Showing posts with label Josh Hartnett. Show all posts
Showing posts with label Josh Hartnett. Show all posts

Monday, 26 October 2026

VERITY : Wednesday 21st October 2026.

I finally got around to seeing the MA15+ Rated 'VERITY' last week, and this American psychological erotic thriller film is Co-Produced and Directed by Michael Showalter whose previous feature film Directing credits take in the likes of his debut with 'The Baxter' in 2005 and which he would follow up with other titles including 'Hello, My Name Is Doris' in 2015, 'The Big Sick' in 2017, 'The Lovebirds' in 2020, 'The Eyes of Tammy Faye' in 2021, 'The Idea of You' in 2024 and 'Oh. What. Fun.' in 2025. This film is based on Colleen Hoover's novel of the same name published in 2018. The film cost US$40M to produce, has so far grossed US$163M and has generated mixed critical reviews. 

The film opens with Lowen Ashleigh (Dakota Johnson) giving a public reading of her latest crime novel in a New York book store to just a handful of rather bored looking customers. Her agent Corey (Ismael Cruz Cordova) calls her and says that she has an appointment at 3:00pm that same afternoon in the offices of her publisher, to not be late and to wear something flattering. On the walk over to the offices, she stops at a pedestrian crossing at a busy intersection, and witnesses a cyclist get hit by a car right in front of her, with the cyclists blood splattering all over her head, hair, neck and clothes. A passer by asks if she is OK and escorts her to a nearby cafe with restrooms in which she can clean up. In doing so, he offers her his shirt to wear as her blouse is all messed up. Once cleaned up, and before leaving they introduce themselves, with the guy saying his name is Jeremy (Josh Hartnett). They then go their separate ways.

Once at the offices she is met by Corey who leads her into a room, at which is seated Jeremy and two others representing Jeremy. They are looking for someone to help one of their bestselling authors finish a popular novel series. The author, Verity Crawford (Anne Hathaway), known for writing novels from the perspectives of immoral villains, has been left in a catatonic state after a near-fatal car accident, a fact hidden from the media to prevent fans from thinking the series is over. Verity's husband, Jeremy, is mourning the recent drowning of their young eight year old daughter, Harper, from a canoeing accident. He assures Lowen she will be the best candidate for the job, as Verity has read her work and enjoyed it. The publisher says that the current work needs finishing off and there is an expectation for two further novels, paying US$75K a piece. Jeremy asks the others to leave the room so that he can talk privately with Lowen. He says that they are low-balling her, and that she should tell her agent to ask for a million. 

Lowen takes on the job and moves in with Jeremy, Verity, and Harper's twin brother Crew (Brady Wagner) in the family's lavish lakeside Vermont home, together with Anna (Irina Dvorovenko), Verity's nurse. Verity's office is in the house, enabling Lowen to absorb herself in Verity's copious notes to help her plan the next novel in the series. Lowen comes across a flash drive and on it is an unfinished manuscript of Verity's autobiography, in which Verity describes her initial infatuation with Jeremy and eventual resentment toward her children, whom she perceived as competition for his love and attention. Disgusted and horrified, Lowen abandons the manuscript halfway through reading it. 

Despite Verity's inability to move or speak, Lowen starts to notice Verity looking at her when no one else is around, although she is unsure if these episodes are just hallucinations. Lowen successfully plans the next novel based on Verity's exhaustive, albeit muddled, notes and prepares to begin writing it. A mutual attraction grows between her and Jeremy, and they begin an affair. Over dinner in a German restaurant in the nearby town, Jeremy confesses that though Verity never read Lowen's book, he did, and felt a deep connection to her, but lied because he thought the validation would mean more coming from Verity. 

Lowen revisits Verity's autobiography, which contains a confession that Verity intentionally capsized the canoe in an attempt to drown her children and thus reclaim Jeremy's devotion; their son Crew only survived because of his ability to swim. The manuscript ends with a declaration that Verity plans to commit vehicular suicide to escape legal consequences for her actions. 

Lowen confronts Verity, threatening to expose her to the Police and take Verity's family and career for herself. She stabs Verity in the palm of her hand with a drawing pin, but the patient remains steadfastly catatonic just gazing straight ahead and unflinching. Later, Lowen asks Crew about Harper's death, and he refuses to answer, but implies that Verity speaks to him, despite her supposed catatonic condition. Lowen confides her findings to Jeremy. He angrily confronts Verity, who fearfully admits to faking her catatonia, and pleads with him to let her explain. He begins to strangle her, but Lowen stops him before suggesting that he suffocate her instead, by covering her mouth and pinching her nose but not to leave any physical marks, to make her death look like an accident. After he kills her, they dump her body in the lake and convince Police that she must have woken up from her catatonia, left the house in a state of confusion, and accidentally drowned.

