ETERNALS : Wednesday 3rd November 2021.

I saw 'ETERNALS' earlier this week at an advanced screening at my local multiplex, and this M Rated much hyped, eagerly anticipated and long awaited epic superhero film is based on the Marvel Comics characters of the same name. This is the 26th film in the MCU and the third film in the MCU's Phase Four. Directed and Co-Written by Chloe Zhao whose prior film credits are 2015's 'Songs My Brother Taught Me' her debut, then 'The Rider' in 2017 and the critically acclaimed 'Nomadland' in 2020. Originally set for release on 6th November 2020, it was then moved back to 12th February 2021 and then to this week in the US, UK, Australia and other international territories due to the COVID-19 pandemic, following its World Premier in LA on 18th October. The film cost US$200M to produce and has so far generated mixed or average Reviews, and at the time of writing the film has grossed US$30M. 

The core Eternals team who landed on our little blue planet about seven thousand years ago, consists of ten characters, each with their own set of very particular skills and super powers. There is Sersi (Gemma Chan), who can transform objects into different elements, such as rock into sand, metal into water, wood into stone and so on; Ikaris (Richard Madden), has the ability to fly and fire cosmic laser beams from his eyes; Kingo (Kumail Nanjiani), who can project energy blasts from his hands; Sprite (Lia McHugh), a twelve year old girl who can summon illusions at will ; Phastos (Brian Tyree Henry), an inventor extraordinaire; Makkari (Lauren Ridloff), who is deaf but has superhuman speed; Druig (Barry Keoghan), with the ability to control many multiple minds at once; Gilgamesh (Don Lee) with super strength, and Thena (Angelina Jolie), the Goddess of war who can summon weapons of cosmic light; and leading the pack is Ajak (Salma Hayek), the 'Prime Eternal' who has the ability to heal herself and others and is able to communicate with the Celestial Arishem the Judge (voiced by David Kaye) as a surrogate mother and protector of the Eternals. 

And so the Eternals are an immortal alien race created millennia ago by the Celestials (their mythology is that they are members of the first lifeforms created in and by the original universe, and have contributed to the creation of the Multiverse, including the evolution of life therein) and who were sent to Earth to protect humanity from the Deviants (an offshoot of the evolutionary process that created sentient life on Earth instigated by the alien Celestials). In 5000 BC, the Eternals arrived on Earth from their home planet Olympia sent by the Celestial Arishem, where they have to fight the invasive Deviants and ultimately destroy them all. Over the ensuing millennia, they have protected humanity from the dangers posed by these mutant creatures, but were not permitted to stand in the way of the development of mankind. The last of the Deviants were seemingly killed off some five hundred years ago, at which point the group became divided, as views differed about their responsibility towards the world's growing population. They subsequently spent the next few centuries largely separated from each other, waiting for Arishem to send them back to Olympia.

Fast forward to present day London and Sersi and Sprite are living together. After Sersi was left by her partner Ikaris more than five hundred years previously, she now has a relationship with Dane Whitman (Kit Harington) who works at London's Natural History Museum. When the three are attacked one evening by the Deviant leader Kro, Ikaris appears and chases the creature away after observing that this Deviant was able to self heal. Sersi, Sprite and Ikaris decide to reunite all Eternals to prepare for the renewed danger. They round up the rest of the group, all except for Ajak who was seemingly killed by a Deviant. 

As the new leader of the group, Ajak gave Sersi the ability to communicate with Arishem. In a conversation with the Celestial, Arishem tells her that the overriding mission of the Eternals was not to fight the Deviants, but to prepare Earth for 'The Emergence'. Arishem further explains that for millions of years, the Celestials have been planting their seeds in populated planets so that a new Celestial can be born from them. Since the energy of innumerable individuals is required for this, the Celestials sent the Deviants, so that the respective apex predators of the planet could be eradicated therefore paving the way for the ongoing development of life. However, the Deviants evolved and became apex predators themselves, explaining why the Eternals were sent to thwart them. Arishem concludes that Earth has now reached the necessary population density so that The Emergence - the birth of the Celestial Tiamut and the consequent destruction of Earth - can occur. This fact was known by Ajak since the Eternals arrived, but she was sworn to secrecy, telling Ikaris a few centuries ago but only revealing in flashback seven days before The Emergence was due to begin. Arisham also reveals that there was no home planet, Olympia, from which the Eternals originally hailed, and that they are destined to die with The Emergence. 

