NUREMBERG : Tuesday 9th December 2025

I saw the M Rated 'NUREMBERG' this week at my local multiplex, and this American psychological thriller historical drama film is Written for the screen, Co-Produced and Directed by James Vanderbilt in only his second Directorial outing following his 2015 'Truth', although he is perhaps best known as a prolific script writer and Producer of many Hollywood blockbusters and has worked with numerous top Directors. This film is based on the 2013 book 'The Nazi and the Psychiatrist' by Jack El-Hai. The film had its World Premiere in the Gala Presentations section of the Toronto International Film Festival in early September this year where it received a four-minute standing ovation, one of TIFF's longest standing ovations ever, and was released theatrically in the US in early November having received generally positive reviews from critics, and has so far taken US$20M at the Box Office.

The film opens on 7th May 1945, one day before Nazi Germany surrenders to the Allied forces, Reichsmarshall Hermann Goering (Russell Crowe), Hitler's former second-in-command, surrenders with his family to US forces in Austria. At the same time, Associate Justice Robert Jackson (Michael Shannon) is informed of Goering's arrest, which prompts a discussion with his secretary, Elsie Douglas (Wrenn Schmidt), about establishing an international tribunal to charge the surviving Nazi leadership with war crimes. Initially, the US is reluctant to support Jackson's plans preferring instead summary executions by hanging, however, Jackson persists by winning the support of Pope Pius XII (Giuseppe Cederna) by implying his knowledge of the latter's controversial relationship with the Nazi regime back in 1933.

Meanwhile, US Army psychiatrist Major Douglas Kelley (Rami Malek) is summoned to Bad Mondorf, Luxembourg, to evaluate the mental health of twenty-two Nazi leaders who are being held under Allied custody, including Goering, who have been selected for prosecution. Reporting to the Warden, Col. Burton Andrus (John Slattery), Kelley begins his assignment with the assistance of interpreter Sergeant Howard Triest (Leo Woodall). While initial meetings with Goering are civil, other prisoners such as Robert Ley (Tom Keune) and Julius Streicher (Dieter Riesle) respond with contempt and anger. Personally, using a series of cognitive tests and through conversation Kelley appraises Goering as intelligent yet highly narcissistic, and plans to use his notes of those discussions and meetings to write a tell-all book for personal gain, once his assignment is complete.

In time, Jackson and British barrister Sir David Maxwell Fyfe (Richard E. Grant) are made prosecuting counsels for the newly-established International Military Tribunal to be held in Nuremberg, Germany - which in turn, charges the detainees with crimes against peace, war crimes, crimes against humanity and conspiracy. In the lead up to the trial, Kelley and Goering interact well. Goering even helps Kelley examine former-Deputy Fuhrer Rudolf Hess (Andreas Pietschmann), in exchange for being allowed to write to his wife Emmy (Lotte Verbeek) and daughter Edda (Fleur Bremmer). Kelley also develops a rapport with them, acting as a courier for the exchange of letters between them and Goering. In private, Kelley is approached by Jackson to report the prisoners' legal defence to him in order to help steer the prosecution in the right direction. Kelley responds with the argument of Doctor and patient privilege, but is persuaded to comply with Jackson's wishes on the basis of the greater good.

Before the trial begins, Ley commits suicide by strangling himself in his cell. As a result Andrus summons psychologist Gustave Gilbert (Colin Hanks) to provide a second opinion. At the trial's beginning, Jackson delivers a strong opening statement highlighting the need for accountability, while Goering is silenced and instead ordered to enter a plea, to which he and the other prisoners plead not guilty. During adjournments, Kelley learns that Goering's family had been arrested in connection with his reported art thefts and requests Andrus to intervene. Goering later learns of this development from Gilbert, causing his and Kelley's relationship to sour. Outside the cell, in a specially designed enclosed walkway for the prisoners, Kelley and Gilbert get into a fist fight, and are hauled in front of Andrus, who asks Gilbert if he wishes to press charges against Kelley, to which he responds with a 'no'. 

