Showing posts with label Delroy Lindo. Show all posts
Showing posts with label Delroy Lindo. Show all posts

Friday, 25 April 2025

SINNERS : Tuesday 22nd April 2025

I saw the MA15+ Rated 'SINNERS' earlier this week, and this American period supernatural horror film is Written, Co-Produced and Directed by Ryan Coogler, whose former feature film output includes his big screen debut with 'Fruitvale Station' in 2013, which he would follow up with 'Creed' in 2015, 'Black Panther' in 2018 and 'Black Panther : Wakanda Forever' in 2022. This film was released last week too in the US, had a production budget of US$90M, has so far recovered US$87M, and has generated universal critical acclaim.

Here then, set in the early 1930's in the Southern United States during the height of the Jim Crow era, the film follows identical twin brothers Smoke and Stack (both played by Michael B. Jordan) who return to their home town in the Mississippi Delta after years in Chicago working for the mob. Using money stolen from gangsters, they purchase a sawmill from racist landowner Hogwood (David Maldonado) to start a juke joint for the local black community (an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern USA). Their cousin Sammie 'Preacher Boy' Moore (Miles Caton), an aspiring guitarist, joins them despite opposition from his pastor father Jedidiah (Saul Williams), who warns his son that blues music is the music of the Devil. 

The twin brothers quickly set about recruiting other staff - pianist Delta Slim (Delroy Lindo) and singer Pearline (Jayme Lawson) as performers, Smoke's estranged wife Annie (Wunmi Mosaku) as cook, local Chinese shopkeepers Grace (Li Jun Li) and Bo Chow (Yao) as suppliers, and cotton field worker Cornbread (Omar Benson Miller) as bouncer. Meanwhile, Stack reconnects with his ex-girlfriend Mary (Hailee Steinfeld), who passes for white, and who tells Stack that she is still angry at him for abandoning her when he left for Chicago. Smoke and Annie argue over her belief in things otherworldly, as Annie insists her practices kept the twins safe, but Smoke bitterly reminds her that their infant daughter still died. Elsewhere, Irish-immigrant vampire Remmick (Jack O'Connell) flees from Choctaw vampire hunters and violently turns a pair of local farmers into vampires.

At the joint's opening night, Sammie's guitar playing accompanied by Delta Slim's skills at the keyboard is remarkable, and unknowingly summons spirits of both past and present to join the already captivated crowd. The performance draws Remmick's attention, and he arrives with his two farmer vampires, offering money and music for entry. Suspicious, the twins hesitate and the vampires leave. Reminding the twins that the bar needs the income, Mary meets Remmick outside but becomes wary of his group. 

As she starts to return to the bar, Remmick glides into the air and bites her, turning her into one of his own. She returns inside, where she seduces Stack and bites him. Smoke intervenes and shoots her unloading several rounds into her at point blank range, but she is unharmed by regular bullets, gets up smiling and escapes. Cornbread is also attacked by other vampires and turned as well.

The juke joint quickly empties, and so the vampires attack and turn the fleeing patrons, including Bo. Stack comes round as a vampire, but Annie repels him with pickled garlic juice. She advises the survivors that only silver or wooden stakes can kill vampires, and that they cannot enter a building unless invited. Now leading a horde of vampires but still unable to enter the bar, Remmick tries his luck at negotiating. He praises Sammie's supernatural talent with the guitar and states that vampirism offers immortality, freedom, and escape from racism, and that he also wants to use Sammie's skills to summon the spirits of his lost community. He also warns that Hogwood, who secretly heads the local KKK, plans to attack the joint at dawn. When the survivors refuse his offer, Remmick and Bo confront Grace, threatening to attack her young daughter Lisa (Helena Hu). A desperate Grace dares the horde to attack the juke joint, inviting them in. In the ensuing battle, Grace and Annie are killed and Delta Slim sacrifices himself by slashing his own wrist with a broken bottle of Irish beer, distracting the horde with the smell of his own fresh blood from the remaining survivors. 

Smoke, Sammie, and Pearline attempt to escape, but Remmick and Stack ambush them. Smoke and Stack clash in an intense head to head and toe to toe fight, while Sammie and Pearline face off with Remmick. Pearline is bitten and begs Sammie to flee before turning. In a final confrontation, Sammie smashes his guitar over Remmick's head, before Smoke arrives just in time to kill him with a stake. As the sun rises, the vampire horde are all incinerated. 

