SHE SAID : Tuesday 22nd November 2022.

I saw the M Rated 'SHE SAID' earlier this week, and this American biographical drama film is Directed by Maria Schrader whose prior film making credits are 'Love Life' in 2007, 'Stefan Zweig : Farewell to Europe' in 2016 and 'I'm Your Man' in 2021, as well as helming the Netflix mini-series 'Unorthodox' which won the Director the Primetime Emmy Award for Outstanding Directing for a Limited Series, Movie or Dramatic Special in 2020. This film is based on the 2019 book of the same name by The New York Times journalists Jodi Kantor and Megan Twohey titled 'She Said : Breaking the Sexual Harassment Story That Helped Ignite a Movement'. The film saw its World Premier screening at the New York Film Festival on 13th October and was released in the US and here in Australia last week having garnered generally positive reviews. Costing US$32M to bring to the big screen, the film has so far grossed just US$3.6M.

The film opens up in 1992 with a young girl in her early twenties walking her dog along a secluded beach somewhere on the Irish coastline. She comes across a galleon anchored just off the coastline and a small vessel approaching the beach with two or three 18th Century looking sailors marching onto shore and depositing a chest. The young girl has stumbled across a film set, and before long she has a job wrangling extras on that same film set. We then cut to that same young girl running frantically down a street, sobbing and clutching at her torn clothing. 

Fast forward to 2017, and New York Times journalist Jodi Kantor (Zoe Kazan) receive a tip that actress Rose McGowan was sexually assaulted by Hollywood Producer Harvey Weinstein back in the early nineties. Kantor speaks with McGowan who initially declines to comment saying that she and The Times are hardly the best of friends, but later calls Kantor back and describes a situation in which Weinstein raped her when she was 23. Kantor also speaks with actresses Ashley Judd and Gwyneth Paltrow, who describe their own sexual encounters with Weinstein, but both ask not to be named in the article for fear of career limiting reprisals. Somewhat frustrated by a lack of progress in her investigations, the Editor of The Times, Rebecca Corbett (Patricia Clarkson) suggests to Megan Twohey (Carey Mulligan) who is just back from maternity leave, to either continue hounding Donald Trump, recently elected to POTUS or to assist Kantor with her investigations into Weinstein. Twohey agrees to help Kantor. 

Twohey traces a woman who worked as an assistant to Weinstein at Miramax some twenty years previously and then suddenly disappeared. The woman says that she waited twenty years for this moment but then tearfully declines to speak on the matter due to a signed Non-Disclosure Agreement between herself and Weinstein. Twohey later pulls up at the home of the former CFO of Miramax who invites her in. Standing in the hallway with his wife, she asks about former payouts by Weinstein against his accusers, but he is reluctant to divulge any information about the matter. She is also rejected by the Equal Employment Opportunity Commission after enquiring about information surrounding these payouts. She then speaks to a former member of the District Attorney's office about why criminal complaints against Weinstein were dropped so quickly and she learns that Weinstein had deep rooted social connections with the DA's office.

Kantor receives an anonymous tip-off about three former Weinstein assistants who may have been abused - a Rowena Chiu (Angela Yeoh), Zelda Perkins (Samantha Morton) and Laura Madden (Jennifer Ehle). Kantor flies out to confront each of them individually. She is unable to meet with Chiu in Silicon Valley in San Francisco as she is out of the country for some weeks but speaks with her husband who is clueless about what Kantor is eluding to. Perkins in Wales, UK recounts an incident in which Chiu had a breakdown due to a sexual encounter with Weinstein while working at the London Office. Madden who is living in Newquay, Cornwall, England and is about to undergo a double mastectomy surgery initially declines to speak with Kantor, but changes her mind after a representative of Weinstein reaches out to her after a couple of decades to discourage her from speaking to reporters about her experience. We subsequently learn that it was Madden who was in the opening scene back in 1992 as the young impressionable 21 years old extras wrangler who was later seen fleeing down the street in tears. 

Weinstein learns of the investigation and sends one of his lawyers, Lanny Davis (Peter Friedman) in an attempt to appease the journalists, Corbett and the Executive Editor of The Times, Dean Baquet (Andre Braugher), but declines to go on the record and denies any and all wrongdoing. The lawyer acknowledges a number of past financial settlements (less than forty) but declines to say how many exactly. Kantor receives an anonymous tip to speak with Irwin Reiter (Zach Grenier), one of Weinstein's former accountants who says (without going on the record that the number is somewhere between eight and twelve). At a subsequent meeting in a restaurant over dinner he opens up his mobile phone and disappears to the bathroom saying for her to do with it what she will. On it, it shows her an internal memo that circulated at Miramax in 2015 detailing abuse allegations from a former employee, which Kantor photographs and sends to Twohey and Corbett. Reiter returns a few minutes later, picks up his phone and leaves. 

