JOKER : FOLIE A DEUX - Tuesday 8th October 2024

I saw the MA15+ Rated 'JOKER : FOLIE A DEUX' earlier this week, and this American musical psychological thriller film is Co-Written, Co-Produced and Directed by Todd Phillips and is the sequel to 2019's 'Joker' - also Directed by Todd Phillips which grossed US$1.08B off the back of a production budget of about US$65M. Loosely based on DC Comics characters, 'Joker' received numerous accolades, including two Academy Award wins at the 92nd Academy Awards for Best Actor (Phoenix) and Best Original Score out of eleven nominations including Best Picture, becoming the first DC film to do so. This film Premiered at this years recent Venice International Film Festival where it was in official competition, and was released in the US last week too. Coming in at a US$200M budget cost, it has divided critics, much like 'Joker' before it, has generated mixed or average reviews, and has so far grossed US$121M.

Set sometime in the early '80's and two years after the events of the first film, Arthur Fleck (Joaquin Phoenix), is now a patient at Arkham State Hospital in Gotham City, and is awaiting trial for the five murders he committed back then. His lawyer, Maryanne Stewart (Catherine Keener), has in mind to argue in his defence that Arthur has dissociative identity disorder and that his 'Joker' personality was responsible for the crimes. Meanwhile, head security guard at the hospital Jackie Sullivan (Brendan Gleeson) often shares a joke with Arthur and one day takes him over to the other side of the hospital where less dangerous patients are housed, to join a music therapy session, for his recent good behaviour. While there, his attention is drawn to Harleen 'Lee' Quinzel (Lady Gaga), who is part of the group of singers. The pair strike up a private conversation while Jackie's attention is elsewhere, and Lee tells Arthur that she grew up in the same neighbourhood as he did, had an abusive father who died in a car crash, and was committed by her mother to the hospital after burning down her parents' apartment building. Lee also expresses her admiration for the Joker's crimes and personality, and saying that she watched a TV movie about Arthur/Joker twenty times and that is was great.

One evening during a screening of a film, Lee starts a fire by igniting a box of matches and dropping it into a piano. The flames very quickly take hold and all the patients and staff evacuate outside. Lee and Arthur are caught trying to escape, and Arthur is placed in solitary confinement for two weeks. 

Lee visits him at night to say she is being released because he is such a bad influence on her, but she promises to attend his trial, and they have sex. During an interview with television personality Paddy Meyers (Steve Coogan), Arthur sings to Lee through the television screen, only serving to deepen her love for him. On the day of the trial, Assistant District Attorney Harvey Dent (Harry Lawtey) calls witnesses who dismiss Arthur's claims of insanity. During a break, Maryanne reveals to Arthur that Lee was actually a psychiatry student who grew up in the Upper West Side, and her father, a doctor, is alive, and that she comes from a reasonably well off family. Additionally, she voluntarily committed herself at Arkham, checked herself out, and never burned down an apartment building. 

When Arthur confronts Lee with these new found details, she confesses that everyone lies, and her lies were an effort to get close to Arthur. She also announces to him that she is pregnant and has moved into his old apartment building to create a home for them both for when he is freed.

The next day at the trial, Arthur openly dismisses Maryanne and makes it known that he wishes to represent himself. After bringing Arthur's former clown co-worker Gary Puddles (Leigh Gill) and former neighbour with whom he had an imagined relationship Sophie Dumond (Zazie Beetz) to the stand, Dent rests his case. Arthur, visibly affected by Puddles testimony, offers no defence, although, during his speech, he mentions the Arkham guards in a negative light, by calling them stupid and fat.

Upon returning to Arkham, he is taken to the shower room by head guard Jackie Sullivan and two other guards, where he is brutally beaten before being dragged back to his cell partially naked. Ricky (Jacob Lofland), an inmate and friend of Arthur, verbally confronts the guards, resulting in Jackie strangling him to death. Arthur overhears this from his nearby cell.

