THE BURNT ORANGE HERESY : Tuesday 28th July 2020.

'THE BURNT ORANGE HERESY' which I saw earlier in the week is an MA15+ Rated drama thriller Directed by Giuseppe Capotondi who has helmed numerous music videos over the years, television commercials and a small number of TV series and feature films. This film adaptation is based on the 1971 book of the same name by Charles Willeford and was chosen as the closing film for last years Venice International Film Festival and went on release in the US on 6th March and was then pulled when the world went into COVID-19 lockdown. It was re-released a couple of weeks ago now in Australia and is scheduled for a re-run in US theatres from 7th August, has generated mixed or average Reviews and has so far grossed US$208K.

The film opens up with ambitious and charming art critic, James Figueras (Claes Bang) who has fallen from grace somewhat and now spends his time lecturing rich American tourists into the why's and wherefore's of the art world around many Italian cities famed for their artworks.  He's happy to bend the truth by incorporating a series of convincingly told fabrications to demonstrate the power that art critics can have upon the unsuspecting admirer or purchaser, but comes clean in the end with his rouse when the lecture is over and his American customers are bidding their thanks and farewells.

All except Berenice Hollis (Elizabeth Debicki) who hangs back because of the free chips on offer, and because they seem to share a chemistry. That chemistry soon lands the pair in the sack together in Figueras' Milan apartment. Having learnt that Figueras was a failed art student who was advised to go into art journalism by his teacher, and that Hollis hails from a small town south of Duluth, Minnesota where an indiscretion with a married teacher has meant she is on forced leave for an extended period, there is little else we know about their back stories.

Following their night of passion Figueras invites his new love interest to the Lake Como home of wealthy art dealer Joseph Cassidy (Mick Jagger), who has contacted Figueras and extended an invitation for him to spend the weekend, for reasons that are as yet unclear. Upon arrival at the palatial home, the pair are escorted up to their room and told to make themselves available in one hour for lunch. Over lunch the three get acquainted, and taking coffee out on the verandah overlooking Lake Como, Cassidy announces that residing in a small cottage on the edge of the estate is renowned and very reclusive artist Jerome Debney (Donald Sutherland) who has not been interviewed for the past fifty years. Cassidy invites Figueras to break that drought, on one condition.

And that one condition, is that Figueras 'procures' a Debney artwork for his own collection, no questions asked, otherwise Figueras goes home empty handed and Cassidy will expose some dirt he has on the art critic from his past. Figueras reluctantly agrees although has no idea how is going to get his hands on a Debney painting without paying a princely sum for, or without the artist knowing about it. The first hurdle however, is getting the reclusive artist to agree to an interview.

The next morning while idling by the pool, along saunters Debney and the three strike up a conversation. By now Cassidy has had to fly out of town leaving Figueras and Hollis to make the most of the weekend and have the run of the estate. Debney is instantly taken with Hollis, and he agrees to let Figueras interview him if he can swim two lengths of the swimming pool under water, which he does, of course. Debney then sets out his agenda for the day which includes a boat ride later that afternoon and dinner that evening in his cottage, during which time they will engage in conversation rather than a formal interview.

For the boat ride across the lake Figueras makes his apologies saying that he needs to rest up, so deputising to Hollis to accompany Debney. Figueras has an ulterior motive naturally, and while the pair are away enjoying each others company, he attempts to break in to Debney's very secure cottage, albeit unsuccessfully. We have also learned subsequently that Debney has no surviving art works from his earlier years as these were all destroyed in two fires - the first at his home, and the second years later at a gallery which housed his collection. He then went into self imposed hiding and barely no one has seen him, or his paintings, for the past fifty years.

Later that evening having talked and eaten Figueras asks Debney if he can see his art work collection. Debney at first is offended by the request stating that it is his choice not to show the world his paintings and they are private works, but Figueras counters this with better the world to see his collection while he is still alive, than to have free rein when he is dead and ransack his work when he is no longer around to defend it. Reluctantly Debney agrees and takes them into a secure locked studio fitted out with unopened tubes of paint, brushes, blank canvases, easels, more blank canvases and more still. There is not a single painting in the whole room. Figueras, who was hoping to 'procure' a painting in an unguarded moment when on cue Hollis would drop her drink glass, is left dumbfounded and astounded by this revelation. Hollis happens to notice on the reverse side of a canvas the title of the supposed painting 'The Burnt Orange Heresy', and upon enquiring Debney responds that the title is just meant to fool anyone who comes looking. Figueras goes outside to catch his breath, and is joined by Hollis and Debney moments later. Debney takes his leave saying that he has a date with an older lady and he cannot leave her waiting and so bids them both farewell.

