Showing posts with label Wolverine. Show all posts
Showing posts with label Wolverine. Show all posts

Monday, 13 March 2017

LOGAN : Tuesday 7th March 2017

I caught 'LOGAN' last week at my local multiplex. Hugh Jackman has been playing the character of James 'Logan' Howlett aka 'Wolverine' aka 'Weapon X' for the past seventeen years and has appeared in nine 'X-Men' films including this latest release which he says will be his last outing as the titular wisecracking adamantium clawed Superhero. He first appeared in 2000's 'X-Men' and then in 2003's 'X2', then in 2006 in 'X-Men : The Last Stand'. In 2009 Logan got his first stand alone feature in 'X-Men Origins : Wolverine' and was Directed by Gavin Hood bringing in US$374M at the global Box Office. 'X-Men : FirstClass' followed in 2011, then 'The Wolverine' in 2013 another stand alone feature Directed by James Mangold and bringing in US$415M in worldwide receipts. 'X-Men : Days of Future Past' was released in 2014, and 'X-Men : Apocalypse' in 2016. All up those first eight 'X-Men' films in which Wolverine/Logan has appeared have generated US$3.6B at the Box Office from a budget outlay of US$1.2B. Now 'Logan' is back in his final instalment (allegedly) and is once again Directed by James Mangold and this time on a US$97M budget in this third stand alone offering and the tenth film in the 'X-Men' franchise. Early reports have been very positive, with some saying it is the best 'X-Men' film to date, and so far the film has taken US$439M at the global Box Office.

Set in a near future world of 2029, where the mutant population is dwindling, with no new mutant births in over twenty years. With it Professor Charles Xavier (Patrick Stewart) dreams of a brave new world featuring a new stage of mutant evolution, but those dreams have slowly died. James Howlett aka Logan aka Wolverine (Hugh Jackman) has settled into a life as a hard drinking limo driver somewhere on the Mexican border. He scrapes together a meagre living while hustling medication for an increasingly infirm and ageing Professor X whom he cares for in a ram shackle abandoned smelting plant shared with Caliban (Stephen Merchant) who also looks after and attends to the ailing Professor whose strong telepathic powers have now become unstable and unpredictable with his advancing years. Logan too is ageing and his powers aren't what they used to be, as the adamantium fused to his bones is slowly poisoning him and working against his healing powers. Caliban is an albino mutant who has the ability to sense and track other mutants, but is adverse to sunlight as it burns his fragile skin.

After some introductory scuffles in a car park where Logan's prized stretched limo is being carjacked by a bunch of heavies, Logan proves that he still has what it takes to dispense with pesky criminal types. A short time later we see him being approached by Gabriella (Elizabeth Rodriguez) a former nurse at Alkali-Transigen (a biotech company responsible for the Weapon X programme). She wants Logan to escort her and an eleven year old girl, Laura (Dafne Keen) across the border and over to a place in North Dakota called 'Eden'. She is prepared to pay and offer Logan US$20K cash up front with the balance of US$30K on safe delivery at the other end. Logan is very reluctant and refuses at first.

In the meantime Logan is tracked down by Donald Pierce (Boyd Holbrook), Transigen's relentless, calculating and cybernetically enhanced Head of Security, who seeks Logan's support in locating the young girl and returning her to Transigen. Logan refuses Pierce too.

After accepting the job from Gabriella, Logan finds her dead at their designated pick up point and no sign of Laura. Logan takes the cash anyway and disappears back to his secluded hideaway. Tending to an ailing Charles Xavier, they are interrupted by Pierce and his bunch of similarly cybernetically enhanced heavies, The Reavers. Laura appears having stowed away in the boot of Logan's limo, and disappears into the now long redundant smelting plant quickly followed by three Reavers. What follows is Laura proving who and what she really is - a mysterious young mutant who is very much like Logan, which is hardly surprising given that she was cloned from his blood, and using Logan's DNA Transigen weaponised clones of him. And so Laura quickly dispenses with the three goons, emerging carrying the head of one of those Reavers.