When the trial recommences, the prosecution shows film footage displaying the regime's atrocities committed inside its numerous concentration camps, causing an upset Kelley to confront Goering, who had previously denied any knowledge of such actions. Goering continues his stance of unawareness, and resorts towards denying the atrocities or comparing them with alleged crimes committed by the Allies. Dismayed, Kelley proceeds to get drunk and unwittingly reveals his private discussions with Goering to Lila (Lydia Peckham), a journalist with The Boston Globe, who subsequently publishes the information as headline front page news. Infuriated, Andrus relieves Kelley and orders him out, but not before revealing that he was able to get Emmy and Edda released. 

While waiting at the train station to leave back to the US Kelley meets Triest who reveals that he is a German-born Jew, who grew up in Germany but was given a one way ticket to the US aboard a ship as a teenager to stay with a cousin in New York before settling in Detroit. After the Japanese invaded Pearl Harbour he waited to be called up, which eventually came in 1943, and he actively joined the war effort landing on the Normandy beaches two days after D-Day. While his younger sister was able to escape to Switzerland, his parents were sent to Auschwitz in 1942 and never survived.

Triest warns that the regime's cruelty went unchallenged because of a general impassivity towards evil, which compels Kelley to stay and submit all his private notes on Goering to Jackson and Fyfe - predicting that Goering plans to use the trial to defend the regime's conduct. True to his predictions, Goering is able to elude Jackson's cross-examination of him, and proceeds to declare that his decree of the Final Solution was actually intended as a 'complete and total solution' focused on the emigration of Germany's Jews rather than extermination. In turn, Jackson's ire towards Goering earns him a stern disapproval by the tribunal, prompting Fyfe to take over. Fyfe exploits Goering's vanity and goads him into overtly admitting his continued loyalty to Hitler despite the atrocities, which finally corners him. At the end of the trial, Goering, together with the remaining prisoners, are all sentenced to death by hanging.

Kelley pays Goering a final visit before leaving, where he comes to terms with Goering's true nature. On 15th October 1946, the night before his scheduled execution, Goering commits suicide by ingesting a cyanide capsule, much to Andrus' anger. The remaining executions proceed as scheduled with two journalists for the US (one of which is Lila), two from the UK, two from France and two from Russia being allowed to sit in and witness the proceedings. Streicher meanwhile, suffers a nervous breakdown in his cell, before Triest comes to his aid, and who had yearned to reveal his Jewish heritage to Streicher before his execution, but is instead compelled to gently assist him to the gallows.

Kelley, traumatised by his experiences at Nuremberg, returns to the US and publishes his tell-all book, '22 Cells in Nuremberg', and in a live radio broadcast loses his cool warning about the possibility of a future regime parallel to the Nazis in the US or any other country around the world. When he is marched out of the studio one of the presenters says to Kelley that disrespecting your country is no way to sell your book. The film's closing credits reveal that Kelley resorted to alcoholism, that his book was a failure and that he committed suicide in 1958 by ingesting cyanide just as Goering did. Triest managed to reunite with his sister and died at the age of 93 in 2016. Jackson's prosecutorial efforts at Nuremberg laid the foundation for international prosecution of war crimes.

'Nuremberg' is a well executed historical drama offering that is underpinned by an on point ensemble cast, with particular standout performances by Russell Crowe especially, and Michael Shannon and Richard E. Grant. As for Rami Malek's performance I can't help feeling he may have been miscast with his permanently pursed lips, almost vacant facial expression, his wild staring eyes and his magic tricks - where did that come from? Director James Vanderbilt has delivered us a gripping true story account of a trial that changed the course of history that is made all the more effective by including actual archival footage of the horrors uncovered when the Concentration Camps were liberated, which is central to the story here. The film serves as a timely reminder, 80 years on, of the horrors of war, and whether as a global community we have really learned anything from it, given the current geopolitical situation we currently finds ourselves in. 'Nuremberg' is certainly well worth the price of your movie ticket as a history lesson, for Russell Crowe's compelling performance, and as a conversation starter as I did with my 24 year old son. 

