Showing posts with label Martin Zandvliet. Show all posts
Showing posts with label Martin Zandvliet. Show all posts

Friday, 21 April 2017

LAND OF MINE : Tuesday 18th April 2017.

'LAND OF MINE' is a Danish/German Co-produced foreign language historical drama film that I saw earlier this week. It had its Premier at TIFF in September 2015, and was released in its native Denmark in early December 2015 and only in the last three weeks has this highly acclaimed inspired by real WWII events offering arrived into Australian cinema's off the back of 26 award wins and nineteen further nominations including a Best Foreign Language Film nod at this years recent Academy Awards. Directed and Written by Martin Zandvliet, this film cost US$5.2M to make and has so far grossed US$2.2M.

Telling the true WWII story of the days immediately after the surrender of Germany in May 1945 when a group of about 2,000 German Prisoners of War were handed over to Danish authorities and sent out to the west coast. Here they were forced to clear up to two million land mines buried in the sand along the coastal beaches there, laid by the Germans when they occupied the country, believing that the Allied Invasion would take place there.

We are first introduced to Sergeant Carl Rasmussen (Roland Moller) waiting in his Jeep at an intersection when a column of captured German soldiers of all ranks passes by. The Sergeant waits and waits at the intersection and then drives down the road in the opposite direction to which the Germans are walking. He pulls his Jeep up abruptly and reverses ten meters or so, jumps out, and picks out a German soldier carrying a wartime souvenir of a Danish flag and promptly starts to relentlessly beat him up violently and without any remorse. Such is the Danes hatred of the Germans for occupying their country for the past five years, and what right did that German soldier have to steal the Danish flag! This sets the tone for the film that will unfold, and gives us the measure of the man. We then see the Sergeant pacing out demarcation lines on the beach according to a map of where 45,000 land mines are buried in the sand on the area of beach that he is to supervise the clearing of.

Next up we see thrown together teams of young German soldiers, mostly teenagers conscripted by Hitler in the closing days of the war. They are in a training camp learning how to diffuse land mines - the type of which are buried in the coastal sands they will shortly be sent to clear. They at this point are under the command and the training of Captain Ebbe (Mikkel Folsgaard), who has even more contempt for the Germans and cares not if they live or die.

Once their training is complete, the German lads, some of them no more than boys, are tested on live land mines in a bunker against the clock. Speed is of the essence for the authorities, while staying alive and in one piece is the priority for the young lads. The scene where one by one the boys enter the bunker carrying a live land mine which they have to diffuse is edge of your seat stuff, as one by one they come out some smiling, some shaking but all sweating from their ordeal. It is their first of many such ordeals from which many will perish or carry permanent life changing injuries.

With their training complete, the lads are sent off to the west coast where they meet for the first time with the hard nosed, uncaring, brutal Sergeant whose contempt for the Germans is set in stone, and as such he is determined to treat them with zero tolerance and zero sympathy.

He tells them that his strip of beach contains 45,000 buried land mines and if they each clear six mines every hour they will be able to return home to Germany in three months as free men. The reality is though that many of his team were teenagers and all were ill equipped to get down on their hands and knees and carry out such dangerous work day in day out for three months with little sustenance, cramped and makeshift sleeping conditions, and nowhere to clean up.

Every day the Sergeant marches his team down to the beach to dig for mines. This task seems like an endless one as the team inch along the beach side by side on their bellies prodding beneath the surface for hard metal objects that must be diffused. As each mine is located, so we see shaking hands very gingerly pulling out the detonator pin, which for the most part meets with success, but along the way there are failures as well resulting in casualties and severe life threatening injuries sustained. Sometimes it's freak accidents and sometimes it's booby trapped mines too that cause the explosions, and when they do come, it's almost with a sense of relief from the tension being played out on screen.

Each early evening the team are locked inside the confines of their hut where they sleep off the stress, the fear, the anxiety of the day. Tensions mount within the team as they suffer from acute hunger, from the mood swings of the Sergeant, and from the personality clashes within their own ranks. As the team grow increasingly hungry scavenging for food which makes them sick, and weary, so the Sergeants feelings towards his young charges starts to soften.

