WONKA : Tuesday 19th December 2023.

I saw the PG Rated 'WONKA' earlier this week, and this musical fantasy film is Co-Written, based on a story and Directed by Paul King in his fourth feature film outing following his 2009 debut with 'Bunny and the Bull', then 'Paddington' in 2014 and 'Paddington 2' in 2017. This film tells the origin story of Willy Wonka, a character in the 1964 iconic novel 'Charlie and the Chocolate Factory' by Roald Dahl - one of the best selling children's books of all time. It had its World Premiere showcasing in London on 28th November, and was released in the UK on 8th December and here in Australia and the US last week, cost US$125M to produce, has so far grossed US$162M and has generated largely positive reviews.

Willy Wonka (Timothee Chalamet), an aspiring magician, inventor, and chocolatier, arrives by boat in Europe to establish his chocolate shop at the famed Galeries Gourmet. Burning through his meagre savings of just twelve silver sovereigns on his first day in the big city, he is offered an overnight stay at Mrs. Scrubitt's (Olivia Colman) boarding house by her henchman Bleacher (Tom Davis), and signs a lengthy contract despite orphan Noodle's (Calah Lane) warning about the need to read the fine print, which he merely glances over and duly signs. The cost of his one night stay is one silver sovereign, which Wonka commits to paying the next night and then he'll be on his way. 

To pay off his debt, the next day Wonka introduces 'hoverchocs' chocolates that make his customers fly at Galeries Gourmet. Facing mockery from three rival chocolatiers - Arthur Slugworth (Paterson Joseph), Gerald Prodnose (Matt Lucas) and Felix Fickelgruber (Mathew Baynton) who call the Chief of Police (Keegan-Michael Key) to confiscate his earnings for disrupting their businesses and conducting his business without a chocolate shop. 

Returning to Mrs. Scrubitt's later that evening with not a penny to his name and unable to pay for his board and lodging, Mrs. Scrubitt announces that the cost of Wonka's one night stay has escalated to 10,000 silver sovereigns due to the fees and penalties imposed on him under the terms of the agreed contract as signed by him. Wonka is therefore ordered to work in a launderette in the bowels of the her building from which there is no escape, and for the next twenty-seven years being the length of time it will take him to pay of his debt. He therefore joins five other captives all locked up for similar reasons, including Noodle. He learns of a 'Chocolate Cartel' from Abacus Crunch (Jim Carter) an accountant as one of the other five, of a plot involving the rival chocolatiers. Wonka makes Scrubitt and Bleacher fall in love by faking a story of how Bleacher is in fact an Austrian Prince, and facilitates his escape to sell chocolate with the help of Noodle, who will receive a lifetime supply of chocolates for her efforts. 

The Cartel exploits the Chief of Police's weakness for chocolate to force Wonka to leave town while Wonka tells Noodle that his passion for chocolate stems from his late mother (Sally Hawkins), who gave him one last chocolate bar, and vowed to be there with him when he became successful. Wonka tells Noodle about the theft of his chocolates by an enigmatic orange man with green hair who steals them from him at night and has been doing so for about the last four years. To produce his signature chocolate, Wonka needs a supply of giraffe milk, and so joined by Noodle, the pair visit the local zoo at night and once they have befriended and calmed Abigail the giraffe, Wonka begins milking her, filling up a small urn. 

Together with the other four captives, the group embark on selling chocolates to ultimately pay off their debts while using the underground storm drain covers to evade Scrubitt, the Cartel and the Chief. Trapping an Oompa Loompa named Lofty (Hugh Grant) as the thief in a upturned glass bell jar, Wonka discovers that the Oompa Loompa seeks pay back for the four cocoa beans Wonka took years ago under Lofty's watch while he napped on the remote island home of the Loompas. Lofty ingeniously dupes Wonka, so facilitating his escape.

Using the monies raised from selling his chocolates, the group of captives open Wonka's dream chocolate shop in the Galaries Gourmet opposite the three owned by the Cartel, The Chief and the Chocolate Cartel, informed of Wonka's endeavours and now unable to arrest him since he has a legitimate shop, denounce him to Scrubitt. Infusing his chocolates with Yeti sweat, Scrubitt incites chaos among the customers through a side effect being the rapid growth a multi-coloured facial hair among men, women and children. The customers quickly revolt, leading to the complete destruction of Wonka's new store. 