In walking back to the villa Figueras realises that he has left his laptop and satchel back at the cottage. He tells Hollis to pack their bags as they are leaving immediately. He walks back to the cottage to retrieve his laptop and satchel alone. There he forcibly breaks in, and re-enters Debney's studio. He bundles a whole bunch of paint tubes into his satchel, together with some brushes. He then takes the blank canvas with the inscription 'The Burnt Orange Heresy' written on the reverse and wraps this inside a towel. Next he upturns all the blank canvases, easels, rips up sheets of paper and then squirts a flammable paint thinner all around the room and then sets light to the room. He makes a quick exit as the cottage is very quickly engulfed in flames. He arrives back at the villa before Hollis appears with their bags, by which time he has bundled the blank canvas into the boot of his Range Rover out of sight. They then drive through the night back to Milan.

Hollis slumps exhausted on the bed, while Figueras says he going to start work on his interview notes while its still fresh in his memory. While Hollis sleeps Figueras retrieves the paints, brushes and blank canvas from his car, and sets them up in his office. The phone rings and it is Cassidy enquiring about the fire at his property and whether he was successful in securing a Debney painting before the place burnt to the ground. Figueras answers in the affirmative and Cassidy responds asking him to describe the painting to him which is called 'The Burnt Orange Heresy'. Cassidy much to his joy further adds that he is now the owner of the only Debney painting anywhere in existence since all of his other works burnt in the fire. When Cassidy hangs up, Figueras begins painting his own interpretation of 'The Burnt Orange Heresy' duly signing it with Debney's signature once complete.

Hollis wakes up later and ventures into the office and sees the still wet painting, touching the wet paint with her fingertip. She goes into the bathroom and confronts Figueras. Running a bath, the pair argue, and needless to say it doesn't end well for Hollis. Shortly after the fire, the art world mourns the loss of Debney who died of a heart attack. Sometime later, Figueras has written a book - a retrospective of Debney which is selling like hot cakes, and in New York at Cassidy's Gallery, the pair are seen schmoozing with the who's who of the art world and celebrating 'The Burnt Orange Heresy' which is there on display for all the world to see as Debney's sole surviving painting. One art critic remarks to Figueras that she finds it amazing that Debney had the foresight to leave his fingerprint slap bang in the middle of his artwork, which he had overlooked completely and reels away in horror. Cassidy makes some comments about the whereabouts of Hollis, who has mysteriously disappeared and states that Debney was found in the swimming pool of the villa, face down, drowned. Cassidy also tells Figueras that shortly before his death, Debney sent a sketch to Hollis' mother in Duluth, but as it wasn't signed it is worthless. The film closes out with the sketch of Hollis on her mothers fridge at their home in Duluth, beside newspaper clippings reporting on the first anniversary since her disappearance, and the camera comes to rest on Debney's signature.

Milan with its stunning architecture and Lake Como with its plush lakeside residences provide the smart sexy locations; the glamorous world of works of art, galleries, collectors, artists and critics sets the scene; intelligent dialogue; top notch performances from the four lead characters (even if Mick Jagger comes across as being out of his depth in the company of the other three acclaimed Actors) and a plot that has more surprises in store than you can keep track of, verging on the ridiculous by the time the end credits roll. The first two acts move along a good pace and will keep you riveted, but by the time the third act comes to be the imagination is stretched, all realism is lost and the believability of the pay day is forced to bring the films conclusion to a hastily delivered ending. The film certainly looks the part and there is a real chemistry between Debicki, Bang and Sutherland on screen - it's just a shame that their characters are not more fleshed out from their brief initial introduction, and the film will leave you hanging with plenty of unanswered questions.

'The Burnt Orange Heresy' merits three claps of the Odeon Online clapperboard, out of a possible five claps.

-Steve, at Odeon Online-  

AD ASTRA : Tuesday 24th September 2019.

