SPRINGSTEEN : DELIVER ME FROM NOWHERE : Tuesday 28th October 2025

I saw the M Rated 'SPRINGSTEEN : DELIVER ME FROM NOWHERE' this week, and this American biographical musical drama film is Written for the screen, Co-Produced and Directed by Scott Cooper who made his Directorial debut with the critically acclaimed 'Crazy Heart' in 2009 and would go on to Direct 'Out of the Furnace' in 2013, 'Black Mass' in 2015, 'Hostiles' in 2017, 'Antlers' in 2021 and 'The Pale Blue Eye' in 2022. This film is based on the 2023 book 'Deliver Me from Nowhere' by Warren Zanes. The film saw its World Premiere showcasing at the Telluride Film Festival at the end of August with its US and Australian release last week. It has received mixed reviews from critics, and has so far grossed US$18M from a production budget of US$55M.

The film opens in 1957 with a young Bruce Springsteen (Matthew Anthony Pellicano) driving in his family car with his mother Adele (Gaby Hoffman) to a local bar, where Bruce is told to go inside and get his father Douglas (Stephen Graham) to come home. He gingerly taps his father, sitting at the bar, on his back and tells him its time to come home. Douglas turns around and tells him to go and wait outside. Fast forward to 1981 and Bruce Springsteen (Jeremy Allen White) reaches the end of his latest sold-out concert tour. Jon Landau (Jeremy Strong), his manager and record producer, rents a house for Bruce to lay low from his growing fame, near Freehold, New Jersey where he grew up. 

Bruce's friend and mechanic Matt Delia (Harrison Gilbertson) drives him to the house in Colts Neck, New Jersey and Bruce buys his first new car - a Chevrolet Camaro Z28. Playing with local bands at the Stone Pony (a live music venue in Asbury Park, New Jersey), he meets Faye Romano (Odessa Young), an old classmate's younger sister. On the heels of his first top-ten song, 'Hungry Heart', his record label has high expectations of another hit album, and Bruce suggests trimming studio costs, which he had hitherto funded largely himself, by preparing a demo himself. 

Locked away in his retreat at Colts Neck he reads the works of Flannery O'Connor (an American novelist, short story writer, and essayist), Bruce catches the 1973 Terrence Malick Directed film 'Badlands' on TV with Martin Sheen and Sissy Spacek, and is drawn to research the crime spree of Charles Starkweather who killed eleven people in Nebraska and Wyoming between late 1957 and early 1958. Inspired, he writes a song in the killer's own voice, and later takes Faye on a first date to Asbury Park.

At the house, Bruce enlists the support of his guitar technician Mike Batlan (Paul Walter Hauser) to turn the bedroom into a makeshift studio, with a four-track recorder to arrange the demo themselves. As Bruce's relationship with Faye grows, he writes a collection of stark, somber songs with a blue-collar viewpoint, influenced by his childhood memories, especially of his father with whom he had a complicated and less that ideal relationship. Jon informs Bruce of other opportunities piling up, including a possible movie role written by Paul Schrader and set to star Robert De Niro called 'Born in the U.S.A.' but Bruce is committed to his new music. Recording his new tracks unaccompanied, he makes the risky choice to embrace an imperfect, unvarnished sound quality.

Later, Mike personally delivers to Jon the only copy of the completed demo, a single cassette tape, and Jon confides in his wife about the unexpectedly darker and very personal sounding songs. Now living in California, Adele calls Bruce for help with an increasingly erratic Douglas, who has been fired from his job and is off his medications. After visiting his father, Bruce arrives in New York City to record the new album, reuniting with the E Street Band. They lay down several successful tracks, including 'Born in the U.S.A.' which he wrote for the soundtrack to his abandoned movie offer, but Bruce is unhappy with the overall full-band studio sound of the record.

Following another two weeks of recording and Bruce is still not satisfied with his acoustic vision for the album. Abandoning Faye, he insists on shelving the potential hits ('Born in the U.S.A.', 'Glory Days' and 'I'm On Fire') until he is satisfied. Jon agrees to use Bruce's raw demo, unchanged, as the new record, suspecting Bruce fears losing himself in the face of success. Using older equipment to recreate the demo tape as a vinyl master recording, Bruce's original sound is successfully preserved for the new album, 'Nebraska'.

