Showing posts with label Peter Berg. Show all posts
Showing posts with label Peter Berg. Show all posts

Wednesday, 29 August 2018

What's new in Odeon's this week : Thursday 30th August 2018.

In this cinematic world peppered by more than its fair share of film festivals, here is a heads up on one of the more renowned, meaningful and arguably the world's largest such festivals coming to a Canadian city near you in a week or so's time. The 43rd annual 'Toronto International Film Festival' (aka 'TIFF') launches on September 6th and runs through until 16th September 2018. The official website, which can be found at : https://www.tiff.net states that 'TIFF is a charitable cultural organisation with a mission to transform the way people see the world through film. TIFF is dedicated to presenting the best of international and Canadian cinema and creating transformational experiences for film lovers and creators of all ages and backgrounds.' Among its slew of films being screened this year there are sixteen gala Presentations, 34 Special Presentations and thirteen films Directed by women.

The opening night film is 'Outlaw King' as Directed, Co-Produced and Co-Written by David Mackenzie and stars Chris Pine, Aaron Taylor-Johnson, James Cosmo, Stephen Dillane and Florence Pugh. Telling the story of the legendary King of the Scots, Robert the Bruce, and his battle to regain control of Scotland after he is declared an outlaw by the King of England for helping himself to the Scottish crown, and creating civil war, the film sees its World Premier at TIFF and goes on general release in November.

The closing night film is 'Jeremiah Terminator LeRoy' Directed and Co-Written by Justin Kelly and stars Laura Dern, Kristen Stewart, Diane Kruger, Courtney Love and Jim Sturgess. Based on the memoir 'Girl Boy Girl : How I Became JT LeRoy' by Savannah Knoop, the film tells the story recounting how Savannah Knoop spent six years under the guise as writer Laura Albert's literary alias JT LeRoy. This film also sees its World Premier screening at TIFF.

For more happenings, goings-on, and news from TIFF, keep watching and reading Odeon Online in future weeks.

This week there are six latest release movies coming to your local Odeon. We kick off the week with a now frequent collaboration between this Director and his action star leading man in this tale of a team of covert Special Op's agents racing against the clock and against the odds to get their asset to a rendezvous point for his safe extraction. Next up is a Sci-Fi actioner of a young fella who stumbles across a pack of seemingly unconscious aliens, hurriedly picks up one of their weapons and then goes on the run with his brother chased down by said aliens and a no good criminal type. Then we turn to a comedy offering featuring a super rich Singaporean family, their most eligible bachelor son and his girlfriend who must prove herself worthy. This is followed by a foreign language offering about a clash of cultures that started out petty enough but turns quickly into a media frenzy and a court room drama watched on by a volatile nation. Coming next is an Aussie RomCom about a restaurant owner and an Actor who had a whirlwind romance in the past, broke it off and then come together again five years later . . . to rekindle that flame, perhaps! And we conclude this weeks new releases with an animated feature about a twelve year old lad who stumbles across three aliens who have crash landed close to his home and who join forces to help each other out of a challenge or two.

Whatever your taste in big screen film entertainment is this week - be it any of the six latest release new movies as Previewed below, or those doing the rounds currently on general release and as Reviewed and Previewed in previous Blog Posts here at Odeon Online, you are most welcome to share your movie going thoughts, opinions and observations by leaving your relevant, succinct and appropriate views in the Comments section below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your big screen Odeon outing during the coming week.

'MILE 22' (Rated MA15+) - this American action thriller is Directed and Co-Produced by Peter Berg who has been Acting in, Directing, Producing and Writing television series episodes and feature films since 1988 and has picked up various award wins and nominations along the way too. This film marks his fourth big screen collaboration with Mark Wahlberg since the real life dramas of 'Lone Survivor' in 2013, 'Deepwater Horizon' in 2016 and 'Patriot's Day' also in 2016. Now in 2018 the pairing of Berg and Wahlberg leave behind the realms of true events and head for a fictionalised story of a crack team of CIA paramilitary agents operating covertly above the law. The film was released in the US two weeks ago, has so far recovered US$32M from its US$45M Budget outlay and has received generally unfavourable Reviews.

And so CIA operative James Silva (Mark Wahlberg) leads a small but deadly paramilitary team consisting of Alice Kerr (Lauren Cohen), Sam Snow (Ronda Rousey) and William Douglas (Carlo Alban) on an urgent and dangerous assignment. They have to transport a foreign intelligence asset, Li Noor (Iko Uwais) who holds life threatening information, from an American Embassy in Southeast Asia to an airfield for extraction, a distance totalling twenty-two miles. Silva and his Team soon find themselves in a race against time as the city's military, Police and street gangs close in to reclaim the asset. Cue big action spectacle, car chases, explosions and lots of gun play. The film also stars John Malkovich and Peter Berg.

