SPIDER-MAN : BRAND NEW DAY - Tuesday 4th August 2026.

I saw the M Rated 'SPIDER-MAN : BRAND NEW DAY' this week, and this American Superhero film is based on the Marvel Comics character Spider-Man and is the 38th film in the Marvel Cinematic Universe (MCU). It is the fourth instalment in the MCU 'Spider-Man' series following 'Spider-Man : Homecoming' in 2017, 'Spider-Man : Far From Home' in 2019 and 'Spider-Man : No Way Home' in 2021. These first three films, all starring Tom Holland as the web-slinging hero, grossed a total US$3.94B at the global Box Office off the back of combined production budgets of US$535M. This instalment is Directed by Destin Daniel Cretton who made his feature film debut with 'I Am Not a Hipster' in 2012, and which he would follow up with the likes of 'Short Term 12' in 2013, 'The Glass Castle' in 2017, 'Just Mercy' in 2019, and 'Shang-Chi and the Legend of the Ten Rings' in 2021 - also an MCU offering. This film is part of the MCU's 'Phase Six' which began with 'The Fantastic Four : First Steps' released in mid-2025. 'Spider-Man : Brand New Day' had its Premiere in Los Angeles on 27th July and was released in the US, here in Australia and all major territories last week. The film has garnered generally positive reviews from critics and has grossed US$1.18B at the global Box Office off the back of a US$225M production budget becoming the second-highest opening weekend gross of all time worldwide, the highest opening weekend gross of all time in the USA and Canada, and the highest grossing film of 2026 to date. 

Following Dr. Stephen Strange's spell at the end of the last instalment - 'Spider-Man : No Way Home', the world has forgotten that Peter Parker (Tom Holland) exists. Four years later, Parker anonymously protects New York City but has deliberately distanced himself from those he used to know and love. This self imposed seclusion also extends to his former girlfriend Michelle 'MJ' Jones-Watson (Zendaya) and his best friend Ned Leeds (Jacob Batalon). Later, while speaking on his mobile phone to NYPD Detective Jean DeWolff (Liza Colon-Zayas), Parker intercepts a message about a tank running amok through the city streets heading for the Department of Damage Control (DODC) building. The driver had been telepathically possessed, and the telepath is able to body hop from person to person to help Mac Gargan (aka Scorpion [Michael Mando]), an enhanced criminal Parker previously captured, to escape. Parker enquires with Yelena Belova (aka Black Widow [Florence Pugh]) at a city bathhouse she uses as her office, who tells him someone has repeatedly attacked the DODC in search of 'V-Max'. Parker questions DODC director Bill Metzger (Tramell Tillman) at his office, who claims to have no knowledge of this V-Max.

Parker meets with Ned and MJ, who have moved back to New York after graduating from MIT at a house warming party in MJ's apartment, but fail to recognise him. Parker returns home distressed, and wakes up the next morning with heightened senses and organic webs coming out of his wrists. He tracks down Gargan, now possessed by the telepath, who tries to break back into the DODC. The telepath mocks him, and Parker reacts with uncharacteristic violence, brutally beating Gargan and inadvertently injuring a responding Police Officer. 

Hoping to control his new mutations, Parker visits Bruce Banner (Mark Ruffalo) to enquire about the inhibitor device that uses siRNA to control his alter ego, the Hulk. On Banner's suggestion, Parker makes his own inhibitor to limit his powers, while also working on a second 'universal inhibitor' to suppress the telepath's abilities. Before Parker can finish, the telepath finds him and, after learning about MJ, possesses her and tricks Parker into revealing his true identity. 

After the telepath leaves MJ, Parker takes her to Frank Castle's (aka Punisher [Jon Bernthal]) hideout to keep her safe. With Castle's equipment and MJ's insight, Parker completes both inhibitors, and discovers that the telepath is named Jean Grey (Sadie Sink). When Jean attacks the DODC again, this time in person and using a possessed Hulk, Parker subdues her using his universal inhibitor, and turns her over to the DODC. Before losing consciousness, Jean mentions someone named Sara. 

Metzger claims that Sara is a recently deceased colleague Jean learned about while possessing his mind. When Parker returns to Castle's hideout, MJ confronts him with the letter she found but which he never delivered, that Parker had written for her and Ned to explain the spell that erased their memories. He explains himself and declares his love for MJ, but she responds that she does not know him and therefore does not love him. Despite this, she invites him to her apartment, where they and Ned spend time bonding.