Columbia Record Executive Al Teller (David Krumholtz) is dismayed by this new stylistic approach, and the absence of any prospective hit singles, but Jon defends Bruce's artistic vision and decision to let the album speak for itself, with no singles, tours, or press appearances, not even his face on the cover to promote the album. Bruce tells Faye that he is moving to California alone, and that he has purchased a house in Los Angeles. She tearfully accuses him of refusing to face his fears. He suffers a mental breakdown as Matt drives him across the country, but they reach his new home in LA. Thinking about suicide, Bruce reaches out to Jon, who urges him to seek professional help, and Bruce visits a therapist and breaks down emotionally.

Ten months later, Bruce is back on tour with Jon's support, and is visited by his proud parents. Douglas asks the 32-year-old Bruce to sit on his lap for the first time, reconnecting with his son and acknowledging that he had not always been a good father but that he is very proud of his son. The pair embrace. An epilogue reveals that 'Nebraska' reached number three on the Billboard charts, while the hits included on Bruce's following album 'Born in the U.S.A.' launched him to global superstardom, as he continued to suffer bouts of depression, but now always with help and hope. 

Make no mistake, this is Jeremy Allen White's film in the way he embodies Bruce Springsteen's mannerisms, his emotions, his working class roots and his raw energy when he's belting out those songs on stage, or in the quieter moments when he's writing his songs and laying them down himself on his four-track recorder in his bedroom. Whilst this film is sure to please the Springsteen fans among us, for me concentrating purely on the recording of one of his least commercially successful albums (despite going to #3 on the album chart), was perhaps a misstep, and I would have preferred to see a little more of his later years, and his rise to legendary status. That said, 'Springsteen : Deliver Me From Nowhere' is worthy of your attention, although you can wait to catch it on your favoured streaming service in due course, but be warned, this is no 'Bohemian Rhapsody' or 'Rocket Man' or 'Elvis'.

'Springsteen : Deliver Me From Nowhere' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE NAKED GUN : Tuesday 26th August 2025.

I saw the M Rated 'THE NAKED GUN' this week at my local independent movie theatre and this American action comedy film is Co-Written and Directed by Akiva Schaffer whose previous feature film Directorial credits include his debut in 2007 with 'Hot Rod', then 'The Watch' in 2012, 'Popstar : Never Stop Never Stopping' in 2016 and 'Chip 'n Dale : Rescue Rangers' in 2022. This film serves as a legacy sequel to 1994's 'Naked Gun 33⅓: The Final Insult' and is the fourth instalment in 'The Naked Gun' franchise, with those first three films in the series grossing a combined US$477M at the global Box Office. This film was released Stateside on 1st August, here in Australia last week, has so far grossed US$89M off the back of a US$42M production budget and has generated positive critical acclaim. 

Lieutenant Frank Drebin Jnr. (Liam Neeson) of the LAPD Police Squad singlehandedly thwarts a bank robbery disguised as a young schoolgirl. Unknown to him at the time, this was a distraction to steal a gadget from a safe deposit box held in the banks vault called the 'P.L.O.T. Device' (Primordial Law Of Toughness).  Police Chief Davis (CCH Pounder) reassigns Drebin to traffic patrol when his over-the-top law enforcement becomes a legal liability. While paying tribute to his father Frank Drebin Sr., he prays to him to send him an owl as a sign of his approval.

Drebin, and his Captain Ed Hocken Jnr. (Paul Walter Hauser) investigate software engineer Simon Davenport's (Jason MacDonald) fatal car crash, deeming it suicide, but Drebin notices a matchbook at the scene. Simon's sister Beth (Pamela Anderson), a crime writer, argues against his claim, but Drebin dissuades her from investigating further. 

Drebin finds Richard Cane (Danny Huston), Simon's wealthy employer at Edentech, at the company's tech expo. After they both heap seemingly never ending praise on the Black Eyed Peas, Cane donates a self-driving electric car to Police Squad, which causes havoc with Drebin behind the wheel, and also recommends his personal nightclub. Drebin notices the matchbook found at Simon's crash site has the same logo as the nightclub.

