CRUELLA : Tuesday 15th June 2021.

'CRUELLA' which I saw at my local multiplex this week is a PG Rated American crime comedy-drama film Directed by Craig Gillespie whose previous film making outings include 'Lars and the Real Girl', 'Million Dollar Arm', 'The Finest Hours' and 'I, Tonya' most recently in 2017. This film is based on the character Cruella de Vil, introduced in Dodie Smith's 1956 novel 'The Hundred and One Dalmatians' and specifically on the version from the Walt Disney 1961 animated film 'One Hundred and One Dalmatians'. It is the third live-action film in the '101 Dalmatians' franchise which were '101 Dalmatians' released in 1996 and '102 Dalmatians' released in 2000 both with Glenn Close playing Cruella de Vil. Those first two instalments grossed a total US$505M off the back of production budgets amounting to a combined US$160M. This film was released theatrically and simultaneously available on Disney+ with Premier Access from the end of May, has generated mostly positive Critical Reviews aside from the screenplay, has so far taken US$132M off the back of a production budget of somewhere in the vicinity of US$150M, and Disney announced earlier this month that a sequel is officially in the early stages of development with both Emma's (Stone and Thompson, who play the leads here) having stated that they would like to make a second film. 

The film opens up sometime in the early 1960's and we are introduced to young five year old Estella Miller (Billie Gadsdon) and her mother Catherine (Emily Beecham) at home fashioning clothes out of scraps of material for Estella's dolls. Already it is clear that the young child has an eye for fashion but also a mean streak, so her mother coins the nickname 'Cruella' for her. We then fast forward to Estella aged twelve (Tipper Seifert-Cleveland) and starting at a new school she is already out of sorts with her student cohort for her outlandish fashion sense, outspoken nature, rebellious streak and never say die attitude which gets her into all sorts of trouble with the Headmaster resulting in him blotting her record with black mark upon black mark. Ultimately Catherine is forced to pull Estella out of school before she is expelled, and the pair decide to travel to London to seek a fresh start there. En route, Catherine pulls over at the cliff top mansion of Baroness von Hellman (Emma Thompson) who is hosting a lavish ball. She asks the Baroness for financial assistance, at which Estella witnesses her mother being shoved over the edge of a cliff to her death by three of the Baroness' ferocious Dalmatian dogs. 

Needless to say the young Estella is mortified by what she witnessed and flees the scene, hitching a ride in the back of a garbage truck all the way to London. She gets out of the truck at a fountain at Regent's Park and is later the next morning greeted by two young street urchins - brothers Jasper and Horace Badun (Ziggy Gardner and Joseph MacDonald respectively). After being chased down by a Policeman on the beat the threesome all come together in an abandoned loft in what looks like a condemned building. In an attempt to go unnoticed she dies her unusual half black half white head of hair red. 

We then fast forward ten years and Estella (Emma Stone) remains with Jasper (Joel Fry) and Horace (Paul Walter Hauser) and have become very adept grifters, so much so that they are able to eek out a reasonable standard of living for themselves by picking pockets, stealing wallets and sundry items of jewellery from unsuspecting members of the public and shops around the city. All the while Estella works on her fashion skills by designing their disguises. On the occasion of her birthday Jasper and Horace present Estella with a contract of employment at the Liberty department store (a store that she has always aspired to work at), albeit as an entry level cleaner. After numerous attempts to convince her boss that she is more talented than scrubbing floors and cleaning toilets, but failed, one night in a drunken stupor she changes the window dressing of a particular display much to the chagrin of her boss, but also and more importantly, much to the prise of the Baroness who happens to be the owner of the store. Estella as a result lands a much coveted job with the Baroness who is a famous highly regarded albeit very demanding and authoritarian fashion designer. 

In time Estella wins over the confidence of the Baroness, until one day Estella notices the Baroness wearing a necklace and pendant that previously belonged to her mother Catherine, and which she had given her daughter on the night on her death. In fleeing the scene of the crime, the young Estella had dropped the necklace in panic and only noticed she had lost it when she arrived in London. Estella makes a casual enquiry as to the origin of the distinctive necklace, and the Baroness responds that an employee has once stolen it. At that Estella asks Jasper and Horace to help her steal it back. 