'Nuremberg' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

A DIFFERENT MAN : Tuesday 12th November 2024

I got around to seeing that MA15+ Rated 'A DIFFERENT MAN' earlier this week following its release in Australia on October 24th. This American dark comedy psychological thriller film is Written and Directed by Aaron Schimberg in only his third feature film outing following 'Go Down Death' in 2013 and 'Chained for Life' in 2018. The film saw its World Premiere screening at this years Sundance Film Festival at the end of January, was released Stateside at the end of September, in the UK in early October, has so far grossed US$1.2M and has generated largely favourable reviews.

Here, Edward Lemuel (Sebastian Stan) is a struggling Actor with neurofibromatosis that manifests itself as a disfiguring facial condition. He lives in a ramshackle old apartment block with seemingly paper thin walls and floorboards and a constant dripping of black water through the ceiling in his lounge room. One day a new neighbour takes up residence, Ingrid Vold (Renate Reinsve) who is an aspiring playwright, and is working on her first theatre production although it is still early days. It doesn't take long before the pair get acquainted and Edward starts to have feelings for Ingrid, although he is way too nervous to have those feelings manifest themselves. 

He is offered a cutting edge yet still experimental medical procedure to cure him of his disfigurement which he reluctantly agrees to. Sometime later the disfiguring tumors, lumps, bumps and lesions on his face literally begin to melt away and fall off in large clumps revealing his natural healthy looking face underneath. He takes on the identity of Guy Moratz and claims to his doctor, who makes a house call to check on Edward's progress, that Edward has died suddenly by suicide, and that he is a family member who has called around to clear out Edward's apartment. This conversation is overheard by Ingrid. 

Some time later, Guy is now a successful and wealthy real estate agent. One day, he discovers that Ingrid is producing an off-Broadway play she has written called 'Edward', that is based on his life. Guy auditions and is cast in the lead role. Guy and Ingrid begin a sexual relationship soon thereafter, though Ingrid remains unaware of his real identity. During rehearsals they are visited by Oswald (Adam Pearson), a man with neurofibromatosis who has taken a keen interest in the play. The confident and charismatic Oswald quickly befriends the cast and crew, although Guy is somewhat put off by his outgoing and overly positive manner.

Ingrid and Oswald grow closer, and after Guy is unable to recite his lines, she decides to recast Oswald in the lead role. The play is a success, and Oswald's performance receives very positive reviews. Guy's mental state begins to deteriorate, and he begins stalking Oswald, is fired from his real estate job, and eventually storms the stage of the play one night to physically attack Oswald. During the on-stage scuffle, part of the set collapses on top of Guy breaking his legs and arms. While he recovers from his injuries he moves back into his former apartment next to Ingrid, who is now living with Oswald and making plans to adapt Edward into a film with movie Producer Michael Shannon. One day, after Guy's physical therapist expresses disgust for Oswald behind his back, Guy stabs him with a kitchen knife and is jailed. 

Years later, after Guy is released from prison, he comes across a billboard promoting Ingrid's most recent play. He once again encounters Oswald. He has dinner with Oswald and Ingrid at a Japanese restaurant. The pair are now very happily married and a highly successful creative duo who are planning their retirement to a commune in Canada, after Ingrid comments that she has achieved everything in life she ever really wanted - parenthood, a happy marriage and a successful career. A waiter arrives to take their orders, but a visibly nervous Guy struggles to choose from the menu. Oswald comments that he hasn't changed a bit.

'A Different Man' is part 'Beauty and the Beast', part 'The Elephant Man' and part 'Dr. Jekyll and Mr. Hyde' all wrapped up in a modern day story of accepting who and what we are and living with the consequences of our actions. This film has body horror, thrills, drama, emotion and laugh out loud moments courtesy of both Stan and Pearson who give their all to their respective performances. This is a thought provoking absorbing story that will leave you thinking long after the credits have rolled, with the main message left by Writer and Director Aaron Schimberg being that you can't judge a book by its cover!