Fast forward seven months, and Lowen has published the next novel in Verity's series and is pregnant with Jeremy's daughter. As they prepare to move out of the house, Lowen comes across a handwritten letter concealed under a loose floorboard from Verity, addressed to Jeremy in the event that she and Crew left him. The letter promises that the autobiography was merely a writing exercise to help her process her grief, and so by this account, she never resented her children, Harper's death was truly an accident, and she was not actually suicidal. It also tells how Jeremy discovered the manuscript, believed it to be true, drugged Verity, and put her in her car with a brick on the accelerator in an attempt to kill her and make it look like a suicide. She survived, but faked catatonia for fear that he would report her to Police or kill her if he thought she was capable of telling anyone what he did. Lowen decides not to tell Jeremy about the letter and continue her new life with Jeremy, Crew, and their unborn daughter, no longer sure which of Verity's stories to believe.

Make no mistake, 'Verity' is hardly going to win any Best Picture, Best Writing or Best Director Awards this season, but nonetheless this film is an enjoyable psychological erotic thriller that is light on eroticism and light on thrills and tension, and heavy on its predictability. The three lead Actors do the very best they can with the material they've been given, yet still manages to offer up the audience enough melodrama and plot twists and turns to at least maintain the interest of those viewers familiar with the source material, and for those who are not, a reasonably entertaining night at the movies. 

'Verity' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Friday, 26 September 2025

FIGHT OR FLIGHT : Tuesday 23rd September 2025

I saw the MA15+ Rated 'FIGHT OR FLIGHT' this week at my local multiplex cinema, and this action comedy film is Directed by James Madigan in his feature film Directorial debut, although he has been the Second Unit Director on the likes of 'G.I. Joe : Retaliation', 'RED 2', 'Insurgent', 'Allegiant', 'The Meg', 'Bill and Ted Face the Music', 'Snake Eyes' and 'Transformers : Rise of the Beasts' more recently. This film premiered in the UK at the end of February this year, was released in the US in early May, and here in Australia on 4th September, has received positive critical reviews and has so far grossed US$4.5M at the Box Office. 

Following a raid on a hideout somewhere in downtown Bangkok, an elusive expert hacker simply called The Ghost manages to thwart the local authorities and escape. A government sect, operating undercover as part of a social media app, manages to quickly piece together enough information to locate the Ghost's escape route, via a flight to San Francisco. Agent Aaron Hunter (Julian Kostov) informs head Katherine Brunt (Katee Sackhoff) that due to lack of field agents in the area (the nearest being in Singapore), they have no way of catching the Ghost in time. 

With no other option, Brunt decides to call upon disgraced former Secret Service agent Lucas Reyes (Josh Hartnett), her former partner and boyfriend who was forced to go into hiding two years ago in Bangkok following a savage beating he gave to a high ranking government official he was guarding at the time. That government official had a penchant for beating up prostitutes he was fucking at the time and something snapped in Lucas, resulting in his dismissal by the head of the FBI who just happened to be the brother of that government official. Lucas had his passport seized and was handed down a no fly penalty so grounding him in Bangkok. He is needless to say seriously angered that Brunt would call him out of the blue, but with the promise of clearing his name, Lucas reluctantly takes the mission. 

The Ghost is particularly adept at keeping his identity a very closely guarded secret. Lucas's only way of identifying the hacker is an apparent bullet wound sustained in that earlier raid on a hideout, and a trail of blood left on the street. As he gets on the plane, and is ushered to his seat he has a brief run-in with dancing obsessed killer Cayenne (Marko Zaror) who laced his drink and who tells him that the Ghost has a bounty on his head. 

Lucas manages to kill Cayenne and then convinces airline stewards Isha (Charithra Chandran) and Royce (Danny Ashok) to help him with locating the Ghost and the other killers. Brunt learns that due to the Ghost's actions, multiple high-end companies have also managed to locate Ghost's whereabouts onto the plane and have all hired assassins of their own. Down in the cargo hold, where Isha shoots and kills another assassin in waiting, Lucas quickly figures out that Isha is in fact the Ghost after he observes her cold sweating, and gets her to begrudgingly trust him as he is the only person that is trying to prevent her from being taken out.