During his closing address in court the next day in which Arthur is fully made up as Joker, a devastated Arthur renounces his Joker persona, taking full responsibility for his actions, and stating that he in fact killed six people - his mother was the last one whose face he smothered with a pillow suffocating her. Upon hearing this devastating news Lee storms out of the courtroom, and the jury finds Arthur guilty of first-degree murder. As the foreman reads the verdict, a car bomb explodes immediately outside the courthouse, killing and injuring numerous attendees and scarring half of Dent's face. In the ensuing chaos, two followers also dressed in full Joker garb, help Arthur escape by bundling him into a car.

Arthur jumps from the car and runs through the streets of Gotham eventually encountering Lee outside his old apartment, but she rejects him for renouncing his Joker persona, tells him that she's not pregnant and bids him goodbye as she walks away. The Police arrive, apprehend Arthur and return him to Arkham. The next day, a young patient approaches Arthur and begins to tell him a joke with the punchline being that he repeatedly stabs Arthur in the stomach. As Arthur bleeds out and soon dies from his wounds, the patient takes the knife he just used on Arthur and carves a smile on his face while laughing maniacally.

'Joker : Folie a Deux' was originally intended as a stand alone film and not the sequel we see here. Perhaps had that been the case critic and audience reviews would have been a whole lot more favourable. That said, for me this film also failed to live up to expectations after the mega success of its 2019 predecessor. While the performances of Phoenix and Gaga are on point (although Gaga is a little under utilised here), the plot meanders along without getting very far at all, and the film struggles to decide if it is a musical, a drama, a comedy, a psychological thriller or a super-villain offering. The production values are nonetheless very good, and while the musical interludes are more often that not a continuation of the scene in which they are set, they are at times over bearing and over used. Save yourself the price of your cinema entry and wait for it to arrive on your preferred streaming service. 

'Joker : Folie a Deux' merits two claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

BULLET TRAIN : Tuesday 9th August 2022.

I saw the MA15+ Rated 'BULLET TRAIN' earlier this week and this American action comedy film is Co-Produced and Directed by David Leitch whose previous film making credits include his uncredited debut on 2014's 'John Wick' with Chad Stahelski, then 'Atomic Blonde' in 2017, 'Deadpool 2' in 2018 and 'Fast and Furious Presents : Hobbs & Shaw' in 2019. The film is based on the Japanese novel 'Maria Beetle' by Kotaro Isaka, and was released in the US last week too, having been originally slated for release on 8th April before being delayed to 15th July then again to 29th July and then finally settling on 5th August. It had its World Premiere in Paris, France on 18th July. The film has grossed so far US$72M from its production budget of about US$88M and has garnered mixed or average reviews.

The film opens with a distraught father, Yuichi Kimura (Andrew Koji) looking over his young son laying in a hospital bed in a coma having been thrown off a supermarket roof. His father, The Elder (Hiroyuki Sanada) enters the room and asks his son what was he doing while his son was on the supermarket roof? A father is supposed to look out for their children! Kimura swears vengeance on the person who threw his son off the roof. We then cut to former professional assassin codenamed Ladybug (Brad Pitt), who has recently attended therapy, returns to work with a new positive spin on life. He is tasked by his handler, Maria Beetle (Sandra Bullock), to complete what appears to be a simple task - to collect a briefcase aboard a bullet train travelling from Tokyo to Kyoto after her usual contact, Carver, is forced to cancel due to illness. Ladybug is at first reluctant, as his notorious years long run of bad luck continues to haunt him every job he gets, resulting in numerous accidental deaths. 

Unknown to Ladybug, three other assassins are onboard - hitmen brothers Tangerine (Aaron Taylor-Johnson) and Lemon (Brian Tyree Henry) and The Prince (Joey King) a mercenary posing as an English schoolgirl. The former two have been tasked by the ruthless Russian, The White Death, head of the world’s largest crime syndicate, who has taken control of the Japanese criminal underworld by force wiping out everyone who gets in his way. The brothers find their employment to be somewhat suspicious given The White Death specifically contracted them for their participation for a job in Bolivia in which the pair singlehandedly took out sixteen goons and an innocent bystander. 