Urging Sammie to flee, Smoke ambushes and kills Hogwood and his fellow Klan members in a hail of bullets, but is himself mortally shot. Before dying, he has a vision of Annie and their baby daughter. Sammie, battered, bruised and grief-stricken, returns to his father's church. His father pleads with him to renounce the Devil's music and seek salvation. Sammie refuses, leaving with the broken off neck of his guitar in hand.

In a mid-credits sequence we fast forward to October 1992, some sixty years later, to a bar in Chicago where Sammie (Buddy Guy) has just come off stage as a celebrated blues musician. Stack and Mary pay a visit to the now elderly Sammie, where Stack reveals that Smoke spared him that night at the juke joint, allowing him to go free under the condition that Sammie would live in peace. The couple offers Sammie the chance at immortality, but he declines. Stack asks Sammie to play a song, and Sammie obliges. Afterwards, as Stack and Mary are leaving, Sammie tells them that though that fateful night still haunts him, until the sun went down, it was the greatest day of his life. Stack agrees, and turning back to face Sammie says it was the last time he saw Smoke, the last time he saw the sun, and the only time he ever truly felt free.

With 'Sinners' Director Ryan Coogler has delivered us a genre bending film that is all at once part vampire horror film, part historical drama, part social thriller, and part all singing all dancing musical offering all wrapped up in a neat entertaining package that is exciting and will keep you engaged from start to finish. The performances of the principle cast are all top notch, and while the first half drags a little, Ryan Coogler uses this time wisely to establish the characters and their respective back stories so that we are invested in their joy and commitment to Smoke, Stack and the juke joint and then their pain and anguish as the proverbial brown stuff hits the fan. This film needs to be experienced in a movie theatre, and you won't be disappointed. It is worthy of the financial, critical and awards success that surely will follow for this original story.

'Sinners' merits four claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Wednesday, 17 June 2020

DA 5 BLOODS : Monday 15th June 2020.

In these very trying and testing times for us all that has seen many cinema's, Odeon's, and movie theatres around the world close their doors for the foreseeable future because of the escalating threat of the COVID-19 Coronavirus taking an ever increasing hold on the world at large, many film and television productions halted in their tracks indefinitely, and new film releases pushed back to some future date when some sense of movie going normalcy is expected to resume, I have, needless to say, had to adapt to this new world order. And so with my usual Reviews of the latest cinematic releases being curtailed, instead I will post my Review of the latest release movies showing on Netflix until such time as the regular outing to my local multiplex or independent theatre can be reinstated.

In the last few weeks then, a number of new feature films have landed at Netflix - of which I review as below 'Da 5 Bloods' which went live on the streaming service on 12th June and which I saw from the comfort of my own home on Monday 15th June.

This latest Spike Lee Joint 'DA 5 BLOODS' comes from the acclaimed Director, who also Co-Produces and Co-Writes and was intended to be premiered out of competition at the Cannes Film Festival before the world was gripped by COVID-19. Instead of then being shown at a select number of theatres soon thereafter, Netflix aired it in mid-June, to largely universal critical acclaim and ranking at the No. 1 spot on the streaming service in its first weekend following release. The film cost in the vicinity of US$40M to make - making it one of Spike Lee's most expensive movies.

The film opens up with a montage of images showing civil unrest, police brutality throughout mostly the '60's and '70's with black activists (Malcolm X, Dr. Martin Luther King, Mohammed Ali) speaking out publicly about racial and cultural discrimination, the role of black soldiers in the Vietnam War and how during both WWII and the Vietnam War black American soldiers were fighting for their freedom. And yet they are still oppressed, still victimised, still discriminated against, still shackled by the white man, and far from free. We then open up to footage of a small squad of five black African American soldiers riding in a helicopter during the Vietnam War. There is the squad leader Norman 'Stormin' Norman' Holloway (Chadwick Boseman), Paul (Delroy Lindo), Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.) and Eddie (Norm Lewis) who affectionally call themselves the 'Bloods'. Their helicopter, in a remote part of the jungle, comes under fire by the Viet Cong, who ultimately take down the chopper forcing it to crash land. A fierce fire fight ensues but the Bloods fend off the insurgents killing most of them, while those remaining flee.

Their reasons for being there was to secure a crash site for a downed CIA aeroplane and to recover its cargo of gold bullion intended as a means of payment to the locals for battling the Viet Cong. Sitting on the chest of US gold bars, Norman speaks to his fellow Bloods about the often inhuman treatment of African Americans at the hands of the US Government throughout history, and how this is their collective opportunity to help right some of those wrongs. And so they decide to bury the gold, and return at a not too distant time, to recover it. Subsequently, however, in another Viet Cong attack, Norman is killed and as a result of a US napalm attack on the area any distinguishing landmarks are obliterated rendering their future search practically useless.