With Caliban captured, the three narrowly escape in Logan's limo leaving a trail of bloodshed, death and destruction in their wake. But Pierce, using Caliban's mutant tracking powers to follow them, is never far behind them. In a quiet moment, Logan and Xavier watch a video on Gabriella's phone showing that she hatched a plan to evacuate as many children out of the Tnansigen facility as she could, Laura included. They were breeding mutant children using DNA samples from several mutants, but as the children grew up and became stronger and more powerful, so they were increasingly harder to control. As that project became obsolete, so the order was given to terminate this children, hence the escape plan.

Taking the action to Oklahoma City en route to North Dakota, the three stop off at a hotel casino to freshen up, acquire a change of clothes and change their bullet hole ridden limo for a vehicle less obvious. There Logan finds one of Laura's comic books of the 'X-Men' and inside notices a reference to a safe haven for mutants known as 'Eden'. He deduces that no such place can exist as it is a place of fiction appearing in a common book and the work of someones imagination.

When returning from sourcing a new car, the Reavers and Pierce have caught up with the three mutants in the hotel, during which time Xavier suffers a seizure and telepathically freezes all those within the hotel casino and in the immediate vicinity. Logan is able to battle through Xaviers freezing seizure and inject him with a suppressant, but not before taking out all the gathered Reavers in the room where Xavier and Laura were being held.

While on the road having left the carnage of Oklahoma City behind them, they encounter a family on the highway who have a road traffic accident involving several horses they were carrying in a trailer behind. The threesome help by rounding up the horses, and out of gratitude the family invite them back to their homestead for dinner. Logan is keen to avoid this type of interaction, but is overruled by Xavier in favour of a comfortable charitable evening of home cooked food and a a warm welcome.

Logan and the husband of the family are distracted by a burst water main that take them off property to fix it. In the meantime, Pierce and his goons have caught up with the family and a real clone of Logan, X-24 (also played by Hugh Jackman in a younger version of himself) takes out the entire family and stabs Xavier through the chest inflicting life threatening wounds. Logan appears as X-24 is carrying off Laura heavily shackled. Logan and the feral clone of himself go head to head in an intense close quarter fight sequence, that sees the X-24 impaled on a combine harvester by the husband of the family who discovered his slaughtered wife and children, before succumbing to X-24's razor sharp claws himself.

Caliban meanwhile sacrifices himself by detonating two hand grenades in the back of the truck where he is being held captive by Pierce and Dr. Zander Rice (Richard E. Grant), the brains behind the Transigen projects, and whose father Logan killed when he escaped from the Weapon X programme at Alkali Lake.

Laura and Logan bury Xavier, and then Logan collapses exhausted. He wants to abandon the worthless trip to Eden, but Laura convinces him to see his commitment out. X-24 is far from dead meanwhile having been administered a regeneration serum to aid and speed up his healing process. Logan and Laura duly arrive at Eden and are greeted by the other escaped mutant children. Logan is nursed back to a degree of health through two days of almost solid sleep and small doses of a healing serum administered by one of the teenage children, Rictor (Jason Genao).

At this point Logan agrees to part company with the group of mutant children, and waking the next morning from his deep slumber he finds Eden deserted and the children gone. Through a telescope perched high in a look out he spies the Reavers in the forest in the distance in hot pursuit of the children. He has no alternative but to go to their aid. Gaining ground and in close proximity, Logan injects himself with an overdose of the healing serum which sends him into a rage, in which he quickly dispenses with many Reavers before the serum wears off. Leaving only Rice, Pierce, X-24 and a few remaining Reavers, the children use their combined powers to dispense with Pierce and the last of the Reavers. Logan shoots Rice and kills him, and then goes head to head with X-24 in a brutal bloody battle to the end.

The upshot of all of this, is that the mutant children make it to safety we have to assume as they cross the border in search of a new beginning, and those that will give them safe harbour.

The critics and the audiences have praised 'Logan' and deservedly so. This is not your usual run 'o' the mill Superhero movie. The performances from Jackman, Stewart and Keen especially are all first rate. Jackman portrays Logan as the broken, weakened, vulnerable ageing man - a shadow of his former cigar munching wise cracking invincible self that represents probably his best performance as Wolverine/Logan in his seventeen year run. Stewart too lets down his guard completely as an equally broken man no longer in control of his emotions or his senses, rambling on, unsteady on his feet, and devoid of any greatness that he portrayed in previous 'X-Men' instalments. And as for young Keen - she could turn on a dime from sweet innocent young girl to menacing strength and ruthless killer in a heartbeat, and delivers her role convincingly. The story is well conceived, brutally acted out with slice and dice action sequences that deliver a high body count but not in the traditional Superhero way, but in a more grounded realistic way, and decidedly more adult oriented fare that delivers on just about every level. Catch it on the big screen while you can - you won't be disappointed.