Facing much adversity, Wonka reluctantly agrees to the Cartel's offer to leave town by ship to pay off everyone's debts, and never to make chocolate again. Everyone is released from the launderette except for Noodle. Cartel member Slugworth pays Scrubbit to keep her there indefinitely. Before jumping off the dynamite rigged boat with Lofty, Wonka has a conversation with him during which in dawns on him that Noodle is Slugworth's niece. Noodle, who was reported dead to her birth mother Dorothy, was sold by Slugworth to Scrubitt in order to eliminate her claim to the family fortune. After rescuing Noodle with the help of the group, they devise a strategy to obtain the Cartel's incriminating set of real accounts rather than the fake set. 

The group set up a distraction at the local cathedral involving Father Julius (Rowan Atkinson) - a priest in cahoots with the Cartel and who is also addicted to chocolate, and Abigail who crashes a funeral for a local dignatory. This enables Wonka and Noodle to infiltrate the Cartel's base located directly under the cathedral, where they are confronted by the Cartel and almost drowned in thousands of gallons of released melted chocolate. Through the use of hoverchocs, Wonka enables Lofty to rescue them and unveils the Cartel's misdeeds. Exposing their actions to the authorities and the public, they release the Cartel's chocolate reserves through a fountain, which Wonka sprinkles his unique ingredients into, and so wrecking the Cartel's business once and for all. 

The Cartel, levitated uncontrollably by the super strength hoverchocs, meet their downfall, and the Police arrests their now seriously overweight Chief for his part in their business dealings, as duly recorded in the official set of accounts. The crowd revels in tasting Wonka's chocolate fountain, and Wonka has a vision of his mother in the crowd as they blow each other a kiss. He then unwraps his mother's chocolate bar, discovering a Golden Ticket with a message that says chocolate is best shared. Sharing his mother's chocolate with friends, Wonka helps Noodle reunite with her mother Dorothy whom they traced to a library close by and settles his debt with Lofty. 

With Lofty now ready to return to his island home, Wonka ask him to join him as his Chief Taster and to enjoy a lifetime of free chocolate, to which Lofty readily agrees. Wonka then acquires an abandoned castle to commence building a new chocolate factory. In a mid-credits scene, we see what became of the five members of Wonka's group and how Scrubitt and Bleacher are arrested after their attempt to destroy evidence of sabotaging Wonka's shop backfires.

I have to say that I had fairly low expectations going in to see 'Wonka' but came out having been pleasantly surprised. Here Director Paul King has crafted an origin story worthy of its predecessors with top rate production values, song and dance routines that don't feel over bloated or simply space fillers but help move the story along and showcase Timothee Chalamet's singing and dancing abilities that only serve to prove his versatility as a notable screen presence. This soft centred film has heart, whimsy and has genuine moments that made me chuckle even if the plot is a little thin on the ground, but that said you'll be hard pressed not to be carried along by this live action family friendly film that is a perfect fit for the festive season. 

'Wonka' merits four claps of the Odeon Online clapperboard from a potential five claps. 

-Steve, at Odeon Online-

THE FRENCH DISPATCH : Tuesday 14th December 2021.

I saw the 'THE FRENCH DISPATCH' at my local independent cinema earlier this week. This M Rated anthology comedy film is Directed, Written and Co-Produced by Wes Anderson whose previous film making credits take in his feature length debut with 'Bottle Rocket' in 1996, then 'The Royal Tenenbaums', 'The Life Aquatic with Steve Zissou', 'The Darjeeling Limited', 'Fantastic Mr. Fox', 'Moonrise Kingdom', 'The Grand Budapest Hotel' and 'Isle of Dogs'. It was set to premiere at the Cannes Film Festival in mid-May 2020, and get a wide release on 24th July, but due to the COVID-19 pandemic, the festival was cancelled and the film was pulled from the schedule in early April 2020. The film was rescheduled for release in mid-October 2020, before being pulled from the schedule again on 23rd July 2020 for an indefinite period. Eventually the film saw its World Premiere screening at the Cannes Film Festival in mid-July this year, and was released in the US in late October. The film received generally positive reviews from critics, and has thus far grossed US$41M exceeding its production budget of US$25M.