Having retrieved The White Death’s kidnapped son and the briefcase containing his US$10M in ransom monies, the brothers are delivering both to Kyoto. Meanwhile in the First Class cabins, The Prince summons fellow assassin, Yuichi Kimura, to the train, having pushed his young son off the roof of the supermarket. She has already planted an associate at the hospital ready to finish the boy off, should Kimura fail in any way to cooperate with her plan, which involves rigging the briefcase and Kimura’s gun with explosives to kill White Death, who is known for executing his adversaries by turning their own weapons on them. Successfully stealing the briefcase, Ladybug is ambushed by another assassin, code-named The Wolf (Benito A. Martinez Ocasio), who had arrived seeking revenge for the deaths of his wife and his entire cartel, poisoned at their Mexican wedding. After a brief fight, The Wolf is accidentally killed when his knife thrown at Ladybug ricochet's off the briefcase and straight back into his own heart, and then just to add insult to that injury when he collapses backwards he breaks his neck on the briefcase sitting upright at Ladybug's feet. 

After the brothers find the briefcase to be missing, they also then find White Death’s son dead by apparent poisoning. The Prince convinces Tangerine in believing that Ladybug is responsible, while Ladybug attempts to negotiate with Lemon but is forced to render him unconscious. Ladybug runs into the Wolf’s intended target, The Hornet (Zazie Beetz), the poisoner who massacred his wedding, revealed be the one who killed White Death’s son some 42 minutes earlier. She stabs Ladybug with a syringe of boomslang (a large highly venomous snake) venom in the back of the hand but fails to push down the plunger of the syringe, so he removes the syringe and injects her in the arm, ensuring the venom is all injected. Within thirty second The Hornet is dead having bled out from her eyes, nose and mouth, but not before the Hornet injects him with her only dose of anti-venom. 

Tangerine located Ladybug and the pair get into a fight both inside and outside the train, but eventually reach a stalemate with Ladybug helping Tangerine convince White Death’s men that his son and the briefcase are safe. However, their cunning plan is foiled when Ladybugs run of bad luck exposes their ruse. He then kicks Tangerine off the train. Meanwhile, suspicious of Kimura and the Prince, Lemon shoots Kimura in the stomach but falls victim to an innocent looking bottle of water that was drugged by Ladybug earlier with an extra large dose of sleeping powder. He is shot several times in the chest at close range by the Prince. After literally punching his way back onto the train through the front windscreen, Tangerine finds his brother’s body and confronts the Prince, who had a sticker of Diesel, a locomotive from Thomas & Friends, stuck onto her back. Lemon learned everything he knew about people from watching every episode of Thomas the Tank Engine as a child and so believes that Diesel cannot be trusted. The Prince though manipulates Ladybug into fighting Tangerine, resulting in him being fatally shot in the neck and bleeding out before he could warn Ladybug of The Prince. Kimura’s father, The Elder, boards the train and reveals himself as a former Yakuza lieutenant whose wife and associates were killed in White Death’s rise to power.

The Elder in the meantime has ensured that his grandson in hospital is safe by having The Prince's associate minding him killed. He and Ladybug find Kimura and Lemon still alive, with the former nursing a shot to the gut and the latter having worn a bulletproof vest, as he always does. They then all prepare themselves for the ambush awaiting them at their Kyoto destination. 

The train arrives in Kyoto, and Ladybug is met by White Death (Michael Shannon) and his henchmen. The Prince, revealed to be White Death’s very angry daughter, tries to goad him into shooting her with Kimura’s booby-trapped gun, but he instead tells her she was never part of his plan. The White Death goes on to explain that he hired all the assassins aboard the train as revenge for the murder of his wife.