The Times advises the Board at Miramax of the soon to be released article and asks for a statement within two days, but Weinstein counters saying that he needs two weeks, but Baquet stands firm saying that he has two days. Weinstein denies the allegations and pressures the journalists to name their sources, with the Producer continually asking is they have spoken with Gwyneth Paltrow and if she is named within the article which Twohey repeatedly says no! He also threatens to talk to other publications, including Variety and The Hollywood Reporter to discredit the story. Weinstein eventually releases a statement acknowledging that he's caused pain to others in the past and that he is taking a leave of absence from Miramax. Kantor and Twohey attempt to convince their sources to go on the record but they all initially decline. Just before the publication of the article, Kantor receives phone calls from Judd and Madden who agree to be named, believing it is the right thing to do.

The New York Times publishes the article on 5th October 2017. In a pre-credits script following the article's publication, 82 women come forward with their own allegations against Weinstein, leading to workplace and legal reforms. Weinstein is currently serving a 23-year prison sentence for rape and sexual assault in New York, with additional charges pending in Los Angeles and London. 

I have to say that I was left wanting more from 'She Said'. It lacks the necessary Oooomph! that we saw in 'Bombshell' or 'Spotlight' for instance and what we're left with is a fairly pedestrian procedural by the numbers account of what went down to bring Harvey Weinstein crashing down. It's all about e-mails, telephone calls, clandestine meetings and dogged investigative journalism that may have been the way it played out in real life, but there is hardly a thrilling moment in this film apart from a sequence when Twohey receives a call late one night from an anonymous caller saying that he is going to rape her, murder her and dump her body in the Hudson River, and when Kantor leaves the restaurant after meeting with Reiter and is followed for a few short steps by a menacing looking black SUV that quickly speeds off when she turns around. The performances of Mulligan and Kazan especially are top notch aided admirably by Clarkson and Braugher who all keep the story grounded in a journalistic, personal and emotional journey that never lets a story get in the way of the unflinching truth. Sure it's an important subject that needed to be told, and much good has come from it that is still fresh in the mind of the collective audience, but perhaps this film is two or three years premature as the Weinstein case is still unfolding, and we have yet to see the full ramifications of his actions against countless women he has wronged.

'She Said' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 24th May 2018.

The 71st Cannes Film Festival which opened on 8th May drew to a close on Saturday evening 19th May. This year, Cate Blanchett acted as the Jury President for those twenty-one feature films competing for the prestigious Palme d'Or. The opening film was by Iranian Director and Screenwriter Asghar Farhadi with his Spanish language psychological thriller 'Everybody Know's' starring Javier Bardem and Penelope Cruz, with the closing film, and screening out of competition, was Terry Gilliam's lifetime in gestation on again off again passion project 'The Man Who Killed Don Quixote' starring Jonathan Pryce and Adam Driver.

The prestigious Palme d'Or was awarded out of twenty-one films in competition to 'Shoplifters' - a Japanese family drama edited, written, and Directed by Hirokazu Kore-eda. Set in Tokyo, this film centres on a family who rely on shoplifting as they cope with a life of poverty, whilst unofficially adopting a seemingly abused homeless girl with the Police beginning a search for the missing child. Beating out the competition in this category were the likes of 'Burning' from South Korea and starring Steven Yuen; 'BlacKkKlansman' from the USA, Directed by Spike Lee and starring Adam Driver, Topher Grace and Harry Belafonte, which took out the second most coveted award - the Grand Prix; 'Everybody Knows' as aforementioned; 'Under the Silver Lake' from the USA and starring Andrew Garfield, Topher Grace, and Riley Keough; and 'The Image Book' a French/Swiss Co-Production Directed by Jean-Luc Godard which won the Special Palme d'Or. Judges for this award also included Ava DuVernay, Lea Seydoux, Kristen Stewart, Denis Villeneuve and Andrey Zvyagintsev.

In the Un Certain Regard category this year, in which eighteen films were showcased and overseen by Jury President Benicio del Toro, the Un Certain Regard Award was bestowed upon Swedish drama film 'Border' Directed and written for the screen by Ali Abbasi. This film staved off competition from the likes of 'Angel Face' from France starring Marion Cotillard; 'Donbass' from the Ukraine and the opening film in this selected category; 'The Dead and the Others' from Portugal and Directed by Joao Salaviza and Renee Nader Messora which won the Un Certain Regard Jury Prize; 'Rafiki' from Kenya; 'Girl' from Belgium; 'Long Day's Journey into Night' from China; 'Manto' from India; and 'Die, Monster, Die' from Argentina.