After hearing MJ recount how she is unable to remember anything while being telepathically possessed, Parker realises that Metzger lied to him. He contacts Yelena, who learns from redacted DODC files that Sara (Olivia Booth-Ford) is Jean's sister, another telepath who was kidnapped by the DODC. Metzger meanwhile has begun experimenting on Jean's mind, as she realises 'V-Max' is the fading text on the label on the air conditioning vent above the holding cell, the last thing Sara saw before she died. Enraged, Jean psionically locks the area around her for a radius of about a mile from where she sits. 

Parker, who is still resistant to her abilities, enters the DODC to stop her. Jean rebuffs him and possesses a large group of the Hand ninjas, who have been working for the DODC. Initially overwhelmed, he removes his inhibitor and embraces his mutations, using his new abilities to defeat the Hand. Parker allows Jean to enter his mind, where she finds a memory of his aunt May (Marisa Tomei), who accepted his abilities and loved him for himself. Parker offers Jean understanding over her loss and shields her from Castle, who tries to shoot her from outside using a long range rifle, sustaining a near-fatal wound.

Parker wakes up in the hospital with Castle, who explains that Jean kept him alive while in critical condition. From his hospital bed he sees that the walls are adorned with get well soon wishes from his legion of fans, many of which have also gathered outside the hospital to catch a glimpse of their superhero. In the aftermath, a guilt-ridden Jean quietly leaves the city, Metzger disappears, and the DODC comes under investigation. Parker, placing fresh flowers beside his Aunt May's gravestone, vows he does not need to be alone to be Spider-Man. Seeing Ned again, he introduces himself using their old handshake, a gesture which Ned reciprocates and acknowledges his old friend simply saying 'Peter?' 

With 'Spider-Man : Brand New Day' Director Destin Daniel Cretton has delivered us a MCU instalment that doesn't feel as convoluted, over paced, chock full of otherworldly CGI or has many of us suffering from Superhero fatigue. Instead what we have here is a story of loneliness, isolation, emotion, charm, wit, energy, drive and the obligatory well executed action sequences that all add up to an enjoyable night at the movies. Tom Holland has matured and settled into the role in this his fourth outing as your friendly neighbourhood webslinger, who inhabits his character with conviction and who wears his heart well and truly on his sleeve. Zendaya and Jacob Batalon as returning MJ and Ned respectively all add an emotional depth to this film perhaps not seen in previous outings, Jon Bernthal as the Punisher adds a brutal and at times comedic interlude to the proceedings and Sadie Sink as Jean Grey the antagonist turned protagonist lands a grounded performance and I'm sure we'll see her again in future MCU offerings. Overall, its not surprising to see the Box Office receipts for this film or the largely positive critical press, and maybe, just maybe, this film will revitalise the recently flagging MCU.

'Spider-Man : Brand New Day' merits four claps of the Odeon Online clapperboard from a possible five claps.  

-Steve, at Odeon Online-

THUNDERBOLTS* : Tuesday 13th May 2025

I saw the PG Rated 'THUNDERBOLTS*' earlier this week, and this American Superhero film is the 36th film in the Marvel Cinematic Universe and serves as the final instalment in Phase Five of the MCU. This film is Directed by Jake Schreier who made his Directorial debut with 'Robot & Frank' in 2012 and would follow this up with 'Paper Towns' in 2015. Since then he has helmed numerous TV series including multiple episodes of  'Lodge 49', 'Kidding', 'Brand New Cherry Flavour' and 'Beef' as well as music videos for the likes of Benny Blanco, Kanye West, Justin Bieber and Kendrick Lamar. This film saw its World Premiere screening in London on 22nd April and was released in all major markets from 1st May. The film has generated positive critical reviews, and has so far grossed US$280M from a production budget of US$180M. 

The film opens with Yelena Belova (Florence Pugh) sitting with her feet dangling over the edge of a tall skyscraper in Kuala Lumpur, Malaysia. She stands and promptly launches herself off the top, parachuting down about half the length of the tower before gliding inwards and stepping gently off about fifteen stories from the bottom. Once inside, she sets about destroying a laboratory on behalf of CIA Director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) to cover up her involvement with the O.X.E. Group's 'Sentry' superhuman experimentation project. 

As de Fontaine faces imminent impeachment for her work with O.X.E. Group, she separately sends Yelena, John Walker (Wyatt Russell), Ava Starr (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) to a secret O.X.E. facility buried a mile underground atop a remote mountain, under the pretense of killing a thief. In the ensuing confrontation, Ava kills Taskmaster and a mysterious man named Bob (Lewis Pullman) is released from a suspended animation pod in the room. 