A love letter to journalists set in an outpost of an American newspaper - Liberty, Kansas Evening Sun - in the fictional 20th-century French city of Ennui-sur-Blase, that brings to life a collection of stories published in 'The French Dispatch' where Arthur Howitzer Jr. (Bill Murray), the editor of the newspaper dies suddenly of a heart attack. According to the wishes expressed in his will, publication of the newspaper is immediately suspended following one final farewell issue, in which three articles from past editions of the paper are republished, along with an obituary. 

After a cycling tour of the city of Ennui-sur-Blase by reporter Herbsaint Sazerac (Owen Wilson) in which he guides us through some of the history, the colourful personalities, and the key locations including the arcade, pick-pockets alley, and a noted cafe comparing each place and the residents therein to the past and the present day and observing that whilst so much has altered, just how little has changed over the years in his beautiful city, we see Howitzer critiquing Sazerac's report, while the latter tends to his bicycle. 

The Concrete Masterpiece

J.K.L. Berensen (Tilda Swinton), a writer and staffer at The French Dispatch, is seen giving a lecture at the art gallery of her former employer, Upshur 'Maw' Clampette (Lois Smith), in which she goes into fine detail about the career of Moses Rosenthaler (Benicio del Toro). Rosenthaler, is a mentally disturbed artist serving a sentence in the Ennui prison for a double murder. Allowed out of his straightjacket he paints an abstract nude portrait of Simone (Lea Seydoux), a prison officer with whom he develops a close relationship. Julien Cadazio (Adrien Brody), an art dealer also serving a sentence for tax evasion, is so impressed by the painting that he offers to buy it despite Rosenthaler's reluctance. Upon his release, Cadazio convinces his family of art exhibitors to put it on display, and Rosenthaler soon becomes a sensation in the art world. Rosenthaler, however, struggles with inspiration, and devotes himself to a long-term project. 

Fast forward three years and Cadazio, his uncles Nick and Joe (Bob Balaban and Henry Winkler respectively), Clampette, Berensen, and a bunch of artists inspired by Rosenthaler, all frustrated at the lack of further artworks, bribe their way into the prison to confront him, only to discover that his masterpiece is in fact a series of ten frescoes painted onto the concrete wall of the prison hall. Angered that the paintings cannot be removed from the prison, Cadazio and his delegation gets into a physical altercation with Rosenthaler and the other inmates, but soon appreciates the paintings for what they are, and later arranges for the entire room to be airlifted out of the prison into a private museum in Kansas, owned by Clampette. For his actions in halting a prison riot that breaks out during the reveal of the paintings, Rosenthaler is released on probation.

Revisions to a Manifesto

Lucinda Krementz (Frances McDormand) a journalist for The French Dispatch, reports on a University student protest breaking out in the streets of Ennui that soon escalates into what becomes known as the 'Chessboard Revolution'. While the revolution initially is inspired by petty concerns over access to the girls dormitory, the traumatic military conscription of one student, Mitch-Mitch (Mohamed Belhadjine), leads to more stringent protests. The students’ cause spreads to the working class folk of Ennui.

Despite her insistence on maintaining 'journalistic neutrality', Krementz has a brief romance with Zeffirelli (Timothee Chalamet), the self-appointed leader of the uprising, and in secret helps him write his manifesto while they are in bed together, and adds an appendix. Juliette (Lyna Khoudri), a fellow revolutionary, is unimpressed with his manifesto. After they briefly express their disagreement about its contents and the appendix, Krementz tells the two to 'go make love', which they do. A few weeks later, Zeffirelli is killed while trying to repair the tower of a revolutionary pirate radio station, and soon a photograph of his likeness becomes symbolic of the movement. Years later, Krementz adapts the story of Mitch-Mitch’s conscription, and Zeffirelli and Juliette’s relationship, for a stage play.

The Private Dining Room of the Police Commissioner

During a television interview, Roebuck Wright (Jeffrey Wright) recounts the story to the interviewer (Liev Schreiber) of his attending a private dinner with The Commissaire of the Ennui Police Department (Mathieu Amalric), prepared by legendary Police Officer and acclaimed Chef Lt. Nescaffier (Stephen Park). The dinner is disrupted when the Commissaire's son Gigi (Winston Ait Hellal) is kidnapped and held for ransom by the criminal underworld of Ennui, led by a failed musician called The Chauffeur (Edward Norton), who is demanding the release of an underworld accountant called 'The Abacus' (Willem Dafoe), who possesses their combined financial records. 'The Abacus' is in a solitary confinement cell at Police HQ where the dinner is being held. Wright recounts his own imprisonment in that same cell for his homosexuality, for which he was bailed out by Howitzer and offered a job at The French Dispatch.