-Steve, at Odeon Online-

Wednesday, 1 March 2017

What's new in Odeon's this week : Thursday 2nd March 2017.

The 89th annual Academy Awards were held on Sunday evening 26th February 2017 at the Dolby Theatre in Hollywood, Los Angeles, California hosted for the first time by Television Personality Jimmy Kimmel. Awards were presented in 24 categories in front of a global audience of several hundred million viewers, with the who's who of film and television talent announcing the winners on the night including Ben Affleck and Matt Damon, Halle Berry, Mark Rylance, Leonardo DiCaprio, Brie Larson, Alicia Vikander, Javier Bardem, Amy Adams, Seth Rogen, Michael J. Fox, Chris Evans, Scarlett Johansson, Charlize Theron, Samuel L. Jackson, Warren Beatty, and Faye Dunaway. The night was not without incident, which will go down in Oscar history, when the wrong Best Picture Winner was announced after the Producers of 'La La Land' were into their acceptance speeches and had to hand their golden statues to the Producers of 'Moonlight' as the rightful recipient of this most prestigious and coveted award. All that aside, the usual glitz and glamour was on show for all the world to see on this Hollywood Night of Nights, which yielded the following list of winners & grinners in the main categories:-

* Best Picture : 'Moonlight' (eventually!)
* Best Director : Damien Chazelle for 'La La Land'
* Best Animated Feature Film : 'Zootopia'.
* Best Foreign Language Film : 'The Salesman' (from Iran)
* Best Actor : Casey Affleck for 'Manchester by the Sea'
* Best Actress : Emma Stone for 'La La Land'
* Best Supporting Actor : Mahershala Ali for 'Moonlight'
* Best Supporting Actress : Viola Davis for 'Fences'
* Best Original Screenplay :  'Manchester by the Sea' by Kenneth Lonergan
* Best Adapted Screenplay : 'Moonlight' by Barry Jenkins
* Best Original Score : 'La La Land'
* Best Original Song : 'La La Land' - 'City of Stars'
* Best Visual Effects : 'The Jungle Book'.

All up 'La La Land' took out six Oscars out of the fourteen it was nominated for, with Best Cinematography and Best Production Design in addition to those four mentioned above; 'Moonlight' took out three; 'Manchester by the Sea' and 'Hacksaw Ridge' each took out two, with the latter picking up Best Editing and Best Sound Mixing gongs.

This week there are five new release films kicking off with an ageing ailing Superhero action offering that sees a popular mutant character bow out for the last time, together with his mentor, but he won't go down without a fight! Then we turn to an Australian period piece coming of age drama set in remote Western Australia and based on  much loved book; then a modern political intrigue thriller set in the corridors of power in Washington D.C.; followed by a WWII couple trying to turn the tide against Hitler's onslaught by writing postcards, and wrapping up with Groundhog Day revisited for this student who has a few things to work out.

Remember too that you are cordially invited to record your own relevant and constructive movie going thoughts and observations by leaving a Comment below this or any other Post. We'd love to hear from you, and meanwhile, enjoy your movie experience this week.

'LOGAN' (Rated MA15+) - Hugh Jackman has been playing the character of James 'Logan' Howlett aka 'Wolverine' aka 'Weapon X' for the past seventeen years and has appeared in nine 'X-Men' films including this latest release which he says will be his last outing as the titular wisecracking adamantium clawed Superhero. He first appeared in 2000's 'X-Men' and then in 2003's 'X2', then in 2006 in 'X-Men : The Last Stand'. In 2009 Logan got his first stand alone feature in 'X-Men Origins : Wolverine' and was Directed by Gavin Hood bringing in US$374M at the global Box Office. 'X-Men : First Class' followed in 2011, then 'The Wolverine' in 2013 another stand alone feature Directed by James Mangold and bringing in US$415M in worldwide receipts. 'X-Men : Days of Future Past' was released in 2014, and then 'X-Men : Apocalypse' in 2016. All up those first eight 'X-Men' films in which Wolverine/Logan has appeared have generated US$3.6B at the Box Office from a budget outlay of US$1.2B. Now 'Logan' is back in his final instalment (allegedly) and is once again Directed by James Mangold and this time on a US$127M budget in this third stand alone offering and the tenth film in the 'X-Men' franchise. The film premiered at the Berlin International Film Festival a few weeks ago and gets its worldwide release this week. Early reports have been very positive, with some saying it is the best 'X-Men' film to date.