The Eternals came to love and respect humanity, despite all their flaws, over the centuries gone by, and so they decide not to obey the will of Arishem and instead want to prevent The Emergence. Through the 'Uni-Mind' created by Phastos - a connection between all Eternals that brings their collective powers together in a single force, Druig is then meant to harness the necessary power to bring Tiamut to sleep by means of his mind control abilities. However, not all Eternals are satisfied with the plan and Kingo leaves the group because he does not want to face Arishem and Ikaris reveals himself as an opponent. It was he who had been informed of The Emergence by Ajak and who finally sacrificed the leader to the Deviants when she too spoke out in opposition to the destruction of the Earth.

Makkari sprints around the world at warp speed to locate the place of The Emergence at the foot of an active volcano. There, a fight between Ikaris and the Eternals breaks out. The Deviant Kro, who wants to take out his revenge on the Eternals and who had previously killed Gilgamesh, is also there. Together, the group are able to bring Ikaris under control, while Thena defeats Kro at the same time by slicing and dicing him up with the aid of a pair of swords of cosmic light. 

Phastos activates the Uni-Mind, which Ikaris also joins after he has rethought his life on Earth and his relationship with Sersi. Since Druig is too weak from the previous fight to face Tiamut, Sersi, who is able to manipulate and transform substances, takes on the job and kills Tiamut by transforming the molten lava flow into ice and then hardened rock, so solidifying the emerging Tiamut. Wracked by guilt, Ikaris flies off taking one last look at planet Earth before flying directly into the sun. Sersi grants Sprite human life so that she can grow into an adult and experience all the things that adults do, albeit knowing that she will some day die too; Phastos remains with his partner and husband Ben (Haaz Sleiman) and their adoptive son Jack (Esai Daniel Cross), Kingo returns to his life as a famous Bollywood Actor; and Sersi returns to London to be with Dane Whitman. Thena, Druig and Makkari fly into space aboard their spaceship to find other Eternals. 

One day when Sersi and Dane are out walking and talking about her recent exploits in saving the world on Hampstead Heath with the City of London in the background, Arisham arrives on the horizon and summons Sersi and the other still earthbound Eternals telling them that with their killing of Tiamut he is still yet to judge whether Earth's civilisation will live or die. Keep watching for a mid-credits and a post-credits sequence in which Thena, Druig and Makkari get an unexpected couple of visitors on board their spaceship, and Dane Whitman opens up an old chest inherited from his forebearers.  

In crafting 'Eternals' Director and Co-Screenwriter Chloe Zhao has thrown out the MCU how-to rule book and created a film that takes the near fifteen year old epic franchise in a new and fresh direction. This film has emotion, sex, homosexuality and a rag tag bunch of various nationalities, cultures and beliefs all wrapped up into one neat little package that is not short on the action set pieces, or the humour delivered for the most part by Kingo and Gilgamesh. That said, its hard to get truly invested in ten characters when there is so little time given to their respective back stories which span millennia; the film labours at the mid-section and at a running time of 157 minutes it is, for me at least, twenty minutes overcooked. There will be those that love this film, and those that hate it, and as for this Reviewer, well I sit somewhere in the middle. But credit has to go to Chloe Zhao for steeping foot outside of the tried and tested MCU formula and delivering us something different, which despite its flaws, paves the way for a perhaps invigorated Phase Four - only time will tell where these characters take us. 

'Eternals' warrants three claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, from Odeon Online-

1917 : Tuesday 14th January 2020.