Cane privately demonstrates how he will use the stolen P.L.O.T. Device to turn human against human and return them to their barbarian nature, culling the population save for his fellow billionaires, who will be insulated from harm inside his personal bunker which will be equipped with all the comforts of home, and then some. Drebin, interrogates one of the bank robbers, and learns about the deposit box, which was Simon's, connecting the two cases. At Cane's club, Beth distracts Cane with improvised, atrocious scat singing while Drebin fights many of Cane's henchmen in order to gain access to security footage, which reveals that Simon met discreetly with a journalist. Davis suspends Drebin for insubordination. Beth stays with the demoralised Drebin, and he considers finally moving on from memories of his late wife. Drebin and Beth spend a romantic weekend at an alpine lodge where they spend time frolicking in the snow, and building a life size snowman. They find a book of magical and mysterious incantations on a bookshelf and recite one, bringing their snowman to life, which at first is friendly enough but then turns murderous after they neglect it. They manage to decapitate the snowman, tossing its head into the hot tub, where is quickly melts away. 

Drebin visits the home of the journalist to find him murdered, and is easily tricked into incriminating himself. He flees in the electric car, but Cane overrides the controls and attempts to kill Drebin just as he did Simon. Drebin shoots out the windshield, but is trapped again by the car driving head-on into balloons, a swarm of bees, and a replacement windshield. Purely by accident, he activates Clippy, who helpfully unlocks the doors, allowing Drebin to jump free of the car before it drives headlong into the harbour. Meanwhile, Police Squad has been decommissioned. Beth reveals that Simon feared the misuse of the P.L.O.T. Device, but Drebin suspects that Beth is using him and angrily leaves her home.

Drebin captures Cane's henchman Gustafson (Kevin Durand) and frightens him into confessing to Cane's plan to activate the P.L.O.T. Device at the New Year's ball drop at a MMA match. Drebin heads to the match at the 'Ponzi-scheme.com Arena', equipped with an earpiece that blocks the wearer from the P.L.O.T. Device's frequency. Beth plans to kill Cane, but he sees this coming as recorded in her book. Drebin finds the P.L.O.T. Device inside the New Year's balls. As the balls drop, he snags his trouser leg on the winch at which he loses his pants as the balls drop, indecently exposing himself to the entire TV audience, and those watching live inside the arena, leading them to not respect his order to evacuate. The P.L.O.T. Device activates, and mindless violence erupts throughout the city. Drebin fights through innocents by ricocheting ejected handgun magazines, but cannot catch up with Cane and his associates who have all fled the scene on motorcycles. 

His father's spirit arrives as an owl, airlifting Drebin now in hot pursuit. Hanging on to one leg of the owl, he tells it to take a dump on Cane, which blinds Cane across his visor with bird crap, causing him to crash his motorbike. Cane and Drebin face off, with Cane doubling up in agony after just one punch to the gut. Beth nearly shoots Cane in revenge, but Drebin talks her down. Drebin and Beth use the P.L.O.T. Device to calm the crowd and embrace lovingly as Cane is arrested. In the aftermath, Davis announces to a gathered crowd of the media that Police Squad has been reinstated, although Drebin faces 'investigation' by 'Internal Affairs' – which is actually the name of a tropical resort, where he spends his time with Beth.

'The Naked Gun' for me had a small number of laugh out loud moments, and the rest of this legacy sequel just left me feeling, well 'meh'! Liam Neeson does a respectable job of following in the footsteps of Leslie Nielsen, and brings his comedic A-game to the role playing it straight-laced while delivering some humorous verbal touches and sight gags. For those of us (and I include myself here) old enough to remember the first film in the franchise which opened in 1988 this film represents a fair nod to that classic of 37 years ago now in all its slapstick, quick witted, non-sensical tongue planted firmly in cheek humour that made the original movie so appealing. But for audiences not familiar with those first three films, I can see that this style of Police procedural parody might fail to launch, especially in this era of political correctness . . . or perhaps not! This is an old-school, silly screwball spoof crime caper comedy that has its moments, but for the most part left me wondering why I paid the price of cinema entry when I could have waited a few short weeks to see at home on my chosen streaming platform - if I was so inclined.