Lucas and Isha are forced to fend off the assassins with whatever is at their disposal, during which both their identities are sent to the mobile phones of everyone on the plane. Lucas slowly bonds with Isha, revealing that her motives are based on the fact that as a young child she was trafficked into slave labour and uses her skills to now help free other child labourers around the world. Brunt figures out that Hunter had kept information to himself about the Ghost, and that she possesses a supercomputer that is capable of hacking into any encrypted coding within mere seconds. Knowing that possessing it will make their app company more powerful, and turn them both into multi-billionaires overnight Brunt agrees to Hunter's plan of securing it, should the plane arrive in San Francisco on time.

Isha is quickly aided by Master Lian (JuJu Chan Szeto), another passenger and ally on the plane along with her students Monk Heather (Heather Choo) and Monk Claudia (Claudia Heinz), and together with a drug-induced Lucas recovering from a slash and stab to the stomach from an earlier fight for which he thought he had taken a dose of adrenalin, but in reality swallowed a much more potent animal extracted serum, fight through the rest of the assassins. 

Using a mountaineering pick and then a chainsaw which Isha found in the hold, Lucas sets about literally carving up the remaining assassins, while two of the goons fire off several rounds of their automatic weapons causing the plane's hull to rupture, and several assassins being sucked out of the plane at 35,000 feet.

Despite descending and levelling the plane, both pilots (Sanjeev Kohli and Declan Baxter) are killed along with Lian and her students. A gravely-injured Lucas and Isha make it to the cockpit, but the plane misses its SFO landing, resulting in Brunt killing Hunter with a bullet to the head, for his incompetence. Despite Brunt's attempts to get Lucas to turn Isha over, he refuses and resigns himself. Isha reveals that her computer device had been piloting the plane the entire time, her real escape plan. Lucas passes out from his wounds and exhaustion.

Lucas comes round several days later, bandaged up and on a drip, in a war-torn hospital where the sound of rapid gun fire and explosions are heard in the distance. As he wakes and stumbles to his feet, an explosion rips through the wall of the make-shift hospital, as Isha bursts into the room and tells him that they are not finished yet, much to his dismay.

First time feature film Director James Madigan, has here proven his film making chops by delivering us a very entertaining albeit no holds barred violent bloody and at times laugh out loud funny movie in which leading man Josh Hartnett performed all his own stunts, and that sense of letting loose comes shining through in his role. This film is very reminiscent of 2022's 'Bullet Train' but set on a plane, and by comparison that film grossed US$240M - a far cry from what this film is expected to take at the worldwide Box Office based on its poor US$4.5M haul so far. The action sequences are well choreographed and the close quarter fight scenes are so over the top I thought I was watching a Looney Tunes cartoon. That said, if watching creative kills and Josh Hartnett wielding a chainsaw at 35,000 feet floats your boat, then you're in for a thrilling ride. And if not, you can always watch it from the comfort of your sofa when it arrives on a streaming platform in the next few weeks. 

'Fight or Flight' merits three claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Friday, 9 August 2024

'TRAP' : Tuesday 6th August 2024.

I saw the M Rated 'TRAP' this week, and this American psychological thriller film is Written, Co-Produced and Directed by M. Night Shyamalan who made his breakthrough with 'The Sixth Sense' in 1999 and which he would follow up with the likes of 'Unbreakable' in 2000, 'The Village' in 2004, 'The Visit' in 2015, 'Split' in 2016, 'Glass' in 2019, 'Old' in 2021 and 'Knock at the Cabin' in 2023. This film cost US$30M to produce, has so far grossed US$25M and has generated mixed or average reviews since its release in the US and here in Australia last week. 

The film centres on a serial killer Cooper Adams, dubbed 'The Butcher' (Josh Hartnett) who attends a Lady Raven (Saleka Shyamalan) concert with his teenage daughter Riley (Ariel Donoghue). Arriving in plenty of time before the concert gets underway, Cooper observes a large Police presence at the stadium and asks a merchandise vendor Jamie (Jonathan Langdon) the reason for the higher than normal Police activity. Jamie tells Cooper that the FBI plans to catch a serial killer known as 'the Butcher', having learned that he will be in attendance, and Jamie asks Cooper not to divulge to anyone where he got his information from as it's a closely guarded secret. 

Cooper excuses himself from Riley to visit the toilet where it is revealed that he is the Butcher while secretly checking footage on his phone of his latest captive victim, Spencer (Mark Bacolcol), chained to a pole in a basement somewhere. He steals Jamie's employee ID passcard and learns the supposed secret codeword, Hamilton, that will identify him as an employee, using the card to gain access to a back room where a Police briefing is taking place, and in the process stealing a Police radio.