'KIN' (Rated M) - here we have an American Sci-Fi action drama offering Directed by Jonathan and Josh Baker and based on their earlier 2014 short film 'Bag Man'. Eli Solinski (Myles Truitt) is a  twelve year old adopted lad who ventures out to collect scrap metal from his local junkyard, but instead of finding recyclable scrap uncovers a buried frozen chamber nearby filled with armoured bodies that could only be of alien origin. As one of the life forms begins to move, Eli quickly grabs what looks to be its weapon and runs home to his Dad Hal (Dennis Quaid), where he finds his older brother Jimmy (Jack Reynor) who has just been released from a six year jail term. Now armed with a mysterious weapon, Jimmy and Eli go on the run from a vengeful criminal Taylor Bolek (James Franco) whom Jimmy owes protection money to, and a gang of otherworldly soldiers. These two young fugitives find that this incredibly powerful weapon that Eli maintains a tight grip on might be their only protection in their increasingly desperate attempt to stay alive. Also starring Zoe Kravitz and Carrie Coon, the film is released Stateside this week too.

'CRAZY RICH ASIANS' (Rated PG) - based on the 2013 novel of the same name by Kevin Kwan, this romantic comedy drama is Directed by Jon M. Chu whose previous Directing credits include 'Step Up 2 : The Streets', 'Step Up 3D', 'G.I.Joe : Retaliation' and 'Now You See Me 2'. The story here sees Rachel Chu (Constance Wu) who is happy to join her longtime boyfriend, Nick (Henry Golding), to his best friend's wedding in Singapore. Upon arrival she is somewhat surprised to learn that Nick's family is very wealthy and that he would be considered one of the country's most eligible bachelors. Suddenly and unwittingly thrown into the spotlight and under the microscope, Rachel must now contend with jealous wannabe socialites, quirky relatives and something much more unimaginable in the form of Nick's disapproving mother. Also starring Awkwafina, Ken Jeong and Michelle Yeoh, the film has so far taken US$87M at the Box Office from its Budget outlay of $30M and has garnered generally positive press. If this film performs well, watch out for possible follow on films, as Kwan has written two sequel novels - 'China Rich Girlfriend' and 'Rich People Problems'.

'THE INSULT' (Rated M) - this acclaimed Lebanese drama film was screened in the main competition at the Venice Film Festival earlier this year and was nominated for an Oscar in the Best Foreign Language Film category at this years Academy Awards. Directed and Co-Written by Ziad Doueiri the film is set in present day Beirut when an insult blown out of all proportion finds Tony Hanna (Adel Karan), a Lebanese Christian, and Yasser Salameh (Kamal El Basha), a Palestinian refugee, in a tense courtroom drama over an altercation and a heated exchange of words stemming from repairs to the guttering of Tony's apartment. From secret wounds to traumatic revelations, the media frenzy surrounding the case puts Lebanon through social turmoil, forcing Tony and Yasser to reconsider their prejudices, and their lives ultimately. Also starring Rita Hayek, Camille Salameh, Diamand Bou Abboud and Christine Choueiri.

'THE FLIP SIDE' (Rated M) - this Australian RomCom is Directed, Co-Written and Co-Produced by Marion Pilowski in her feature film Directorial debut. Here Ronnie (Emily Taheny) is a struggling Adelaide restaurant owner/operator looking after her elderly mother and living with good-hearted and warm natured boyfriend Jeff (Luke McKenzie). Five years ago, while catering on a film set in Australia, she had an intense affair with British movie star, Henry (Eddie Izzard). Despite wild declarations of love at the time, as the film shoot wrapped so did their relationship, breaking Ronnie’s heart. When Henry’s French girlfriend Sophie (Vanessa Guide) calls to say they will be in Adelaide on a promotional tour for Henry's next film, Jeff excitedly agrees to meet up and unwittingly creates the perfect opportunity for Henry to seduce Ronnie once more with repercussions he may well live to regret.

'LUIS AND THE ALIENS' (Rated PG) - aka 'Luis and His Friends from Outer Space' is a German animated feature film Directed and Co-Written by Christoph and Wolfgang Lauenstein with Sean McCormack taking a Co-Director credit too. The film tells the story of a twelve year old lad named Luis Sonntag (Callum Maloney) who makes friends with three loveable little aliens Wabo, Mog and Nag (Dermot Magennis, Ian Coppinger and Paul Tylak respectively), who crash land their space ship into his house somewhere in small-town America and have become stranded on our little blue planet. In exchange for Luis' help in finding the home-shopping channel products they came for, they save Luis from boarding school (a fate worse than death, surely?) amidst a whole pile of fun and (mis)adventure along the way.

With six new release films this week to tempt you out to your local Odeon, remember to share your movie going thoughts with your other like minded cinephile friends afterwards here at Odeon Online. In the meantime, I'll see you sometime somewhere in the week ahead at your local Odeon.

-Steve, at Odeon Online-

Friday, 17 February 2017

PATRIOTS DAY : Tuesday 14th February 2017.