Estella, under the auspices of Cruella and now donning her natural half black half white hair colour, crashes one of the Baroness' lavish parties to steal back the necklace. When the Baroness uses a whistle to command her Dalmatians, Estella comes to the realisation that she used the same whistle to direct her dogs to murder Catherine. 

Now fuelled by revenge for her mother's death, Estella taunts the Baroness by appearing at her parties and social gatherings and upstaging her as Cruella in ever increasingly flamboyant outfits, designed with the aid of vintage clothing store owner, Artie (John McCrea). 

Cruella's unpredictable and often outrageous appearances gain publicity through her childhood friend Anita Darling (Kirby Howell-Baptiste) a gossip columnist. However, meanwhile Cruella's egotistical and arrogant behaviour increasingly antagonises Jasper and Horace so much so that they consider going their separate ways. The Baroness in the meantime, fires her lawyer Roger (Kayvan Novak) for failing to stop Cruella. Estella also kidnaps the Baroness' three Dalmatians after one of them accidentally swallows her mother's necklace, then relies on Jasper and Horace to retrieve the necklace when it appears out of the other end of the dog that swallowed it. 

Cruella later on sabotages the latest Spring collection hosted by the Baroness and stages her own show in front of the fountain at Regents Park wearing an outfit supposedly made out of Dalmatian fur. The Baroness in the meantime has come to the conclusion that Estella and Cruella are in fact the same woman. With her heavies in tow, the Baroness infiltrates their loft and when Estella returns from her successful Regents Park gig she is confronted by a tied and bound Jasper and Horace. Estella is tied and bound, and petrol is doused all around the place, with Jasper and Horace both being framed for her untimely death. The Baroness in turn lights a flame and leaves Estella to die in the fire which quickly engulfs the building. Jasper and Horace are both arrested. 

Cruella while presumed dead and reported as such in the press, is in fact rescued by the Baroness' long serving and trusted valet John (Mark Strong). When she comes round in John's modest home he reveals that he found the necklace, cleaned it with bleach, and therein is a key to a box containing Estella's birth records. She discovers that the Baroness is in fact her biological mother, and ordered John to have the baby Estella killed so she could concentrate exclusively on her fashion career. John couldn't bring himself to commit such an act so instead gave the baby to Catherine, one of the Baroness' maids, who raised Estella in secret. Estella is initially angered by Catherine's deception but in time comes to terms with the truth in an effort to complete her vengeance, so taking on the name Cruella permanently.

Cruella breaks Jasper and Horace out of jail using a garbage truck to ram the front entrance to the Police Station where they are being held (straight out of 'The Terminator' 1984), recruiting them and Artie for her final scheme. They sneak into the Baroness' charity gala, where Cruella has previously sent out an identical costume and black and white wig for all female guests to wear on the night under the pretext that it was sent by the Baroness (straight out of 'V for Vendetta' 2005). Cruella (dressed as Estella) standing on the same spot as her mother was thrown over the cliff all those years before, reveals to the Baroness that she is her abandoned daughter. The Baroness feigns remorse for her actions and asks to hug her before pushing her over the cliff top into the raging sea below, unaware her guests had been led outside and had witnessed the whole thing. The Baroness claims that Estella jumped just as the Police arrive. Cruella survives the fall using a parachute built into her clothing and picked up in a row boat by Horace. She discards her Estella disguise before returning to witness the Baroness being arrested, as Cruella.

Having adopted the last name de Vil (inspired by her stolen Panther De Ville car), Cruella inherits Hellman Hall, shortening it to Hell Hall, as its rightful biological heir, and she, Jasper and Horace attend the funeral of Estella as the only mourners in attendance. Stay seated for the mid-credits sequence in which Cruella has delivered to Anita and Roger (now married since he got fired as the Baroness' lawyer) two Dalmatian puppies named Pongo and Perdita. Roger is now writing songs for a living and begins singing the lyrics to 'Cruella de Vil' while tapping away at his piano. 

I have to say that I enjoyed 'Cruella' a whole lot more than I was expecting. For a Disney film this is quite dark in places and wickedly entertaining in the process. Director Craig Gillespie has here fashioned a Disney origin story that we never knew we needed, and delivered the goods in spades. The production values are top notch; the set designs impressive; the make up artistry equally so; and as for the punk era costumes as worn by Cruella and the haute couture outfits as worn by the Baroness, well they are awards worthy in the own right and worth the price of your ticket alone. Both Emma's shine in their roles, underscored by a strong supporting cast and Paul Walter Hauser nails it with his London accent and is about as far removed from 'Richard Jewell' as you can get. For a live action remake of a beloved Disney animated classic this film is right up there with the best of them and as for the running time of two hours fourteen minutes - fear not, it flies by and never leaves you wanting.