Following the massacre of sixteen of his men by Tangerine and Lemon during 'The Bolivia Job', his wife was called to bail their son out of jail and was killed by Carver (Ryan Reynolds in a blink and you'll miss it cameo), who was meant to take out her husband. The only surgeon that could have saved his wife was poisoned by the Hornet, thereby almost guaranteeing her death. Blaming the brothers, Carver, the Hornet and his own son, White Death had arranged for all the assassins including the Wolf, and Ladybug, who unwittingly replaced Carver on the bullet train to kill each other and his son. However, before White Death can kill Ladybug, the briefcase bomb is triggered by a pair of hapless henchmen, knocking them both back onto the train, which Lemon starts up again at full speed ahead.

As the train hurtles along the tracks out of control, the Elder battles it out with White Death while Kimura and Ladybug fight off his numerous henchmen. Lemon tackles a goon off the train as it traverses a bridge and the both fall into the river below. The train ultimately runs out of tracks and derails, crashing through a forest and then into a nearby town destroying everything, and it, in its path. Ladybug is held at gunpoint by White Death who has The Elders Samurai sword buried deep in his shoulder. He attempts to shoot Ladybug, but is killed himself when Kimura’s gun explodes, ripping off half his face. Ladybug, Kimura, and his father, as they hobble through the wreckage and after The Elder has retrieved his sword from the White Death's shoulder, are confronted by the murderous Prince, who gloats that her luck is what resulted in the White Death’s undoing. As she proclaims herself to be the new White Death, poised with an assault rifle pointed squarely at the three of them, the Prince is mowed down by Lemon driving a truck carrying tangerines. Maria arrives to rescue Ladybug, who has consequently immersed himself in a more optimistic outlook on life and fate.

'Bullet Train' is an entertaining piece of action comedy with the emphasis on the action and less so on the comedy although I did find myself chuckling several times as both the verbal and the sight gags landed. The action comes thick and fast in kinetically choreographed fight sequences, and the melee of characters means you really need to concentrate on who's who in the zoo, but they are all in some way a necessary addition to the at times convoluted and over exaggerated plot. Messrs Pitt, Taylor-Johnson and Tyree Henry carry this film along on their coats tails with a deft touch at the action comedy genre that is as much a nod to Quentin Tarantino as it is to Guy Ritchie, with whom Brad Pitt has worked with both Directors in the past. And in David Leitch, he has once again proven his Directing chops with a fast paced, adrenalin fuelled colourful action fest full of memorable characters, an ensemble cast and a number of great cameo's along the way (including Ryan Reynolds and David Leitch himself), who all look as though they were having a blast shooting this movie. 

'Bullet Train' merits four claps of the Odeon Online clapperboard from a possible five claps. 

-Steve, at Odeon Online-

JOKER : Tuesday 8th October 2019.

'JOKER' which I saw earlier this week is here finally and is the eagerly awaited, much hyped, highly anticipated and largely acclaimed MA15+ rated American psychological thriller based on the DC Comics character starring Joaquin Phoenix as Batman's arch nemesis, the Joker. Directed, Co-Produced and Co-Written by Todd Phillips whose previous film making credits take in the likes of 'The Hangover', 'The Hangover Part II', 'The Hangover Part III', 'War Dogs', 'Due Date', 'School for Scoundrels', 'Road Trip' and 'Starsky & Hutch'. The film acts as an origin story for the Joker and is not intended to form any part of the DCEU, rather a launchpad for DC Black - a series of DC standalone movies. The film Premiered at the 76th Venice International Film Festival at the end of August where it won the Golden Lion, the festival's highest prize, was released in the US last week too, cost US$55M to make and has received positive Reviews from Critics, with particular praise for Phoenix's performance. The film has scored the biggest October opening, finishing the weekend with a global total of US$234M, and a total worldwide Box Office take so far standing at US$282M. It also set career records for Phoenix, Phillips, and De Niro, and was the fourth-largest debut for an R-rated film of all-time.