Following a late night shoot-out at the kidnapper's hideout, Gigi is able to tap out a message in Morse Code using a coin and a radiator to 'send the cook'. Lt. Nescaffier is sent into the kidnappers' hideout to provide both them and Gigi with food, but secretly the food is laced with poison. The criminals all fall victim to the poisoned fare, and Nescaffier barely survives (because to his strong constitution) after being made to taste test it first. The Chauffeur escapes with Gigi, and leads the police on an animated foot and car chase through the city. Gigi manages to escape out of the sunroof and reunites with his father. During his recovery, Nescaffier saves 'The Abacus' from near starvation by preparing him an omelette, the prisoner having been totally neglected in the fracas. Back at the office of The French Dispatch, Howitzer tells Wright to reinsert a deleted page. In it, a recovering Nescaffier tells Wright that the taste of the poison was unlike anything he had ever eaten in his life, before they commiserate over the state of both being foreigners in France.

In the epilogue, Howitzer is seen to be laid out on his desk, covered in a sheet very dead, on his birthday. The French Dispatch staff, consisting Owen Wilson, Elisabeth Moss, Jason Schwartzman, Fisher Stevens, Tilda Swinton, Frances McDormand, Griffin Dunne and the waiter (Pablo Pauly) who delivers the birthday cake all mourn Howitzer's passing, but all set to work on his obituary and on the final issue in honour of his memory. 

'The French Dispatch' is whimsical, quirky and imaginative Wes Anderson storytelling at almost its best (although not quite up there with 'The Grand Budapest Hotel'), and that's because with an opening prologue, a closing epilogue and three stories sandwiched between there is so much to take in, so much to see and so much to read on screen that it's really difficult to keep up. That said, the set designs are impeccable and richly realised, the assembled cast of A-list Actors is straight out of the Who's Who of European and American acting talent, and the sure fired quick witted dialogue is sure to raise a smile a least for even the most hard boiled viewers. As far the three individual stories are concerned not one of these stands out as being head and shoulders above the others and whilst each stands alone on its own merits, as a whole it's hardly the sum of its parts. All credit though to Director and Writer Wes Anderson for his truly unique approach to storytelling and film making, that makes his films stand aloft in a world dominated by comic book adaptations, RomComs, and shoot 'em up take no prisoners action fare.  

'The French Dispatch' merits three claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

DUNE : Tuesday 7th December 2021.

'DUNE' which I saw at my local independent movie theatre this week is an M Rated American epic Sci-Fi film Directed, Co-Written for the screen and Co-Produced by Denis Villeneuve whose previous feature film offerings take in 'Incendies' in 2010, 'Prisoners' in 2013, 'Sicario' in 2015, 'Arrival' in 2016 and 'Blade Runner 2049' in 2017. This film is based on the 1965 novel by Frank Herbert and is the first instalment in a planned two part adaptation with 'Dune : Part Two' now slated for an October 2023 release. Originally scheduled for a late November 2020 release, the film was delayed by the COVID-19 pandemic, instead having its World Premier at the Venice International Film Festival on 3rd September this year ahead of its international release in mid-September. It was then released in US cinemas and streaming on HBO Max on 21st October, and went on general release in Australia only last week. The film has so far generated largely positive critical acclaim and has so far grossed US$383M off the back of a US$165M production budget. 

Duke Leto Atreides (Oscar Isaac) of House Atreides, the ruler of the planet Caladan, is assigned by the Emperor of the Universe Shaddam Corrino to replace House Harkonnen as fief rulers of the planet Arrakis. House Harkonnen have presided over Arrakis for the past eight hundred years and so this news comes as a bitter disappointment to them needless to say. Arrakis is a harsh desert planet and the only known source of 'spice' in the universe, a valuable substance that bestows its users greater vitality and expanded consciousness. It is also critical for interstellar travel as it allows Spacing Guild Navigators to use a limited form of foresight to safely navigate through interstellar space. The reality is however, that Shaddam is scared and jealous and intends to have House Harkonnen stage a violent and bloody coup to retake the planet with the aid of the Emperor's Sardaukar troops, eradicating House Atreides once and for all, whose influence threatens Shaddam's control. Leto is reluctant but but can see the political advantages of controlling the spice planet and forming an alliance with its native population, skilled desert dwelling fighters known as the Fremen.