'A Different Man' warrants four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE BIKERIDERS : Tuesday 9th July 2024

I saw the M Rated 'THE BIKERIDERS' earlier this week, and this American crime drama offering is Written and Directed by Jeff Nichols whose previous feature films include his debut in 2007 with 'Shotgun Stories' and then 'Take Shelter' in 2011, 'Mud' in 2012, and 'Midnight Special' and 'Loving' both in 2016. This film is inspired by the photo-book of the same name by Danny Lyon, and depicts the lives of the Vandals Motorcycle Club, a fictionalised rendering of the Outlaws Motorcycle Club. The film saw its World Premiere showcasing at the Telluride Film Festival at the end of August last year and was released Stateside on 21st June having so far grossed US$30M off the back of a US$35M production budget and garnering generally positive critical acclaim.

The film opens up in 1965, Kathy Bauer (Jodie Comer) meets Benny Cross (Austin Butler), a hotheaded member of the Chicago-based Vandals Motorcycle Club, in the clubs local bar, and the pair get married just five weeks later. Photography student Danny Lyon (Mike Faist) travels with, interviews and photographs the Vandals over a number of years. He learns from Kathy, that the founder, Johnny Davis (Tom Hardy), was inspired to form the club after watching Marlon Brando's 1953 film 'The Wild One' on TV. Johnny's leadership is challenged when he rebuffs another Vandal's suggestion that new chapters should be allowed to form. They engage in a fist fight which Johnny wins, and so re-establishes his authority and grants permission to expand the club. New chapters begin to form across the American Midwest.

In 1969, Benny is sat at a bar drinking alone and is approached by two men for wearing his clubs colours. A fight breaks out and the three end up out on the street in an all out brawl with Benny copping a real beating, and his foot is nearly severed by one of the men bringing a shovel down just above the ankle during the fight. Johnny forces the owner to provide the names of the men, and then promptly orders the Vandals to burn down the bar, while they stand and watch while fire crews and the Police maintain a safe distance seemingly too frightened to approach. In hospital with his foot bandaged up, Benny urges Kathy not to allow the doctors to amputate his foot. 

While Benny is recovering from surgery some three weeks later, Johnny pressures him to come to a motorcycle rally before he is fully healed, much to Kathy's chagrin. At the rally, up rides Funny Sonny (Norman Reedus) from the Dead Devil's Club in California and says that he's heard there's a rally going on and so he thought he make the journey and join in. Later that evening Johnny offers Benny leadership of the club when he steps down, but Benny rejects it.

A 20-year-old delinquent known as 'the Kid' (Toby Wallace) asks Johnny to allow him and his own small motorcycle club to join the Vandals. Johnny initially dismisses them saying their all too young, but tests the Kid by allowing only him to join. When he expresses willingness to abandon his four friends, Johnny rejects him, saying that club members never leave their friends behind. The Kid attacks Johnny with a knife, who beats him and warns him not to come back.

Fast forward to 1973, and Lyon interviews Kathy about what became of the Vandals. She explains that Johnny became disheartened after the death of his lieutenant Brucie (Damon Herriman) in a vehicular accident, and the club grew increasingly violent after drug-addled Vietnam War veterans joined the club. At a party, longtime member Cockroach (Emory Cohen) is badly beaten up by new members when he drunkenly expresses a desire to leave the club to become a motorcycle Police Officer. Kathy is nearly raped while Benny is occupied taking Cockroach to the hospital, but she is rescued in time by Johnny. Furious that Benny wasn't at the party to protect her, she demands Benny quit the Vandals. Instead, he leaves her for several days. To allow Cockroach to safely leave the club, Johnny takes Benny to stage a break-in at his house, where they shoot him non-fatally in the leg. Concerned over the escalating violence of the club and again rejecting Johnny's offer of leadership, Benny quits and gets the hell outta Dodge, leaving Kathy high and dry.

The Kid, now a member of the Vandals Milwaukee chapter, challenges Johnny to a knife fight for leadership the next night which Johnny has no option but to accept. Johnny swings by Kathy's house to see if she has heard from or seen Benny, to which she responds in the negative. Johnny goes onto the designated meeting place for the challenge armed with a knife and a knuckle duster only for the Kid to pull out a gun and shoot Johnny dead. Kathy explains to Lyon that after the Kid took over the Vandals, they became a large criminal gang involved in drug trafficking, prostitution and even murder. The older members either toed the line, left to obtain legitimate jobs, or died.