'The Naked Gun' merits two claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

THE FANTASTIC FOUR : FIRST STEPS - Tuesday 29th July 2025

I saw the PG Rated 'THE FANTASTIC FOUR : FIRST STEPS' this week at my local multiplex, and this American action adventure Superhero film is based on the Marvel Comics Superhero team The Fantastic Four. It is the 37th film in the MCU (Marvel Cinematic Universe) and is the first film in Phase Six of the MCU. This is the second reboot of the 'Fantastic Four' franchise, with the first two films coming in 2005 with 'Fantastic Four' and its sequel in 2007 'Fantastic Four : Rise of the Silver Surfer' both Directed by Tim Story, with the first reboot coming in 2015 with 'Fantastic Four' this time Directed by Josh Trank. Those first three films in the series grossed a total of US$803M at the global Box Office from combined production budgets of about US$350M, although the 2015 offering tanked both commercially and critically, resulting in a planned 2017 sequel being removed from the production schedule. This film is Directed by Matt Shakman in only his second feature film offering following 'Cut Bank' in 2014, although he has Directed numerous episodes of TV series since 2002 right up until 2023. The film was released in the US last week too, has grossed so far US$250M from a US$200M production budget, has generated largely positive critical reviews, and a sequel is already in the works.

We learn early on that this film is set on Earth 828 and it is 1960 when Reed Richards (Pedro Pascal), his wife Sue Storm (Vanessa Kirby), his best friend Ben Grimm (Ebon Moss-Bachrach) and Sue's younger brother Johnny Storm (Joseph Quinn) begin a mission into outer space, during which they are all exposed to cosmic rays. Upon returning to Earth, they all have new found superpowers with Reed assuming the mantle of Mr. Fantastic and can stretch any part of his body to great lengths. Sue becomes the Invisible Woman and can generate force fields and turn invisible. Ben, as The Thing, whose skin has been transformed into a layer of orange rock, granting him superhuman strength and durability, and Johnny as the Human Torch can control fire and fly. 

Collectively they become the Superhero team known as 'The Fantastic Four'. Four years later, the team have become celebrities and are highly regarded as the world’s protectors, engaging in philanthropic and diplomatic efforts through the Future Foundation, which was established by Sue Storm and which has achieved global demilitarisation and peace. One evening over a family dinner, Reed and Sue reveal to Ben and Johnny that they are expecting a child.

The Silver Surfer (Julia Garner) arrives on Earth and declares that the planet has been marked for destruction by Galactus (Ralph Ineson), a gigantic planet-destroying God-like cosmic being - the sole survivor of a dead universe that existed before the creation of Earth-828. Reed studies the disappearance of other planets to verify this claim, and the team decides to find Galactus before he comes to Earth. 

They track the Silver Surfer's energy signature and use faster-than-light (FTL) travel to reach a new planet. As they arrive, the planet is destroyed by Galactus's ship from the inside out, and the team is captured. Galactus reveals to them that he has a voracious hunger which has driven him to consume planets for millennia. He senses that Reed and Sue's unborn child has enormous cosmic power and would be able to take on Galactus's hunger, which he has grown tired of and wants to be free. Galactus offers to spare Earth in exchange for the child. The very thought of this induces Sue to go into labour. The team naturally refuses and escapes from the ship. They are followed by the Silver Surfer, who destroys their FTL system. They use the gravity from a black hole to delay the Silver Surfer in hot pursuit, and slingshot themselves back to Earth. Sue gives birth to a boy whom she names Franklin, on the way. 

The Four (sorry, now five) return to Earth a month later. Reed speaks of their encounter during a press conference. Their decision to save one child over the billions of other people on Earth leads to a public outcry, with many calling for Franklin to be sacrificed to Galactus. Johnny begins to decipher the Silver Surfer's native language, using his interactions with her, and some deep space transmissions Reed intercepted from her planet, and others that Galactus destroyed. 