Leto's mistress Lady Jessica (Rebecca Ferguson) is a disciple of the Bene Gesserit, an exclusive sisterhood whose members possess advanced physical and mental capabilities. As part of their centuries-long breeding regime, the Bene Gesserit instructed Jessica to bear a daughter whose son would become a male Bene Gesserit, a messianic superbeing with the power of second sight necessary to guide humanity to a better future. Instead she gave birth to a son, Paul (Timothee Chalamet). Throughout his life, Paul is trained by Leto's aides, Duncan Idaho (Jason Momoa), Gurney Halleck (Josh Brolin), and the Mentat Thufir Hawat (Stephen McKinley Henderson), while Jessica trains Paul in the ways of the Bene Gesserit. 

Paul confides in Jessica and Duncan that he has recurring dreams of the future. Because of these dreams, the Emperor's Truthsayer the Reverend Mother Gaius Helen Mohiam (Charlotte Rampling) visits Caladan and subjects Paul to a deadly test to assess his impulse control, which he passes. Mohiam instructs House patriarch Baron Vladimir Harkonnen (Stellan Skarsgard) to spare Paul and Jessica during his coup on Arrakis, to which he responds that he, will not harm them. 

Some two weeks later, House Atreides arrives at Arrakeen, the fortress stronghold on Arrakis, where Duncan and an advance party have been learning all they can about the planet and the Fremen. It is unknown who remained on Caladan to oversee and protect the Atreides home planet in the meantime. Leto negotiates with the Fremen's chieftain Stilgar (Javier Bardem) and meets the Imperial ecologist and Judge of Change Dr. Liet-Kynes (Sharon Duncan-Brewster). Kynes informs Leto, Paul, and Halleck of the dangers of spice harvesting, including giant sandworms which can grow up to four hundred metres long and which travel under the desert sands and are attracted by vibrations and sounds on the surface. During a flight, they spot a sandworm approaching an active spice harvester with a stranded crew on board. Leto and his team rescue the workers with barely minutes to spare before the sandworm swallows the harvester. Paul's exposure to the spice-laden air triggers more intense visions of the future.

After an attempt on Paul's life by a Harkonnen agent, Leto places his army on high alert. Suk doctor Wellington Yueh (Chang Chen) disables Arrakeen's protective shields which allows Harkonnen and Sardaukar troops to overwhelm the Atreides forces, and ultimately destroy Arrakeen. Yueh incapacitates Leto and tells him he had no choice but to make a deal to deliver him to the Baron Harkonnen in exchange for freeing his captive wife. Yueh replaces one of Leto's teeth with a poison gas capsule and is killed by the Baron after delivering the Duke. As Leto lies naked in  chair at the end of a long table and in an incapacitated state he murmers, and the Baron leans in to listen. Leto bites down on the fake tooth and releases the poison gas, killing himself and members of the Baron's court almost immediately, but the Baron survives. 

Duncan escapes and steals an ornithopter (a flying machine with the body of a helicopter but the wings that oscillate rapidly like a dragon fly). Harkonnens soldiers capture Paul and Jessica and take them into the desert where they will be dumped to die. However, Paul and Jessica overpower and kill their captors using a Bene Gesserit ability known as 'the Voice', a means of controlling the actions of others through verbal commands. Finding a survival kit left for them by Yueh, Paul and Jessica spend the night in a tent, which by daybreak is buried under the sand. Paul experiences more dreams, this time of a 'holy war' raging across the universe in his name. The next morning, they make their way out of the buried tent and continue their journey in search of the Fremen.

The Baron, recovering from the poison gas attack, gives command of Arrakis to his over zealous nephew Glossu Rabban (Dave Bautista) and orders him to sell spice reserves while the price is still at a peak and restart production to recover the cost of the coup. Paul and Jessica are found by Duncan and Kynes and head to an old unused aquifer station but are quickly tracked by Sardaukar. Duncan and a number of the Fremen sacrifice themselves to allow Jessica, Paul, and Kynes to escape the aquifer on foot. Kynes separates and is ambushed by three Sardaukar soldiers, so she lures a sandworm by thumping with her fist on the sand. The sandworm duly arrives and quickly devours them along with her. Paul and Jessica escape in an ornithopter and fly through an 800kph sandstorm, ultimately crash landing deep in the desert. 