'AD ASTRA' is an M-Rated American Sci-Fi adventure offering that has so far received universal acclaim following its World Premier screening at the Venice International Film Festival on the 29th August, and which I saw at my local independent movie theatre earlier this week. Directed, Written and Co-Produced by James Gray whose previous film making credits include his 1994 debut 'Little Odessa' and then 'The Yards', 'We Own the Night', 'Two Lovers', 'The Immigrant' and 'The Lost City of Z' most recently, the meaning of the title when interpreted from its Latin phrase means 'to the stars'. To that end, Gray described his desire for the film to be 'the most realistic depiction of space travel that's been put in a movie', and whether or not he has succeeded in that aim, only you can decide. The movie cost in the region of US$100M to make and has so far grossed US$51M since its worldwide release last week.

Set sometime in the not too distant future, Earth’s solar system is struck by random yet repeated mysterious power surges, potentially threatening all of human life. After surviving an incident caused by once such surge, which sees Major Roy McBride (Brad Pitt), plummet uncontrollably from miles above the Earth's surface, the son of famed astronaut Clifford McBride (Tommy Lee Jones), is advised by U.S. Space Command that the surges have been traced to the 'Lima Project'. The Project was launched to search the far reaches of our Solar System for intelligent life forms, under Clifford's leadership – from whom nothing has been heard of for sixteen years since reaching Neptune.

Informed that Clifford may still be alive, Roy accepts a mission to travel to Mars to try and establish communication with him, joined by his father’s old associate Colonel Pruitt (Donald Sutherland). Roy McBride and Pruitt board a commercial flight bound for the Moon, and upon arrival are escorted by US military personnel to the Space Command base. 

En route in three lunar rovers, accompanied by security officers for their safe passage to another remote base on the dark side of the Moon, they are ambushed by scavenging pirates, who kill most of the group, except for McBride and Pruitt. However, upon reaching the base, a dying Pruitt is placed into intensive care, but not before handing over a Top Secret and highly classified memory stick to McBride which will shed further light on his mission. McBride now has to go it alone onto Mars.

He transfers to the ship 'Cepheus' on a highly confidential nineteen day flight to Mars. En route, the ship receives a May Day signal from a Norwegian biomedical research space station obviously in distress. Despite protests from McBride to maintain their course for Mars, the captain overrules McBride and goes to the aid of the alleged stricken vessel. Initially it seems abandoned as no one is responding to the radio communications, but a rogue baboon test subject has escaped, smashing through the captain's helmet visor and chewing off his hand down to a bloody stump before McBride is able to neutralise it. A second baboon attacks, but Roy locks the door frantically behind him and depressurises the chamber, killing it instantly. He attempts to save the captain and tapes up his badly damaged helmet before carrying him back to the Cepheus but he is declared dead on arrival. A brief service is held where the dead captain's body is ejected into space. The Cepheus lands on Mars just as another surge strikes, forcing manual intervention. The interim captain is overcome by nerves and is unable to fly or take commands, so leaving McBride to land the ship.

McBride is escorted to the underground Space Command base on Mars which is secure from the impacts of the power surges where he meets facility Director Helen Lantos (Ruth Negga). There he is tasked with recording voice messages read from a pre-written script to send to the Lima Project, in the hope of connecting with Clifford, and upon hearing his sons voice will trigger a response. After several seemingly failed attempts, McBride goes off-script during a recording session with an emotional appeal to his father. He is almost instantly removed from the mission, and is led to assume that a response had been forthcoming, but his personal connection now presents a risk to himself and the overall success of the mission.

Whilst being temporarily held in a 'comfort room' awaiting his transportation back to the Moon and then home to Earth, he is visited by Lantos, who advises him that she was born on Mars, has been to Earth only once in her life as a young child, and is the daughter of crew-members aboard the Lima Project. She hands McBride classified footage showing that Clifford's crew mutinied by attempting to return to Earth, resulting in him turning off their life-support systems, and that her parents were among the crew killed. She tells McBride that the crew that brought him to Mars are leaving to destroy the Lima Project base with a nuclear device on board their ship.

The two decide between them that McBride should confront his father himself, and so Lantos sneaks McBride to an underground lake beneath the rocket launch site to give him access to the ship, although the clock is ticking on the countdown. McBride climbs aboard as the rocket takes off, and is discovered by a surprised and startled crew soon afterwards. The crew are instructed to dispense with McBride despite his best attempts to forewarn them all that he is non-hostile. A fight breaks out, and the crew of three all die, leaving McBride to his own devices in complete solitude for the long journey onto Neptune - some two billion miles away. 