'PATRIOTS DAY' is another real life dramatic thriller Co-Written for the screen and Directed by Peter Berg who also brought us last years 'Deepwater Horizon' and 'Lone Survivor' in 2013 which both also starred, like this offering, his go to actor for playing the uniformed ordinary everyman caught up in extraordinary circumstances - Mark Wahlberg. Based on the book 'Boston Strong' by Casey Sherman and Dave Wedge this tells the story of the 2013 Boston Marathon Bombing. Costing US$45M to make the film has so far recovered US$38M since its US release at Christmas time. The film has garnered generally positive Reviews from critics and film goers alike.

The film opens up with Boston Police Department Sergeant Tommy Saunders (Mark Wahlberg) busting down a door with his leg to get to a drug dealer inside a seedy downtown apartment. The bust goes according to plan, except that Saunders has hyper-extended his leg and now walks with a limp and a knee brace for the rest of the film. Immediately following the bust his superior officer, Commissioner Ed Davis (John Goodman) arrives and orders that Saunders reports for Marathon Supervision duties the next day wearing his Police Uniform. He tries to argue back but is quickly brought down a peg by Davis reminding him of some earlier misdemeanour for which he is serving out time on dead beat duties, and tomorrow is his last day of servitude and then he has a clean slate again thereafter. He arrives back home in the early hours of the morning having had a few beers with the boys, wakes his wife Carol (Michelle Monaghan) who dismisses him, and settles onto the sofa with another beer - he has to be up for Marathon duty in less than five hours. The next day, April 15th 2013, with his Police Uniform neatly pressed and high viz jacket on, the pair kiss and bid their farewells.

The next day cuts to an apartment where radical Islam brothers Tamerlan Tsarnaev (Themo Melikidze) and Dzhokhar Tsarnaev (Alex Wolff) are making final preparations for a bomb attack on the Boston Marathon. Using home made devises loaded with all manner of harm inflicting shrapnel, they load the improvised explosive devices into two back-packs and make off for their destination. We trace their journey to the proximity of the finish line, negotiating their way through the crowds of onlookers and revellers out enjoying the Patriots Day public holiday. They weave in and out of spectators young and old, security personnel, Police, and other officials and then lay their back packs at their feet, turn around and depart from whence they came. No one suspects a thing. Pacing up and down the street meanwhile is Tommy Saunders taking it all in and sharing a joke with his on-duty fellow Police Officers. Then boom, as an explosion rips through the crowd just a block away quickly followed by another with smoke billowing out from the side of the street close to the finish line.

With widespread panic all around, Saunders and his fellow Officers are close at hand to issue orders, call in all necessary emergency support and provide assistance to the injured. It's a scene of carnage as the low positioned bombs radiated out their deadly shrapnel on most victims from the waist down. There are badly lacerated legs, ankles and feet, and severed lower limbs lying on the blood soaked pavement - it's a picture of death and destruction. We follow ambulance crews and paramedics attending to the injured and needy and then move to several hospitals where emergency surgery is being performed to amputate legs - on young husband and wife Patrick Downes (Christopher O'Shea) and Jessica Kensky (Rachel Brosnahan) separated after the blast and taken unconscious to separate hospitals.

Quickly afterwards various law enforcement authorities began to gather at the scene while the emergency services go about their business. With Saunders giving orders to his fellow Police Officers on the ground, so arrives Commissioner Ed Davis, with FBI Special Agent Richard DesLauriers (Kevin Bacon) who survey the fall out and determine if this was a terrorist attack. Upon initial inspection DesLauriers is uncertain, but his mind is soon made up when he picks up a cluster of small blood soaked ball bearings. At this point DesLauriers assumes command and is in charge of operations. For now though he places a widespread embargo on any communication with the press or the media about a possible terrorist attack pending investigations and to avoid the news frenzy associated with acts of terror, especially on American soil.

Within no time a Command Centre is established in an abandoned warehouse where all manner of technological hardware, state of the art software, a reconstruction of the street scape and blast zone, and a whole army of analysts, surveillance experts and officials are mobilised to track down whoever did this. They begin by tapping into every camera lining the streets and those inside shops, cafes, bars and restaurants; using all the abandoned mobile phones from the scene and scanning text messages, photos and videos; and talking to witnesses at the scene, including those hospitalised. Saunders goes home to his wife, emotionally distraught at the sights he has witnessed over the preceding fourteen hours or so. In no time however, he receives a call to come into the Command Centre. There Saunders knowledge of the city and camera locations is put to the test as a person of interest is identified from the footage of the blast zone immediately before the explosions. Tracking the suspects possible whereabouts they trace back his journey in an attempt to get a clear photograph of the individual and any accomplice. It's not long before they do!

With clear photos of the two suspected bombers DesLauriers remains reluctant to go to the press without further hard evidence, but is hand is forced when Fox News announces that they have leaked photos of the suspects that they are going to release on their news channels soon. With photos of the perpetrators out there on all the news channels, the authorities hope that the people of Boston will come forward with information leading to a prompt capture . . . but it doesn't happen.