'Cruella' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

MEN IN BLACK : INTERNATIONAL - Tuesday 18th June 2019.

'MEN IN BLACK : INTERNATIONAL' which I saw earlier in the week is the fourth film in the ever popular science fiction action comedy franchise and is Directed by F. Gary Gray whose previous Directorial outings take in the likes of 'The Negotiator', 'The Italian Job', 'Be Cool', 'Law Abiding Citizen', 'Straight Outta Compton' and 'The Fate of the Furious'. The first three films in the series were Directed by Barry Sonnenfeld, in 1997, 2002 and 2012, grossed collectively approaching US$1.7B on the back of combined production budgets of US$495M and starred Will Smith and Tommy Lee Jones as our alien crime fighting duo Agent J and Agent K respectively. This instalment is a sort of sequel, sort of spin-off that cost around about US$100M, was released Stateside last week too, has so far recovered US$113M in Box Office receipts and has garnered generally lacklustre critical Reviews so far.

Back in the mid-'90's and young Molly Wright sees her parents being neuralysed by a couple of Men in Black Agents who are on the hunt for a pesky up to no good alien, that Molly helps escape. Molly herself escapes being neuralysed by averting her eyes from her bedroom window up above the street where her parents are talking to the Agents. Fast forward some twenty years and Molly (Tessa Thompson) is unsuccessful in her attempts to join the FBI and the CIA on the basis of her wild conclusions that alien life forms live among us, and she really wants to help combat them having made it her life goal to do so.

Molly is able to track down a crashed alien space craft and follows the MiB vehicles with captured alien in custody, back to their secret headquarters. She successfully manages to infiltrate the HQ but is captured by the hi-tech security scanning devices and is subsequently questioned by Agent O (Emma Thompson) upon whom Molly makes a sufficient enough impression to be granted probationary agent status as Agent M, and is instantly assigned to the London branch of the MiB. Once there she is quickly introduced to High T (Liam Neeson) who heads up the UK Division.

There Agent M is assigned to Agent H (Chris Hemsworth) the most highly regarded Agent working out of the London Office who saved the world back in 2016 with High T atop the Eiffel Tower when they prevented 'The Hive' from gaining access through a wormhole there with potentially catastrophic consequences for our planet.

Later that evening both Agents meet up with Vungus the Ugly (Kayvan Novak) in night club. Vungus is a member of an alien Royal Family who is a long term good friend of H. Upon leaving, Vungus' car is attacked by alien twins ('Les Twins' aka Larry and Laurent Bourgeois) who are able to harness the power of pure energy making them almost indestructible. Vungus is seriously wounded, but on this occasion the twins are thwarted (but only temporarily) by the might of the high tech weaponry readily available to our pair of protagonists from their vehicle.

Moments before dying Vungus passes a multi-dimensional purple coloured crystal on to M, claiming that he cannot trust H with it as he has changed since they last met some years ago. In a debrief meeting in High T's office Agent C (Rafe Spall) openly shows his contempt for H's actions. M however, has concluded that only a handful of people knew Vungus' location when he was attacked, which leads her to believe that Vungus' location was betrayed by one of their own agents. Reeling at the impact of a traitor within the MiB ranks, High T assigns C and M to conduct an investigation while H is assigned to driving his desk. Further investigations seem to determine that the twins may have had DNA traces of the Hive, a parasitic race who invade other planets by merging with the DNA of the conquered species. M learns that H and High T were responsible for driving off a Hive invasion in Paris in 2016, but since then H's attitude has gone downhill, showing a slack approach to his work and seemingly only holding on to his job because of his relationship with High T and his past track record.

H convinces M to join him in chasing up a lead in Marrakesh, where they come across 'Pawny' (voiced by Kumail Nanjiani), the sole survivor of a small group of aliens who were attacked by the Twins. Pawny pledges his loyalty to M, as his new Queen, but they are then attacked by MiB agents coordinated by C, who has recovered CCTV footage of Vungus handing the crystal to M, and as a result now believes that she is the traitor in their midst.