After coming to the realisation that they were sent by de Fontaine to be incinerated along with any evidence of her misconduct, they put their differences aside and work together to escape from the deadly trap. De Fontaine learns from her Assistant Mel (Geraldine Viswanathan) that the group has survived, including Bob, who was presumed dead during the Sentry trials. When she arrives at the site, the team have made it to the surface, and so Bob creates a diversion by drawing fire from de Fontaine's small but heavily tooled up army, allowing Yelena, Walker, and Ava to escape, only to sustain no injuries despite being shot at close range multiple times. Bob then uncontrollably ascends high into the air before passing out and crash-landing back at the compound, where he is captured and helicoptered back to the former Avengers Tower in Manhattan, which is mid-way through a serious make over and is now renamed the 'Watchtower'. 

De Fontaine intends to introduce Bob to the press as a super-powered protector akin to the Avengers, hoping the PR stunt will avert her impeachment. Meanwhile, Alexei Shostakov aka Red Guardian (David Harbour), who had overheard details of de Fontaine's plot while working as a freelance chauffeur, rescues Yelena, Walker, and Ava. Referencing Yelena's childhood soccer team, Shostakov refers to the group as the 'Thunderbolts'. 

De Fontaine's agents chase after the Thunderbolts before they are ultimately caught and tied up by Bucky Barnes aka Winter Soldier (Sebastian Stan), whose intention it is to have them testify at de Fontaine's impeachment hearing. Learning that Bob was a subject of one of de Fontaine's top-secret experiments, Barnes joins the group to head to New York to infiltrate the Watchtower. The Thunderbolts discover that de Fontaine has convinced Bob to join her side as a new superhero she plans to pitch to the media as a replacement for the Avengers called the Sentry. 

After easily overpowering the team and forcing them to retreat, Sentry develops a god-like delusion of superiority, turning on de Fontaine. However, Mel, incapacitates him with a failsafe kill switch. This triggers the emergence of the Void, Bob's destructive alter ego and the embodiment of his depression and insecurities created as a result of the procedure and his fractured psyche, who begins engulfing New York City in supernatural darkness, trapping its citizens in pocket dimensions based on their worst memories and fears.

Yelena realises that the only way to stop the Void is from within, and so she enters the darkness to reach Bob's consciousness. There, she faces her haunted past as a Black Widow and finds Bob hiding in a recreation of his childhood bedroom, where his father abused him. The other Thunderbolts join them, and together they travel back through various 'rooms' ultimately to the memory of Bob's initial experimentation in Malaysia, where he volunteered for the procedure, hoping to improve himself after becoming an aimless drug addict. The Thunderbolts confront the Void, but are quickly overpowered. As the struggle threatens to fully consume Bob, the team intervenes, affirming their belief in him. Their solidarity empowers Bob to regain control, overcoming the Void as light and normality return to the city.

With the threat now past, the Thunderbolts are all set to apprehend de Fontaine. However, she manipulates public perception by staging a press conference in which she introduces them to the public as the 'New Avengers'. The Thunderbolts go along with this, but Yelena threatens de Fontaine if she betrays them again. Remain in your seat for a mid-credits sequence which really is something and nothing, and for the end credits sequence which gives a nod to 'The Fantastic Four : First Steps' the upcoming 37th entry in the MCU and the start of Phase Six, and set for release at the end of July this year.

I was pleasantly surprised by 'Thunderbolts*' with its rag tag bunch of ne'er do wells that are all damaged, traumatised and emotionally scarred in some way that makes them vulnerable and more relatable than some of the other characters we have seen in more recent MCU offerings. It was also somewhat reassuring to see an MCU film grounded in the present day NYC rather than going off on some tangent and taking us deep into the multiverse as has been the want lately, or at least so it seems. Florence Pugh holds the team together and hers is the standout performance in what Director Jake Schreier has pulled together as a coherent, concise and controlled entry into the MCU, while setting up Phase Six of the MCU. The action sequences are well realised and don't overstay their welcome, and there is enough emotional heft and well delivered humour here to make this a well balanced film. 

'Thunderbolts*' merits four claps of the Odeon Online clapperboard from a possible five claps.

-Steve, at Odeon Online-

OPPENHEIMER : Tuesday 25th July 2023.

