CRIME 101 : Wednesday 18th February 2026.

I saw the M Rated 'CRIME 101' this week, and this UK and US Co-Produced crime thriller film is Written for the screen and Directed by Bart Layton whose previous film credits take in the 2012 documentary 'The Imposter' and 2018's 'American Animals'. This film is based on the 2020 novella of the same name written by Don Winslow. The film premiered in London at the back end of last month, was released here in Australia and the US last week, has so far grossed US$30M from a production budget of US$90M and has generated largely positive critical reviews.

Set in Los Angeles, Mike Davis (Chris Hensworth) is an elusive and meticulously disciplined jewel thief who carefully plans his robberies to avoid violence, and leaving any signs of his DNA evidence while escaping via US Route 101 (a major north–south highway that traverses the states of California, Oregon, and Washington on the West Coast of the USA). Intercepting a diamond delivery carrying decoy gems, he steals US$3M in genuine diamonds, but is shaken after being grazed by an unexpected bullet fired by one of the men he is stealing from. As a result of being somewhat rattled, he calls off a planned robbery on a high end jewellery store in Santa Barbara, but his fence, Money (Nick Nolte), enlists volatile young biker Ormon (Barry Keoghan) in his place.

Meanwhile, LAPD Detective Lou Lubesnick (Mark Ruffalo) links the diamond theft to Mike's string of unsolved robberies and suggests a lone suspect is responsible, but his theory is dismissed by his partner Tillman (Corey Hawkins) and his superiors. Preparing another heist, Mike pays Devon (Devon Bostick), a hacker, for information on Sharon Colvin (Halle Berry), a high-end insurance broker to the super wealthy. Long undervalued by her firm with whom she has worked for eleven years and has been promised a promotion to Partner, which never seems to eventuate, Sharon is further frustrated when a new colleague closes a lucrative deal with the wealthy Steven Monroe (Tate Donovan). After Ormon violently carries out the Santa Barbara job on his own, Mike cuts ties with Money, who instructs Ormon to intercept Mike's next heist.

The lonely Mike strikes up a relationship with an attractive stranger, Maya (Monica Barbaro), after she rear-ends his car, while he had stopped at a red light. He realises he is being tracked by Ormon, who threatens Devon into revealing that Sharon is connected to Mike's plan. Sharon rejects Mike's attempt to recruit her as an accomplice, and Mike spots Ormon, confronting him in a 24/7 convenience store after a high-speed chase; realising he had been sent by Money, Mike warns Ormon to stay away. Separating from his unfaithful wife Angie (Jennifer Jason Leigh), Lou finds himself joining Sharon's yoga class in an attempt to get fit, and just to try something new, and rents a new apartment by the beach. He discovers the car Mike used in the diamond robbery, and a microscopic trace of blood inside which is a match to Mike's juvenile record with his birth name, James.

Denied a promotion once more, Sharon reluctantly agrees to help Mike. Demanding a US$3M share, she provides inside information on an illicit diamond purchase Monroe has arranged to make with US$11M in cash, for his upcoming wedding at the Beverly Wilshire Hotel. Lou is suspended for refusing to help cover up the Police shooting of another jewel thief, but continues with his investigation and tracks down Mike's foster mother. Ormon breaks into Sharon's apartment and viciously interrogates her, who turns to Lou for help and admits everything, and quits her job after openly criticising her boss in front of the new female broker. Wary of Mike's secretive nature, Maya ends their relationship after he reveals he will be leaving town for an undisclosed period of time on business, as a 'software developer'.

The briefcase of diamonds arrives with a courier and Mike takes the place of Monroe's private security guard, completely unaware that Lou is posing as the courier himself. Driving to the hotel, the pair strike up a conversation about cars. Mike admits that he prefers the older American cars of the '60's and '70's, cars with character stating that his favourite films is Steve McQueen's 'Bullitt' and his Ford Mustang. Lou confides that his favourite McQueen movie is 'The Thomas Crown Affair', to which Mike replies that he missed that one. Arriving at the Beverly Wilshire Hotel the two of them deliver the briefcase to Monroe and his fiancee in the wedding suite. Mike seizes the cash at gunpoint, but Lou retrieves a concealed gun in the briefcase and reveals himself as a Police Officer. Their standoff is interrupted by Ormon, disguised as a hotel Butler delivering room service. Demanding the case, he shoots and wounds Monroe, but Mike kills Ormon before he can shoot Lou. Lou allows Mike to escape albeit empty-handed, and tells him to get out of town and to not come back, and then forces Monroe and his fiancee to support his story as he frames Ormon for Mike's string of robberies. 

Later after the dust has seemingly settled, Lou meets up with Sharon at their yoga class. Having stolen the decoy gems taken into evidence from Mike's earlier heist, Lou swapped them with real diamonds from the briefcase, which he gives to Sharon to start a new life. Mike had sent a text message to Sharon with a photo and an address for 'The Cop'. Showing Lou the photo he comments that he doesn't know where that is. Lou arrives at the apartment block and takes the elevator down to the parking garage, and discovers that Mike has left him his vintage Chevy Camaro. Easily finding the keys behind the sun visor, he turns on the engine and gingerly drives it out of the garage and onto the street where he opens it up, with a big grin on his face. Mike sends Maya a childhood photo which she receives at her desk at her place of work, asking her for a second chance. Realising that Mike must be in the building she rushes for the door.