Helped by one of his alien contacts, H is able to acquire a rocket-powered hover bike and escape with M and Pawny. Successfully evading their marauding colleagues, they crash land on the dunes out in the desert, where they learn that the crystal Vungus gave M actually conceals an all powerful weapon generated by a compressed blue giant. As they repair the damaged bike, H's alien contact who had stowed away in a drink bottle, manages to steal the crystal and take it to Riza Stravos (Rebecca Fergusson), an alien arms merchant with whom H had a relationship in the past.

Having repaired the jet propelled hover bike, the gang of three travel by speed boat to Riza's island fortress where they attempt to infiltrate the base and recover the weapon, but are caught by Riza and her bodyguard. M gets caught in a fight with Riza while H gets beaten up in no uncertain terms by the alien bodyguard, but always somehow miraculously manages to get back up (just like Thor!) However, this bodyguard turns out to be the very same alien that M rescued as a child, and recognising each other, he returns the favour by allowing them to leave while he keeps Riza apprehended. While attempting to get off the island the three are attacked by the Twins once again, but they are killed by High T and a group of Agents freshly arrived on the scene.

And so case closed, or is it? Back at London MiB HQ at a celebratory party, both H and M have a moment of clarity and realise that the Twins' passing comments could mean that they wanted the weapon to use against the Hive rather than to use it for them. This resonated especially when the only evidence of Hive DNA was provided by High T. Agent C concedes that the evidence points to the notion of a deception by High T, and so permits H and M to follow High T to the Eiffel Tower. En route to the wormhole, M questions H's memory of his defeat of the Hive revealing that he was probably neuralysed, which is confirmed when they confront High T atop the Eiffel Tower. The Hive transformed High T into one of their own and neuralysed H so that he could be seen as the 'hero' and to mask their true intentions. The High T/Hive 'hybrid' manifests itself and is able to launch a wormhole that will draw the Hive to Earth. As H and the hybrid fight it out, H is able to draw out High T's true personality just long enough for M to use the weapon to destroy High T and the encroaching Hive infestation.

With the case now well and truly closed, Agent O joins H and M in Paris, where she grants M full agent status and appoints H as probationary Head of MiB's London branch until such time as a new head is found.

Aside from the fairly obvious chemistry that Hemsworth and Tessa Thompson share together on screen, and Hemsworth flexing his emerging comedic chops once again, there is little else going for this effects laden albeit pedestrian, play it safe, by the numbers fourth instalment in this flagging franchise. I honestly had expected more from 'Men in Black : International' but emerged from the theatre feeling totally underwhelmed by a film that relies all to heavily on its CGI set pieces, which have by now all become far to commonplace to create any point of difference here, at the expense of any real storyline, and what thinly veiled storyline there is you can see coming from ten miles away. This is predictable fluff that does nothing for the franchise other than seal its fate like the final nail in the coffin, and its disappointing to see fine acting talent like Hemsworth, Thompson, Thompson, Neeson and Spall succumb to the dredging that this film has so far garnered, despite the best intentions no doubt of F. Gary Gray. All style over substance.

'Men in Black : International' merits two claps of the Odeon Online clapperboard, out of a potential five.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 2nd March 2017.

The 89th annual Academy Awards were held on Sunday evening 26th February 2017 at the Dolby Theatre in Hollywood, Los Angeles, California hosted for the first time by Television Personality Jimmy Kimmel. Awards were presented in 24 categories in front of a global audience of several hundred million viewers, with the who's who of film and television talent announcing the winners on the night including Ben Affleck and Matt Damon, Halle Berry, Mark Rylance, Leonardo DiCaprio, Brie Larson, Alicia Vikander, Javier Bardem, Amy Adams, Seth Rogen, Michael J. Fox, Chris Evans, Scarlett Johansson, Charlize Theron, Samuel L. Jackson, Warren Beatty, and Faye Dunaway. The night was not without incident, which will go down in Oscar history, when the wrong Best Picture Winner was announced after the Producers of 'La La Land' were into their acceptance speeches and had to hand their golden statues to the Producers of 'Moonlight' as the rightful recipient of this most prestigious and coveted award. All that aside, the usual glitz and glamour was on show for all the world to see on this Hollywood Night of Nights, which yielded the following list of winners & grinners in the main categories:-