As Galactus approaches and protests against the Fantastic Four escalate, Sue takes Franklin to meet with a large crowd of protesters outside their HQ - the Baxter Building. She explains that they will not sacrifice their child, but they will also not give up on the rest of humanity. Using a teleportation system that he has been working on, Reed devises a plan to build large teleportation bridges across Earth so they can transport the entire planet to another solar system where Galactus cannot reach them. Through the Future Foundation, Sue rallies the world's nations into building the bridges in every major city, and in rapid time, while conserving the energy ultimately needed to power them up.

With Galactus arrival imminent, Reed activates the bridges across the globe. As they are almost fully activated, the Silver Surfer returns and begins destroying them. Johnny and Ben stop her from destroying the last bridge in Times Square. He uses her native language to identify her as Shalla-Bal which catches her off-guard. She explains that she chose to become Galactus's herald in exchange for his sparing her world, Zenn-La. Johnny plays transmissions from the planets she helped Galactus destroy, and Shalla-Bal flees. 

Using Franklin as bait, the team plans to lure Galactus to the last bridge and teleport him away instead to a galaxy far far away. But, they only have 37 seconds to do so from when the portal first opens up to when it closes. Sue negotiates with Harvey Elder aka Mole Man (Paul Walter Hauser), a former enemy turned ally of the Fantastic Four, to evacuate the citizens of New York City to his underground city of Subterranea. Galactus makes his way through the city and captures Franklin, avoiding the team's bridge trap. 

Sue uses all of her power to push him towards the portal with a force field while Reed rescues Franklin. Johnny attempts to sacrifice himself to give Galactus a final push into the portal, but is stopped by Shalla-Bal. She pushes Galactus in herself, and the portal closes behind them. Sue dies from her supreme efforts, and is grieved over by Reed where she fell. Reed places Franklin on her chest, and she is revived. As she holds Franklin close, Sue comments to Reed that their son is more powerful than the two of them. The world celebrates their victory. 

Remain in your seat for a mid-credits scene set four years later, which sets the tone for the next time we'll see the Fantastic Four in 'Avengers : Doomsday' set for release in December 2026.

I have to say that I went into 'The Fantastic Four : First Steps' with fairly low expectations given the previous instalments, but came out having been pleasantly surprised. Positively, the fact that Marvel have decided to not go for the traditional origin story but instead have cast this Superhero team as fully formed and globally accepted heroes from the get go is a plus, as is the departure by Marvel to set this film in a futuristic retro 60's style aesthetic. And to this end the costume design, the set design elements, the production values and the music score all compliment each other. This film also has an underlying message of parental love, the ties that bind a family together, the sense of teamwork that exists between the four and the larger global community, and an unwavering feeling of hope and optimism that will conquer even the darkest of days. The principle cast have all been well chosen for what they individually and collectively bring to their roles, and they all seem to bond well as Marvel's 'first family of Superheroes' with each given their own time to shine and contribute to a package that is greater than the sum of its parts. Whilst the plot follows fairly traditional beats, the ending where good thwarts evil against the odds is all too predictable and our team of Superheroes live to fight another day, here Kevin Feige and the guys at Marvel Studios have delivered us probably the best entry in the MCU in recent years, and that's a reassuring turns of events from a studio that had appeared to have lost its way.

'Fantastic Four : First Steps' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

CRUELLA : Tuesday 15th June 2021.

'CRUELLA' which I saw at my local multiplex this week is a PG Rated American crime comedy-drama film Directed by Craig Gillespie whose previous film making outings include 'Lars and the Real Girl', 'Million Dollar Arm', 'The Finest Hours' and 'I, Tonya' most recently in 2017. This film is based on the character Cruella de Vil, introduced in Dodie Smith's 1956 novel 'The Hundred and One Dalmatians' and specifically on the version from the Walt Disney 1961 animated film 'One Hundred and One Dalmatians'. It is the third live-action film in the '101 Dalmatians' franchise which were '101 Dalmatians' released in 1996 and '102 Dalmatians' released in 2000 both with Glenn Close playing Cruella de Vil. Those first two instalments grossed a total US$505M off the back of production budgets amounting to a combined US$160M. This film was released theatrically and simultaneously available on Disney+ with Premier Access from the end of May, has generated mostly positive Critical Reviews aside from the screenplay, has so far taken US$132M off the back of a production budget of somewhere in the vicinity of US$150M, and Disney announced earlier this month that a sequel is officially in the early stages of development with both Emma's (Stone and Thompson, who play the leads here) having stated that they would like to make a second film. 