'Crime 101' doesn't reinvent the west coast USA crime thriller noir playbook, but it does pay homage to the some of the classics from yesteryear including 'Heat', 'Thief' and 'To Live and Die in LA'. The characterisation and their respective back stories are well realised; the performances by Hemsworth, Ruffalo, Keoghan, Berry and Barbaro are all on point; the action set pieces are well choreographed; the story is well conceived and entertaining enough, and the Direction and Cinematography are stylish and assured. At 140 minutes, however, I felt that this elongated runtime could have been shortened by fifteen minutes or so, particularly as the film seemed to drag it heels somewhat in the mid-section, but that's my only gripe. 'Crime 101' is certainly worth the price of your cinema entry, and if a modern take on classic crime noir is your thing, then you won't be disappointed.

'Crime 101' merits four claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

What's new at Odeon's this week : Thursday 12th February 2026

The 15th Australian Academy of Cinema and Television Arts Awards (AACTA Awards) is an awards ceremony to celebrate the best of Australian films and television screened throughout 2025. The main ceremony occurred on Friday 6th February at the Home of the Arts on Queensland's Gold Coast and was hosted by the Australian Actress, comedian and media personality Celeste Barber.

The primary role of AACTA, as a not-for-profit organisation, is to recognise, encourage, promote and celebrate film and television excellence in Australia, connecting Australian and international audiences with great Australian screen content. The Academy serves as Australia’s most prestigious film and television membership body, bringing together and representing screen professionals from a cross-section of the screen industry in order to further screen excellence in Australia . . . so reads the official website. 

In the feature films category, the winners, grinners and also rans are highlighted briefly below :-

* Best Film - awarded to 'Bring Her Back', beating out 'Kangaroo', 'Lesbian Space Princess', 'The Correspondent', 'The Surfer' and 'The Travellers'.

* Best Indie Film - presented to 'Lesbian Space Princess', beating out 'Carmen & Bolude', 'Fwends', 'It Will Find You', 'Magic Beach' and 'With or Without You'. 

* Best Direction - awarded to Danny and Michael Philippou for 'Bring Her Back', beating out 'Kangaroo', 'Lesbian Space Princess', 'The Correspondent' and 'The Travellers'.

* Best Screenplay - presented to Peter Duncan for 'The Correspondent', beating out 'Bring Her Back', 'Inside', 'Lesbian Space Princess' and 'Together'.

* Best Lead Actor - presented to Richard Roxburgh for 'The Correspondent', beating out Bryan Brown for 'The Travellers', Ryan Corr for 'Kangaroo', Jai Courtney for 'Dangerous Animals', Guy Pearce for 'Inside' and David Wenham for 'Spit'.

* Best Lead Actress - awarded to Sally Hawkins for 'Bring Her Back', beating out Alison Brie for 'Together', Emily Browning for 'One More Shot', Susie Porter for 'The Travellers', Daisy Ridley for 'We Bury the Dead' and Lily Whitley for 'Kangaroo'.

* Best Supporting Actor - awarded to Julian McMahon for 'The Surfer', beating out Damon Herriman for 'Together', Cosmo Jarvis for 'Inside', Julian Maroun for 'The Correspondent', Rahel Romahn for 'The Correspondent' and Jonah Wren Phillips for 'Bring Her Back'. 

* Best Supporting Actress - presented to Deborah Mailman for 'Kangaroo', beating out Marta Dusseldorp for 'With or Without You', Brooke Satchwell for 'Kangaroo', Yael Stone for 'The Correspondent', Sally-Anne Upton for 'Bring Her Back' and Sora Wong for 'Bring Her Back'.

* Best Cinematography - awarded to Aaron McLisky for 'Bring Her Back', beating out 'Beast of War', 'The Correspondent', 'The Surfer' and 'Went Up the Hill'.

* Best Editing - presented to Geoff Lamb for 'Bring Her Back', beating out 'Beast of War', 'The Correspondent', 'The Surfer' and 'Together'.

* Best Original Music Score - presented to Cornel Wilczek for 'Bring Her Back', beating out 'Lesbian Space Princess', 'The Correspondent', 'The Surfer' and 'Together'.

* Best Sound - awarded to Emma Bortignon, Nick Steele, Hamish Keen, Cameron Grant, Lachlan Harris and Pete Smith for 'Bring Her Back', beating out 'The Correspondent', 'Spit', 'Together' and 'Went Up the Hill'.

* Best Production Design - presented to Fiona Donovan for 'The Correspondent', beating out 'Lesbian Space Princess', 'The Surfer', 'Went Up the Hill' and 'Together'.

* Best Costume Design - awarded to Anna Cahill for 'Bring Her Back', beating out 'Beast of War', 'Spit', 'The Correspondent' and 'The Surfer'.