* Best Picture : 'Moonlight' (eventually!)
* Best Director : Damien Chazelle for 'La La Land'
* Best Animated Feature Film : 'Zootopia'.
* Best Foreign Language Film : 'The Salesman' (from Iran)
* Best Actor : Casey Affleck for 'Manchester by the Sea'
* Best Actress : Emma Stone for 'La La Land'
* Best Supporting Actor : Mahershala Ali for 'Moonlight'
* Best Supporting Actress : Viola Davis for 'Fences'
* Best Original Screenplay :  'Manchester by the Sea' by Kenneth Lonergan
* Best Adapted Screenplay : 'Moonlight' by Barry Jenkins
* Best Original Score : 'La La Land'
* Best Original Song : 'La La Land' - 'City of Stars'
* Best Visual Effects : 'The Jungle Book'.

All up 'La La Land' took out six Oscars out of the fourteen it was nominated for, with Best Cinematography and Best Production Design in addition to those four mentioned above; 'Moonlight' took out three; 'Manchester by the Sea' and 'Hacksaw Ridge' each took out two, with the latter picking up Best Editing and Best Sound Mixing gongs.

This week there are five new release films kicking off with an ageing ailing Superhero action offering that sees a popular mutant character bow out for the last time, together with his mentor, but he won't go down without a fight! Then we turn to an Australian period piece coming of age drama set in remote Western Australia and based on  much loved book; then a modern political intrigue thriller set in the corridors of power in Washington D.C.; followed by a WWII couple trying to turn the tide against Hitler's onslaught by writing postcards, and wrapping up with Groundhog Day revisited for this student who has a few things to work out.

Remember too that you are cordially invited to record your own relevant and constructive movie going thoughts and observations by leaving a Comment below this or any other Post. We'd love to hear from you, and meanwhile, enjoy your movie experience this week.

'LOGAN' (Rated MA15+) - Hugh Jackman has been playing the character of James 'Logan' Howlett aka 'Wolverine' aka 'Weapon X' for the past seventeen years and has appeared in nine 'X-Men' films including this latest release which he says will be his last outing as the titular wisecracking adamantium clawed Superhero. He first appeared in 2000's 'X-Men' and then in 2003's 'X2', then in 2006 in 'X-Men : The Last Stand'. In 2009 Logan got his first stand alone feature in 'X-Men Origins : Wolverine' and was Directed by Gavin Hood bringing in US$374M at the global Box Office. 'X-Men : First Class' followed in 2011, then 'The Wolverine' in 2013 another stand alone feature Directed by James Mangold and bringing in US$415M in worldwide receipts. 'X-Men : Days of Future Past' was released in 2014, and then 'X-Men : Apocalypse' in 2016. All up those first eight 'X-Men' films in which Wolverine/Logan has appeared have generated US$3.6B at the Box Office from a budget outlay of US$1.2B. Now 'Logan' is back in his final instalment (allegedly) and is once again Directed by James Mangold and this time on a US$127M budget in this third stand alone offering and the tenth film in the 'X-Men' franchise. The film premiered at the Berlin International Film Festival a few weeks ago and gets its worldwide release this week. Early reports have been very positive, with some saying it is the best 'X-Men' film to date.

Set in a near future world where the mutant population is dwindling, with no new mutant births in over twenty years. With it Professor X's (Patrick Stewart) dreams of a brave new world featuring a new stage of mutant evolution have slowly died. Logan (Hugh Jackman) has settled into a life as a limo driver somewhere on the Mexican border and scrapes together a meagre living while hustling medication for an increasingly infirm and ageing Professor X whom he cares for in a ram shackle home shared with Caliban (Stephen Merchant) who looks after and attends to the ailing Professor whose telepathic powers have now become unstable with his advancing years. Logan too is ageing and his powers aren't what they used to be. Logan's efforts at lying low and trying to escape his legacy are thwarted with the sudden arrival of mystery woman Gabriella (Elizabeth Rodriguez) who seeks his help for Laura Kinney (Dafne Keen) a young eleven year old girl with powers very similar to Logan's own - after all, she is a female clone created from his blood. Dark forces are hot in pursuit of young Laura and so Logan is drawn back into the centre of the action as he seeks to protect the young girl despite his failing abilities. Richard E. Grant and Boyd Holbrook also star.