For more, you can go to : www.festival-cannes.com

This week we have just two new release movies coming to your local Odeon, and they couldn't be more polar opposite if they tried! First up is the second stand alone film in a massive movie franchise spanning now forty years about a young up & coming space cowboy from a galaxy far far away who many of us have grown up with - and this is his origin story. We then have a change of pace and coming back down to Earth, to rural England in the late '50's and one woman's dream of opening her own country book store which is thwarted by many of the local residents who have very different ideas.

Whatever your taste in big screen film entertainment is this week - be it any of the two latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online. You are here cordially invited to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and meanwhile, enjoy your big screen Odeon outing during the week ahead.

'SOLO : A STAR WARS STORY' (Rated MA15+) - described as a 'Space Western' this second film in the Star Wars standalone anthology series follows on the heels of 'Rogue One : A Star Wars Story' released in 2016 and is set prior to the events in 'A New Hope'. That first standalone instalment was Directed by Gareth Edwards and took in excess of US$1B at the global Box Office off the back of a US$200M Budget outlay. This film Premiered in Los Angeles on 10th May, was shown at the Cannes Film Festival on 15th May and gets its US release this week too. Filming began in January 2017 under the Directing leadership of Phil Lord and Christopher Miller and after almost five months of principle photography were fired from the set due to creative differences. They were replaced by Ron Howard who completed the last four weeks or so of principle photography and about another five weeks of reshoots. Lord and Miller are credited as Executive Producers. Made for a reported US$250M, early Reviews have indicated generally positive press.

This film, as the name implies, centres on a young Han Solo (Alden Ehrenreich) and his adventures with his Wookie partner, best friend and first mate aboard the Millennium Falcon, Chewbacca (Joonas Suotamo). Also starring Donald Glover as Lando Calrissian, a smuggler on the rise and whom Solo meets with for the first time; Woody Harrelson as Tobias Beckett, a criminal and mentor to Solo; Emilia Clarke as Qi'ra, a long time childhood friend of Solo's; with Paul Bettany as crime lord Dryden Vos, and Thandie Newton as Val. Jon Favreau voices Rio Durant, Linda Hunt voices Lady Proxima and Anthony Daniels cameo's as Tak.

'THE BOOKSHOP' (Rated PG) - this British, German and Spanish Co-Production is based on the 1978 novel of the same name by Penelope Fitzgerald and is helmed and Written for the Screen by Spanish Film Director Isabel Coixet. The film Premiered at the Valladolid International Film Festival in Valladolid, Spain in late October last year, has received generally positive Reviews picking up twelve Award wins and a further 32 nominations from around the film festival circuit and so far grossing US$3.5M in Box Office receipts. Set in the English coastal town of Hardborough, in Suffolk in 1959, Florence Green (Emily Mortimer) a middle aged widow, decides to open a book shop in 'The Old House', a rather dilapidated damp abandoned old residence that's said to be haunted by numerous ghosts. After much local opposition and many sacrifices, she eventually opens the doors on her bookshop which goes well for the first year and then sales begins to wane. Edmund Brandish (Bill Nighy), a local, is Florence's best customer and meanwhile Violet Gamart (Patricia Clarkson) also wants The Old House in which to set up an Arts Centre. What ensues is a political minefield spearheaded by Gamart's nephew, an MP, that Florence must navigate through if she is to preserve her beloved book shop, or succumb to local pressures that may leave her little choice but to move on.

With just two new release films out this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 8th October 2015.

What's not to like about a Film Festival, and as mentioned previously in these Blog Pages, Adelaide screens its very own, beginning next Thursday 15th October. Over the past two weeks I've mentioned some of the content that will be screening over ten days, but this week I thought I'd highlight some of the smaller offerings and genres that will nonetheless find an audience and add to the diverse and exciting programme on offer. There is a 'Focus on Latin America' with 'Aurora' and 'Hopefuls' both having their Australian Premiers, and  'Cartel Land' that will be of particular interest if you have seen the recently released 'Sicario'. There are Documentaries too with 'Desert Migration', 'A Syrian Love Story' and 'We Are Many' all having their Australian Premier and 'Best of Enemies' and 'Requiem for an American Dream' both promising to be thought provoking and stirring. Of the musical genre 'Landfill Harmonic' and 'Songman' both Premier in Australia and '808'  invites us into the drum machine that was and is the cornerstone of modern music. On the sporting front 'Steve McQueen : The Man & Le Mans', 'Hitting the Apex', 'Our Last Tango' and 'Meru' all get their Australian Premier too, with Horror fans being kept satisfied with 'Tag' from Japan, 'Deathgasm' from New Zealand and 'Turbo Kid' from Canada. And of course there's a raft of short films too. For all the details go to : https://adelaidefilmfestival.org

This week there are three films to get you out and about to your your local independent theatre or mega screen multiplex, and kicking off those offerings there is an ensemble cast recounting the true life story and true life crimes of one of the FBI's Most Wanted Men back in Boston back in the day when the mob ruled, it was survival of the fittest, and justice was a matter of shoot first and ask questions later. Next up is a feel good comedy when two unsuspecting people are thrown together behind the wheel of a car that made me think 'Driving Miss Daisy' revisited in a different time, a different place and different circumstances; and finally a comedy drama about the life long friendship between two women whose life is turned up side down by life shattering news.