Set in 1981, party clown and aspiring stand up comedian Arthur Fleck (Joaquin Phoenix) lives with his mother Penny (Frances Conroy) in a run down apartment in Gotham City. The city is itself becoming increasingly run down too with rising unemployment, a breakdown in basic infrastructure services, budget cutbacks in essential services, and escalating crime. After a gang of youths attack Arthur in an alleyway leaving him battered and bruised, one of his co-workers Randall (Glenn Fleshler) gifts him a gun with six bullets to fend off any future would be thugs and attackers. When returning home later that night, Arthur comes across Sophie Dumond (Zazie Beetz), a single mother in the elevator and befriends her. It's not long before they start dating, and Arthur subsequently invites her to one of his stand-up comedy shows.

One day while entertaining sick children at a hospital, and dressed in his full clown gear and make-up, his gun falls out of his pocket onto the floor in full view of the young kids, some parents and hospital staff. Arthur is subsequently fired. On his way home later that night, and still in his clown costume and made-up, Arthur is set upon by three Wayne Enterprise businessmen who first mock a young girl sat all alone and then turn attention to Arthur when he starts to laugh uncontrollably (a neurological disorder that causes him to laugh out loud at inappropriate times). He shoots two of his assailants dead in self-defence and executes a third trying to flee on the subway steps. The vicious murders are quickly condemned by Gotham's elite - especially one Thomas Wayne (Brett Cullen), the head of Wayne Enterprises, who is considering running for the post of City Mayor, and who brands those jealous of more successful city dwellers as 'clowns'. This sparks demonstrations against Gotham's rich, with many protesters on the streets donning clown masks in Arthur's image.

Arthur's takes Sophie to his comedy show and it goes off very poorly, with him laughing uncontrollably right from the off, and then he has difficulty in landing his jokes. Popular talk show host Murray Franklin (Robert De Niro) mocks Arthur live on-air by showing clips from his recent failed stand-up routine on his show, viewed by Arthur on his TV at home in his apartment.

Later, Arthur intercepts a letter written by Penny to Thomas, whom she used to work for years previously, and refers to him with fond memories. In the letter, she claims that Arthur is Thomas's illegitimate son, and he then berates his mother for hiding the truth from him for all these years. Arthur pays a visit to Wayne Manor, and talks to Thomas' young son, Bruce (Dante Pereira-Olson), through the gates of the estate but flees after a scuffle with family butler Alfred Pennyworth (Douglas Hodge). Following a visit from two Gotham City Police Department detectives - Garrity and Burke (Bill Camp and Shea Whigham respectively) investigating Arthur's involvement in the train murders, Penny suffers a stroke and is admitted to hospital.

At a black-tie public event showcasing a classic Charlie Chaplin film, Arthur confronts Thomas about what he now knows about him being his real 'Dad'. Thomas tells him that Penny is delusional and was assigned to a mental asylum and that he was in fact adopted. Thomas by now was informed of Arthur's visit to his property the day before, orders him to stay away and promptly thumps him to the ground with a hefty punch to the face. In denial, Arthur visits Arkham State Hospital and steals Penny's case file which the orderly had to dig out of the archives because it was over thirty years ago. The file states that Penny adopted Arthur as a baby and repeatedly allowed her abusive boyfriend to harm them both. Penny alleged that Thomas used his influence to invent the adoption and commit her to the asylum to hide their affair for fear of public shame and the impact upon his family name and business. Distraught, Arthur goes to the hospital and kills Penny by suffocating her with a pillow.

In going home that night, Arthur enters the unlocked door of Sophie's apartment, has a look around and sits on the sofa holding his head in his hands. Sophie's comes out of her young daughters bedroom and is both surprised and shocked to see Arthur there. Seemingly frightened, she immediately asks him to leave. Arthur is seen exiting the apartment and walking down the hallway towards his own apartment, with their previous 'relationship' having all been fragments of Arthur's overactive imagination. Once inside his apartment, he rips out the contents of his fridge, shelves and all, climbs inside, and closes the door behind him.