Set in a near future world where the mutant population is dwindling, with no new mutant births in over twenty years. With it Professor X's (Patrick Stewart) dreams of a brave new world featuring a new stage of mutant evolution have slowly died. Logan (Hugh Jackman) has settled into a life as a limo driver somewhere on the Mexican border and scrapes together a meagre living while hustling medication for an increasingly infirm and ageing Professor X whom he cares for in a ram shackle home shared with Caliban (Stephen Merchant) who looks after and attends to the ailing Professor whose telepathic powers have now become unstable with his advancing years. Logan too is ageing and his powers aren't what they used to be. Logan's efforts at lying low and trying to escape his legacy are thwarted with the sudden arrival of mystery woman Gabriella (Elizabeth Rodriguez) who seeks his help for Laura Kinney (Dafne Keen) a young eleven year old girl with powers very similar to Logan's own - after all, she is a female clone created from his blood. Dark forces are hot in pursuit of young Laura and so Logan is drawn back into the centre of the action as he seeks to protect the young girl despite his failing abilities. Richard E. Grant and Boyd Holbrook also star.

'JASPER JONES' (Rated M) - based on the 2009 book of the same name by author Craig Silvey, this Australian drama film was made for AU$5.5M, is Directed by Rachel Perkins, and stars a line up of fine Aussie acting talent. Set in the mid 1960's in a remote Western Australian mining town, Charlie Butkin (Levi Miller) a bookish early teenage lad is visited unexpectedly on Christmas evening by Jasper Jones (Aaron L. McGrath) - a mixed white/Aboriginal rebellious outcast in the community who pleads with Charlie for his help. Jasper leads Charlie to a clearing in the bush where hanging from a tree, very dead and battered is Jaspers girlfriend. With Jasper fully aware that he is likely to be blamed for the girls death, he plans a cover up with Charlie. What ensues over the following week is an investigation, finger pointing, speculation and suspicion that will consume the whole community. Meanwhile, Charlie's coming of age story involves him facing up to the tragedy of his family break-up, him meeting his first true love and what it means to be really courageous. Also starring Toni Collette, Hugo Weaving, Matt Nable, Angourie Rice and Dan Wyllie.

'MISS SLOANE' (Rated M) - this political thriller set in Washington D.C. is Directed by John Madden, cost US$13M to make, was released Stateside in late November last year and has received generally positive Reviews and garnered its lead actress, Jessica Chastain, a Golden Globe nomination. Set amidst the power play of political activists, Elizabeth Sloane (Chastain) is revered as a political lobbyist without equal, who always wins and is known for her cunning and her never say die attitude. However, when she is confronted by the most powerful political opponent of her career, she comes to realise that perhaps there is more to life than winning. Also starring John Lithgow, Mark Strong, Sam Waterston and Gugu Mbatha-Raw.

'ALONE IN BERLIN' (Rated M) - this WWII fictionalised drama is based on the 1947 novel of the same name by Hans Fallada which is based on real life couple Otto and Elise Hempel, is Directed by Vincent Perez and Premiered at the February 2016 Berlin International Film Festival and began its staggered worldwide release in Germany in September last year, eventually arriving Down Under this week. Telling the story of Otto and Anna Quangel (Brendan Gleeson and Emma Thompson respectively) who upon learning of the death of their only son, begin their personal quest to undermine the Nazi's and Adolf Hitler. The couple start writing postcards with messages urging people to stand and protest against Hitler and his Nazi's, and then placing the cards in prominent places where they will attract the most attention. Police Inspector Escherich (Daniel Bruhl) is tasked with finding the originator of the postcards, and seeing that justice is served as only the Gestapo know how to serve it.