Meanwhile, the Tsarnaev brothers attempt to lay low while preparing for their next attack - in New York, but they have to get there first. They load up a car with their makeshift explosive devices in two boxes, and head out late at night. They need another weapon with which to protect themselves and so happen upon young Police Officer Sean Collier (Jake Picking) who is on night watch at a University Campus. They ambush him at gun point in his parked patrol car and shoot him twice in the face and attempt to steal his Police issue weapon, but Collier fights back from his drivers seat but is eventually overpowered with several more rounds shot into him at point blank range.

On the outskirts of the Campus, texting while parked in his new Mercedes SUV, Chinese student Dung Meng (Jimmy O. Yang) is car jacked by the two brothers and held captive at gun point. It is now 18th April, late at night, and the brothers brag to their captive that it was they who committed the Boston Marathon bombing and intend to do so again in New York. Meng is fearful for his life at the hands of the two bombers who now have him captive in his own car en route to New York. At a petrol station where the brothers stop to refill for fuel and food, Meng spies his chance to make a bolt for it and does so across the street into a convenience store and immediately calls the Police crouched behind the cashiers desk.

Saunders arrives at the scene and meets with Meng who, in his panicked pigeon English, reveals what the bombers said to him, and the number of his cars GPS tracking device so that they can follow the Mercedes. In Watertown the Mercedes is tracked down to a side street and a passing Police patrol car recognises the vehicle from the alert put out and goes in pursuit. The Mercedes is parked up in a quiet side street, that is about to turn very bloody and very noisy as an all out gun battle ensues between the two armed brothers and the gathering Police force including Police Sergeant Jeffrey Pugliese (J.K.Simmons). The brothers also use their stash of homemade bombs and in the ensuing firefight several Police Officers are injured, vehicles trashed, but Tamerlan is shot by Pugliese and then ran over by his brother who makes his getaway in the Mercedes. Tamerlan dies on the operating table a short time afterwards in the hospital from his wounds.

The next day the decision is made to lock down the city completely with a house to house search for Dzhokhar Tsarnaev. Saunders is back on the beat aiding the house to house investigations with the full force of the Police, and the military, as marshall law is declared temporarily and for the safety of Boston's citizens. A local man discovers someone hiding under the protective sheet covering his motor cruiser boat, and blood stains at the entry point at the boats rear. He calls the authorities, who converge on the property with Saunders and a colleague being the first to arrive at the scene. It's not long before the might of Uncle Sam reins down on the occupant of the boat who is indeed Dzhokhar Tsarnaev. He is promptly arrested after a brief stand-off, and the closing credits reveal that he is sentenced to death by lethal injection and is still awaiting an appeal in federal prison.

I enjoyed 'Patriots Day' and felt it was respectful to those that died and were injured in the attack, and the authorities, first responders, survivors and investigators who all played a part in the concerted effort to bring the Tsarnaev brothers to justice as quickly as they did. The film has clearly been meticulously researched and is professionally played out without over dramatising the events or glamourising the subsequent manhunt. This is a procedural Police investigative story that holds true to the timeline, and is told from several different perspectives splicing actual footage from the event into the film that adds authenticity to the suspense and the drama of one of the most sophisticated and celebrated manhunts in history that helped reunite the people of Boston.

-Steve, at Odeon Online-

Wednesday, 1 February 2017

What's new in Odeon's this week : Thursday 2nd February 2017.

Moving right along with the film and television awards season this year, Sunday evening 29th January saw the announcements of the 23rd annual edition of the Screen Actors Guild Awards. Held at The Shrine Auditorium in Los Angeles, California during a two-hour ceremony, Awards in six film and nine television categories were given. Unlike other awards shows like the Oscars and Golden Globes, this one does not have a host, which helps it move along more swiftly. From the world of film the winners and grinners were :

* Outstanding performance by a Male Actor in a Lead Role : Denzel Washington for 'FENCES' (released in Australia on 9th February)
* Outstanding performance by an Female Actor in a Lead Role : Emma Stone for 'LA LA LAND'
* Outstanding performance by an Male Actor in a Support Role : Mahershala Ali for 'MOONLIGHT'
* Outstanding performance by a Female Actor in a Support Role : Viola Davis for 'FENCES' (released in Australia on 9th February)
* Outstanding performance by a cast in a motion picture : 'HIDDEN FIGURES' (released in Australia on 16th February)
* Outstanding action performance by a cast in a motion picture : 'HACKSAW RIDGE'
* The Lifetime Achievement Award : Lily Tomlin.

This week there are just three new filmic offerings coming your way that start off with a critically acclaimed film of grief, loss and suffering as old wounds are re-opened in this small coastal community. We then turn to a real life and very recent terror attack staged during a community event and the aftermath as the antagonists were brought to account and that affected community came together again, stronger, united and more resilient than ever. We then wrap up with an '80's era tale of geologists, gold and greed as a down on his luck prospector hits pay dirt in the jungles of Borneo and has to fend off the power brokers in the jungles of Wall Street.

As is generally the way, when you have sat through your movie of choice in the week ahead, you are cordially invited to leave your own summary of your movie going observations, thoughts and opinions by posting your relevant, pertinent and brief Comment below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your film, wherever you might be.