'OPPENHEIMER' which I saw at my local independent movie theatre this week is an MA15+ Rated American biographical war drama film Written, Co-Produced and Directed by Christopher Nolan, and is based on the 2005 biography 'American Prometheus' by Kai Bird and Martin J. Sherwin. Christopher Nolan's prior film making credits take in his debut with 'Following' in 1998 then 'Momento' in 2000, 'Insomnia' in 2002, 'Inception' in 2010, 'Interstellar' in 2014, 'Dunkirk' in 2017, 'Tenet' in 2020 with the 'Batman' trilogy in between time in 2005, 2008 and 2012. The film cost US$100M to produce, saw its World Premiere showcasing in Paris on 11th July, was released in the UK, the USA and here in Australia last week, has so far grossed US$242M and has garnered universal critical acclaim.

The film opens in 1926 with a dishevelled looking 22-year-old J. Robert Oppenheimer (Cillian Murphy) who has trouble sleeping at night and grapples with homesickness and anxiety while studying under the British experimental physicist Patrick Blackett (James D'Arcy) at the Cavendish Laboratory in the University of Cambridge, England. Oppenheimer finds Blackett demanding and injects an apple he leaves on his desk with cyanide which visiting scientist Niels Bohr (Kenneth Branagh) almost bites into but not before Oppenheimer thrusts it out of his hand and into a waste bin. Oppenheimer completes his PhD in physics at the University of Gottingen in Germany, where he is introduced to Werner Heisenberg (Matthias Schweighofer). He returns to the US, in the hope of expanding quantum physics research, and starts teaching at the University of California, Berkeley and the California Institute of Technology. During this period, he meets Jean Tatlock (Florence Pugh), a member of the US Communist Party with whom he has an on-again off-again affair until her eventual suicide in 1944, and later his future wife Katherine 'Kitty' Puening (Emily Blunt), a biologist and ex-Communist whom Oppenheimer married in 1940 and with whom he has two children.

US Army General Leslie Groves (Matt Damon) enlists Oppenheimer to spearhead the Manhattan Project in order to develop an atomic bomb after Oppenheimer assures Groves that he has no communist sympathies. Oppenheimer, a Jew, is particularly focused on the Nazis and the very likely possibility that they have their own nuclear weapons programme underway, headed up by Werner Heisenberg. 

Oppenheimer recruits a scientific team that includes Edward Teller (Benny Safdie), Isidor Isaac Rabi (David Krumholtz) and David L. Hill (Rami Malek), to a purpose built town in the middle of nowhere at Los Alamos, New Mexico, to begin work on secretly creating the atomic bomb. During the development, Oppenheimer and Albert Einstein (Tom Conti) discuss how such a bomb could possibly trigger a chain reaction that has the potential to destroy the world. Oppenheimer also learns of a possible Soviet spy within his ranks who has potentially leaked the Manhattan Project's secretive intelligence data to the Russians.

When Germany surrenders in May 1945 some project scientists cast doubt over the bomb's continued importance. The bomb is completed and the initial 'Trinity' test is successfully conducted on 16th July 1945 just before the Potsdam Conference involving Winston Churchill, Harry S. Truman and Joseph Stalin which began on 17th July in Potsdam, Germany. US President Harry S. Truman (Gary Oldman) decides to drop atomic bombs on the Japanese cities of Hiroshima and Nagasaki on 6th and 9th August 1945 respectively forcing Japan's surrender and thrusting Oppenheimer into the public eye as the 'father of the atomic bomb'. Haunted by the immense destruction and suffering the bombs caused, Oppenheimer personally urges Truman to use restraint in developing even more powerful weapons, saying that he has 'blood on his hands'. Truman perceives Oppenheimer's anxiety as a weakness, and states that, as President, he alone bears responsibility for the bomb's use. Upon leaving the Oval Office feeling very dejected Truman says to his aide that he doesn't ever want to see that 'scientist crybaby again'. Oppenheimer continues feeling intense remorse.

Oppenheimer is outspoken, in government circles, about any further nuclear development, especially of the hydrogen bomb, positioning him against Teller. His steadfast opinions become a point of contention amid the escalating Cold War with the Soviet Union. Lewis Strauss (Robert Downey Jnr.), chairman of the US Atomic Energy Commission, has a personal beef against Oppenheimer for publicly dismissing his concerns over the export of radioisotopes and, as per Strauss' belief, badmouthing him to Einstein. 