The isolation and stress of the mission without any mental or physical stimulation takes its toll as McBride has memories of his relationships with his father and his estranged wife, Eve (Liv Tyler). After several weeks he arrives at the Lima Project. While approaching the Lima Project ship in a small module, another surge damages the module making it impossible to dock securely, forcing McBride to enter the ship via a space-walk. Finding the ship abandoned and its dead crew floating in zero gravity, he lays down the nuclear payload. His father is looking down on him from above as the ship's only survivor. Clifford explains that the surges originate from the ship's malfunctioning anti-matter power source, damaged during a mutiny. Clifford has continued to work alone on the project throughout all the passing years, refusing to lose faith in the possibility of discovering non-human intelligent life.

McBride tries to convince his father to return home with him to Earth, but Clifford dismisses the notion saying that he is already at home, and has been for the past twenty years, and that his relationship with his young son and wife were only ever going to be temporary. Despite his father's protests, McBride arms the nuclear payload with a three hour detonation time, and prepares to return to his ship with Clifford. Once outside the Lima Project ship Clifford uses his spacesuit thrusters to launch himself into deep space, unwilling to return to Earth. Still tethered onto his son, the pair struggle, with Clifford pleading to his son to let him go. Reluctantly, McBride releases his father who drifts off into deep space.

McBride is able to propel himself back onto his own ship, using a dismantled piece of the Lima Project ship's hull the size of a door to shield himself through Neptune's rocky ring. Without enough fuel to return, he uses the shockwave from the nuclear explosion to propel the ship home. Before the Lima Project ship was destroyed McBride downloaded as much data as he could from his fathers findings from all those years of space travel. The data retrieved suggests that humans are the only intelligent life in the universe, inspiring McBride to reconnect with those closest to him, and he returns to Earth with a whole new found positive outlook on life.

I have to say that I was somewhat underwhelmed by 'Ad Astra'. Sure Brad Pitt gives another great performance as the stoic, completely focused, deeply committed, utterly dependable and infinitely reliable astronaut treading in his fathers footsteps, and proving himself worthy to his peers, the US Government, the world ultimately and to his own Dad to be called Clifford McBride's son. At its core, this is a film about the impacts of an absentee father, and the lengths one man must go to in order to reconcile that fact and lay that ghost of the past finally to rest. Visually, the film looks great too from the opening sequence, to the Moon Space Command Base, the rover chase scene, and the passing of McBride's ship as it cruises past Saturn, Jupiter and finally reaches Neptune. But for all that visual splendour, it's nothing more than we have come to expect in this day and age of cutting edge technologically advanced CGI that we have seen before in the likes of 'Interstellar', 'Gravity', 'First Man', 'The Martian' and even '2001 : A Space Odyssey'. In the final analysis its a film about a man with daddy issues who has lost his way in the world and who catches a ride from Earth, to the Moon, to Mars and onto Neptune and back again to prove that humans are the only intelligent life form in the infinite universe and finally to say farewell to his old man, interspersed with a few action set pieces to maintain the interest. And there you have it! Also starring LisaGay Hamilton and John Ortiz.

'Ad Astra' merits three claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-

THE HUNGER GAMES : MOCKINGJAY Pt. 2' - Thursday 19th November 2015.

On 25th November 2014 I said this : 'And so the third film in the series and the first half of the concluding episode - 'THE HUNGER GAMES : MOCKINGJAY Pt. 1' left me feeling underwhelmed I have to say. This film is the meat in the sandwich well & truly, sitting between the spectacle and the bravura of 'Catching Fire' and what will undoubtedly be a climactic all guns blazing epic conclusion that is 'Mockingjay Pt. 2' . . . one year from now with its release on 19th November 2015'. Back then I awarded 'Mockingjay Pt.1' three claps of the clapperboard, and off a US$125M budget went on to gross US$756M at the global Box Office. So on opening night in Australian Odeon's this week I saw the final instalment in this franchise - 'THE HUNGER GAMES : MOCKINGJAY Pt. 2', which had it's worldwide Premier in Berlin on 4th November and was released stateside only on 20th November with financial expectations running high.