Over the radio he listens in on a woman predicting his movements, so Cooper sets off a diversion in a food outlet and uses the ensuing chaos to access the roof, where he learns from a Police Officer that the manhunt is led by Dr. Josephine Grant (Hayley Mills), an FBI profiler who has a successful track record in tracking down other criminals. 

Confused by Cooper's behaviour, Riley asks him to stay with her. She talks about being chosen as Lady Raven's 'Dreamer Girl', who gets to dance on stage with the singer and receives backstage access, which Cooper believes has the only exit not covered by the Police. Cooper lies to Lady Raven's uncle (M. Night Shyamalan) that Riley recently recovered from leukemia and therefore winning the sympathy vote and resulting in her being selected to be the 'Dreamer Girl'.

Following the end of the concert, Cooper observes that the Police are also guarding the backstage exit. In the privacy of Lady Raven's dressing room, he reveals himself as the Butcher to her, threatening to remotely kill Spencer if she does not escort him and Riley out in her limousine. She complies but asks to visit Riley's house, where she is met by Cooper's unsuspecting wife Rachel (Alison Pill) and Riley's younger brother Logan (Lochlan Miller). Lady Raven stalls for time by explaining the FBI operation to the family, unsettling Cooper by describing Grant's profile of him as someone with maternal issues and obsessive-compulsive disorder. She also explains that the Police discovered details about the Butcher's attendance at the concert via a torn ticket receipt left in a vacant house that was reported anonymously. 

Before leaving at the behest of Cooper, Lady Raven offers to sing one last song using the family piano, accompanied by Riley. Upon finishing the song, Lady Raven steals Cooper's phone and locks herself in the bathroom with Cooper frantically banging on the door demanding she gives his phone back. She gets scant details from Spencer, as he was blindfolded, about where he was taken and livestreams it to her fans, one of whom finds and rescues him. She outs Cooper to his wife, Rachel, and he locks his family upstairs while Lady Raven texts her driver to contact the Police. 

Cooper attempts to drive off with Lady Raven, but his family, having escaped their temporary captivity upstairs, distracts him long enough for her to escape. The Police arrive and Cooper exits the house through a secret tunnel leading to the neighbours property. He then disguises himself using a SWAT uniform and drives the limousine off with Lady Raven handcuffed to a railing inside the car. After he reveals his identity she unlocks the window, manages to break the railing free and draws a mob of fans to stop him so the FBI can catch up. Cooper meanwhile changes into a fresh set of civilian clothes and flees the scene.

Cooper returns home and confronts Rachel who confesses that she had suspected that he was the Butcher and was the one who left the receipt in the vacant house for the Police to find. Cooper decides to kill her and then himself, but Rachel persuades him to at least share some leftover pie made for Riley. After Cooper admits his hatred for Rachel in causing him to miss seeing his children grow up, he realises Rachel drugged the pie with crushed pills from his tool bag, leading him to hallucinate his mother expressing pride in him for feeling real emotion. The hallucination is actually Grant, impersonating Cooper's mother to calm him down, and he is then tasered several times by SWAT officers as he walks up to her. As he is led away in hand cuffs, he stops to pick up Riley's bicycle on the lawn outside and stand it upright and shares a tearful embrace with her before being loaded into a Police van. As it drives away, Cooper retrieves a bicycle spoke from his sleeve that he secretly took when adjusting Riley's bike and unpicks the lock on his cuffs, laughing to himself.

'Trap'
plays out over about six or seven hours from the point where Cooper and Riley jump out of their car having parked up very conveniently close to the concert venue to the point post gig where he is arrested, cuffed and carted off in the back of a Police van later that night. Right from the first ten minutes or so we know that Cooper is 'The Butcher' and that there is a covert Police sting operation afoot to ensnare him, so from this point forward all bets are off, and instead Director and Writer Shyamalan opts for a more traditional cat and mouse game, while sacrificing his trademark twist at the back end. Hartnett is well cast as the mild mannered yet fractured family man harbouring a deadly double life, but the rest of the cast are largely one-dimensional. Make no mistake this is a concert film in which M. Night allows his singer-songwriter daughter Saleka to perform centre stage, write the songs and also score her first screen acting role, all wrapped up in a thriller that in reality is thin on thrills and spills. You can easily forego the price of your cinema ticket and wait for 'Trap' to come out on your local streaming service.

'Trap' warrants three claps of the Odeon Online clapperboard from a possible five claps.