'1917' which I saw this week is an MA15+ Rated First World War film Directed, Co-Produced and Co-Written for the screen by Sam Mendes, based on a 'fragment' of an account told to Mendes by his paternal grandfather, Alfred Mendes, who was a Trinidad and Tobago novelist and short-story writer who lived from 1897 until 1991 and who served in the 1st Rifle Brigade during WWI and fought for two years in Flanders, along the Belgian Front. He was awarded a Military Medal for distinguishing himself on the battlefield. Sam Mendes is of course the highly acclaimed English Director of film and stage whose previous film making credits include 'American Beauty', 'Road to Perdition', 'Jarhead', 'Revolutionary Road', and the two most recent Bond releases 'Skyfall' and 'Spectre'. This film was released in the US on Christmas Day, and in Australia and the UK last week, has received widespread critical acclaim, and has so far raked up 72 awards wins and another 142 nominations from around the awards and festivals circuit, with many of those nominations still awaiting a final outcome. The film cost US$90M to make, and has so far grossed US$72M, and is lensed by the multi-award winning and nominated Roger Deakins and scored by the equally multi-award winning and nominated Thomas Newman.

It is 6th April 1917 - at the height of the First World War in northern France, and two young British soldiers, Lance Corporal Schofield (George MacKay) and Lance Corporal Blake (Dean-Charles Chapman), are given a seemingly impossible mission by General Erinmore (Colin Firth) to personally deliver a hand written message to a Colonel Mackenzie (Benedict Cumberbatch) of the 2nd Battalion of the Devonshire Regiment which will warn of an ambush of some sixteen hundred British troops at the hands of the German Army in a calculated attack soon after the German tactical retreat to the new Hindenburg Line during Operation Alberich. Included in those 1,600 men is Blake's older brother, Lieutenant Joseph Blake (Richard Madden).

The two young soldiers have no alternative but to accept their mission, which is expected to take them about eight hours on foot across enemy lines. And so Schofield and Blake cross no man's land and reach the now abandoned original German trenches. Scouring the bunkers for any signs of life, or food, it turns out that the myriad of underground tunnels contain tripwires, which a rat scavenging for scraps of food in the darkness, triggers. The ensuing explosion almost kills Schofield who is buried under rocks, rubble and dust, but Blake digs him out and leads him temporarily blinded out of the collapsing bunkers to safety.

The pair arrive at an abandoned destroyed farmhouse, where they witness a dogfight in the skies nearby involving two British aircraft and one German. The German plane plunges into the farm and explodes. Schofield and Blake attempt to save the partially burned pilot by pulling him out of the cockpit with his legs on fire. Schofield proposes they mercy kill him, but Blake has Schofield instead fetch water for the pilot to drink. Meanwhile, the pilot stabs Blake in the stomach, and is promptly shot dead by Schofield, who comforts Blake as he dies, promising to complete the mission, find his brother, and write to his mother saying he loves her.

Schofield is picked up by a passing British unit led by Captain Smith (Mark Strong) who lets him ride in the back of a troop carrier. A destroyed bridge near the bombed-out village, Ecoust-Saint-Mein, prevents the British lorries from crossing, meaning they must make a six mile detour. Schofield racing against the clock decides to go it alone and bids Captain Smith farewell. Smith offers some advice to Schofield that when he presents the letter to Mackenzie he does so in front of several witnesses, as some men just like to fight!

So Schofield crosses a canal alone by clinging on to the remnants of the bridge. He immediately comes under fire from a German sniper, but manages to get across the canal and returning fire takes out the sniper perched in the upper floor of a tall building, only to be knocked out by a ricocheting bullet and falling backwards down some steps.

Schofield comes round at night, with the back of his head all bloodied, but proceeds on. Fired upon by a chasing German soldier through the bombed out streets and buildings of Ecoust, Schofield stumbles into the dimly lit hiding place of a French woman Lauri (Claire Duburcq) with an infant. Recognising that they are both allies of each other, she tends to his head wound, and he leaves fresh cows milk he found at the abandoned farm earlier in the day for the infant and his own rations for her. Continuing his mission through the rubble and burning buildings all around him, Schofield is twice discovered by German soldiers. He strangles one of them and escapes under gunfire by jumping into a raging river of white water and fast flowing rapids. Eventually, rising to the surface, he is thrust over a waterfall into more steady flowing waters below where he clings to a log to catch his breath while he is carried down stream.