At a four week kangaroo court hearing in 1954 intended to remove Oppenheimer from any and all political influence, and as largely cross examined by Roger Robb (Jason Clarke), Oppenheimer is betrayed by Teller's and other associates' testimony, including the final nail in the coffin delivered by William L. Borden (David Dastmalchian),stating that he firmly believed that J. Robert Oppenheimer was an agent of the Soviet Union. Meanwhile Strauss exploits Oppenheimer's associations with current and former communists such as Tatlock and Oppenheimer's brother Frank (Dylan Arnold).

Despite Rabi and several other allies testifying in Oppenheimer's defence, Oppenheimer's security clearance is revoked by a vote of 2 -1 although his loyalty to the United States was not brought into question. However, this did damage his public image and reduced to zero his policy influence. Later, at Strauss' Senate confirmation hearing as Secretary of Commerce, Hill exposes Strauss' personal motives in engineering Oppenheimer's downfall, which results in Strauss' confirmation being denied.

In 1963, President Lyndon B. Johnson presents Oppenheimer the Enrico Fermi Award (awarded to honour scientists of international stature for their lifetime achievement in the development, use, or production of energy) as a gesture of political rehabilitation. It is revealed that Oppenheimer and Einstein's earlier conversation was not about Strauss but rather nuclear weapons and their far-reaching impacts ultimately. Oppenheimer muses whether the Trinity test, to a large extent, his creation, could launch a chain reaction of events that could lead to a nuclear holocaust. 

'Oppenheimer' is possibly Christopher Nolan's best film offering yet, and that's saying something given the quality of his varied back catalogue over the past twenty or so years. Here he has crafted a film that is well scripted, stunningly photographed, and packed with emotion, intrigue, a stellar ensemble cast and an underlying message that is just as important today as it was almost eighty years ago. Cillian Murphy gives a tour-de-force performance as the torn and troubled Oppenheimer wrestling with his own inner demons over the magnitude of his creation and the implications for all of humankind, and is more than ably supported by Emily Blunt, Matt Damon and Robert Downey Jnr. This is a compelling film that tells the story of war, the people wielding the power and who you can ultimately trust that needs to be viewed on the biggest screen you can get to. It deserves all the accolades bestowed upon it come awards season, and despite it being largely a dialogue driven drama grips the attention from the get go, until the final half hour where the story drags just a little - but don't let that put you off. One of the must see films of the year for sure. Also starring Josh Hartnett, Casey Affleck, Dane DeHaan, Matthew Modine, Scott Grimes, Alden Ehrenreich, James Remar and Olivia Thirlby.

'Oppenheimer' merits four claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

DON'T WORRY DARLING : Tuesday 18th October 2022

I saw the M Rated 'DON'T WORRY DARLING' at my local multiplex this week, and this American psychological thriller film is Directed, Co-Produced and starring Olivia Wilde in only her second Directorial outing following the highly acclaimed 'Booksmart' in 2019. This film saw its World Premiere screening at the Venice International Film Festival in early September, was released in the US in late September and here in Australia on 6th October having generated mixed Reviews from Critics and costing US$35M to produce and so far returning US$79M in Box Office receipts.  

Set in the sun drenched company town of Victory, California, believed to be sometime in the 1950's Alice and Jack Chambers (Florence Pugh and Harry Styles respectively) seem to lead a near perfect life. Everyday the men leave their neat homes, smartly suited and booted, and reverse their cars out of their driveways and make the journey in convoy across the desert to Victory Headquarters, leaving their ever dutiful wives to clean the house, prepare dinner, relax by the pool with a cocktail with the other wives and ensure they are waiting at the front door with their husbands favourite cocktail in hand when he comes home from a hard day at the office. 

All of the town's womenfolk, including Alice's good friends Bunny (Olivia Wilde), Margaret (KiKi Layne) and Peg (Kate Berlant) are discouraged from asking questions about their husbands' work and told not to venture out to the Headquarters. Other than the fact that the husbands are permitted to state that they are collectively working on 'the development of progressive materials' this is just about all the wives are allowed to know about their dear husband's tireless work. Margaret has subsequently become an outcast after taking her young son out into the desert, resulting in her son's apparent death, although she claims that Victory took him from her as punishment for venturing out into the desert. While attending a party hosted by Frank (Chris Pine), Victory's enigmatic founder and leader, and his wife Shelley (Gemma Chan), Alice sees Margaret's husband trying to administer her medication.