Sunday, 22 January 2023

OPERATION FORTUNE : RUSE DE GUERRE - Tuesday 17th January 2023.

'OPERATION FORTUNE : RUSE DE GUERRE' which I saw earlier this week is an M Rated American spy action comedy film Co-Written and Directed by Guy Ritchie whose previous film making credits take in the likes of 'Lock, Stock and Two Smoking Barrels', 'Snatch', 'Sherlock Holmes', 'Sherlock Holmes : Game of Shadows', 'The Man from U.N.C.L.E.', 'Aladdin', 'The Gentlemen' and 'Wrath of Man' in 2021. It was originally slated for release at the end of January last year and then mid-March 2022. In mid-February 2022, the film was pulled from the release schedule without comment by the studio. Reports indicate the film was pulled from release, not due to the COVID-19 pandemic as before, but because it featured gangsters of Ukrainian nationality as the main antagonist's henchmen. The film's Producers thought it would be of bad taste, in light of the ongoing Russian-Ukrainian War, for the movie to present 'Ukrainian baddies'. The film has garnered mixed or average Reviews and so far has grossed US$11.0M in Box Office receipts since its international release on 4th January and in Australia from the 12th January. 

The film opens up with a seemingly well executed raid on a secret tech lab, where the perpetrators of said raid steal a device that is dubbed 'The Handle'. It is determined that the device must have importance since its price tag on the black market is US$10B. It turns out that the nefarious perpetrators of the raid were the Ukrainian mob. The British government, under the auspices of Norman Knighton (Eddie Marsan) recruits Nathan Jasmine (Cary Elwes) to locate and retrieve, by almost any means possible, The Handle before it falls in to the hands of billionaire arms dealer Greg Simmonds (Hugh Grant) who in turn would then sell it to the highest bidder. Jasmine recruits his go to man and super spy Orson Fortune (Jason Statham, who also Co-Produces here, and collaborates with Ritchie for the fifth time) as well as the very tech savvy Sarah Fidel (Aubrey Plaza), the very handy sharp shooter JJ Davies (Bugzy Malone) and various others. 

And so the team travels to Madrid, seeking the courier intended to transport the hard drive containing the data from The Handle. Their search is scuppered by former colleague of Fortune, Mike (Peter Ferdinando) who has gone out on his own, hired a crack team and who also seems to have been hired to retrieve The Handle. Fortune and JJ manage to prevent Mike's team from getting to the courier and take him away, but he suffers a heart attack and dies before telling them the entire code. However, Sarah manages to copy the hard drive's contents before Mike catches up with them and steals it.

Sarah learns that Simmonds plans to host a charity gala aboard his lavish yacht in Cannes. The team decides to infiltrate the yacht by blackmailing Simmonds' all time favourite movie star, Danny Francesco (Josh Hartnett) into helping them. While Simmonds is distracted by Danny, Fortune deals with another of Mike's men masquerading as a waiter, and Sarah is tasked with getting close to Simmonds' phone so JJ can clone it, so allowing the team to track the arms dealer. Simmonds encourages Danny to spend the weekend at his Turkish villa in Antalya, so that he can gain inspiration for his next movie role which Danny describes as being a mysterious self made billionaire type, to which Simmonds replies that he's just described him! Fortune stealthily breaks into the Ukrainian mafia house to hack their computers, disguising it as a robbery by stealing cash and jewellery. The British government meanwhile calls Nathan to warn him that The Handle is an advanced artificial intelligence that can be programmed to defeat any security system in the world. Learning from the computer information that the exchange for The Handle will take place in Antalya, the team travels to Turkey, and take up Simmonds offer to stay at his villa.

While Simmonds shows Danny his private car collection, Fortune and JJ follow Simmonds' right hand man Ben Harris (Max Beesley) with Fortune giving chase on foot while JJ helps to track the man from his vehicle. After a chase through the side streets and alleyways, Harris attacks Fortune, who by accident is killed when he falls over a protective railing at the top of a tall lookout tower. Fortune stands in for Harris at the exchange (as the Ukrainians would be unfamiliar with what Harris looks like) with Sarah using a computer programme to disguise Fortunes's voice to that of Harris's in order to fool Simmonds, so that he can relay a sixteen digit access code to activate The Handle. 

The exchange goes south when Fortune is recognised by one of the Ukrainian guards who was at the house the night Fortune broke in. Danny and Sarah escape Simmonds' villa before Simmonds learns what they have been doing. Meanwhile, Mike arrives, attacks, and kills everyone except Fortune and steals The Handle. JJ saves Fortune by taking out Mike's henchmen from afar, and the two take a helicopter to go to the aid of Danny and Sarah.