Schofield reaches an embankment of the river which is blocked by a fallen tree and numerous dead bodies floating in the river trapped in front of the downed tree trunk. He scrambles across the dead bodies to clamber up the shoreline, where he collapses sobbing and exhausted. In the distance he can hear the faint sound of someone singing. He ventures forth, and comes across a battalion of soldiers all sitting on the ground intently listening to a single fellow soldier singing a ballad.

After the singing stops, the soldiers all stand up and recognising that Schofield is not one of their own, asks him if he's alright, judging by his drenched uniform and decidedly dishevelled appearance. He responds by asking which regiment they are, and they reply the Devons . . . the ones he is looking for.

Failing to stop the start of the attack, he scours through the dug out trenches searching for Mackenzie's whereabouts. Told he is still 300 yards away along a two man wide at best trench, he climbs over the top of the trench and sprints across the battlefield as the charging British infantry are bombarded by a barrage of German artillery.

He ultimately forces his way into meeting the commander of the battalion, Colonel Mackenzie, and hands him the note from General Erinmore. After some bluster and initially being dismissed by the Colonel, Schofield says that the Germans have been planning this attack for months, at which point the attack is called off and the men are ordered to stand down.

Schofield then goes in search of Joseph and is directed to the infirmary tent, and who was among the first attack wave but is unhurt. He delivers the news of his younger brothers death. Joseph is saddened by the news, but thanks Schofield for his efforts. Schofield asks to write to Blake's mother to inform her about his heroism, to which Joseph agrees. Joseph tells him to go to the mess tent to get something to eat. Instead, Schofield walks away and sits under a nearby tree, able to rest at last after completing his mission. From his pocket he pulls several photographs revealing he has two young daughters and a wife at home waiting for him to return safely.

'1917' is a film that begs to be seen on the big screen. It is a truly immersive cinematic experience that lensman Roger Deakins delivers with his seemingly one take approach as the camera ducks, dives and weaves from open countryside, to the claustrophobia of underground bunkers, to the tight squeeze of the trenches, through bombed out towns and down raging torrents of rivers as our two heroes of this piece dodge bombs, mortars, bullets and human remains to realise their mission. As the first truly mechanised war in human history, this is a simple story, deftly and very impressively told by Sam Mendes that does not over complicate war but serves as a timely reminder of the horrors of war and the pain, suffering and devastation that man can inflict on his fellow man. Tense, emotional, moving and gripping all at once '1917' easily stands up there with Spielberg's 'Saving Private Ryan' for its set design, production values, focus on authenticity, visceral storytelling, action sequences and cinematography, not to mention the two relatively unknown lead Actors who won't be so unknown for much longer and the strong cast of support Actors in various cameo roles. Despite some flaws in its storytelling and a stretching of the imagination in a few places, '1917' is a must see at a movie theatre and for followers of the genre, as it redefines the scope and scale of the depiction of trench warfare and the realities of open armed combat in the last one hundred years for the 21st Century.

'1917' merits four claps of the Odeon Online clapperboard out of a potential five.

-Steve, at Odeon Online-

ROCKETMAN : Tuesday 4th June 2019.

'ROCKETMAN' which I saw this week is a biographical musical film based on the life and times of Sir Elton John (aka Reginald Kenneth Dwight) as Directed by Dexter Fletcher, whose previous film making credits include 'Wild Bill' in 2011, 'Sunshine on Leith' in 2013, 'Eddie the Eagle' in 2016, and an uncredited role as Director on last years 'Bohemian Rhapsody' having replaced Bryan Singer as Director for the final two weeks of filming, but received an Executive Producer credit due to Directors Guild of America rules. An Elton John biopic had been in development for almost two decades, with the project going through several Directors, studios and Actors before Sir Elton finally approached Paramount Pictures. In early 2018 Taron Egerton was cast to play Elton John having previously appeared with Sir Elton in the 2017 film 'Kingsman: The Golden Circle', and Egerton, as Johnny the Gorilla, sang John's song 'I'm Still Standing' in the animated film 'Sing'. The film cost US$41M to bring to the big screen, saw its Premier screening at the Cannes Film Festival on 16th May this year, was released in the UK on 22nd May and was released in the US and here in Australia last week. The film has so far taken US$71M and has generated mostly positive Reviews. The film is titled after Sir Elton's 1972 UK #2 and US #6 hit single of the same name.