As time passes the Sergeant comes to appreciate that his team really had nothing to do with the wartime German occupation of Denmark, and he begins to show sympathy towards them - securing them rations of bread and potatoes, organising a beach soccer game, showering them with clean water and providing pain killing medical aid to those injured. He warms especially to Sebastian Schumann (Louis Hoffman) who stands out as the natural leader of the group, and with whom he has open conversation and shares a joke or two.

In the final analysis the beach is cleared of 45,000 mines. The team that remains are on clean up duty aided by others loading all the diffused land mines onto the back of a truck for removal. Sharing jokes and light hearted banter about their future lives once they return to Germany, one of the lads becomes just a little too slack with loading the munition onto the truck. The resultant explosion sends truck parts, bodies, sand and a thick plume of black smoke up into the air leaving a huge burned out crater in its wake. The majority of the team perish, leaving only four surviving out of the original team of fourteen.

As the four remaining, including Sebastian, board the truck to begin their journey home and to freedom so the authorities have over-ruled that decision on the strength that they need more experienced Germans to clear more land mines elsewhere on the west coast, and as such they are forced to stay behind. The Sergeant pleads with Captain Ebbs but to no avail - the orders have been given and they must be followed, and after all, they're only Germans and 'if they're old enough to go to war, they're old enough to clean up after them!'. The Sergeant finds the decision to be unjust given the commitment originally made, the sacrifices he has seen in human life as a result of his mine clearing operation, and the determination seen in his young men. And so, the Sergeant engineers their release and secretly defying orders takes them to a drop off point 500 metres away from the German border, where they are released and run toward their freedom.

This is an intense, at times confronting, emotionally charged film that you can't help but feel invested in. The body of Actors give convincing  performances especially Moller as Sergeant Rasmussen and Hoffman as Schumann, and also adding weight are the roles of identical twin brothers Ernst and Werner Lessner played by Emil and Oskar Belton respectively and Helmut Morbach as played by Joel Basman. A little known story that turns the tables on the Nazi's as the downtrodden, persecuted and punished in the aftermath of the War making the captive the captor and ultimately a hero from the antagonist. This is believable, engaging throughout, beautifully shot in muted tones and a relevant story of tragedy, tension, compassion and the human spirit that needed to be told. Of the 2,000 or so German POW who were ordered to clear the beaches of their own laid landmines, more than half either died in the process or suffered serious injury during the five months in took to clear the beaches completely - more than were killed during the entire five year Nazi occupation of Denmark.

-Steve, at Odeon Online-

Wednesday, 29 March 2017

What's new in Odeon's this week : Thursday 30th March 2017.

With the release of 'The Lego Batman Movie' this week, it may come as a surprise to some that Lego have in fact been producing films and television series for a good number of years now. Lego officially broke into the movie making business back in 2003 with a series of films based on their 'Bionicle' range at first in conjunction with Miramax for the initial trilogy, and then with Universal for a reboot. After four films in the 'Bionicle' franchise between 2003 and 2009, Lego followed this up with their first feature length CGI animated adventure comedy 'Lego : The Adventures of Clutch Powers' which spawned a mini-sequel and a short film. In 2005 Lego capitalised upon their tie in with the Star Wars franchise with a number of short films and television specials, which has so far yielded ten such stories right up to 2016. Since 2013 there have also been a range of seven Lego Superhero films based on the DC Universe mostly featuring Batman, and the Justice League, with two short 22 minute films featuring our friends from the Marvel Universe too. The Lego Ninjago series has been hugely popular in its television series format running for six years so far over 64 episodes to date with a full length feature offering due later in 2017. In the meantime there has also been 'The Hero Factory' series, 'Lego Scooby-Doo' series and the 'Lego Friends' series and other one offs based on popular films and television series including Monty Python's Holy Grail, Indiana Jones, Jurassic World, Atlantis, and The Simpsons. In collaboration with Warner Animation Group Lego have so far released the hugely successful 'The Lego Movie' in 2014, 'The Lego Batman Movie' this year and as Previewed below, with 'The Lego Ninjago Movie' due in November, and with 'The Lego Movie Sequel' and 'The Billion Brick Race' both in development for 2019.