We then fast forward almost fifty years to the current day, at Ho Chi Minh City, where we meet Paul, Otis, Melvin and Eddie as they check into their hotel. After renewing lifelong albeit distant relationships, the four go out eating, drinking and clubbing in a very different city to the one they remember the last time they were there serving in the US Army. The next day they hire Vinh (Johnny Tri Nguyen), a local guide who agrees to take them up river to an area where a recent landslide had uncovered the tail of a crashed plane. Armed with this information, they hope to recover the fallen and still missing body of Norman, and to reclaim their stash of gold in the process too.

Otis visits his former Vietnamese girlfriend Tien (Le Y Lan) who has seemingly carved out a successful export business for herself, and she points him in the direction of a Frenchman who may be interested in buying their gold, and helping them realise its monetary value so they can access the funds once they're home. His name is Desroche (Jean Reno). Otis also comes to learn over dinner with Tien, that her daughter Michon (Sandy Huong Pham) is in fact their daughter whom he never knew about. When Paul gets back to the hotel he also discovers that his son David (Jonathan Majors) has secretly followed him, putting more of a strain on their long standing fractured relationship. The Bloods agree, reluctantly, to allow David to join them in their quest, but he will not share in any of the spoils.

Having agreed to a deal with Desroche, the next day Vinh leads the Bloods and David up river to a drop off point. Passing the small river craft of a floating market Paul gets into a very heated argument with a local who tries to sell him a live chicken, and who seemingly won't take no for an answer. The argument quickly escalates out of control, with Paul having to be physically restrained by the others, before the local departs hurling various expletives back. Paul admits that he suffers from PTSD and frequently sees ghosts at night in his dreams. He also blames himself for Norman's death.

Resting up for the night at a riverside hotel, David gets in to a conversation with a French woman - Hedy Bouvier (Melanie Thierry) who four years ago founded an organisation to clear landmines and unexploded bombs from the countryside of Vietnam. She is there with her colleagues Seppo (Jasper Paakkonen) and Simon (Paul Walter Hauser) who both view the American with suspicion and disdain, although David flirts with Hedy.

Vinh drops off the Bloods and tells them that he'll meet them at a designated meeting spot in a few days, and if they're late, no worries, he'll wait for them. During the first night, sleeping out in the open under the stars, Melvin while searching for bug spray uncovers a pistol from Otis's backpack while he is sleeping, and hands it to Paul. The pistol was given to Otis by Tien, and waking Otis and asking him to explain, the group become suspicious of Tien's (and therefore Otis's) motives. Paul hangs on to the pistol. The next day, while taking a break, David walks down a hillside to take a crap. Armed with a toilet roll and a shovel, he begins digging a hole in the ground. His shovel connects with something metallic, and digging it up, reveals a gold bar. Armed with a metal detector, they locate the majority of the gold bars strewn across the hillside and buried just beneath the surface. Norm's body must be close by. When the metal detectors sets off another signal, Paul starts to dig and reveals a buried rifle, and then a set of dog tags still wrapped around the neck of its owner - Norman. The group kneel and pray together for their fallen squad leader.

On the hike out, with each man carrying a stash of gold bars in their back packs, they come to a clearing to rest up. The group start arguing over sharing of the gold with Paul now saying that David should have a fair share. Eddie attempts to quell the argument, and inadvertently steps on a landmine. Both his arms and legs have been blown clean off, and Otis, who is also a medic, rushes to his side, but he quickly bleeds out and is dead within a minute. In the ensuing melee, David steps on a landmine too, but it fails to trigger. At this point, Hedy, Seppo and Simon show up. Paul, hatches a plan to yank David off the landmine with a sudden jolt of a rope tied around his chest, a trick he had seen done successfully during his earlier wartime service. The rescue of David is successful and straightaway afterwards Paul pulls the gun on the three interlopers fearful they will call the authorities and report Eddie's death and their stash of gold bullion. David is forced to tie up Hedy, Seppo and Simon. During the night, Seppo escapes into the undergrowth, and the remaining Bloods confiscate the gun from Paul.