Benny, upon learning of Johnny's death, returns home and breaks down with Kathy consoling him on their front steps. He and Kathy relocate to Florida where Benny works as a mechanic with his cousin and stopped riding motorcycles as soon as Johnny was killed. Kathy tells Lyon that they are happy, and Benny doesn't miss the biker fraternity. Outside, Benny hears motorcycles roaring nearby and flashes a wry smile at his wife.

'The Bikeriders' boasts captivating performances from Comer, Butler (channeling James Dean) and Hardy (channeling Marlon Brandon) and Writer and Director Nichols has here crafted a film that is grounded and convincing in its depiction of late 1960's and early 1970's counter culture, the rebellious and often violent history of motorcycle gangs, and all of the raw emotion and masculinity that lurks just below the surface. 'The Bikeriders' is certainly worth the price of your cinema ticket if your looking for a throwback to a bygone era interlaced with a thumping soundtrack, great cinematography and a solid enough storyline to maintain your interest for its almost two hour running time. The film also stars Michael Shannon and Boyd Holbrook in strong supporting roles.

'The Bikeriders' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE FLASH : Tuesday 13th June 2023.

I saw the M Rated 'THE FLASH' at an early screening this week two days ahead of its official worldwide release. This much hyped and eagerly awaited American Superhero film is based on the DC Comics character of the same name. It is intended to be the thirteenth instalment in the DC Extended Universe (DCEU) and is Directed by Andy Muschietti whose previous feature film making credits take in his debut with 2013's 'Mama', then the Stephen King novel adaptation of 'It' in 2017 and 'It Chapter Two' in 2019. This film is released in the US this week also, following multiple delays caused by Director changes, the COVID-19 pandemic, and post-production setbacks. It had a production budget of about US$220M, and has garnered mixed or average reviews.

The film opens up with a Barry Allen (Ezra Miller) late for work and hurriedly walking into his local cafe to collect his usually pre-prepared breakfast from the obliging female assistant working the counter, but on this day she is off sick and so his breakfast has not been prepared. He painstakingly looks at his watch and gives the young male assistant his order who would rather pass the time of day chatting than prep up his morning sustenance. Barry's phone rings and it is Batman's trusted butler and assistant Alfred (Jeremy Irons) demanding that he is urgently needed in Gotham City to attend a robbery at a hospital where the thieves have made off with a suitcase containing vials of a deadly virus. While waiting for his order Barry reluctantly asks whether Batman can attend to the scene or Wonder Woman even, but both are it seems indisposed. Barry makes his exit to the bathroom and appears out in the street as The Flash. What follows is The Flash's superspeed run to Gotham City to attend to the hospital that has seen a huge sinkhole appear immediately outside and the entire wing of the hospital about to come crashing down into it. Of course high up in the hospital tower is a suite containing several new born babies, a nurse and a therapy dog who all go crashing out the plate glass window as the side of the building begins to topple. But, with The Flash on the scene he is able to save all the babies, the nurse and the dog and bring them to safety on the ground. 

In the meantime the Batman (Ben Affleck) has arrived on his Batbike and is chasing down the villains through the streets of Gotham, amongst much vehicular carnage, the exchange of rapid gunfire, mortars and burning rubber. Eventually, Batman brings the last villain to heel while dangling off a bridge with the villain holding onto Batman by his fingertips and Alfred blurting down the phone to not allow the case of virus vials to fall into the river. Wonder Woman (Gal Gadot) appears and using her lasso of truth hauls Batman and the villain to safety. Job done, the city saved and the three part ways with The Flash returning to the cafe just a few minutes later for the assistant to hand over his custom made breakfast. 

Barry then goes to work and is chastised by his boss for being late - a perpetual habit it seems. Later, as The Flash, Barry revisits his childhood home where he fondly remembers his parents Nora (Maribel Verdu) and Henry (Ron Livingstone). Nora sends Henry out to the local supermarket to buy an extra can of tomatoes for a special pasta sauce she is making. With the young Barry upstairs in his bedroom, he sees his father return and hears his mother scream out. Rushing down to the kitchen, Barry sees his mother slumped against the kitchen cabinet with a knife sticking out of her stomach and his father holding the knife yelling out for Barry to call 911. However, Henry is accused of her murder and imprisoned, with the trial set for tomorrow. Barry speaks with Henry over the phone, with Henry telling his son that the court case is a foregone conclusion and that all the odds are firmly stacked against him, just before the phone call is cut off automatically.