'BEFORE I FALL' (Rated M) - based on the 2010 book of the same name by Lauren Oliver, this drama film is Directed by Ry Russo-Young and surrounds Samantha Kingston (Zoey Deutsch), a high school senior student who on 12th February, discovers that she may be living the last day of her life over and over and over again, until she gets it right! Knowing that you only had one day left on this mortal coil, what would you do, where would you go, who would you see, what would you say. Amidst all of these questions and others, she must unfathom the mystery surrounding her death and discover the true meaning of everything she may yet lose over the course of one inexplicable week. The film has received generally positive Reviews.

That's it for this week! Five films to tempt you out to your local movie theatre with a comic book adaptation, three book adaptations and a work of fiction  Plenty of varied choice then, and remember to share your views with your like minded cinephiles. In the meantime, I'll see you somewhere, sometime at your local Odeon in the week ahead.

-Steve, at Odeon Online-

Sunday, 14 February 2016

DEADPOOL : Saturday 13th February 2016.

'DEADPOOL' - which I saw over the weekend is the latest big screen adaptation to join the Marvel Cinematic Universe that will also see  another 'Captain America' instalment come April, 'X-Men : Apocalypse' following in May, 'Doctor Strange' in October, and 'Daredevil' on Netflix in March. Back though to the matter in hand! This is not the first time we have seen 'Deadpool' on the big screen, with the character making his first appearance in 'X-Men Origins : Wolverine' in 2009 when Ryan Reynolds portrayed this character back then too. Development of this first film kicked off way back in 2000, initially stalling and then passing through several Studios and Writers along the way. Tim Miller was hired to Direct in 2011 with filming starting in Canada in early 2015. Reynolds had always wanted to play the character of Wade Wilson/Deadpool since 2003 and was assigned to the project as it went though numerous iterations over the years. With this film greenlit, he stated that this adaptation of the Superhero character would be more authentic than the role he portrayed in the earlier 2009 'Wolverine' outing, and so he we are, and it certainly is that! Probably like no other 'superhero' we have seen before! Made for US$58M the film has so far grossed US$60M since it opened internationally from 10th February, and is expected to do great things financially.

The film opens with a credit sequence depicting an action scene frozen in time with the camera panning though the minute details of the carnage that would go otherwise unnoticed at full speed, as very tongue in cheek credits scroll across the screen that raised more than smile from the largely gathered male teenage audience I was sat amongst. This sets the tone for a very different Marvel Studio's adaptation of the latest character to get its own big screen treatment, and, it's a welcome change.

Once the opening title sequence is done, the action ramps up to the minutes before that frozen in time title sequence occurred, and we meet our character Deadpool (Ryan Reynolds) sat in the back of a yellow cab driven by Dopinder (Karan Soni). The two strike up a conversation, like it's an every day occurrence that a masked man in a red and black suit brandishing samurai swords, semi automatic hand guns and knives, around what each of them do in their lives and what has brought them to this point - to create a bit of back story. When Deadpool needs to exit the cab on a bridge above a very busy freeway, he does so and jumps off the bridge and into the seat of a black 4WD below, which is part of fleet of such cars and motorcycle outriders headed up by the villain in the piece Ajax/Francis Freeman (Ed Skrein). The carnage that follows is loud, proud, brutal and bloody as our main man Deadpool dispenses with the bad guys in all manner of ways that leave nothing to the imagination - it's great fun! This then brings us up to speed with that frozen its time opening title sequence, and by now we can piece together the events that led us to this point, but there are more gaps still to be filled in.

After this, it's time to slow things down apace and we go back two years for the origins of how Wade Wilson became Deadpool. A former special ops soldier turned mercenary when his active duty came to an end, he now spends his time protecting young girls from stalkers and low-lifes in New York City. One night he meets up with Vanessa Carlysle (Morena Baccarin) an escort, and they quickly hit it off, and they spend the next twelve months having gratuitous sex. One night Wade proposes marriage to Vanessa, and after she accepts, he collapses and passes out. Consultation later with a Doctor reveals that he has terminal cancer.