'JASPER JONES' (Rated M) - based on the 2009 book of the same name by author Craig Silvey, this Australian drama film was made for AU$5.5M, is Directed by Rachel Perkins, and stars a line up of fine Aussie acting talent. Set in the mid 1960's in a remote Western Australian mining town, Charlie Butkin (Levi Miller) a bookish early teenage lad is visited unexpectedly on Christmas evening by Jasper Jones (Aaron L. McGrath) - a mixed white/Aboriginal rebellious outcast in the community who pleads with Charlie for his help. Jasper leads Charlie to a clearing in the bush where hanging from a tree, very dead and battered is Jaspers girlfriend. With Jasper fully aware that he is likely to be blamed for the girls death, he plans a cover up with Charlie. What ensues over the following week is an investigation, finger pointing, speculation and suspicion that will consume the whole community. Meanwhile, Charlie's coming of age story involves him facing up to the tragedy of his family break-up, him meeting his first true love and what it means to be really courageous. Also starring Toni Collette, Hugo Weaving, Matt Nable, Angourie Rice and Dan Wyllie.

'MISS SLOANE' (Rated M) - this political thriller set in Washington D.C. is Directed by John Madden, cost US$13M to make, was released Stateside in late November last year and has received generally positive Reviews and garnered its lead actress, Jessica Chastain, a Golden Globe nomination. Set amidst the power play of political activists, Elizabeth Sloane (Chastain) is revered as a political lobbyist without equal, who always wins and is known for her cunning and her never say die attitude. However, when she is confronted by the most powerful political opponent of her career, she comes to realise that perhaps there is more to life than winning. Also starring John Lithgow, Mark Strong, Sam Waterston and Gugu Mbatha-Raw.

'ALONE IN BERLIN' (Rated M) - this WWII fictionalised drama is based on the 1947 novel of the same name by Hans Fallada which is based on real life couple Otto and Elise Hempel, is Directed by Vincent Perez and Premiered at the February 2016 Berlin International Film Festival and began its staggered worldwide release in Germany in September last year, eventually arriving Down Under this week. Telling the story of Otto and Anna Quangel (Brendan Gleeson and Emma Thompson respectively) who upon learning of the death of their only son, begin their personal quest to undermine the Nazi's and Adolf Hitler. The couple start writing postcards with messages urging people to stand and protest against Hitler and his Nazi's, and then placing the cards in prominent places where they will attract the most attention. Police Inspector Escherich (Daniel Bruhl) is tasked with finding the originator of the postcards, and seeing that justice is served as only the Gestapo know how to serve it.

'BEFORE I FALL' (Rated M) - based on the 2010 book of the same name by Lauren Oliver, this drama film is Directed by Ry Russo-Young and surrounds Samantha Kingston (Zoey Deutsch), a high school senior student who on 12th February, discovers that she may be living the last day of her life over and over and over again, until she gets it right! Knowing that you only had one day left on this mortal coil, what would you do, where would you go, who would you see, what would you say. Amidst all of these questions and others, she must unfathom the mystery surrounding her death and discover the true meaning of everything she may yet lose over the course of one inexplicable week. The film has received generally positive Reviews.

That's it for this week! Five films to tempt you out to your local movie theatre with a comic book adaptation, three book adaptations and a work of fiction  Plenty of varied choice then, and remember to share your views with your like minded cinephiles. In the meantime, I'll see you somewhere, sometime at your local Odeon in the week ahead.

-Steve, at Odeon Online-

BURNT : Saturday 7th November 2015.

Having worked in Hospitality for most of my career in and around kitchens, chefs, restaurants and food service in various guises, you can imagine how interested I would be in seeing 'BURNT' which I saw over the weekend. It is intriguing to see how Chefs and Cooks are depicted on the big screen. It is after all only really in the last five or so years that we have seen these types featured in the movies since a few of those who have excelled have risen to celebrity status, and with the advent of the plethora of cooking shows on television and the inordinate amount of cook books there are for sale, it is hardly surprising that Hollywood would latch to the heat of the kitchen. All that said, if it helps raise the profile of food, the industry, different cuisines and produce, and the people working in it then this must be a good thing, but is it good for Hollywood? In the case of 'Burnt', not really - because this film is half baked only - golden brown and crisp on the outside but soggy and undercooked on the inside!