Racked with emotional turmoil, Barry inadvertently runs at such a speed that he travels back in time, and upon returning to the present day has a conversation with Bruce Wayne about it, saying that he can change the past and save his mother and father, and that he could do likewise for Bruce and save his parents too. But Bruce explains that if you mess with the past you can cause untold damage to the future, and to drop the idea. At that Bruce jumps back into his Vision Mercedes-Maybach 6 and drives off. Despite Bruce's warnings The Flash goes back to the time of Nora's death, and changes the outcome so that she lives.

When The Flash attempts to get back to the present-day, he winds up in an alternate 2013 where Nora is alive. Barry greets his parents warmly and settles down for dinner over a bowl of pasta, but through the kitchen window he sees his past self approaching the house. He quickly dashes outside and intercepts his younger self. After explaining the realities of time travel to a bewildered younger Barry, he realises he is in the day of the lab accident that bestowed upon Barry his powers - 29th September. And so the older Barry takes the younger Barry to the Central City Police Department where he helps give his younger self his powers during a freak storm in which a lightning bolt strikes the side of the building through a window and smashing a mix of chemical bottles spilling all over him, but in the process, the older Barry looses his powers. Older Barry attempts to train younger Barry in the use of his powers but has trouble doing so, as his younger self is a lot more impetuous. Later with the pair out in the city, they learn via TV news broadcasts, of General Zod’s (Michael Shannon) invasion on Earth. And so the two Barry’s go to Wayne Manor in the hopes of locating Batman, as the pair need all the help they can get if they are to save our little green planet from destruction.

Entering the somewhat run down and neglected Wayne Manor, they find an alternate version of Bruce Wayne (Michael Keaton) who has long since given up on crime fighting since Gotham has become one of the safest cities in the country. However, explaining the predicament the two Barry's now find themselves in, they convince him to help them find Superman who is being held captive in a Russian base high up in the Arctic Circle. 

Upon gaining entry to the base they eventually find the massive steel sphere that Superman is encased in. Instead though of finding Superman, they find his cousin Kara Zor-El (Sasha Calle) who is physically weakened and mentally drained, but they rescue her anyway. After doing so and escaping through the roof of the base, Kara quickly recovers her powers when exposed to the sun's solar energy, and she almost single handedly dispenses with the small army of Russian soldiers guarding the base. The older Barry asks Bruce to help him get his powers back by recreating the accident that bestowed him those powers in the first place. The first attempt fails and nearly kills Barry prompting Kara aka Supergirl, to fly Barry into the storm and get struck by lightning which has the desired effect.

Supergirl and Batman join the two Barry's in attempting to defeat Zod, who by now has begun the process of destroying Earth. During the battle with Zod, Supergirl learns that Zod killed the infant Kal-El when his pod got knocked off course. She is naturally enraged. Just as Supergirl overpowers Zod and seemingly gains the upper hand, Zod manages to kill her and take a sample of her blood which he will use to revitalise the dying planet Krypton. Batman meanwhile sacrifices himself to save the Barry's.

The younger Barry insists he travel back in time to save them both and does so multiple times but keeps failing, each time becoming a slightly darker unhinged version of himself, and as the time continuum becomes increasingly fragmented. The older Barry tries to reason with the dark Flash but his attempts prove futile in the Speed Force as the multiverse begins to implode, but not before older Barry has visions of alternate Supermen (Christopher Reeve, Adam West, George Reeves and Nicolas Cage). A future version of Dark Flash then arrives to kill his younger self, so saving the multiverse and restoring the equilibrium. 