Turning form CGI driven animated interlocking bricks to the coming week, we have five new cinematic releases that offer a high octane Sci-Fi actioner set in a Japan of the near future and based on a cyber manga franchise now approaching thirty years old. We then have a small interconnecting bricks DC character inspired film about Gotham City's finest Superhero going head to head and brick to brick with his arch nemesis and just about every other arch criminal from popular culture you care to remember; before moving onto two critically acclaimed Foreign Language Film offerings that were both up for the Best Foreign Language Film at the recent Oscar Awards Ceremony - one from Denmark and a true account of young German POW forced to clean up their own mess in a small corner of Denmark immediately following the end of the war, and the second from Sweden about a grumpy old man. We then wrap up with an animated reboot of little blue and white critters who have been going strong for fifty years or so and whose latest adventure takes them on a journey of discovery, secrets and danger.

When you have sat through any one of these films as Previewed below, or those as Reviewed and Previewed amongst these previous Blog pages, be sure to leave your valued, constructive and relevant feedback, by leaving your movie going thoughts and opinions in the Comments section below this or any other Post. We'd love to hear from you, and meanwhile, enjoy your film in the coming week.

'GHOST IN THE SHELL' (Rated M) -  is a Japanese media franchise that had it origins way back in 1989, having been published as a series of comics aimed squarely at the youth and more mature male market written and illustrated by Masamune Shirow which is the pen name for manga artist Masanori Ota whose works under this title have subsequently led to two theatrical anime movies, two anime television series, an anime television movie, a theatrical live action movie, and several video games. The original premise told of the fictional counter-cyberterrorist organisation Public Security Section 9 (a special-operations task-force made up of former military officers and police detectives) led by protagonist Major Motoko Kusanagi in mid-21st Century Japan. Here, computer technology has advanced to the point where many members of the public possess cyberbrains, technology that allows them to interface their biological brain with a variety of networks. The level of cyberization varies from basic minimal interfaces to almost complete replacement of the brain with cybernetic components, in cases of severe trauma. This can also be combined with various levels of prostheses, with a fully prosthetic body enabling a person to become a cyborg. Major Motoko Kusanagi, is such a cyborg, having had a terrible accident as a child that ultimately required her to use a full-body prosthesis to house her cyberbrain.

With that lesson over, this live action version finally hits our screens this week after some time of dazzling Previews. Directed by Rupert Sanders in only his second feature film outing after 2012's 'Snow White and the Huntsman', this film adaptation centres around Major (Scarlett Johansson) - the first of a kind cyber-enhanced human who has been perfectly engineered to be the prefect soldier who exists only to stop the world's most dangerous notorious criminals. With technology reaching new heights that allows terrorists to hack into  the minds of the people and ultimately take control of them, the Major is best qualified to stop them. As Major steps up to the plate to vanquish her dastardly foe, she learns that she has been lied to and everything about her life is not as she was led to believe - that she was not saved and made in to what she is today, but rather her life was stolen! She will stop at nothing therefore to recover her past and stop those responsible before others befall the same fate. Also starring Michael Pitt, Juliette Binoche, Takeshi Kitano and Pilou Asbaek.

'THE LEGO BATMAN MOVIE' (Rated PG) - featuring an all star voice cast this film is a spin off from the hugely successful 2014 'The Lego Movie' which took a cool US$470M from its US$60M production budget. This instalment is Directed by Chris McKay on a budget of US$80M and has so far grossed US$293M since its US release in early February. Here the story centres around Bruce Wayne (aka Batman, aka the voice of Will Arnett) who is living the reclusive life in his mansion with his Butler Alfred (Ralph Fiennes). When he's not fighting crime, his arch nemesis The Joker (Zach Galifianakis) musters up all the super crims he can possibly round up to thwart Gotham City's Batman once and for all. Meanwhile new Police Commissioner Barbara Gordon (Rosario Dawson) suggests to the Batman that he should take on a closer working relationship with the local city law enforcement authorities. Following some sort of misunderstanding Wayne inadvertently adopts orphan Dick Grayson (Michael Cera) and so it boils down to Wayne, Grayson, Alfred and Gordon to save Gotham from the Joker and his army of  super villains. Also starring the voice talents of Eddie Izzard, Seth Green, Zoe Kravitz, Mariah Carey,  Channing Tatum, Jonah Hill, Adam DeVine and Billy Dee Williams amongst others. 'The Lego Ninjago Movie' is due for release at the back end of 2017, with a sequel to this film already announced for an early 2019 release.