Running to a rocky outcrop they manage to evade a sandworm and there meet a group of Fremen, among them Stilgar and Chani (Zendaya), the girl seen by Paul's in his dreams. Fremen warrior Jamis (Babs Olusanmokun) protests their admission into thier encampment and is killed by Paul in a ritual duel to the death. Against Jessica's wishes, Paul insists on joining the Fremen to fulfil his father's goal of bringing peace to Arrakis, and preventing a holy war spreading across the universe in his name. 

'Dune' is an epic film in just about every sense of the term. From the stunning visuals, the action set pieces, the character development, the cinematography, the ensemble cast, the world building and the Hans Zimmer composed thumping soundtrack this ticks all the boxes and must be seen on a big cinema screen to truly appreciate the scale and spectacle of what Director Denis Villeneuve has delivered. At over two-and-a half hours in length, sure the movie lags in places but it moves along at a swift pace and never leaves you wanting, and whilst some critics have commented that it only covers half of Frank Herbert's novel, that is the Director's intention as the opening credit says 'Dune : Part One'. Aside for being a Sci-Fi spectacle for the ages and all ages, the film has emotional heft and delves into the human psyche as much as it does the grandeur of the set designs and the manner in which the action scenes play out. For a universe set some eight thousand years into the future however, one thing that left me scratching my head was why, oh why, with all their advanced technology, world building prowess and interstellar travel capabilities, do they still go into hand to hand battle with swords and daggers? Clearly, ours is not to reason why . . . ! Bring on 'Part Two'.

'Dune' warrants four claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

LITTLE WOMEN : Thursday 6th February 2020.

I saw the G Rated 'LITTLE WOMEN' at the Open Air cinema at Mrs. Macquarie's Point in Sydney last week and this American coming-of-age period drama film is written for the screen and Directed by Actress, Screenwriter and now second time film maker following 2017's highly acclaimed 'Lady Bird', Greta Gerwig. This is the eighth big screen adaptation of the 1868 novel of the same name by Louisa May Alcott. The film cost US$40M to produce, has so far grossed US$177M, was released in the US on Christmas Day, and has garnered universal acclaim from Critics. The film has so far picked up 67 award wins and a further 177 nominations from around the awards and festivals circuit including Six Academy Award nods, two Golden Globe nominations, and a BAFTA win and four other nominations.

The film opens up in 1868 and we see Jo March (Saoirse Ronan) as a New York teacher and budding writer. She visits Mr. Dashwood (Tracy Letts) and presents him with an article she has written that she is looking to have published in his magazine. Mr. Dashwood scans the article and agrees to publish her work but not until Jo has done some considerable editing to the piece to make it more reader friendly. He pays her US$25, and Jo leaves very happy.

Her sister Amy (Florence Pugh), is in Paris with their Aunt March (Meryl Streep), and notices childhood friend Laurie (Timothee Chalamet) one day walking through a park. She invites him to a party. At the party, she becomes angry over Laurie's drunken behaviour and he scolds her in front of all the other invited guests for spending time with wealthy businessman, Fred Vaughn (Dash Barber).

In New York, Jo meets with Friedrich Bhaer (Louis Garrel), a professor infatuated with her. Jo asks Friedrich to critique her work and when he offers constructive criticism Jo takes it personally and ends their friendship. Following this, Jo receives a letter saying that her younger sister Beth (Eliza Scanlen) has become more sick, and so she returns home to be at her side and help nurse her back to health.

We then go back to 1861 in Concord, Massachusetts, and Jo and her older sister Meg (Emma Watson) go to a party where Jo meets Laurie, the grandson of their neighbour Mr. Laurence (Chris Cooper). On Christmas morning, their mother 'Marmee' (Laura Dern) persuades the girls to give their lavish breakfast to their poor neighbour, Mrs. Hummel and her four starving young children. They do so, albeit somewhat reluctantly, and when they return to their own home, the girls see their table full of food, provided by Mr. Laurence, together with a letter from their father fighting in the American Civil War, saying, amongst other things, how he misses his four 'little women'.