In the aftermath, Barry fixes the timeline and reconciles himself with his mother's death. Back in the present day new evidence is provided in Henry's court case so earning him his freedom. Outside the court house Barry is met by his former girlfriend, Iris West (Kiersey Clemons) who asks him out on date at which he quickly responds with a resounding yes, after which Bruce Wayne pulls up in his Vision Mercedes-Maybach 6 who is not the Ben Affleck version of the character, but the George Clooney version. If you sit in your seat right until the end credits have rolled, you'll see a scene in which Barry is assisting a very drunken Arthur Curry (Jason Momoa) while telling him of his recent experiences. 

'The Flash' is arguably one of the best DCEU big screen adaptations to date and Director Andy Muschietti has proved himself more than capable in helming a cinematic extravaganza such as this. The action sequences are exactly what we have all come to expect from a Superhero movie, and the CGI rendering whilst not perfect is passable. Ezra Miller is well cast in the role of dual Barry Allen's/The Flash and seeing Michael Keaton reprise his role as Batman for the first time in thirty years is a real trip down memory lane, whilst nods to former Batmen and Supermen also adds to the nostalgia, but is probably there more for the fan service than to add any weight to the plot lines. There are moments of real humour and emotion interspersed between the action set pieces that help elevate this final instalment in the DCEU, before new joint CEO's James Gunn and Peter Safran's new franchise - the DCU rolls out, above many of the also-rans that have gone before. The final act is long and drawn out however, and overly repetitive, and just how many more films do we need to have in this genre that feature a multiverse for Chrissakes - after all we've had two in the last two weeks, plus a whole bunch more in recent years. Nonetheless, 'The Flash' is certainly worth the price of your movie ticket. 

'The Flash' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

AMSTERDAM : Tuesday 11th October 2022

I saw the MA15+ Rated 'AMSTERDAM' earlier this week, and this mystery comedy film set in the early 1930's is Written, Directed and Co-Produced by David O. Russell whose previous feature film making credits include 'Three Kings' in 1999, 'I Heart Huckabees' in 2004, 'The Fighter' in 2010, 'Silver Linings Playbook' in 2012, 'American Hustle' in 2013 and 'Joy' in 2015. This film saw its World Premier showcasing in New York City on 18th September and was released in the US and here in Australia last week week, having cost US$80M to produce, has so far recouped just US$12M and has garnered mixed critical reviews. 

In 1918, Burt Berendsen (Christian Bale) is sent at the insistence of his very well connected and very well to do estranged wife's parents to fight in World War I. While stationed in France, Burt meets and becomes good friends with African-American soldier Harold Woodsman (John David Washington), both under the command of affable General Bill Meekins (Ed Bagley Jnr.) After they sustain severe and multiple shrapnel injuries in battle, including Burt's loss of an eye, the pair are nursed back to health by Valerie Voze (Margot Robbie), an outgoing nurse, whom they form a close bond with also.

When Burt and Harold have sufficiently recovered from their wounds, the three move to Amsterdam, where they live together and become close friends spending their time living life to the full, until Burt announces his return to New York City to be with his wife Beatrice (Andrea Riseborough). Harold, who has fallen in love with Valerie and she with him, also leaves to return to New York City and fulfill his own aspirations, but before he leaves Valerie leaves him unexpectedly leaving just a hand written note bidding him farewell. 

Fast forward to New York City in 1933 and Burt has opened his own medical practice catering to injured veterans of the war and still remains firm friends with Harold, who is now a lawyer, while they have not heard from Valerie since they left Amsterdam some fifteen years previously. Harold asks Burt to perform a post-mortem on Bill Meekins, now a senator who served as the commander of their regiment during the war, at the urgent request of Meekins' daughter Elizabeth (Taylor Swift), who believes that he was murdered. Burt performs the post-mortem aided by nurse Irma St. Clair (Zoe Saldana). The post-mortem reveals that Meekins stomach contained an unusual amount of a grey liquid indicating a mercury laced poison leading them to conclude that this must have been the cause of death. Burt and Harold meet with Elizabeth to talk about the post-mortem results, but she is suddenly killed when a hitman pushes her under the wheels of an oncoming car. The hitman frames Burt and Harold for her death during the ensuing melee, while they flee the scene on foot as the Police arrive.