This film leads on directly from the end of the last film with Peeta Mellark (Josh Hutchinson) still strapped to a chair recovering from his torturous treatment back in The Capitol where he was brainwashed to turn against Katniss Everdeen (Jennifer Lawrence) and kill her - a fact he is not backward in coming forward with when Prim Everdeen (Willow Shields) reaches out to him in an attempt to determine how his recovery treatment is going. Realising that the connection they once shared Katniss seeks solace in long term friend and suitor Gale Hawthorne (Liam Hemsworth) and they venture to District 2 on the edge of The Capitol with the hope of rallying the resistance against President Snow (Donald Sutherland) and forging an alliance to gain further strength to overthrow The Capitol and everything it stands for, and liberate once and for all the downtrodden citizens of Panem. In the process Katniss is shot, hits the deck, but is saved by her bullet proof vest and wakes up very bruised and battered but safe at the hands of President Alma Coin (Julianne Moore) and Plutarch Heavensbee (Philip Seymour Hoffman).

Katniss takes her team into District 2, but is ordered not to engage with the resistance but rather be filmed every step of their way for television broadcast to rally the revolution against Snow and The Capitol. Needless to say upon entering The Capitol things don't go quite according to plan when they encounter the streets, buildings and city scape littered with booby traps and all manner of undesirable devices to thwart their progress. As the Team navigate onwards through in to the heart of The Capitol so they are picked off one by one including the leader designate Boggs (Mahersala Ali), then his 2i/c Commander Lyme (Gwendoline Christie) leaving Katniss in charge to now follow through and complete the mission - to kill Snow and restore democracy to Panem.

What follows is a series of set pieces in which Katniss and her remaining revolutionary followers - Gale, Finnick Odair (Sam Claflin), Cressida (Natalie Dormer), Castor (Wes Chatham), Pollux (Elden Henson) and Peeta who remains unhinged whilst still coming to terms with what is truth and what is fiction and his feelings for Katniss which he has only fleeting memories of. They continue their journey inching ever closer to Snow's palatial residence from which he continues to throw deadly obstacles in their way. In the meantime both Snow and Coin continue to broadcast propaganda messages out across the Districts in a show of oneupmanship.

At the gates of Snow's Capitol residence where he has offered sanctuary to the residents of The Capitol realising that the end is near, an attack is launched that takes out the men, women, children, young & old as Katniss and Gale are caught in the cross fire and are so close, but so far away! With Gale captured by the Peacekeepers, Katniss is rendered unconscious by a nearby bomb blast and wakes being nursed by her mother, with Haymitch Abernathy (Woody Harrelson) looking on.

Katniss is advised that The Capitol was overthrown, Snow deposed and Coin has established herself as the interim President of Panem. Returning to Snow's former residence with calm and peace restored she roams the rooms, halls and grounds of the estate and comes across a handcuffed Snow in the greenhouse. They talk and he instills doubts in her mind about his motives and the interests of Coin. Later Coin wants to meet out justice on Snow and his followers at the hands of Katniss in an extraordinary Hunger Games in which Snow and Katniss are to be participants. Katniss agree to participate on the condition that she can kill Snow, to which Coin agrees.

In the final analysis it doesn't end well for the principle antagonists; Katniss gets her man; Panem enters a period of peace, calm, freedom and democracy; and she lives happily ever after returning to her family home in District 13 overlooking green pastures and clear blue skies for as far as the eye can see.

I saw this film in 3D only because the timing suited me, but it is not necessary and only a few scenes benefit from the clarity and depth of field. The story is everything you would expect and films 1&2 could easily have been rolled into one single offering, and so for me this is just another excuse for a Box Office money grab. Jennifer Lawrence is the standout and carries the film without doubt, and whilst the film looks good, the action set pieces are well delivered, the story is predictable and drawn out. It was good to see Philip Seymour Hoffman once more on the big screen in his last appearance, but I never got the sense that he was taking this role too seriously, unlike what we know he was capable of.

Therefore, in the final analysis, if you have seen the previous three films you should see this final offering to see how it all ends, but don't go into your local theatre expecting anything big. This is an acceptable end to the franchise (so far) and nothing more. It's worth seeing on the big screen, but you don't have to either.



-Steve, at Odeon Online-

THE HUNGER GAMES : MOCKINGJAY Pt. 1 - Tuesday 25th November 2014.