* Best Casting - presented to Nikki Barrett for 'Bring Her Back', beating out 'Inside', 'Kangaroo', 'The Correspondent' and 'The Surfer'.

In addition, the AACTA Longford Lyell Award (named after the prolific Australian film Director, Writer, Producer, and Actor during the silent era. Raymond Longford was a major Director of the silent film era of the Australian cinema. He formed a production team with Lottie Lyell), was presented to Bruce Beresford - the Australian film Director, opera Director, Screenwriter, and Producer. The AACTA Trailblazer Award was presented to the Australian Actress Sarah Snook.

For the details of other television awards presented, the additional awards and the audience choice awards, plus a whole lot of other good stuff, you can go the official website at : http://www.aacta.org

This week we have four new cinematic releases coming your way, kicking off with a romantic drama set in the mid-19th Century on the Yorkshire moors that explores the intense and turbulent relationship between two star crossed lovers. Next up we have a crime thriller in which a Los Angeles detective pursues an elusive thief who teams up with an insurance broker for one last heist. Then we turn to a Sci-Fi actioner which follows the final recruits of a gruelling special ops boot camp who encounter a deadly force from beyond this world; before closing out the week with a horror offering about a misfit group of unwitting high school students who stumble upon a cursed object, an ancient Aztec Death Whistle.

Whatever your taste in big screen film entertainment is this week - be it any of the four latest release new films as Previewed below, or those doing the rounds currently on general release or as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'WUTHERING HEIGHTS' (Rated M) - is a UK and US Co-Produced romantic drama film written for the screen, Co-Produced and Directed by Emerald Fennell, and is loosely based on Emily Bronte's 1847 novel of the same name. Emerald Fennell has previously helmed her breakout feature film debut 'Promising Young Woman' in 2020 and 'Saltburn' in 2023. She also has numerous big and small screen acting roles and TV series writing credits to her name, accumulating numerous awards and accolades along the way, mostly for her her two previous feature films. This film saw its Premiere screening in Los Angeles on 28th January, and is released here in Australia, the UK and the USA this week - on the eve of Valentine's Day. It cost US$80M to produce. 

Here then, in this passionate and tumultuous love story set against the backdrop of the Yorkshire dales, the film explores the intense and destructive relationship between Heathcliff (Jacob Elordi) and Catherine Earnshaw (Margot Robbie, who also Co-Produces here), a woman from a wealthy family in 19th-century England. Also starring Charlotte Mellington as young Catherine, Owen Cooper as young Heathcliff, Hong Chau, Martin Clunes, Alison Oliver, Shazad Latif and Ewan Mitchell.

'CRIME 101' (Rated M) - this UK and US Co-Produced crime thriller film is Written for the screen and Directed by Bart Layton whose previous film credits take in the 2012 documentary 'The Imposter' and 2018's 'American Animals'. This film is based on the 2020 novella of the same name written by Don Winslow. Here, a notorious jewel thief named Mike Davis (Chris Hemsworth, who also Co-Produces here) heists along the 101 freeway (a major north–south highway that traverses the states of California, Oregon, and Washington on the West Coast of the USA) have left Police baffled. When he sets his sights on the ultimate score, his plans intersect with those of insurance broker Sharon Colvin (Halle Berry). A detective named Lou Lubesnick (Mark Ruffalo) believes he has cracked Mike's pattern and is determined to bring him down before the next job. Also starring Barry Keoghan, Corey Hawkins, Jennifer Jason Leigh, Nick Nolte, Tate Donovan and Monica Barbaro. The film premiered in London at the back end of last month, and is released here in Australia and the US this week. 

'WAR MACHINE' (Rated MA15+) - is an Australian and US Co-Produced Sci-Fi action thriller that is Co-Written, Co-Produced and Directed by Patrick Hughes whose previous feature films efforts take in his debut with 'Red Hill' in 2010, which he would follow up with 'The Expendables 3' in 2014, 'The Hitman's Bodyguard' in 2017, 'The Hitman's Wife's Bodyguard' in 2021 and 'The Man from Toronto' in 2022. Here, on one last gruelling mission during Army Ranger training, this elite team's cross-country exercise led by combat engineer (Alan Ritchson) must lead his unit in a fight against a giant otherworldly killing machine. Also starring Dennis Quaid, Stephan James, Jai Courtney and Esai Morales. Released this week in Australia before streaming on Netflix from 6th March onward.

'WHISTLE' (Rated MA15+) - this Canadian and Irish Co-Produced horror film is Directed by Corin Hardy in only his third feature film outing following 'The Hallow' in 2015 and 'The Nun' in 2018. Here, a group of high school misfits inadvertently come across an ancient Aztec death whistle. Blowing it summons their future deaths to hunt them down. As the body count increases, they investigate the artifact's history in hopes of halting the sequence of events they have set into motion. Starring Dafne Keen, Sophie Nelisse, Sky Yang and Nick Frost. The film premiered at Fantastic Fest in late September last year, was released Stateside last week, this week here in Australia, the UK and Ireland and early reviews have been largely positive.

With four new release movie offerings this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere at your local Odeon in the week ahead.

-Steve, at Odeon Online-