The film opens up with a flamboyantly attired Elton John (Taron Egerton) wearing an orange and heavily sequined Devil stage outfit walking hurriedly down a corridor and bursting through the doors of a room wherein, sat in a circle, is a self help group. Welcomed by the others, Elton opens up with a statement of who he is, and that he is an alcoholic, a drug addict, a sex addict and addicted to various other things to help him escape from his fractured childhood upbringing and what he has become, and, that he's bulimic. And so begins in flashback a story of his young years, right up until the time he entered this rehab facility where he currently sits with various others in the same group attempting to come to some understanding of the forces that worked for him and against him to bring him to this point.

As a young child, Reginald 'Reggie' Dwight was raised by his less than loving mother Sheila (Bryce Dallas Howard), his more caring grandmother Ivy (Gemma Jones), while his father Stanley (Steven Mackintosh) was away serving in the Royal Air Force. Reggie shows interest in playing the piano, and seems to possess a natural gift, and soon begins private piano lessons at London's prestigious Royal Academy of Music. Stanley returns home for a two week period of leave, and keeps his son at arms length having never really ever shown him any affection or emotion. Eventually, feeling constricted by his family surroundings and discovering Sheila getting it on with another man in a car, Stanley walks out on his family forever, to forge a new life. Reggie takes up an interest in Rock & Roll music artists such as Elvis Presley, gets a similar haircut to The King, and begins performing in local pubs before joining a band, 'Bluesology'.

As an adult, Reggie changes his name to Elton John (Elton from a fellow Bluesology band member, and John after John Lennon) and responds to an advert in the music press seeking singers, songwriters and musicians with any talent to make contact. This takes him to an appointment with the Dick James Music Publishing Company under the management of Ray Williams (Charlie Rowe). Williams introduces Elton to songwriter Bernie Taupin (Jamie Bell). The pair meet up for the first time in a local cafe and quickly form a bond, with Taupin accepting both Elton and his closeted homosexuality. 

The pair are encouraged to move in together so that they can be close to each other to fuel their songwriting output. Taupin moves into the Dwight family home, which creates a strain on the family unit, but nonetheless allows the pair the proximity to each other to encourage Taupin's lyrics to be quickly set to music by Elton.

The duo impress Dick James (Stephen Graham) with 'Your Song' and he sets up their first American performance for them at the 'Troubadour' in Los Angeles. The audience loves Elton's performance, and he doesn't hold back having fought off his earlier nerves. At a party afterwards at Mama Cass's place, he feels abandoned when Taupin leaves him to be with a woman.

At that same party, feeling somewhat dejected, Elton is approached by John Reid (Richard Madden), a music Manager and Promoter who is attracted to Elton. The two sleep together. Reid's ever increasing influence over Elton results in him spiralling into a life of decadence and debauchery as his career takes off and he becomes one of the worlds most successful musicians, at one point accounting for 5% of all the worlds records sales. Meanwhile, Elton embraces an ever increasing extravagant and flamboyant stage profile.

After Elton contracts him as his new manager, Reid begins manipulating Elton, starting off with his insistence that he admits to his mother and father that he's gay so they can help shelter his sexual leanings from the press. Sheila curtly over the telephone informs Elton she was already aware of his sexuality and had been for a long time and doesn't really care, except, she tells him, that he's facing a life of being alone forever. Elton finds Stanley in his new suburban family home and doesn't tell him that he's gay, because he's too upset by his father's happiness with his new family, complete disregard of his old one and total indifference towards Elton and his success. Struggling with his parental issues, as well as Reid's rising abuse, Elton becomes addicted to cannabis, cocaine, alcohol and sex. 

After witnessing Reid cheating on him with another man, at a house party later that day, he consumes a dangerous amount of drugs and alcohol and attempts suicide by jumping into his pool. Whilst sinking to the bottom of the pool, and before being pulled out by friends, he sees a vision of his younger self wearing a makeshift aqualung and playing at a small piano. He is pulled out, bundled into the back of an ambulance and rushed into hospital, and not long after is forced back on stage to continue his performance.