Nathan informs the team that Mike was not hired by any government and that he has gone rogue, and that a third party contracted him to steal The Handle. Lacking knowledge about the buyer, Fortune suggests talking to Simmonds. In spite of the problems the team caused him, Simmonds is willing to help, telling them that the buyers were a pair of billionaire bio-tech moguls, Arnold and Trent, whose intended use of The Handle is to create a worldwide financial collapse, while becoming richer through their ownership of large quantities of gold, which would become the world's only stable economic asset. 

And so Simmonds and Danny go to confront Arnold, Trent, and Mike in Arnold and Trent's HQ. Fortune successfully infiltrates the place by taking out numerous goons with support from Sarah and JJ. After Simmonds and Danny have said their piece and made their own demands, they leave. Mike tells his men to kill Arnold and Trent, starting a shoot-out. Fortune arrives after the carnage and manages to retrieve The Handle, but is then attacked by Mike, who is beaten about the head several times with the case containing The Handle, killing him stone dead. 

Fortune, Sarah and JJ follow Nathan to Doha, where they are offered another job, only for them to decide to take a holiday. Nathan demands that Fortune return the cash and jewels from the robbery at the Ukrainian villa, but reveals that he's used the proceeds to finance Danny's latest movie project in which he plays a fictionalised version of Greg Simmonds.

'Operation Fortune : Ruse de Guerre'
is formulaic and predictable fare for sure, but nonetheless entertaining enough. The cast led by 'The Stath' who once again is in full ass-kicking, gun-toting, quips at the ready mode falls effortlessly into his usual tough guy persona, ably supported by those other British screen acting veterans Grant, Elwes and Marsan who all looked as though they were having a good time in making this film, as did the token American contingent of Hartnett and Plaza. For Writer and Director Ritchie, he has certainly found his calling with this type of action comedic offering and it appears, for now at least, that he doesn't want to deviate away from it. He delivers the action set pieces well enough, the humorous one-liners raised a smile and the occasional chuckle, but the story line is just a little too far fetched to keep it grounded or relatable. It's an enjoyable romp, not up there with his best, but for an early year start to big screen entertainment where you can switch off and just go with the flow, you could do worse.

'Operation Fortune : Ruse de Guerre' merits three claps of the Odeon Online clapperboard, from a potential five claps. 
-Steve, at Odeon Online-

Monday, 10 May 2021

WRATH OF MAN : Thursday 6th May 2021.

'WRATH OF MAN' which I saw last week at my local multiplex is an MA15+ Rated American action thriller offering Directed, Co-Produced and Co-Written by Guy Ritchie and is based on the 2004 French film 'Cash Truck' Directed by Nicolas Boukhrief. The lead star of this film is Jason Statham, with whom Ritchie has worked on three previous occasions - 'Lock, Stock and Two Smoking Barrels', 'Snatch' and 'Revolver' with a fifth collaboration currently in the works on spy thriller 'Five Eyes'. Originally slated for a mid-January release but postponed due to the COVID-19 pandemic, this film was released in Australia last week, one week ahead of its US cinema release and not until 23rd July in the UK. It has so far taken US$8M following its earlier release in Russia, Germany, New Zealand and here in Australia, and has generated mixed or average Reviews so far.

The film opens up with Patrick Hill (Jason Statham) being interviewed for a new job at cash security firm Fortico by the manager Terry (Eddie Marsan) who tells Hill that his references more than check out, and that he has all the necessary credentials to come on board as a new security guard, including a pistol licence. Fortico collects tens of millions of dollars from around Los Angeles every week from hospitality venues, clubs, casinos, banks and businesses and are therefore considered an easy target. So much so that just a matter of weeks ago two of the firms security guards were killed in a heist on one of their trucks. Needles to say Hill is given the job on the spot. He is quickly introduced to his supervisor Bullet (Holt McCallany) who tells him that he will have to undergo four days of intensive training on driving and manoeuvring a cash truck and his shooting skills, and under the latter he needs to score a minimum rating of 70% to pass. After his first day he is introduced to a number of his co-workers. There is Boy Sweat Dave (Josh Hartnett), Dana (Niamh Algar) and a number of others who all treat the 'limey' with disrespect and indifference. All of this treatment is like water off a ducks back to 'H', as Hill has come to be known by his new colleagues, who tries to keep himself to himself, mingles when it is called for, and is pretty adept at playing the strong brooding silent type. 