On Tuesday night this week I ventured to my local Multiplex with a couple of movies buddies to see the next instalment in this franchise - the beginning of the end as the final book in the series is split into two movies (a la 'Harry Potter' and 'Twilight'). And so the third film in the series and the first half of the concluding episode - 'THE HUNGER GAMES : MOCKINGJAY Pt. 1' left me feeling underwhelmed I have to say. This film is the meat in the sandwich well & truly, sitting between the spectacle and the bravura of 'Catching Fire' and what will undoubtedly be a climactic all guns blazing epic conclusion that is 'Mockingjay Pt. 2' . . . one year from now with its release on 19th November 2015.

Directed once again by Francis Lawrence, we have all the characters we have got to know over the first two films assembled once more, with a couple of new ones thrown in as the action takes us to someplace else. Following on directly from where the last film left us, Katniss Everdeen (Jennifer Lawrence) awakens in a hospital bed with vague memories of how she got there and who she left behind . . . the believed dead Peeta Mellark (Josh Hutcherson). Recovering she learns that she is in District 13 which it had previously been thought was destroyed long ago, but not so apparently. District 13 is overseen by President Alma Coin (Julianne Moore) and is occupied by former military personnel and is housed deep underground. As a result it is relatively safe, secure, and out of sight hidden beneath a dense forest but houses a mass of military weapons, aircraft, and a large community with the necessary infrastructure to support it.

When the Hunger Games Arena was destroyed and the Quarter Quell overturned at the end of 'Catching Fire' our protagonists were carted off in opposite directions - Katniss to District 13 with Gale Hawthorn (Liam Hemsworth), Sam Claflin (Finnick Odair), Effie Trinket (Elizabeth Banks), Plutarch Heavensbee (Philip Seymour-Hoffman), and Haymitch Abernathy (Woody Harrelson) - the latter 'drying out a mile underground'! Heading off to The Capitol captured by President Coriolanus Snow were Mellark and Johanna Mason (Jena Malone) and Annie Cresta (Stef Dawson) wife of Finnick Odair.

President Coin aided by Heavensbee want to use Katniss as their mascot for the uprising against The Capitol and everything that President Snow (Donald Sutherland) stands for. As a symbol of hope, strength, unity and power to spearhead the rebellion, Katniss is crowned 'The Mockingjay' and so a propaganda campaign is launched and broadcast to all other Districts to consolidate the rebellion efforts against The Capitol. Meanwhile The Capitol with its military strength and its own propaganda campaign has outlawed the Mockingjay, and anyone seen or heard supporting it will be punished by death. President Snow has also trashed all other Districts, killed many of their citizens and nearly razed those former dystopian communities to the ground - not much is left.

When Katniss learns via the TV propaganda campaign launched by The Capitol that Peeta and Co. are in fact still alive, a plan is hatched to break them out of there and engineer a cunning escape - if only it were that easy of course! With live pictures beamed frequently over the TV with Peeta on screen being interviewed by Caesar Flickerman (Stanley Tucci), Katniss soon realises that her love, Peeta, must have taken leave of his senses, given the anti-rebellion drivel coming out of his mouth! How can this be, horror of horrors! But within no time as Peeta loses weight before our very eyes on the TV screen and has an increasingly gaunt appearance, conclusions are drawn that he has been tortured and forced into submission. Katniss can't believe her eyes or ears, and nor can the rest of the populace!

And so Katniss becomes the poster girl for the rebellion and with Peeta languishing in The Capitol undergoing all manner of psychological torture, her attention becomes somewhat distracted by Gale Hawthorn and the increasingly obvious path of death and destruction that President Snow seems hell bent on. All of this seems to amble along with rousing speeches delivered by Alma Coin intermittently, discoveries of more fractured District communities, snippets of televised propaganda from both sides, and a few moments of action. One of the most 'gripping' scenes comes when The Capitol is bombing District 13 and all are nestled deep below ground in their bunker when Katniss has to go rescue her sister Primrose Everdeen (Willow Shields) who has gone searching for the family cat with bombs raining down and the time counting down to the automatic closure of the meter thick bomb proof bunker doors - will they all die because of a pesky flea bitten cat . . . probably not!

And that is about as exciting and as tense as it gets! Despite that, I understand completely that this film is setting the scene for the final instalment that is to follow, and that all this posturing lays the foundation for the grand finale and the big conclusion . . . but this lumbers along, it labours, it's pedestrian and it left me wanting more that just setting the framework for a film that I have to wait another 12 months for. Even the late great Philip Seymour-Hoffman to whom this film is dedicated, seemed at odds with some of the dialogue he had to deliver and almost had a constant smirk and cheesy grin on his face that says WTF am I doing here . . . but I guess the pay cheque is good, or maybe, this is what was intended for his character - you can decide!