Elton falls out with both his mother and Taupin. Feeling angry, increasingly agitated and depressed, and very alone in the world despite the trappings of his success, he consumes prescription pills and alcohol, causing him to have a heart attack at home during which he falls down the stairs. Once more he is rushed into hospital. Reid hears the news and waves it off as a mild chest infection, forcing Elton again to get back on stage for his next performance. Realising that his life is spiralling out of control, Elton leaves before the performance and finally seeks help. He enters rehabilitation and comes to the realisation that he no longer needs anything from his parents or Reid. Elton repairs his friendship with Taupin, who visits him in the rehab clinic, and returns to performing, wrapping up with 'I'm Still Standing' off the 1983 hit album 'Too Low For Zero'.

In 'Rocketman' Actor turned Director Dexter Fletcher, has crafted a solid tribute to Elton John's meteoric rise to super stardom in the late '60's and through the '70's, and doesn't let up in exposing the warts and all lifestyle and its effects on the wildly extravagant singer. He does however, take some liberties with the timelines, the story and the facts but that doesn't detract from the enjoyment factor of seeing Taron Egerton mimic Sir Elton so well and so brazenly, and how he spirals out of control so wantonly as a result of his success. The film charts the first twenty years or so of his musical career up until about the time he married Renate Blauel in Sydney in 1984, and their subsequent divorce in 1988 and the release of 'I'm Still Standing' in 1983 (muddled timelines here) which concludes the film with Egerton's Elton John cut into the actual video footage that accompanied the release of that single. It is unlikely that 'Rocketman' will emulate the success of those other two hit musical dramas of this year 'Bohemian Rhapsody' (US$904M Box Office) and 'A Star Is Born' ($US435M Box Office), but it is sure to please die hard Elton John fans as well as those with only a passing interest in the life and times of this enduring rock music icon. The film plays out with an update and images of where Sir Elton is now in both his personal and musical life as of the present day.

The film includes such renditions of John's famous back catalogue performed convincingly by Taron Egerton as 'The Bitch is Back', 'Saturday Night's Alright for Fighting', 'Border Song' 'Your Song', 'Crocodile Rock' 'Tiny Dancer', 'Don't Go Breaking My Heart', 'Pinball Wizard', 'Rocket Man', 'Bennie and the Jets', 'Don't Let The Sun Go Down On Me', 'Goodbye Yellow Brick Road', 'Sorry Seems To Be The Hardest Word' and 'I'm Still Standing'. 

'Rocketman' warrants four claps of the Odeon Online clapperboard, out of a possible five.

-Steve, at Odeon Online-

BASTILLE DAY : Friday 13th May 2016.

'BASTILLE DAY' which I saw on Friday evening, for the historians amongst us, will know the significance of 14th July to the French - for it is Bastille Day, marking the date in 1789 when troops stormed The Bastille - a medieval fortress and prison in Paris. It was an important event marking effectively the beginning of the French Revolution. It wasn't until 1880 however, that it officially became a national public holiday, and has as such been celebrated every year since then with great fan fare. So, history lesson over, what about this film which mirrors recent tragic terrorist events in Paris with the January 2015 Charlie Hebdo Offices bombing and that of a Jewish supermarket, and then the more widespread and tragic Stade de France attacks in St. Denis and the Bataclan Theatre attack in November 2015. The similarities with this films central theme are inevitable, but in reality sheer coincidence as filming took place before those events in late 2014, with the movie in the can by Christmas that year. All that said, 'Bastille Day' is Directed by James Watkins, and stars Idris Elba in the main lead doing all he can to prove that he might be a shoe-in for James Bond when Daniel Craig sips his last shaken not stirred Martini.

The films open up on the eve of Bastille Day, with the city well advanced in its celebratory preparations for the national holiday. Working the streets is an American pick-pocket Michael Mason (Richard Madden) doing a very nice job of stealing wallets, smart phones, expensive watches and passports from unsuspecting tourists and passers-by out on a summer's evening enjoying the festivities. With his evenings stash he makes his way to his 'fence' and he exchanges his evenings collection for cash, and then slinks away into the night for a quiet refreshment in a nearby Cafe. Across the city from his offices overlooking the Eiffel Tower is CIA Agent Sean Briar (Idris Elba) pondering what the next 24 hours will bring as the city swings into full on party mode.