The film opens up sometime in the early 1960's and we are introduced to young five year old Estella Miller (Billie Gadsdon) and her mother Catherine (Emily Beecham) at home fashioning clothes out of scraps of material for Estella's dolls. Already it is clear that the young child has an eye for fashion but also a mean streak, so her mother coins the nickname 'Cruella' for her. We then fast forward to Estella aged twelve (Tipper Seifert-Cleveland) and starting at a new school she is already out of sorts with her student cohort for her outlandish fashion sense, outspoken nature, rebellious streak and never say die attitude which gets her into all sorts of trouble with the Headmaster resulting in him blotting her record with black mark upon black mark. Ultimately Catherine is forced to pull Estella out of school before she is expelled, and the pair decide to travel to London to seek a fresh start there. En route, Catherine pulls over at the cliff top mansion of Baroness von Hellman (Emma Thompson) who is hosting a lavish ball. She asks the Baroness for financial assistance, at which Estella witnesses her mother being shoved over the edge of a cliff to her death by three of the Baroness' ferocious Dalmatian dogs. 

Needless to say the young Estella is mortified by what she witnessed and flees the scene, hitching a ride in the back of a garbage truck all the way to London. She gets out of the truck at a fountain at Regent's Park and is later the next morning greeted by two young street urchins - brothers Jasper and Horace Badun (Ziggy Gardner and Joseph MacDonald respectively). After being chased down by a Policeman on the beat the threesome all come together in an abandoned loft in what looks like a condemned building. In an attempt to go unnoticed she dies her unusual half black half white head of hair red. 

We then fast forward ten years and Estella (Emma Stone) remains with Jasper (Joel Fry) and Horace (Paul Walter Hauser) and have become very adept grifters, so much so that they are able to eek out a reasonable standard of living for themselves by picking pockets, stealing wallets and sundry items of jewellery from unsuspecting members of the public and shops around the city. All the while Estella works on her fashion skills by designing their disguises. On the occasion of her birthday Jasper and Horace present Estella with a contract of employment at the Liberty department store (a store that she has always aspired to work at), albeit as an entry level cleaner. After numerous attempts to convince her boss that she is more talented than scrubbing floors and cleaning toilets, but failed, one night in a drunken stupor she changes the window dressing of a particular display much to the chagrin of her boss, but also and more importantly, much to the prise of the Baroness who happens to be the owner of the store. Estella as a result lands a much coveted job with the Baroness who is a famous highly regarded albeit very demanding and authoritarian fashion designer. 

In time Estella wins over the confidence of the Baroness, until one day Estella notices the Baroness wearing a necklace and pendant that previously belonged to her mother Catherine, and which she had given her daughter on the night on her death. In fleeing the scene of the crime, the young Estella had dropped the necklace in panic and only noticed she had lost it when she arrived in London. Estella makes a casual enquiry as to the origin of the distinctive necklace, and the Baroness responds that an employee has once stolen it. At that Estella asks Jasper and Horace to help her steal it back. 

Estella, under the auspices of Cruella and now donning her natural half black half white hair colour, crashes one of the Baroness' lavish parties to steal back the necklace. When the Baroness uses a whistle to command her Dalmatians, Estella comes to the realisation that she used the same whistle to direct her dogs to murder Catherine. 

Now fuelled by revenge for her mother's death, Estella taunts the Baroness by appearing at her parties and social gatherings and upstaging her as Cruella in ever increasingly flamboyant outfits, designed with the aid of vintage clothing store owner, Artie (John McCrea). 