'LAND OF MINE' (Rated MA15+) - this Danish/German Co-production had its Premier at TIFF in September 2015, and was released in its native Denmark in early December 2015. Only now does this highly acclaimed foreign language offering arrive into Australian cinema's off the back of 26 award wins and nineteen further nominations including a Best Foreign Language Film nod at this years recent Academy Awards. Telling the true WWII story of the days immediately after the surrender of Germany in May 1945 when a group of about 2,000 German Prisoners of War were handed over to Danish authorities and sent out to the west coast where they were forced to clear up to two million land mines buried in the sand along the coastal beaches there by the Germans when they occupied the country. Many were teenagers and all were ill equipped to get down on their hands and knees and carry out such dangerous work. One such group under the unscrupulous supervision of Sergeant Carl Leopold Rasmussen (Roland Moller) did it tough with his unrelenting unsympathetic views towards his former occupiers. Many lost their lives in doing so. As the days and weeks pass by, Rasmussen however, grows more and more conflicted in his feelings towards the young lads under his charge - especially, one, the protective and natural leader of the group Sebastian Schumann (Louis Hofmann). A tale of tragedy, tension, compassion and the human spirit as Directed and Written by Martin Zandvliet, this film cost US$5.2M to make and has so far grossed US$2.2M.

'A MAN CALLED OVE' (Rated M) - another Best Foreign Language Film nominee at this years Academy Awards was this Swedish comedy drama film Written and Directed by Hannes Holm and based on the 2012 book of the same name by Fredrik Backman. Released in its native Sweden at Christmas time 2015, this film only now too has a limited release in Australia, but being the recipient of thirteen award wins and another 22 nominations, may be well worth hunting out. Telling the story of Ove (Rolf Lassgard), a grumpy, ill tempered, opinionated and isolated retiree who spends his time  enforcing the rules and regulations around the residential estate where he lives, and visiting the graveyard of his dearly beloved wife. When he finally decides to check out by his own hand, he quickly comes to realise that suicide is not a easy as he thought, and to make matters worse when new neighbours move in next door, an unlikely friendship unfolds that gives the grumpy old man a different perspective on life. The film has so far taken US$26M at the Box Office.

'SMURFS : THE LOST VILLAGE' (Rated G) - the Smurfs date back to the late 1950's in French/Belgian comics, and in the last sixty of so years the Smurfs have evolved to take in animated feature films, television series, video games, music recordings, merchandise, theme park rides, and even 'Smurfs on Ice' (not the illicit type either, although . . . !) As recently as 2011 there have been what was originally said to be a trilogy of films from Sony Pictures Animation launching with the live action/CGI offering 'The Smurfs' which grossed a cool US$564M. In 2013 along came 'The Smurfs 2' which grossed US$348M. Now in 2017, Directed by Kelly Asbury we have this rendition that is not a sequel to the 2013 Smurf outing but a fully animated reboot of the franchise and is unrelated to the earlier two movies. Here we find Smurfette (Demi Lovato) trying to find her place in the village. She comes across a mysterious map in the Forbidden Forest which prompts her, and her friends Brainy (Danny Pudi), Clumsy (Jack McBrayer) and Hefty (Joe Manganiello) to locate a lost village where SmurfStorm (Michelle Rodriguez), SmurfLily (Ariel Winter), SmurfWillow (Julia Roberts) and SmurfBlossom (Ellie Kemper), SmurfMelody (Meghan Trainor) and others live, and in so doing discover the biggest secret in all of Smurfdom. Along the way their journey is full of action, adventure, surprise, danger and discovery, but the clock is ticking too, and the evil wizard Gargamel (Rainn Wilson) is on the hunt and on their tails! Also starring the voice talents of Mandy Patinkin as Papa Smurf and Gordon Ramsay (yes, the Celebrity Chef!) as Baker Smurf and others, of course.

Five new movie offerings this week to drag you out kicking and screaming to your nearby cinema that offers something for the kids, something for the family, something for the Sci-fi action geeks and something for the lovers of foreign language independent fare. Share your movie going thoughts with us here, and in the meantime, I'll see you somewhere, sometime at your local Odeon.

-Steve, at Odeon Online-