The group make it to the meeting point where Vinh is waiting. Within a short time two trucks drive up with armed gunmen, demanding that the group hand over the gold, which is rightfully theirs, in exchange for releasing Seppo whom they have captured overnight. A fire fight unfolds, and as Seppo flees he steps on a landmine is killed instantly, and David is shot in the leg and incapacitated. The Vietnamese insurgents are all killed off except for one who drives off in a truck to round up his mates and return. The group assume that Desroche has double crossed them, Otis suggests calling Tien for assistance, Paul in turn accuses Tien of setting them up, and Vinh suggests hiding out at a nearby abandoned temple to better protect themselves from the inevitable returning gunmen.

Any trust that Paul had in his little band of brothers is now vanquished as he feels betrayed and let down by everyone, including his own son. He takes his share of the gold and heads out into the jungle alone, determined to make it on his own and not to share his stash of the gold with anyone. As he walks away he lets out a loud wail and recites Psalm 23 Verse 4 from the Lord is my Shepherd. He seemingly becomes increasingly unhinged, ranting to himself as he cuts his way through the undergrowth with a machete, all the while now being actively pursued by four gunmen. He gets bitten by a snake, falls down an embankment and his back pack gets stuck dangling from a bamboo branch hanging well out of his reach. He decides to cut his losses and continues to walk through a riverbed leaving his back pack containing his wealth in gold bars swinging from a branch. Melvin and Otis meanwhile offer Vinh, Hedy and Simon a share of their gold for their trouble.

As Paul rambles onward in his own little world of rage, he has a vision of Norman who reminds him that it was he who in fact shot and killed him, with a single shot to the stomach from his machine gun. But Norman goes on to qualify that he recognises that his shooting was an accident on Paul's part during an ambush from an enemy sniper. The pair embrace as Norman tells him to let go of his anger and his guilt, as Paul sobs. The four gunmen soon after catch up with Paul, and force him to dig his own grave in the soft sand. Paul, now guilt free and seemingly without a care in the world, sings as he digs as the gunmen demand to know where the gold is. Paul refuses to tell them, at which point each gunman opens fire with their semi-automatic weapons and unload on Paul, riddling him with bullets.

Meanwhile, back at the temple Desroche and his gun toting henchmen arrive. He advises Otis that Tien was innocent in all of this, and orders them to hand over the gold. Otis and Hedy carry out a back pack and place it at Desroche's feet. It is revealed to contain rocks, at which point Melvin and Vinh open fire, ultimately dispensing with all the gunmen. Desroche tries to make an exit in a 4WD but the driver is shot through the windscreen and the vehicle upends itself landing on its side. Desroche clambers out armed with a pistol and a hand grenade. He shoots Otis and attempts to finish him off with the grenade which he tosses in Otis' direction. Melvin sees this and jumps on the grenade sacrificing himself. As Desroche stands over an injured Otis pointing a gun at his head, a shot rings out from the temple as David takes down Desroche with a single bullet.

In the final analysis, Vinh helps Otis cash out the gold. Melvin's widow is given his share, and Eddie's share is given to a chapter of the Black Lives Matter organisation. Hedy and Simon donate their shares to her mines and bombs clearing company in Seppo's name. Norman's remains are finally brought home with full military honours to his family. Otis visits Tien and begins to forge a new relationship with his daughter Michon. David reads a letter from Paul, which was given to Otis to give to David in the event of his death. The letter states that while he was far from the perfect father and that David's upbringing was far from loving, he tells him that he will always love him.

Well Spike Lee has done it again with 'Da 5 Bloods'! Here he delivers a film that is both timely and timeless in its portrayal of the plight and the fight of black African Americans for acceptance, recognition and equality - a fight as relevant under the Johnson and Nixon administrations of the '60's and '70's Vietnam War years as it is under the Trump administration fifty years on. This film packs a punch on many levels with Lee never being one to shy away from delving into the racial and cultural discrimination at play in the USA, or voicing his opinions of political leaders or events in history, or interweaving footage from key historical moments to add weight to his storyline. And that punch continues with a standout performance by Delroy Lindo whom some pundits are already lauding for Oscar contention with his portrayal of a man on the edge, suffering from PTSD, battling his own inner demons, and still at war with himself and seemingly all those around him. The supporting cast are all equally strong especially Chadwick Boseman, Clarke Peters, Isiah Whitlock Jr. and Jonathan Majors who all bring an authenticity to their roles and proof positive that good stories about the Vietnam War can still be relevant in 2020. It's a mash up of genres with the full range of emotions and humour that bind men together, violence and gore, and with nods to Francis Ford Coppola, John Huston, Quentin Tarantino, Oliver Stone, Sylvester Stallone, Chuck Norris even and Lee's old alma mater Morehouse College in Atlanta, Georgia. An engrossing relevant film and an entertaining watch even at a two and half hour running time that never leaves you wanting.