'MANCHESTER BY THE SEA' (Rated MA15+) - Written and Directed by Kenneth Lonergan, Co-Produced by Matt Damon and Starring Casey Affleck in an award winning turn, this feature costing just US$8.5M to make has gained universal acclaim, brought in over US$43M since its World Premier at the Sundance Film Festival in January 2016 and subsequent tour around the festival circuit before its release Stateside at the end of November last year. The film has been nominated for six Academy Awards including Best Film, Best Director, Best Screenplay and three Best Actor nods for its three lead players (Affleck, Williams and Hedges), plus six BAFTA's nominations. Casey Affleck won the Best Actor Golden Globe for his lead performance, and it has accumulated a further 93 wins and 194 nominations, with the Oscar and BAFTA winners & grinners yet to be announced of course. Manchester-by-the-Sea is a real place by the way, located in Cape Ann, Essex County, Massachusetts with a population of just over five thousand and just 40kms northeast of Boston.

In a career defining performance the film centres around Lee Chandler (Casey Affleck) who works as a janitor in an apartment block in Boston. He's quiet, reserved, goes about his business by day and picks fights in bars by night. One day he receives a phone call from a family friend advising that brother Joe (Kyle Chandler) has suffered a heart attack. Before Lee can get to the hospital, Joe dies. Lee then travels to his home town of Manchester-by-the Sea to give the news of Joe's passing to his sixteen year old son Patrick (Lucas Hedges). In returning to Manchester however, Lee must face the memories of an even greater loss that threaten to re-open even greater wounds of a personal tragedy that he thought were behind him, and in so doing might just tip him over the edge forever. Michelle Williams also stars as Randi - Lee's former now re-married wife. Masterfully Directed, gracefully acted this is a film of sadness, loss, grief, self-loathing and suffering and how it impacts everyday folk in a small seaside community.

'PATRIOTS DAY' (Rated M) - this film is another real life dramatic thriller Co-Written for the screen and Directed by Peter Berg who also brought us last years 'Deepwater Horizon' which also starred, like this offering, his go to actor for playing the ordinary everyman caught up in extraordinary circumstances - Mark Wahlberg. Based on the book 'Boston Strong' by Casey Sherman and Dave Wedge this tells the story of the 2013 Boston Marathon Bombing. Costing US$45M to make the film has so far recovered US$32M since its US release at Christmas time. April 2013, and during the annual Boston Marathon two bombs are detonated in the crowd of onlookers causing widespread chaos and panic. In the aftermath of the attack Police Sergeant Tommy Saunders (Mark Wahlberg), Commissioner Ed Davis (John Goodman) and FBI Special Agent Richard DesLauriers (Kevin Bacon) join forces with survivors, other investigators and those first on the scene for the manhunt to bring the perpetrators to justice before they strike again. Also starring J.K.Simmons as Police Sergeant Jeffrey Pugliese, and Michelle Monaghan as Carol Saunders. The film has garnered generally positive Reviews.

'GOLD' (Rated M) - Directed and Co-Written by Stephen Gaghan, Co-Produced and starring Matthew McConaughey, and a strong supporting cast, this film had a limited release in the US on  December 30th before its wider release this week. Set in the 1980's, down on his luck and desperate prospector Kenny Wells (Matthew McConaughey) teams up with geologist Michael Acosta (Edgar Ramirez) to search for a hidden seam of gold deep within the Indonesian jungle of Borneo. They eventually hit gold, and the biggest strike of the decade that seems easy work compared to keeping hold of their new found wealth when the Wall Street power brokers begin to circle wanting a piece of the action. Also starring Bryce Dallas Howard, Corey Stoll, Toby Kebbell, Bruce Greenwood, Stacy Keach, Craig T. Nelson and Rachel Taylor. McConaughey for his role transformed himself once again with a pot belly, balding comb over and crooked teeth - a sight to behold . . . let's hope it's not 'Fool's Gold'!

With three big pictures to tempt you out on a hot Summer day or night sometime in the week ahead, together with those still doing the rounds and out on general release as Reviewed and Previewed between these humble pages in previous weeks, you really don't need any excuse! Get amongst it at your local multiplex, and I'll see you sometime, somewhere in the coming week, at your local Odeon.

-Steve, at Odeon Online-

Monday, 10 October 2016

DEEPWATER HORIZON : Wednesday 5th October 2016.

I caught at an advance screening last week of 'DEEPWATER HORIZON', which for those who don't know, was an ultra-deepwater, dynamically positioned, semi-submersible offshore drilling rig owned by Transocean. Built in 2001 in South Korea the rig was leased to the British Petroleum Company (BP) from 2001 until September 2013. In September 2009, the rig drilled the deepest oil well in history at a vertical depth of 10,700m in the Tiber Oil Field at Keathley Canyon block 102, approximately 400kms southeast of Houston, in 1,300m of water. On 20 April 2010, while drilling at the Macondo Prospect, an uncontrollable blowout caused an explosion on the rig that killed eleven crewmen and ignited a fireball visible from 65kms away. The fire was inextinguishable and, two days later, on 22 April, the Deepwater Horizon sank, leaving the well gushing oil at the seabed and causing the largest oil spill in U.S. waters. The oil spill that resulted continued until 15th July 2010 when it was finally capped off. Subsequently, BP have made it known that they have had to pay of US$55B in clean up costs and fines and that aside from themselves, Halliburton, the services contractor, and Transocean as the rig operator were also at fault.