There is no doubt that this film will be successful. With a budget of about US$125M (a reported US$250M for the two 'Mockingjay' films combined) it has already earned a global box office haul of just a nudge under US$300M at the time of writing this, and saw the biggest opening weekend of any film so far in 2014.



-Steve, at Odeon Online-

THE HUNGER GAMES : archive from 5th April 2012.

With 'THE HUNGER GAMES : MOCKINGJAY Part 1' about to descend on our screens on 20th November, I dug this archival Review out of where it all began just over two short years ago. Updated to recapture the story and it's success so far, rejog your memory with what has gone before.

Saw 'THE HUNGER GAMES' this week - the much touted, much hyped, much watched antidote to 'The Twilight Saga', and, the 'Harry Potter' series perhaps for the next generation! I went in with fairly low expectations after it got a slating from David & Margaret on their 'Movie Show', but everyone seemed to be raving about it nonetheless! I was pleasantly surprised although the plot meanders a bit and it takes a goodly while to get up to speed.

Directed by Gary Ross and based on the best selling book by Suzanne Collins, there is a strong cast that includes Stanley Tucci, Woody Harrelson, Lenny Kravitz, Donald Sutherland and Liam Hemsworth who all put in a convincing turn but the male & female leads of Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) seem to lack any real buy-in from the audience and I struggled to empathise with their characters.

The story is that in a future dystopian world we are taken to a nation called 'Panem' which is divided up into 12 'Districts' and there is the 'Capitol' which oversees the nation. Every year two young teenage kids are selected by lottery (known affectionately as 'The Reaping') to represent their District in the 'Hunger Games' - a fight to the death last man standing competition where there are no holds barred, all manner of obstacles are created to thwart the 24 competitors, and it is survival of the fittest ultimately where only one can remain. These Games are also televised across the nation as a form of entertainment, and they also serve as a reminder of a past rebellion in the nations history that has contributed to the world they now know. The Capitol places great pomp & ceremony on these games almost like it's an Olympic Games and the rich, powerful and mighty residing in the Capitol look down on the downtrodden, poor and inadequate Districts with disdain - these Games are created too to prevent any future uprising amongst the Districts by demoralising their peoples into submission, poverty and no hope.

But of course there is always hope, and our story centres on Katniss who at the last minute takes the place of her younger sister Prim (Willow Shields) who was selected at first in The Reaping. Those that are chosen are known as 'Tributes', and when we have our 24 Tributes so a training programme begins and we get sneak peaks at the back story of certain competitors, but mostly Katniss and Peeta both from District 12, who form an alliance as the story progresses. As for the other 22 Tributes from the other 11 Districts of this future dystopian USA they are just cardboard cut out cannon fodder who ultimately succumb to a grislier ending, although some will put up a fight more than others.

President Snow (Donald Sutherland) rules Panem and presides over The Hunger Games with an ulterior motive in mind and his own hidden agenda. Caesar Flickerman (Stanley Tucci) is the Games Master who hosts the televised entertainment component with camped up devilish aplomb, and then there is Haymitch Abernathy (Woody Harrelson) who acts as a coach and mentor to Katniss and Peeta.

The first two-thirds set the scene, give us some back story and provide the training sequences, the preparations, the teenage angst and anxiety and all the colour of the opening ceremony, before getting down to brass tacks and killing time! And then after being transplanted to their forest 'battlefield' our 24 Tributes have to overcome all manner of natural and man made challenges that will seem them picked off one-by-one until just one remains. There are some twists as the Games nears its final showdown which pave the way for the second instalment, which we know comes in November 2013 in the form of 'THE HUNGER GAMES : CATCHING FIRE'.

Made for US$78M it brought in US$691M at the global Box Office with it too being the biggest selling DVD of 2012 with 7.5 million units sold. The movie picked up 33 award wins and 41 other nominations including the BAFTA Children's Award win for Best Film of 2012, and a Golden Globe nomination for its Best Original Song.

Not great, but not bad either - I hope the invariable sequels do better and deliver something grittier and less polished despite the premise - you can get this film and its sequel 'Catching Fire' on DVD and Bluray now, with 'Mockingjay Part 1' released on 20th November 2014 and 'Mockingjay Part 2' to be released on 19th November 2015.

-Steve, at Odeon Online-