Siting there minding his own business in quiet reflection, Mason spies a distraught woman, Zoe Neville (Charlotte Le Bon) with a carrier bag - she removes her blond wig and stuffs it into the bag, and holds her head in her hands sobbing. An easy target thinks Mason, and while she sits on a step not paying attention he's in there, bag removed and on his way. In a side street out of view he rummages through the bag to see what he can find - a cuddly toy bear, the blond wig, a mobile phone, and other sundry paraphernalia. Nothing much - he stuffs the bear back in and the wig, holds onto the phone and makes his way back to the Cafe precinct from whence he came, depositing the bag in the garbage bin as he goes. Within a few seconds, the garbage bin explodes and the street is strewn with debris, and bodies - four dead! Mason gets to his feet, grabs the phone and makes off, stunned by what just happened, and not before being caught on CCTV. Within no time, Briar is on the case, the prime suspect in this terror attack is identified, tracked down and brought in for questioning but not before a roof top foot chase that comes to rest in a busy market - the like of which you seen in a hundred other movies of this ilk, but it is reasonably well handled nonetheless.

Cue the unofficial safe house interrogation room and Briar and Mason are nose to nose with Briar coming on strong as the tough take no prisoners kinda guy, and Mason as the in out of his depth WTF just happened I'm just a wannabe Med student trying to make a fast buck to pay my way through college low life loser. Pretty soon, the city goes into lock down and Briar realises that Mason is probably telling the truth and he is just a patsy caught up in this mess unawares. So Briar decides to use the pick-pocket to track down Zoe using the phone that Mason stole, and which is all they have to go on. And so begins another hunt, another chase and more truths revealed that only add to this web of intrigue as the two unlikely partners now chase all over Paris.

While all of this is going on Briar's superior officer Karen Dacre (Kelly Reilly) is monitoring the unfolding scenario back at CIA HQ in downtown Paris and is in contact with long term friend and counterpart in the French authorities Victor Gamieux (Jose Garcia). He has a hidden agenda and enlists the RAPID Team (a seemingly elite  special forces arm of the police) with his full authority to track down the alleged terrorist and Zoe, for fear that their plan may come undone - and the boys from RAPID are in on the game with a huge pay day coming their way if their rigorously detailed plans come off. Its up to Briar, Mason and Neville to uncover the further plot twists as they go, playing the inevitable cat & mouse game across Paris as the hunters becomes the hunted, and then vice versa.

Meanwhile the RAPID guys are inciting unrest amongst the masses and manufacturing scenes of police brutality that they post all over social media encouraging unrest, rioting in the streets, looting, random acts of violence and holding the authorities to ransom on the day of celebration. They use hashtags to get their messages across whilst creating a smokescreen for their plan to be executed - to rob the national bank of US$500M in plain sight and with the full authority from the government, represented here by Gamieux. But of course they didn't count on the machismo of Briar and the sleight of hand of Mason to thwart their plans when they least expect it, and with the help of thousands of Parisians who help turn the tables unexpectedly.

Of course, before they get to this point, there's more shoot 'em up, beat 'em down bravado in the back of a truck, which again, you've seen a hundred times before, but also reasonably well handled. In the end, good overcomes evil, a few more people get killed - both good and bad, and the mastermind behind all of this gets locked up, and the aspiring Med student decides that a job in the CIA may not be such a bad option after all, given his one and only successful track record in bringing down a major crime, capturing the king pin and preventing a shit storm on Bastille Day.

On the positive, the film moves along at a good pace and for its short running time of 92 minutes you won't get bored and it is entertaining enough. But, this is everything you would expect it to be - formulaic, plot holes that you could drive a truck through, implausible story and it really contains nothing you have not seen before in Bourne and Bond (roof top foot chase sequences and close quartered hand to hand combat), 'V for Vendetta' (a masked population rising up against authority driven by one man) and 'Die Hard' (create an intricate smokescreen to commit a robbery). You don't need to see this on the big screen, and can easily wait for the DVD and Bluray release.
  

-Steve, at Odeon Online-