We then fast forward three months and one day Bullet, Sweat Dave and H are out on a cash collection in their truck at the docks off loading only about US$10K from a recently berthed cruise ship. Bullet is on board for what should be a simple and routine pick-up. But something is not right and over the radio comes a garbled message that they are to drive the truck a couple of blocks to rendezvous with a bunch of crims who have Bullet captive, and they want the US$1.5M that is already in the back of the truck. Sweat Dave goes into a blind panic not knowing what to do for the best, while H remains cool, calm and collected and orders Sweat Dave to drive the truck. At the meeting point, Bullet is bundled out of a car and beaten to the ground. What ensues is a fire fight in which H shows off his very particular set of skills as a precise marksman by taking down all six crims singlehandedly, while Sweat Dave and Bullet are left speechless by what they have just witnessed. 

After this show of force, H is hailed a hero by his colleagues and Terry. After the fact he is interviewed by FBI Agents Hubbard and Okey (Josh Cowdery and Jason Wong respectively) wanting to clear up some details and show him video footage of the earlier heist on a Fortico truck which claimed the lives of the two security guards, to determine if there were any similarities in the crims MO. Afterwards, the Agents call their superior officer Agent King (Andy Garcia), who tells them to lay off Hill and let him do what he has to do, and that he will monitor the situation closely.

We then go back in time five months and Hill and his teenage son Dougie (Eli Brown) are about to go out to watch a game, but they are running ahead of time and decide to go get a bite to eat first. Hill's phone rings and it is one of his henchmen, Mike (Darrell D'Silva) who wants him to do a quick surveillance job of the movements of a Fortico truck as its leaves their depot. Hill says it's his day off and he has his son with him, but Mike responds with the fact that there is no one else available and it will only take a few minutes of his time. Reluctantly Hill agrees. Under the pretext of wanting to stop for a burrito from a food truck parked outside the Fortico depot, he orders Dougie to stay in the car with the doors locked. As the cash truck leaves the depot, turns right and heads under an overpass, the trucks route is blocked by construction workers. But these construction workers are not what they seem and they soon produce weapons and the necessary hardware to break into the armoured vehicle and steal the cash money contained therein. In the process the two security guards are both killed and shot, and Dougie is observed to be witnessing all of this and is also shot four times and killed outright. At this Hill rounds the corner and witnesses his son lying dead on the ground, he runs towards him only to be shot three times sending him crashing to the ground as he looks up at the gunman wide eyed but motionless. 

A couple of weeks later Hill comes round in a hospital bed with a doctor standing beside him. The doctor tells him he is lucky to be alive having taken three bullets and lost a quarter of his blood. Hill asks after his son and is told that he died at the scene. Later Hill walks out of hospital and back into his office where Mike, Hollow Bob (Rocci Williams) and Moggi (Babs Olusanmokun) are in attendance saying that they have done everything they can do to locate the perpetrators of Dougie's death, but have drawn a blank. Meanwhile, Hills ex-wife, mourning the death of her son, blames Hill directly for his slaying, leaving him speechless.

After slaying all of the lowlife crims in the neighbourhood who may have had an inkling as to who the perpetrators were responsible for Dougie's death, and having so far still drawn a blank, they hit upon a lead who tells them (under immense duress) who the crims might be. We are then introduced to a bunch of ex-soldiers led by Sergeant Jackson (Jeffrey Donovan) who are all working dead end jobs, as bored as Hell watching TV and drinking beers all day long, and after some excitement in their lives and ideally a big pay cheque. Jackson suggests to his former soldier buddies Jan (Scott Eastwood), Tom (Chris Reilly), Sam (Raul Castillo), Carlos (Laz Alonso) and Brad (Deobia Oparei) a robbery from a wealthy man who Carlos works for but this yields them only a couple of hundred thousand dollars. Jackson later suggests a heist on a cash truck, which eventually leads then to the heist on the Fortico truck in which the two security guards were shot and killed, together with Dougie and in which Hill was collateral damage. 

After successfully pulling off that heist the crims lay low for a couple of month before their next heist. Jackson tells them not to spend up big and just to go about their normal routines so as not to attract any undue attention to themselves. Then comes a major pay day in the form of Black Friday in which Fortico will collect upwards of US$160M in cash. Eight weeks of intense preparation is needed in the lead up to the big day, and all the guys are in, tempted by the excitement of their next 'mission' are the prospect of retirement at the other end. The day duly arrives, and Fortico is as well prepared for every eventuality as it can be. The crims know the high stakes they are playing for and what can go wrong but their planning has been meticulous. Jackson fears only one man in his gang - and that is Jan, the loose cannon, who has attitude, the temperament and the mouth to go with it. Despite being told to lay low he has a furnished warehouse style apartment and a US$28K brand new motorcycle, much to Jackson's chagrin. 