'Da 5 Bloods' merits four claps of the Odeon Online clapperboard from a possible five claps.
-Steve, at Odeon Online-

Sunday, 3 January 2016

POINT BREAK : Friday 1st January 2016.

I went for nostalgic reasons to see 'POINT BREAK' on its 2016 release date with fond memories of  Kathryn Bigelow's action crime thriller of the same name and upon which this retelling is based. Released in 1991 that earlier film starred a young Keanu Reeves, Patrick Swayze, Gary Busey, Lori Petty and John C McGinley and would rate as one of this Reviewer's favourite films of all time. I have seen the film more times than I can recall, and still love it after repeated viewings and not because of the stellar performances but because of the dialogue, the action, the energy and the spectacle of the film - it was made for just US$24M and went onto make US$84M in the final analysis. And now in 2015 and released on New Years Day in Australia 'Point Break' has been remade for a whole new audience who probably don't even know of its 'classic' predecessor. This new version was made for US$105M and has so far grossed US$62M following its initial release in China on December 4th.

This retelling Directed by Ericson Core, speaks of a similar story involving Johnny Utah (Luke Bracey in the Keanu Reeves role) as the FBI Agent with a penchant for extreme sports who seven years previously in the opening sequence sees a close friend plunge to his death off a mountain top pinnacle having ridden their dirt bikes along a previously unridden ridge. Fast forward to the present day and Utah is a graduating rookie FBI Agent having put those extreme sports days behind him, until a band of extreme sports crims are on the loose seemingly robbing from the rich and giving to the poor. So its not long before Utah persuades Instructor Hall (Delroy Lindo) to let him go undercover to thwart a bunch of professional criminals who masquerade as extreme sports enthusiasts . . . or is it the other way around?

These crims are headed by Bodhi (Edgar Ramirez in the Patrick Swayze role) whose sports agenda is to chase the path to enlightenment via 'The Oaski 8' - named after Ono Osaki, an eco-warrior who challenged the extreme sports world to a series of eight ordeals that honour the forces of nature. After a series of 'Robin Hood' type robberies the FBI close in whilst Bodhi and his group strive to complete the eight challenges dragging Utah along to prove himself, with Angelo Pappas (Ray Winston in the Gary Busey role) as the FBI grunt on the ground and Utah's international connection.

What follows is a series of action set pieces that all showcase some beautiful locations, stunning practical stunt work (especially the wing suit dive through the Swiss Alps) and extreme sports that is sure to be any teenage boys wet dream, as Bodhi and his crew chase their 'path' and the '8'. Does this really advance the plot? Well not really, because the plot is verbalised every step of the way in by the numbers dialogue as Utah pieces together the puzzle and Hall and Pappas look on very puzzled thinking WTF is this young upstart rookie talking about with all this Ozaki enlightenment nirvana BS. This naturally is underscored with big wave surfing, extreme snowboarding, wing suit diving, free climbing up a vertical mountain side, and parachuting through the world's deepest sink hole from 40,000 feet up as the '8' are progressively notched up and Utah goes along for the ride as part of his undercover investigations and to win Bodhi's confidence - really all quite predictable.

The action is impressive enough no doubt, but is it enough to carry the film that takes the story off in a different direction whilst retaining one or two touchstones from the original film? These include the end of the epic foot chase sequence where an injured Utah has Bodhi in his gun sights but rolls over and shoots off his final rounds into the air, and the final closing sequence where Bodhi jumps into a once in a decade swell during a big storm for his final surf never to be seen again, by which time all his close buddies also on their 'path' have perished because of it.

This film has a lot more polish than its original predecessor - the locations, the set pieces, and the fact that this bunch are 'sponsored' by a young multi-billionaire with more cash than sense. This is how Bodhi and his cronies have all the equipment they need to jet off to exotic locations around the world at a moments notice to complete their quest and live out their lives fully funded thank-you very much!

Compared to the original however, Bodhi and his rag tag gang of adrenalin junkies needed to fund their own exploits hence they robbed banks, but, there was more grit, rawness, energy and connection between the characters as a result, and the chemistry then between Reeves and Swayze on screen was spot-on whereas here, there is very little. Give me 'The Ex-Presidents' any day of the week!

Worth seeing on the big screen for the action sequences and the stunt work which were all mostly carried out practically in the locations as seen rather than using CGI green screen and Hollywood chicanery, but, that's the only reason.



-Steve, at Odeon Online-