The next day the phone rings in Arthur's apartment, and answering it he is invited to appear on Murray's talk show due to the unforeseen popularity of his failed stand-up comedy routine clips. As he prepares himself for his live interview, he is visited by his former co-workers Randall and midget Gary (Leigh Gill). Arthur murders Randall with a pair of scissors, while Gary cowers in the corner completely shocked by what he has just witnessed. Arthur chooses to leave Gary unharmed for treating him well in the past, and allows him to leave the apartment. Having dyed his hair dark green, painted on his white clown face and dressed in his best red suite with orange waistcoat, while on the way to the studio, Arthur is pursued by Garrity and Burke onto a train filled with clown protesters all travelling to a rally in the city. Burke accidentally shoots a protester while giving chase on a crowded train carriage and incites a riot which then spills out onto the platform, allowing Arthur to escape in the ensuing chaos.

Arthur arrives at the television studio where the Murray Franklin Show is broadcast from. Before the show goes live, Arthur asks that Murray introduce him as 'Joker', a nod to Murray's previous derisory comments about his routine. When the curtain goes up, Arthur walks out to a warm reception and is welcomed to the stage by Murray. 

Within minutes Murray asks Joker to tell a joke from his new material, and he responds with a tasteless one that irks the audience. He then goes on to admit that he killed the three businessmen on the train much to the horror of Murray and his audience, and begins a rant about how society has abandoned the many disenfranchised citizens, and how Murray mocked him. Arthur pulls out a gun and shoots Murray in the head at point blank range killing him instantly live on television, he then unloads another round into Murray's now lifeless chest.

Arthur is promptly arrested as riots break out across Gotham City. One rioter wearing the trademark clown mask confronts the Wayne family in a dark and lonely alley and murders Thomas and his wife Martha, sparing the young Bruce. Rioters in an ambulance crash into the Police car carrying Arthur and free him, placing his unconscious body on the bonnet of the vehicle. He comes around soon afterwards, rises to his feet still on the bonnet and dances to the cheers of the gathered crowd. He tastes that he is bleeding from his mouth, and he uses his own blood to paint a smile on his face. In the closing scene assumed to be in Arkham Asylum, Arthur laughs to himself telling his psychiatrist that she would not understand his joke. Arthur is then seen exiting the interview room leaving behind a trail of blood red footprints on the white tiled floor, before being chased down by an orderly.

'Joker' has certainly divided the Critics and polarised the audiences, and it's easy to see why. On the one hand Phoenix, who appears in just about every frame of the film, inhibits his Arthur Fleck character with a nuanced and mesmerising performance of a wannabe stand-up comedian and professional clown who is emotionally and mentally unhinged to the point where he descends into homicidal madness, ultimately becoming the Joker. Phillips has also crafted a believable and relatable story grounded in the real world whose message resonates as much today as it would have done when the film is set - societal breakdown, riots in the streets, mass indiscriminate killings and the general ignorance of society towards those in less fortunate positions than ourselves. And, when the violence comes it does so graphically and clinically and without any remorse, and yet we are drawn to sympathise with the Clown Prince of Crime, because society has turned its back on him, created a monster and he is the victim of an uncaring, corrupt and violent world. On the other hand, at times it's a hard watch for the way its portrays mental illness, drags a little in places, and feels somewhat derivative of classic Scorsese offerings 'Taxi Driver' and 'The King of Comedy' both of which get nods in this outing. As an origin story, it gets to the very roots of the bleak maniacal world of an emerging monster that will be debated long after the end credits have rolled, providing a notable back story that gives way to Jack Nicholson's and Heath Ledger's portrayal of this clown faced antagonist.

'Joker' merits four claps of the Odeon Online clapperboard from a possible five.

-Steve, at Odeon Online-