Set in Los Angeles, Mike Davis (Chris Hensworth) is an elusive and meticulously disciplined jewel thief who carefully plans his robberies to avoid violence, and leaving any signs of his DNA evidence while escaping via US Route 101 (a major north–south highway that traverses the states of California, Oregon, and Washington on the West Coast of the USA). Intercepting a diamond delivery carrying decoy gems, he steals US$3M in genuine diamonds, but is shaken after being grazed by an unexpected bullet fired by one of the men he is stealing from. As a result of being somewhat rattled, he calls off a planned robbery on a high end jewellery store in Santa Barbara, but his fence, Money (Nick Nolte), enlists volatile young biker Ormon (Barry Keoghan) in his place.
The lonely Mike strikes up a relationship with an attractive stranger, Maya (Monica Barbaro), after she rear-ends his car, while he had stopped at a red light. He realises he is being tracked by Ormon, who threatens Devon into revealing that Sharon is connected to Mike's plan. Sharon rejects Mike's attempt to recruit her as an accomplice, and Mike spots Ormon, confronting him in a 24/7 convenience store after a high-speed chase; realising he had been sent by Money, Mike warns Ormon to stay away. Separating from his unfaithful wife Angie (Jennifer Jason Leigh), Lou finds himself joining Sharon's yoga class in an attempt to get fit, and just to try something new, and rents a new apartment by the beach. He discovers the car Mike used in the diamond robbery, and a microscopic trace of blood inside which is a match to Mike's juvenile record with his birth name, James.
Denied a promotion once more, Sharon reluctantly agrees to help Mike. Demanding a US$3M share, she provides inside information on an illicit diamond purchase Monroe has arranged to make with US$11M in cash, for his upcoming wedding at the Beverly Wilshire Hotel. Lou is suspended for refusing to help cover up the Police shooting of another jewel thief, but continues with his investigation and tracks down Mike's foster mother. Ormon breaks into Sharon's apartment and viciously interrogates her, who turns to Lou for help and admits everything, and quits her job after openly criticising her boss in front of the new female broker. Wary of Mike's secretive nature, Maya ends their relationship after he reveals he will be leaving town for an undisclosed period of time on business, as a 'software developer'.
The briefcase of diamonds arrives with a courier and Mike takes the place of Monroe's private security guard, completely unaware that Lou is posing as the courier himself. Driving to the hotel, the pair strike up a conversation about cars. Mike admits that he prefers the older American cars of the '60's and '70's, cars with character stating that his favourite films is Steve McQueen's 'Bullitt' and his Ford Mustang. Lou confides that his favourite McQueen movie is 'The Thomas Crown Affair', to which Mike replies that he missed that one. Arriving at the Beverly Wilshire Hotel the two of them deliver the briefcase to Monroe and his fiancee in the wedding suite. Mike seizes the cash at gunpoint, but Lou retrieves a concealed gun in the briefcase and reveals himself as a Police Officer. Their standoff is interrupted by Ormon, disguised as a hotel Butler delivering room service. Demanding the case, he shoots and wounds Monroe, but Mike kills Ormon before he can shoot Lou. Lou allows Mike to escape albeit empty-handed, and tells him to get out of town and to not come back, and then forces Monroe and his fiancee to support his story as he frames Ormon for Mike's string of robberies.
Later after the dust has seemingly settled, Lou meets up with Sharon at their yoga class. Having stolen the decoy gems taken into evidence from Mike's earlier heist, Lou swapped them with real diamonds from the briefcase, which he gives to Sharon to start a new life. Mike had sent a text message to Sharon with a photo and an address for 'The Cop'. Showing Lou the photo he comments that he doesn't know where that is. Lou arrives at the apartment block and takes the elevator down to the parking garage, and discovers that Mike has left him his vintage Chevy Camaro. Easily finding the keys behind the sun visor, he turns on the engine and gingerly drives it out of the garage and onto the street where he opens it up, with a big grin on his face. Mike sends Maya a childhood photo which she receives at her desk at her place of work, asking her for a second chance. Realising that Mike must be in the building she rushes for the door.
'Crime 101' doesn't reinvent the west coast USA crime thriller noir playbook, but it does pay homage to the some of the classics from yesteryear including 'Heat', 'Thief' and 'To Live and Die in LA'. The characterisation and their respective back stories are well realised; the performances by Hemsworth, Ruffalo, Keoghan, Berry and Barbaro are all on point; the action set pieces are well choreographed; the story is well conceived and entertaining enough, and the Direction and Cinematography are stylish and assured. At 140 minutes, however, I felt that this elongated runtime could have been shortened by fifteen minutes or so, particularly as the film seemed to drag it heels somewhat in the mid-section, but that's my only gripe. 'Crime 101' is certainly worth the price of your cinema entry, and if a modern take on classic crime noir is your thing, then you won't be disappointed.
'Crime 101' merits four claps of the Odeon Online clapperboard from a potential five claps.
-Steve, at Odeon Online-







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