Cruella's unpredictable and often outrageous appearances gain publicity through her childhood friend Anita Darling (Kirby Howell-Baptiste) a gossip columnist. However, meanwhile Cruella's egotistical and arrogant behaviour increasingly antagonises Jasper and Horace so much so that they consider going their separate ways. The Baroness in the meantime, fires her lawyer Roger (Kayvan Novak) for failing to stop Cruella. Estella also kidnaps the Baroness' three Dalmatians after one of them accidentally swallows her mother's necklace, then relies on Jasper and Horace to retrieve the necklace when it appears out of the other end of the dog that swallowed it. 

Cruella later on sabotages the latest Spring collection hosted by the Baroness and stages her own show in front of the fountain at Regents Park wearing an outfit supposedly made out of Dalmatian fur. The Baroness in the meantime has come to the conclusion that Estella and Cruella are in fact the same woman. With her heavies in tow, the Baroness infiltrates their loft and when Estella returns from her successful Regents Park gig she is confronted by a tied and bound Jasper and Horace. Estella is tied and bound, and petrol is doused all around the place, with Jasper and Horace both being framed for her untimely death. The Baroness in turn lights a flame and leaves Estella to die in the fire which quickly engulfs the building. Jasper and Horace are both arrested. 

Cruella while presumed dead and reported as such in the press, is in fact rescued by the Baroness' long serving and trusted valet John (Mark Strong). When she comes round in John's modest home he reveals that he found the necklace, cleaned it with bleach, and therein is a key to a box containing Estella's birth records. She discovers that the Baroness is in fact her biological mother, and ordered John to have the baby Estella killed so she could concentrate exclusively on her fashion career. John couldn't bring himself to commit such an act so instead gave the baby to Catherine, one of the Baroness' maids, who raised Estella in secret. Estella is initially angered by Catherine's deception but in time comes to terms with the truth in an effort to complete her vengeance, so taking on the name Cruella permanently.

Cruella breaks Jasper and Horace out of jail using a garbage truck to ram the front entrance to the Police Station where they are being held (straight out of 'The Terminator' 1984), recruiting them and Artie for her final scheme. They sneak into the Baroness' charity gala, where Cruella has previously sent out an identical costume and black and white wig for all female guests to wear on the night under the pretext that it was sent by the Baroness (straight out of 'V for Vendetta' 2005). Cruella (dressed as Estella) standing on the same spot as her mother was thrown over the cliff all those years before, reveals to the Baroness that she is her abandoned daughter. The Baroness feigns remorse for her actions and asks to hug her before pushing her over the cliff top into the raging sea below, unaware her guests had been led outside and had witnessed the whole thing. The Baroness claims that Estella jumped just as the Police arrive. Cruella survives the fall using a parachute built into her clothing and picked up in a row boat by Horace. She discards her Estella disguise before returning to witness the Baroness being arrested, as Cruella.

Having adopted the last name de Vil (inspired by her stolen Panther De Ville car), Cruella inherits Hellman Hall, shortening it to Hell Hall, as its rightful biological heir, and she, Jasper and Horace attend the funeral of Estella as the only mourners in attendance. Stay seated for the mid-credits sequence in which Cruella has delivered to Anita and Roger (now married since he got fired as the Baroness' lawyer) two Dalmatian puppies named Pongo and Perdita. Roger is now writing songs for a living and begins singing the lyrics to 'Cruella de Vil' while tapping away at his piano. 

I have to say that I enjoyed 'Cruella' a whole lot more than I was expecting. For a Disney film this is quite dark in places and wickedly entertaining in the process. Director Craig Gillespie has here fashioned a Disney origin story that we never knew we needed, and delivered the goods in spades. The production values are top notch; the set designs impressive; the make up artistry equally so; and as for the punk era costumes as worn by Cruella and the haute couture outfits as worn by the Baroness, well they are awards worthy in the own right and worth the price of your ticket alone. Both Emma's shine in their roles, underscored by a strong supporting cast and Paul Walter Hauser nails it with his London accent and is about as far removed from 'Richard Jewell' as you can get. For a live action remake of a beloved Disney animated classic this film is right up there with the best of them and as for the running time of two hours fourteen minutes - fear not, it flies by and never leaves you wanting.

'Cruella' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-