This film charts that story as Directed by Peter Berg and made for US$156M that takes place in the Gulf of Mexico with the events leading up to that massive human, social, ecological and financial disaster. Starring Mark Wahlberg as chief electrician and oil rigger Mike Williams (whom Peter Berg has Directed previously in 'Lone Survivor' and the upcoming 'Patriots Day') who returning from some family time with his wife Felicia (Kate Hudson) and ten year old daughter Sydney (Stella Allen) is looking at a three week shift on the Deepwater Horizon rig. He helicopter's in from the mainland, a journey that takes about 45 minutes, and upon arrival before he has even had time to get changed out of his civvies, he is thrust into an argument about rig safety tests and all the equipment malfunctions and maintenance requirements that need urgent attention. This sets the scene for the disaster that is to come a few short hours later!

Arriving with other shift starters there is Andrea Fleytas (Gina Rodriguez) as the only female on the crew, Jimmy Harrell (Kurt Russell) as the rig's chief supervisor and a couple of corporate type executives from BP Head Office arriving for a show & tell of the rigs operations and to determine why the drilling programme is 40+ days behind schedule at a cost of tens of millions of dollars. Soon afterwards we are introduced also to Caleb Holloway (Dylan O'Brien) as the rig's youngest crew member, and Donald Vidrine (John Malkovich) as the BP engineer and rig supervisor, all joining the 120 or so crew members on board the rig.

Straight away it is clear that there are some hostilities between the guys on the rig employed to drill for oil and supervise the proceedings and ensure everything runs tightly and safely, and the suited and booted executives who are chasing their Profit & Loss statements, and asking questions of the financial kind. The executives don't like hearing the truth about safety concerns and inadequate testing regimes, when they have to answer to their superiors back in London. With drilling set to commence, Harrell seeks a test to check on the integrity of the cement casing of the seabed rig which the BP executives give the all clear for, but Harrell is adamant he wants the test. As so a 'negative pressure' test is conducted which initially causes concerns but Vidrine provides a scientific explanation for which Williams and Harrell find plausible. Still not satisfied that everything is as it should be, a second test is ordered which proves positive and so an order is given to commence drilling operations.

Williams and Harrell go about their business - Williams connects with his wife via a Skype call and Harrell freshens up in the shower, after being presented with a safety award and a bottle of Scotch for his exemplary safety record. By now the evening is wearing on. At 9:45pm during the last stages of drilling an exploratory well, a geyser of seawater erupted from the marine riser onto the rig, shooting over seventy metres into the air and up the rig. This was soon followed by the eruption of a slushy combination of drilling mud, methane gas, and water. The gaseous element of that slushy mixture quickly formed into a fully gaseous state and then ignited into a series of explosions that tore through the rig and its living quarters. The resultant firestorm quickly took hold ripping out vital technical, safety and communications infrastructure and killing several men in the process.

Whilst all hands seek to escape the firestorm and head for the lifeboats, Williams recovers from being blown backwards in the explosion but protected by a door that falls across him. Harrell, was showering when the explosion ripped through his quarters and he is semi-conscious, naked, covered in broken glass and shrapnel, and blinded. Williams searches him out, and together they make it to the Bridge amidst ongoing explosions all around the them and the collapse of the rigs infrastructure, where Fleytas is alerting the Coast Guard and Vidrine has just arrived looking the worse for wear too. With power fluctuating, Williams agrees to make an attempt to fire up the emergency generators with the help of a volunteering Holloway. After several attempts they succeed for long enough for Harrell to operate a kill switch so detaching the drill from the rig, and to reposition the rig itself. The final defence to prevent an oil spill, a device known as a blind shear ram, was also activated but failed to plug the well.

As moments tick away the majority make it to the life boats to be picked up by a nearby vessel that has been stationed close by to take on board all the mud sludge pumped up as a by product of the drilling process. In the end this leaves just Williams and Fleytas on the fiercely burning rig that is rapidly disintegrating all around them in balls of flame, big explosions and twisted metal. The surrounding sea is also ablaze, and so the two need to make it to the helipad to be sure of a clear jump into the sea below and so avoiding being engulfed by flame. After some hesitation on Fleytas part, Williams man handles her off the rig and into the boiling sea below - to be picked up moments later and taken to safety.

We then cut to the next day with the survivors from the rig all holed up in a hotel with a media frenzy going on around them. Williams, Harrell, Holloway, Vidrine, and Fleytas made it out alive luckily, thanks largely to the bravery of Williams, but eleven men were less fortunate. Williams breaks down emotionally in his hotel room and is comforted by Felicia and Sydney, before making his exit from the hotel. On his way out he meets Harrell, stitched and bandaged up and now visibility restored, and he exchanges knowing glances with Holloway too.