One morning while taking the bus across town, Alice observes a light aircraft crash out in the desert. She rushes to help out across the desert and eventually comes to the Headquarters, a small building perched high up on a rocky outcrop covered in mirror-like windows. After touching one, she experiences surreal hallucinations and blacks out. She wakes up back home later that night with no idea how she got there. Jack is in the kitchen doing his best to prepare dinner for them both. In the following days, she experiences increasingly strange occurrences. She receives a phone call from Margaret, who claims to have seen the same thing Alice did, and rushing over to her house she sees Margaret stood on the roof who then proceeds to slit her own throat and falls backwards from the roof onto the grass below. Before she can reach Margaret, Alice is dragged away by two men in red jumpsuits, while two others quickly bundle up Margaret's body. 

Later that evening Jack counters Alice's claims and says Margaret simply fell while cleaning the windows and is recovering. This story is further verified by town physician and co-founder of the Victory Project Dr. Collins (Timothy Simons), who attempts to give Alice prescription drugs, but Jack intervenes saying that she doesn't need them. Alice becomes increasingly paranoid, anxious and confused, and during a special Victory event where Frank gives Jack a special promotion, Alice breaks down in the ladies rest room and is comforted by Bunny. Alice attempts to explain everything to her, but Bunny reacts angrily, accusing Alice of being selfish.

Some time later, Alice and Jack invite their immediate neighbours (except Bunny and her husband Dean) to dinner, with Frank and Shelley as special guests, and newbies in town Violet and Bill Johnson (Sydney Chandler and Douglas Smith respectively). Frank speaks privately with Alice in the kitchen as she is putting the finishing touches to dinner, implying that she is correct in her suspicions. Encouraged by his near confession, she attempts to expose him over dinner, but instead, Frank manipulates her accusations, making her look delusional to the other guests. After the guests have all left abruptly and before the meal had even started Alice begs Jack to take them both away from Victory and to do so tonight, straight away. Jack initially agrees, but when Alice gets in the car, he allows for her be taken away by Frank's men in red jumpsuits. Dr. Collins oversees Alice's electroshock therapy. During the procedure, she sees visions of herself in another life, as a present-day overworked and stressed out surgeon named Alice Warren who lives with the unemployed Jack and struggles to make ends meet. Jack spends his time listening to the voice of Frank selling his project over a website called 'Organised Chaos'. 

After her bout of therapy Alice returns to Victory and is welcomed home by Jack, but she continues to experience hallucinations and flash-backs. She later remembers the whole truth, that Victory is a simulated world created by Frank, and that Jack forced her into the simulation in the hope that they can lead an idyllic life together. When Jack realises she knows the truth, he claims he did this for her as she was miserable in her real life, but Alice is angered that Jack took away her autonomy and the life she loved. Jack gets down on his knees and hugs Alice, begging her to forgive him, then attempts to squeeze the life out of her forcing Alice to smash a heavy glass Whisky tumbler down on his head, killing him outright. 

Frank is called with news of Jack's death and sends his men in red jumpsuits to apprehend Alice. Bunny finds Alice and explains that she has always known Victory was a simulated world, but chooses to stay so she can be with her two young children, who died in reality. She tells Alice to escape in Jack's car and go to the Headquarters, which is an exit portal from the simulation. The other wives come to realise the truth as their husbands begin to panic, and join in the car chase. Alice drives Jack's car out across the desert towards the Headquarters, chased by Dr. Collins and Frank's men, who crash into each other sending their three cars exploding in a ball of flame. 

At their house, Shelley, wanting to regain her own control of the Victory Project, stabs Frank to death with a kitchen knife in the chest and then twists it for good measure. Alice makes it to Headquarters, where she has a vision of Jack asking her to stay. Alice ignores the vision and rushes to the window just before Frank's men reach her, and wakes up in the present day real world.

For me 'Don't Worry Darling' is all style over substance. The impeccable set design to the cinematography are top rate, and the performances of Florence Pugh and Chris Pine in particular more than carry the film, supported by an average performance from Harry Styles but one in which he shows he's got the acting chops to go the distance. After a promising first third, the films meanders and gets all too repetitive in the middle section before limping home to an underwhelming ending that felt rushed, half baked and left me scratching my head with all those unanswered questions. The film is a mash up of 'The Truman Show', 'Pleasantville' and 'The Stepford Wives' and whilst Olivia Wilde's intentions may have been admirable she has hardly reinvented the genre here, and instead has merely dusted it off, polished it up and given it a dose of 2022 glitz.

'Don't Worry Darling' merits three claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-