In the truck making their way back to the Fortico depot, Bullet confides in H that he likes him, but that he has a confession to make. Bullet is the man on the inside, feeding intelligence to Jackson and telling him which trucks to hit and when. Bullet is telling H this because he needs his cooperation when they arrive back at the depot to make it look as though all is good to gain access inside. H is surprised and agrees to go along with the plan asking 'what's in it for me' to which Bullet replies with 'your life'. 

Once inside, the other gang members arrive and gain access and needless to say it's not long before a fierce gunfight breaks out as things go awry. H is led into a side room with Terry and Sweat Dave, and has his hands cable tied and is watched over by a pair of the crims wearing full assault gear from head to toe. Meanwhile, all out war is going down outside with Jackson and his remaining crew exchanging rapid gunfire with everyone else working for Fortico. Bullet is making out that he is being held against his will and used as a bargaining tool for the crims to gain access to the main vault. With the shoot out intensifying one of H captors leaves the room to join the fray. This gives H his chance to overpower the remaining one which he does so, ultimately strangling him. In the meantime Terry is on the phone to the S.W.A.T. team who are en route, albeit eight minutes away, and Sweat Dave is dithering about unsure of what to do - fight or flight!

H picks up the automatic weapon from the man he's just killed and goes off in search of the others. He gets into a fist fight with Tom and it doesn't end well for Tom who is killed with a knife to the jugular, while the others get shot up, leaving Bullet to dispense with Dana and a few others. Jan shoots H several times in the chest and leg, leaving hism prone on the ground motionless, but eyes wide open staring at Jan straight in the face. Jackson, Jan and Bullet are the last men standing although Jackson has sustained a bullet injury to the neck and is beginning to look decidedly pale by the time the cash truck crashes out of the depot, pursued by a convoy of Police vehicles. The truck heads down the highway chased closely behind by the Police, a S.W.A.T team and a chopper above. Eventually the truck heads into an underground parking lot, and as the Police vehicles are about to enter Bullet activates the bollards by remote control to come up out of the ground so preventing the Police from gaining access. Unknown to the authorities there is a secret tunnel leading out of the parking lot, that does not appear on any of the schematics as the lot was built in the '50's and the site has since been redeveloped, masking the tunnel from any blue prints. This was Jacksons plan all along. While Jackson is bleeding out Jan and Bullet off load the bags of cash onto two waiting quad bikes that they drive through the tunnel to a parked up Prius at the other end. While Bullet is attending to the stash of cash Jan goes back to the truck and finishes off Jackson by slitting his throat.  

When the pair arrive at the Prius they load up the boot with the money bags. Bullet knows that Jan can't be trusted and so pulls his gun. When Jan returns from opening the gate, he pulls his weapon before Bullet has time to respond, and shoots him through the head without hesitation. Jan successfully makes his getaway with all the money. At his apartment, after stepping out of the shower, he finds a phone ringing in one of the money bags, which was planted there by H to track his location. H had survived and confronts him with Dougie's autopsy report before shooting Jan in the same places Dougie was shot (liver, lungs, spleen and heart), killing him. Agent King is waiting outside to collect the stolen money while H drives off with one of his associates. 

'Wrath of Man' is an enjoyable, well orchestrated piece of action cinema that both Ritchie and Statham are renowned for with set pieces that more than deliver, an ensemble cast of familiar names, and enough shoot 'em up violence and cuss words to please any lover of the genre. With several time shifting storylines, this revenge and retribution offering is often brutal and uncompromising in its depiction of low life criminals and a man on a mission who will stop at nothing to see that his own brand of justice is duly served on those that wronged him. Statham is light on the fast talking quips and one liners trading these in for brooding menacing dialogue that on occasion misses the mark, but is countered by the fast paced action and the actors cold blooded performance. For Ritchie this is not quite up there with his recent 'The Gentlemen', or his earlier works 'Lock, Stock . . . ' and 'Snatch' but it proves his versatility as a film maker of the action crime drama, and as for Statham you know exactly what you're gonna get, but this would be one of his more noteworthy films in recent memory. At a running time of just under two hours, the film feels slightly over extended and perhaps ten or fifteen minutes could have been shaved off, although this would be a minor criticism only.

'Wrath of Man' warrants four claps of the Odeon Online clapperboard out of a possible five claps.
-Steve, at Odeon Online-