Here Wahlberg plays the grounded everyman thrust into extraordinary circumstances to help rescue some of his co-workers while his family and the world watch on as ultimately the Deepwater Horizon  disappears into the ocean into a deep fiery grave. Featuring a top cast who do not overplay the heroics, top notch effects and a story that is a believable, authentic telling of human courage in the face of adversity writ large. For a relatively short running time of under two hours, the action when it come is immersive, gripping and well executed. It takes you right into the centre of the action as though you, the viewer, are there back then on April 20th 2010. See it on the big screen - you won't be disappointed, and well worth the price of your ticket.
-Steve, at Odeon Online-

Wednesday, 5 October 2016

What's new in Odeon's this week : Thursday 6th October 2016.

What is it about real life drama and true story disaster films that make them so compelling? Perhaps it is because we see everyday people thrust into extraordinary circumstances competing against all the odds to rise victorious, overcome adversity and conquer their fears in order to survive in situations that we may remember from television and media reports in the recent past, or yesteryear. As such they are relateable, memorable, and believable stories grounded in reality no matter how much poetic license or big budget expense Hollywood can throw at them, think 1997's 'Titanic' as the mother of them all! And even disaster epics based on fictitious circumstances can be as equally compelling - think 1974's 'The Towering Inferno', or 1972's 'The Poseidon Adventure' or 1962's 'The Day of the Triffids' to name but a few classics.

This year alone we have had six big screen renditions of real life disasters that I can think of quickly - those being :-
* 'The 33' - based on the 2005 Chilean gold and copper mine collapse leaving 33 men buried underground for 69 days,
* '13 Hours : The Secret Soldiers of the Benghazi' - based on the 2012 Islamic militant attack on the US Embassy in Libya, and how six soldiers engaged in fierce firefighting to protect the lives of American diplomats and operatives,
* 'The Finest Hours' - based on the 1952 voyage of the SS Pendleton which was ripped in two by a huge storm, and the US Coastguard rescue mission to retrieve 30 sailors stranded in the ships sinking stern section,
* 'Sherpa' - based on the 2014 Mount Everest expedition and told from the Sherpa's perspective when an avalanche killed sixteen Sherpa's, and the actions taken as a consequence,
* 'Sully' - based on the 2009 emergency landing of a US Airways Flight on the Hudson River by Flight Captain Chesley Sullenberger that saved every one of the 155 passengers and crew on board,
* 'Deepwater Horizon' - based on the 2010 oil rig disaster in the Gulf of Mexico that killed eleven people and caused an unprecedented oil spillage and environmental and social disaster, and as Previewed below.

This week there are just three new releases that first up tells the true story of an off-shore disaster that came at a significant human, environmental and social cost just a few short years ago; then a best seller adaptation of the domestic psychological thriller type that is sure to leave you guessing and on the edge of your seat just as 'Gone Girl' did before it; and finally from an acclaimed Russian Director comes this historical drama at the museum as two opposing sides join forces to save an art collection.

As always, you are warmly invited to leave your own cinematic critique when you have sat through your movie of choice in the week ahead, by leaving a Comment below this or any other Post. We'd love to hear from you, and in the meantime, enjoy your film.

'DEEPWATER HORIZON' (Rated M) - for those who don't know, the Deepwater Horizon was an ultra-deepwater, dynamically positioned, semi-submersible offshore drilling rig owned by Transocean. Built in 2001 in South Korea the rig was leased to the British Petroleum Company (BP) from 2001 until September 2013. In September 2009, the rig drilled the deepest oil well in history at a vertical depth of 10,700m in the Tiber Oil Field at Keathley Canyon block 102, approximately 400kms southeast of Houston, in 1,300m of water. On 20 April 2010, while drilling at the Macondo Prospect, an uncontrollable blowout caused an explosion on the rig that killed eleven crewmen and ignited a fireball visible from 65kms away. The fire was inextinguishable and, two days later, on 22 April, the Deepwater Horizon sank, leaving the well gushing oil at the seabed and causing the largest oil spill in U.S. waters. The oil spill that resulted continued until 15th July 2010 when it was finally capped off. Subsequently, BP have made it known that they have had to pay of US$55B in clean up costs and fines and that aside from themselves, Halliburton, the services contractor, and Transocean as the rig operator were also at fault.