Later still, Wilson retreats to the bar where he first met Vanessa and is met by The Recruiter (Jed Rees) who offers him a cure and enhanced powers if he undergoes experimental surgery, which Wilson scoffs at and says thanks but no thanks. He leaves, but with The Recruiters calling card. Days later, he has a change of heart when considering what will become of him and Vanessa as the cancer takes hold. He is taken to a 'hospital' where 'Project X' experiments, tests and surgery is conducted on both willing and unwilling patients to either reveal or harness that mutative powers, and where many perish. Wilson is strapped down, and injected with a special serum by Ajax/Francis Freeman overseen by Angel Dust (Gina Curano), who then sets about a series of 'tortures' lasting several weeks in order that his mutations may manifest themselves. With no success after this time Wilson is strapped into an airtight chamber and deprived of oxygen in a final attempt to release his mutations. This is successful which gives him increased strength, the ability to heal quickly, disfigures his skin in the process, and even more twisted sarcastic quick witted sense of humour than he possessed before. He is able to break out of the chamber and bring the facility down in an explosion which sees Ajax and Wilson face off, leaving Wilson for dead as the building burns around him and he is left impaled on an iron bar. But, Wilson is now immortal, and can heal from anything - even from impalings and being burned alive it would seem.

As we progress Wilson adopts the name 'Deadpool' after discussion with his friend and bar owner Weasel (T.J.Miller) who also runs a running bet in his bar on who of the mercenaries who frequent his fine establishment will die next - hence 'Deadpool'. Determined to wreak his revenge on Ajax/Francis, Deadpool begins taking out various underworld syndicates and lynchpins to determine the whereabouts of his ultimate quarry. One by one they meet with a grizzly and merciless end, as Deadpool refines his image and the practicalities of his suit and weaponry. Meanwhile we have come to know that Ajax is a mutant too with an inability to feel any pain - physical and emotional, and also has enhanced strength, and Angel Dust has superhuman strength and speed. However, maintaining the 'X-Men' tie-in quite nicely, Wilson visits the home of Charles Xavier and seeks the previously offered support of Peter Rasputin/Colossus (Stefan Kapicic) and his teenage trainee mutant sidekick Negasonic Teenage Warhead (Brianna Hildebrand). We are not introduced to any other X-Men, but there is ongoing reference to them throughout the film - Wolverine especially.

By now we've pretty much got the whole back story, and we come full circle to the opening scenes again where we have just Deadpool and Ajax remaining, but with Colossus and Negasonic Teenage Warhead intervening, Ajax is able to escape. Ajax then wants to dispense with Deadpool once and for all and so hatches a plan to kidnap Vanessa and lure Deadpool out into the open for the final showdown. Of course the final set piece is delivered in spectacular Marvel fashion with Deadpool, Colossus and Negasonic Teenage Warhead facing off against Ajax and Angel Dust and a whole bunch of goons who all buy the farm in no uncertain terms. Deadpan gets his revenge, Vanessa and Wilson are reunited at which point she learns the truth about what he has been thorough and what has happened to him as a result, and the way is paved for Deadpool to join the X-Men as a bona fide paid up card carrying member of that elite team.

Throughout the film Wilson/Deadpool gives us a running commentary of his views on life, plot developments, back story, the X-Men, Wolverine, the film making process, his love of 80's popsters 'Wham', and his general wise cracks, quips, anecdotes and smart ass comments. Often he talks directly to the camera and references breaking the fourth wall several times, and it is this narration that sets 'Deadpool' aside from almost all of its predecessors (aside from 'Kick-Ass' perhaps!), plus the more graphic violence that is not seen in other Marvel offerings to the same extent.

Deadpool is a smart-ass bad-ass wise-cracking take no prisoners down to Earth grounded reluctant sexed-up rude crude superhero, that has knocked convention on the head and taken us along for a roller coater ride of bloody violent fast paced action, humour and pathos. It is great fun, not to be missed, and with a sequel already greenlit and Director Tim Miller offered the gig too, then the second instalment can't come soon enough. Watch out for the obligatory Stan Lee cameo, and if you can sit though the closing credits right to the end there is a final sequence involving Deadpool wearing a dressing gown and slippers setting the scene for a sequel, maybe, and a few other tongue in cheek messages to take home!



-Steve, at Odeon Online-