What 'Burnt' does for us is take us into the hallowed territory of maybe the top 1% of all restaurants globally. It is here where the two and three star Michelin establishments reside, where the Chef's and Cook's toil away relentlessly but enjoy Rock Star status for the blood, sweat and tears they have to give working 20 hours a day to reach the zenith of perfection in their culinary craft. And it is here too where these famed restaurants as beautiful as they often are, are big holes in the ground into which the owners shovel money every day (and lots of it) with only a very small margin of return, if any!

And so it with this US$20M John Wells Directed culinary caper that sees fallen from grace former two Michelin starred Chef Adam Jones (Bradley Cooper) having lived the celebrity chef status in Paris for all its worth with sex, drugs, alcohol and rock 'n' roll crash to the bottom only to rise again  to regain his reputation, his credibility, his self-worth and a third star. We learn through back story dialogue between the characters that three years ago things got badly 'burnt' for him in Paris when he went off the rails, cost his restaurant its two star status, his team lost their jobs and then spread far & wide, and he went AWOL presumed by many contemporaries and critics to be dead. He surfaces in London having served a self imposed penance to shuck one million oysters in some seafood joint that he promptly walks out of when his milestone is reached.

He emerges after some chicanery in the kitchen of Tony (Daniel Bruhl) in London at The Langham Hotel where he delivers a commitment to take it to three star status. Tony's father (the one with all the money) agrees and so the kitchen is remodelled, Jones assembles his brigade of new and previously worked with talent, and the restaurant relaunched. The first night all goes pear shaped when guests no-show, the food is below expectations, and the write up in the press is less than favourable. Jones is the consummate artist, perfectionist and after service what follows is a Head Chef rant at his brigade the likes of which I'm not sure you would see in any kitchen anywhere . . . not even Gordon Ramsay's! These days with industrial relations compliance, human resource guidelines, and fair work requirements Jones would face an instant walk out and be hauled up in front of some IR Commission on the grounds of workplace harassment, bullying and intimidation . . . no matter how good he thinks is he! But I guess this is Hollywood after all, and you gotta give the audience what they want!

As time progresses the kitchen bridge settle into their routine, they begin to work cohesively, and a flame of romance starts to burn between Jones and his recruited Sous Chef and the only female in the kitchen Helene (Sienna Miller). There are other story sidelines here too that surround Jones fierce rivalry with Reece (Mathew Rhys) former colleague in Paris and now the equally fiery, temperamental talented London Chef at the three star 'Reece'. Additionally, there is Michael (Omar Sy) who is recruited as a Chef de Partie by Jones but back in Paris three years before Jones called the Heath Inspectors in and closed down his restaurant - beware the hidden agenda behind Michael's acceptance to join Jones in his kitchen that manifests itself when least expected!

Also there is the former working relationship with Tony, gay, but the best Maitre D' in the country and therefore somewhat forgiving of Jones' kitchen antics. Jones' drug addled past also catches up with him and as two heavies appear from time to time demanding payment on a drug debt which Jones cannot deliver on so he gets roughed up on the most demanding of days. There is also his former love interest and daughter of his recently deceased former employer in Paris, Anne Marie (Alicia Vikander), and then Helene's struggles as a single mother juggling her commitment to her young daughter Lily, and the relentless demands of the kitchen and Jones. Let's also not forget the therapy that Jones has to undergo with Dr. Rosshilde (Emma Thompson) every Friday morning and if he misses a single session all funding to his kitchen and his dream will cease immediately. And, sitting over all of this is the expectation of the eventual visit of the Michelin Men to rate the restaurant for the famed guidebook.

The gloss is here with a beautiful restaurant, an equally beautiful kitchen, the highest standards of culinary expertise and food porn aplenty delivered with an insight into the seemingly never ending hours of experimentation, creativity and long days and nights spent rattling the pans over a hot stove, traipsing through the markets in the early hours, and seeking inspiration from other eateries. But despite all of this it's still a half baked underdone soufflé of a film. I found the Jones character difficult to warm to and relate to, his violent bursts and abuse in the kitchen completely overcooked, the final Michelin visit and judgement just glanced over, and the Hollywood-ised account of the finest of fine dining restaurants and what goes on in and around them a little too hard to swallow, but, there are a few redeeming feature along the way!

You don't need to see this on the big screen and can easily wait for the release of the DVD and Blu-ray or download it when available. I would say that this is a case of medium-rare, rather than well done!

-Steve, at Odeon Online-