Tempted therefore with drama, comedy and comedy drama? If so, get out amongst it, catch one of this weeks new release offerings, or any one of a whole host of movies still doing the rounds or on the festival circuit, and then share your views, opinions, and observations with your like minded cinephile friends here at Odeon Online. We'd love to hear from you, so leave a Comment in the box directly below this or any other Post, and in the meantime, enjoy your film.

BLACK MASS (Rated MA15+) - this true crime true life American thriller is Directed by Scott Cooper and based on the life and times of the Boston based Irish American mobster James Joseph 'Whitey' Bulger as portrayed here by Johnny Depp. Born in 1929, this films kicks off in 1975 when Bulger allegedly began serving as an FBI informant against the other Boston mobster clan - the Italian American Patriarca family. In exchange for Bulger's inside information and his tip-offs the FBI largely turned a blind-eye to his activities which allowed the mobster to carry on his racketeering, trafficking, laundering, murdering and therefore profiteering ways unhindered. This carried on for almost 20 years until 1994 when his FBI handler, John Connolly (Joel Edgerton) tips him off about a pending indictment under the Racketeer Influenced and Corrupt Organisations Act, and so for the next 16 years Bulger went on the run evading the authorities at every turn it seems, until his eventual arrest in 2011.

Starring with Depp and Edgerton there is Benedict Cumberbatch as William Michael 'Billy' Bulger, five years younger than his brother Whitey and an American Democratic Politician who was the President of the Massachusetts Senate from 1978 to 1996. There is also Kevin Bacon as FBI boss to Connolly Charles McGuire, and the likes of Juno Temple, Corey Stoll, Dakota Johnson and Peter Sarsgaard amongst others. Bulger was convicted for his part in 19 murders and a whole swathe of other significant criminal activities in 2013 and is currently serving two life sentences. The film was made for US$53M and has so far recouped all of that at the time of writing. A must see for lovers of distinctly adult true crime serious film making with three sizzling performances that you just know Depp, Cumberbatch and Edgerton will deliver.

LEARNING TO DRIVE (Rated M) - This American comedy brings together again Director Iasbel Coixet with Patricia Clarkson and Ben Kingsley as Wendy Shields and Darwan Singh Tur respectively. Here Shields is a successful book editor and critic recently split form her husband and in her new found capacity needs to fend for herself, become more independent and get a life. So, she decides she needs to learn to drive. She hires a gentle Indian Sikh cab driver to teach her the skills of driving and in doing she she learns that he is being forced into an oncoming arranged marriage while hers has just gone down the tubes. What follows behind the wheel of Darwans car is a voyage of discovery for them both as they learn valuable lessons in friendships, relationships, life and starting over. This film Premiered at the Toronto International Film Festival in September 2014 and was released Stateside in August this year.

MISS YOU ALREADY (Rated M) - this US British comedy drama is Directed by Catherine Hardwicke  and is based on the BBC Radio 4 Play 'Goodbye' by Morweena Banks. It stars Drew Barrymore as Jess and her life long best mate Milly (Toni Collette) as they have grown up side by side and shared loves, life, experiences and just about everything in between. Jess lives on a houseboat in London with her boyfriend Jago (Paddy Considine) and she is desperate for a child, often secretly envious of Milly whose fast paced career life and perfect family seems more and more out of reach with each month that passes. As Jess' challenge presents a threat to the long term friendship that has endured over many years, two life changing events occur almost simultaneously - Jess falls pregnant, finally, and Milly learns she has breast cancer. How will this news effect them as individuals, as close friends and those around them as sadness turns to joy, and joy to sadness as their resolve is tested and everything they hold dear is bought into play. Be prepared to have your heart strings pulled by two equally strong performances! Dominic Cooper stars as Milly's husband Kit and Jacqueline Bisset stars at Milly's mother Miranda. Frances de la Tour also stars.

Three films all offering something different, and all decidedly of adult fare for the week ahead. After your film of choice revisit us all here and share your thoughts - good, bad and ugly!

See you at the Odeon.

-Steve, at Odeon Online-