and winning the Jury Prize at Cannes, this film has so far garnered positive reviews albeit lacklustre Box Office recovering just US$1.3M since its release a month ago in the US, and mid-October in the UK. Telling the story of Star (newcomer Sasha Lane) who has grown up on the poverty line in an abusive home, decides to break free of those shackles, experience the world and try to make a different life for herself. On the verge of adulthood, she teams up with a group of similarly aged young adults peddling magazine subscriptions door to door across America's mid-west, headed up by Jake (Shia LaBeouf) and Krystal (Riley Keough). Jake invites Star to join them and its not long before she finds herself embroiled in the culture of life on the road with a bunch of new young misfit friends - hard drinking, drugs, partying, abusing the law, the trials of young love and the big cities they pass through with a hapless abandonment, adventure and joy despite the harsh realities of life. At a running time of just over 160 minutes, you'll need to be patient with this one, but that patience is likely to be rewarded.

'THE LIGHT BETWEEN OCEANS' (Rated M) - this romantic drama period piece is based on the 2012 debut best selling novel of the same name by M.L. Stedman, is Directed by Derek Cianfrance and is set off the coast of Western Australia in the post WWI years (although filmed in New Zealand and Tasmania). Here Tom Sherbourne (Michael Fassbender) is a Great War veteran who after the war is hired as the lighthouse keeper at Janus Rock off the Western Australia coast. In 1921 he marries local lass Isabelle Graysmark (Alicia Vikander) and over the next few years Isabelle suffers two miscarriages, and wonders if she'll ever have a pregnancy go full term. After her second miscarriage, Tom discovers an abandoned rowing boat washed up on the shore near the lighthouse - contained therein is the dead body of an older man, and a young baby girl. The couple unofficially adopt the baby girl as their own and name her Lucy. Years later when they discover Lucy's true parentage they are faced with a moral dilemma and the consequences of their actions to raise the child as their own in secret. Also starring Rachel Weisz, Jack Thompson and Bryan Brown, the film has so far received US$16M from its US$20M budget outlay.

Four top choice films to tempt you out to your local multiplex in the week ahead, with decidedly adult oriented fare. When you have sat through your favoured screening, share your thoughts with us here. In the meantime, I'll see you at the Odeon in the coming week.

-Steve, at Odeon Online-