This film charts that story as Directed by Peter Berg and made for US$156M that takes place in the Gulf of Mexico with the events leading up to that massive human, social, ecological and financial disaster. Starring Mark Wahlberg as electrician and oil rigger Mike Williams (whom Peter Berg has Directed previously in 'Lone Survivor' and the upcoming 'Patriots Day') who returning from some family time with his wife Felicia (Kate Hudson) and ten year old daughter Sydney (Stella Allen) is looking at a three week shift on the DWH. Arriving with other shift starters there is Gina Rodriguez as the only female on the crew, Kurt Russell as the rig's chief supervisor, Dylan O'Brien as the rig's youngest crew member, and John Malkovich as the BP engineer and rig supervisor. When a series of safety inspections don't yield the test results as expected or required, the worst fears of those on board the rig don't take long to become a horrifying reality. Here Wahlberg plays the grounded everyman thrust into extraordinary circumstances to help rescue some of his co-workers while his family and the world watch on as ultimately the DWH disappears into the ocean into a deep fiery grave. Featuring a top cast who do not overplay the heroics, top notch effects and a story that is a believable, authentic telling of human courage in the face of adversity writ large.

'THE GIRL ON THE TRAIN' (Rated MA15+) - this psychological thriller drama is based on the best selling book of the same name by British author Paula Hawkins. The book was Hawkins debut, and it remained on the New York Times Best Seller list for 13 weeks upon release in early 2015, and by August this year had sold eleven million copies worldwide. Now coming to a big screen near you, the book has been adapted for the big screen by Erin Cressida Wilson and Directed by Tate Taylor (who most recently brought us the James Brown bio-pic 'Get On Up' and before that 'The Help') and stars Emily Blunt as Rachel Watson - a divorcee with a drink problem who left her husband Tom (Justin Theroux) after she caught him cheating on her. Everyday she takes the train to work and muses about the apparent perfect life of her neighbours Scott and Megan Hipwell (Luke Evans and Haley Bennett). One day however, en route to work gazing out of her window seat she witnesses something suspicious and shocking and subsequently Megan goes missing and is later presumed dead. What's a girl to do? Also starring Edgar Ramirez, Lisa Kudrow and Rebecca Ferguson.

'FRANCOFONIA' (Rated M) - premiering at the Venice Film Festival back in September 2015, this drama Directed and Written by Alexander Sokurov who brought us the highly acclaimed single take 'The Russian Ark' in 2002 is out on a very limited release here in Australia and you'll have to hunt it down to catch it in all its majesty on the big screen. Set in 1940 its tells the story of The Louvre in Paris and how its museum director Jacques Jaujard (Louis-Do de Lencquesaing) and German Officer the Count Franz Wolff-Metternich (Benjamin Utzerath) work together to protect the precious and priceless artworks from the Nazi's. Beautifully filmed and richly rewarding this film interweaves the ravages of war with the need to preserve our history and culture through art.

With three top films from which to choose your night out at the movies, you would be hard pressed not to find something to like here, or amongst those out on general release and as Reviewed and Previewed here at Odeon Online previously. Whatever you decide upon, share your views with us here, and in the meantime, I'll see you at the Odeon in the week ahead.

-Steve, at Odeon Online-

Thursday, 13 November 2014

BATTLESHIP : archive from 13th April 2012

Saw the Blockbuster Season opener last night - 'BATTLESHIP'. It's a loud, proud, in your face gung-ho all action no expense spared American Navy versus the five badass trespassing Aliens ships lured to our distant planet and then stranded here by a freak collision when one ship collides with a communication satellite . . . and then there were four!




You have to see this spectacle on the big screen - the CGI is impressive; the conversion from Hasbro board game to Hollywood actioner is passable as the battle sequences take place out at sea as you would expect, on land and of course in the air. But why are those pesky aliens here and what do they want - this is a question that only the Lord God Almighty knows because there ain't no time for talkin' when the forces of the US Navy, Army and Air Force are wielding their collective cans of 'whoop ass' at them thar pesky varmint aliens!

As those aliens attempt to phone home and muster reinforcements for their ultimate destruction of our small humble planet, the final set piece moves to Pearl Harbour (how fitting!) and would you believe the USS Missouri is very swiftly recommissioned on the spot to do fierce battle and thwart the intergalactic foe.

Liam Neeson adds gravitas as Admiral Shane, Taylor Kitsch provides the muscle as Lieutenant Alex Hopper, Alexander Skarsgard is brother Commander Stone Hopper, and the eye candy is provided by Rhianna (in her first acting role and passable) as Petty Officer Cora 'Weps' Raikes and Brooklyn Decker is Sam who is the love interest for renegade sailor boy Alex! The alien creatures are well realised and the game tie-in works . . . just about! A thumping soundtrack, the Hawaiian backdrop and the immediacy all make for an enjoyable ride. Mix 'Top Gun', 'Transformers' and 'Predator' and you are just about there!

This film cost a massive US$210M to make and brought in for that investment just US$303M. The film picked up three award wins and thirteen nominations, including a Razzie Award for Rhianna as 'Worst Supporting Actor' and four other 'Worst' nominations in those same 2013 Razzie's. Peter Berg Directed who generally has a reasonable touch with wartime action fare, but I guess it just goes to show that with the best high-octane all guns blazing effects and epic budget you still need a half decent believable story to reel the audience in. When there are others out there that have set the benchmark so high, you gotta be on your game - so I guess it's 'Transformers 1 : Battleship 0'.


-Steve, at Odeon Online-