Jo later visits their Aunt March, who invites Jo to travel to Europe with her on an extended stay. One evening Meg, Jo, Laurie and John Brooke (James Norton), Laurie's tutor and Meg's eventual husband, go out to the theatre, leaving a jealous Amy behind at home. Jo hides the manuscript of a novel she has been working on in her bedroom in a chest of drawers. An angry Amy go searching for the manuscript, finds it and burns it out of spite, upsetting Jo when she discovers it missing. The pair get into a fight after Amy admits burning it, which is quickly broken up by their sisters and mother. Amy attempts to apologise but Jo will have none of it. The next day Amy, wanting to make amends with Jo, chases her onto a frozen over lake where Jo and Laurie are ice skating. The two skate over to rescue Amy when the ice breaks below her feet and she falls into the frozen water. That night, Jo expresses guilt to her mother over what happened to Amy.

We then fast forward back to 1868 and Laurie visits Amy to apologise for his behaviour at the party. Subsequently he urges Amy not to marry Fred Vaughn, but to marry him instead. Amy is upset at playing second fiddle to Jo for just about everything, including Laurie. Amy later turns down Fred's proposal only to learn that Laurie has left for London.

Back in the past, Marmee, is informed by letter that her husband and the girls father is ill from the effects of the Civil War. She reluctantly visits their father, for fear of leaving the four girls to fend for themselves. Beth is given the piano from Mr. Laurence, as her playing reminds him of her dead daughter, and he cannot abide to see the piano at which she used to play go to waste. Beth soon afterwards contracts scarlet fever. Amy, who has not had the disease before, is sent to stay with Aunt March. Marmee comes home early when Beth gets worse, but she recovers in time for Christmas, with their father (Bob Odenkirk) returning home too, surprising the girls. However, in the present, Beth's condition starts to deteriorate, and she dies.

On Meg's wedding day Jo tries to convince her to run away, and not proceed with the wedding, but Meg tells her she is happy getting married, opting for a life of security, stability and the love of a good man. Aunt March announces her trip to Europe, but decides to take Amy instead of Jo. After the wedding, Laurie opens up about his feelings for Jo, but she insists she does not feel the same way, and that their marriage would never work.

Soon afterwards Jo begins to wonder if she was too quick in turning Laurie down and writes him a letter, expressing her change of heart. On their way back from Europe with a sick Aunt March, Amy tells Laurie she turned down Fred's proposal of marriage. The two kiss and soon after marry on the journey home. Returning home, Laurie catches up with Jo and breaks the news. Jo is inwardly devastated but outwardly as stoic as ever, and they agree to just be friends. Jo returns to the letterbox and retrieves the letter she wrote for Laurie, tears it up and tosses it into the stream beside the house.

The next day, Jo starts work on a novel based on the lives of her and her sisters. She dispatches the initial chapters to Mr. Dashwood, who is seemingly unimpressed. Bhaer turns up at the March house to bid the family and Jo in particular farewell, as he is on his way to California to teach. Mr. Dashwood in the meantime has agreed to publish her book, but finds it unacceptable that the main character was unmarried. Jo amends her ending so that the main character, herself, chases after Bhaer in the rain and catches up with him at the Concord railway station, and stops him from going to California. She successfully negotiates copyright and royalties with Mr. Dashwood.

Later, after the death of Aunt March, Jo inherits her house and decides to open it as a school. Meg teaches acting and Amy teaches art to the young schoolchildren. Bhaer is also seen to be teaching children. Jo looks on at a printing and binding press as printers run off the first editions of her book, titled 'Little Women'.

It's easy to see why and how Great Gerwig's adaptation of the classic 'Little Women' novel has garnered such widespread critical acclaim. The production values are top notch from the horse drawn carriages, the grand piano's, the wide skirts and dresses and the detail in the homes of that era to the outstanding performances of the principle cast noting especially Ronan, Pugh and Chalamet, with honourable mentions going to Dern, Streep, Cooper and Letts also in the limited screen time they do have, but which make their performances no less effective. And the story is handled with a deft touch by Gerwig whose modern interpretation of the timeless classic presents us with an up to date coming of age story, female empowerment, endearing sisterhood and the power of a tight knit family unit, all wrapped up in a period piece set some 150 years ago. Despite all these positives and those thrust upon the film from Critics the world over, I found the time shifting premise of the film a little confusing and irritating, not knowing if I was watching a scene from 1861/2 or 1868/9 at times. That said, if you are able to get over this, then this is a smart, modern and creative retelling of a nostalgic period in American (fictional) history, that should easily delight the young and old, both the female and male audience, and those familiar with the source material, or those viewing for the first time.

'Little Women' warrants four claps of the Odeon Online clapperboard out of a possible five claps.

-Steve, at Odeon Online-