In an attempt to clear their names Burt and Harold try to determine who had led Elizabeth to hire them. This leads them to wealthy textile heir Tom Voze (Rami Malek) and his antagonising wife Libby (Anya Taylor-Joy). At the Voze residence they reunite with Valerie, and learn that she is Tom's sister and was the one who convinced Elizabeth to hire them, knowing that ultimately they could be trusted. Valerie is now under constant supervision by Tom and Libby, who claim that she suffers from vertigo, a nerve disease and various other ailments though the medications Tom and Libby urge her to take every day could just be the real issue. Tom suggests to Burt and Harold that they should talk to Gil Dillenbeck (Robert De Niro), a famous and decorated veteran who now advocates for WWI veteran's rights and was close friends with Meekins.

Burt's initial attempts to contact Dillenbeck fail, and meanwhile Harold and Valerie spend the day at her home, where they notice the hitman, Tarim Milfax (Timothy Olyphant) maintaining a watchful on their movements. They follow him to a forced sterilisation clinic owned by a mysterious organisation known as the 'Council of Five'. After a fight with Milfax, Harold and Valerie catch-up once more with Burt. Valerie takes them to New York's Waldorf Astoria Hotel where they meet Paul Canterbury (Mike Myers) an MI6 spy, maker of glass eyes and an ornithologist and Henry Norcross (Michael Shannon) a US Naval Intelligence Officer, maker of glass eyes, ornithologist and partner of Canterbury - Valerie's benefactors from Amsterdam who are secretly spies masquerading under their other guises. Paul and Henry explain that the Council of Five are planning to overthrow the American government and that Dillenbeck can help them foil their plot.

The three finally are granted a meeting with Dillenbeck having got past his gatekeeper wife, and who is offered US$40K from a fat middle aged man on behalf of an unnamed benefactor to deliver a speech rallying veterans to forcibly remove President Franklin D. Roosevelt from the White House and install Dillenbeck as a puppet dictator in his place. Dillenbeck agrees and plans to speak at a reunion gala that Burt and Harold are hosting, in order to draw out whoever is behind the plot.

At the reunion event, Dillenbeck instead makes his own speech instead of the one he was paid to say. Milfax, from the rafters directly above the stage has intentions to shoot Dillenbeck for going against the plan, but Harold and Valerie spot him and are able to thwart him in time. Milfax is arrested, while the Council of Five are revealed to be four industry leaders, including Tom, who are fanatically obsessed with Benito Mussolini, Heinrich Himmler and Adolf Hitler and have designs on making America a fascist state, with Dillenbeck becoming the fifth member of the secretive cabal, or so they had thought.

Tom and the other leaders are arrested by Police, but are quickly released as such people in high places often were, and so they in turn slander Dillenbeck in the press following their release. Dillenbeck testifies about the incident to Congress and returns home to live out his life. Harold and Valerie leave the country since they cannot be together in the United States aided by a slow boat out of New York organised quickly by Canterbury and Norcross, but not bound for Amsterdam as it will soon enough be overrun with the Gestapo exclaims Norcross, to which Valerie nonchalantly responds with 'who are they?' Burt wishes them farewell and plans to reopen his medical practice and pursue a relationship with Irma, finally coming out of the shadow of his estranged wife and his over bearing in-laws.

I have to say that I am somewhat surprised by the critical drubbing that 'Amsterdam' has received, because I, and the two movie buddies I went with to see this film, enjoyed this latest quirky comedy thriller supported by an ensemble of fine A-list acting talent. The trio of Bale, Washington and Robbie share a screen presence that is a pleasure to watch and between them they rarely miss a beat, delivering their quips, comedic one liners and sight gags with aplomb, and look as though they're having a great time doing it too. The production values and cinematography are also top notch, and whilst the story line zigs and zags, ducks and weaves, it is nonetheless a work of fiction with a modicum of a true story woven into the at times meandering narrative, but it works and all comes together nicely in the end. This may not be David O. Russell's greatest ever work, but as a story of the power of friendship and love; remembering those that exist on the fringes of our society; and thwarting the enemy at the gates, this is an entertaining enough period romp that merits the price of your movie ticket. 

'Amsterdam' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-