DON'T WORRY DARLING : Tuesday 18th October 2022

I saw the M Rated 'DON'T WORRY DARLING' at my local multiplex this week, and this American psychological thriller film is Directed, Co-Produced and starring Olivia Wilde in only her second Directorial outing following the highly acclaimed 'Booksmart' in 2019. This film saw its World Premiere screening at the Venice International Film Festival in early September, was released in the US in late September and here in Australia on 6th October having generated mixed Reviews from Critics and costing US$35M to produce and so far returning US$79M in Box Office receipts.  

Set in the sun drenched company town of Victory, California, believed to be sometime in the 1950's Alice and Jack Chambers (Florence Pugh and Harry Styles respectively) seem to lead a near perfect life. Everyday the men leave their neat homes, smartly suited and booted, and reverse their cars out of their driveways and make the journey in convoy across the desert to Victory Headquarters, leaving their ever dutiful wives to clean the house, prepare dinner, relax by the pool with a cocktail with the other wives and ensure they are waiting at the front door with their husbands favourite cocktail in hand when he comes home from a hard day at the office. 

All of the town's womenfolk, including Alice's good friends Bunny (Olivia Wilde), Margaret (KiKi Layne) and Peg (Kate Berlant) are discouraged from asking questions about their husbands' work and told not to venture out to the Headquarters. Other than the fact that the husbands are permitted to state that they are collectively working on 'the development of progressive materials' this is just about all the wives are allowed to know about their dear husband's tireless work. Margaret has subsequently become an outcast after taking her young son out into the desert, resulting in her son's apparent death, although she claims that Victory took him from her as punishment for venturing out into the desert. While attending a party hosted by Frank (Chris Pine), Victory's enigmatic founder and leader, and his wife Shelley (Gemma Chan), Alice sees Margaret's husband trying to administer her medication.

One morning while taking the bus across town, Alice observes a light aircraft crash out in the desert. She rushes to help out across the desert and eventually comes to the Headquarters, a small building perched high up on a rocky outcrop covered in mirror-like windows. After touching one, she experiences surreal hallucinations and blacks out. She wakes up back home later that night with no idea how she got there. Jack is in the kitchen doing his best to prepare dinner for them both. In the following days, she experiences increasingly strange occurrences. She receives a phone call from Margaret, who claims to have seen the same thing Alice did, and rushing over to her house she sees Margaret stood on the roof who then proceeds to slit her own throat and falls backwards from the roof onto the grass below. Before she can reach Margaret, Alice is dragged away by two men in red jumpsuits, while two others quickly bundle up Margaret's body. 

Later that evening Jack counters Alice's claims and says Margaret simply fell while cleaning the windows and is recovering. This story is further verified by town physician and co-founder of the Victory Project Dr. Collins (Timothy Simons), who attempts to give Alice prescription drugs, but Jack intervenes saying that she doesn't need them. Alice becomes increasingly paranoid, anxious and confused, and during a special Victory event where Frank gives Jack a special promotion, Alice breaks down in the ladies rest room and is comforted by Bunny. Alice attempts to explain everything to her, but Bunny reacts angrily, accusing Alice of being selfish.

Some time later, Alice and Jack invite their immediate neighbours (except Bunny and her husband Dean) to dinner, with Frank and Shelley as special guests, and newbies in town Violet and Bill Johnson (Sydney Chandler and Douglas Smith respectively). Frank speaks privately with Alice in the kitchen as she is putting the finishing touches to dinner, implying that she is correct in her suspicions. Encouraged by his near confession, she attempts to expose him over dinner, but instead, Frank manipulates her accusations, making her look delusional to the other guests. After the guests have all left abruptly and before the meal had even started Alice begs Jack to take them both away from Victory and to do so tonight, straight away. Jack initially agrees, but when Alice gets in the car, he allows for her be taken away by Frank's men in red jumpsuits. Dr. Collins oversees Alice's electroshock therapy. During the procedure, she sees visions of herself in another life, as a present-day overworked and stressed out surgeon named Alice Warren who lives with the unemployed Jack and struggles to make ends meet. Jack spends his time listening to the voice of Frank selling his project over a website called 'Organised Chaos'. 

After her bout of therapy Alice returns to Victory and is welcomed home by Jack, but she continues to experience hallucinations and flash-backs. She later remembers the whole truth, that Victory is a simulated world created by Frank, and that Jack forced her into the simulation in the hope that they can lead an idyllic life together. When Jack realises she knows the truth, he claims he did this for her as she was miserable in her real life, but Alice is angered that Jack took away her autonomy and the life she loved. Jack gets down on his knees and hugs Alice, begging her to forgive him, then attempts to squeeze the life out of her forcing Alice to smash a heavy glass Whisky tumbler down on his head, killing him outright. 

Frank is called with news of Jack's death and sends his men in red jumpsuits to apprehend Alice. Bunny finds Alice and explains that she has always known Victory was a simulated world, but chooses to stay so she can be with her two young children, who died in reality. She tells Alice to escape in Jack's car and go to the Headquarters, which is an exit portal from the simulation. The other wives come to realise the truth as their husbands begin to panic, and join in the car chase. Alice drives Jack's car out across the desert towards the Headquarters, chased by Dr. Collins and Frank's men, who crash into each other sending their three cars exploding in a ball of flame. 

At their house, Shelley, wanting to regain her own control of the Victory Project, stabs Frank to death with a kitchen knife in the chest and then twists it for good measure. Alice makes it to Headquarters, where she has a vision of Jack asking her to stay. Alice ignores the vision and rushes to the window just before Frank's men reach her, and wakes up in the present day real world.

For me 'Don't Worry Darling' is all style over substance. The impeccable set design to the cinematography are top rate, and the performances of Florence Pugh and Chris Pine in particular more than carry the film, supported by an average performance from Harry Styles but one in which he shows he's got the acting chops to go the distance. After a promising first third, the films meanders and gets all too repetitive in the middle section before limping home to an underwhelming ending that felt rushed, half baked and left me scratching my head with all those unanswered questions. The film is a mash up of 'The Truman Show', 'Pleasantville' and 'The Stepford Wives' and whilst Olivia Wilde's intentions may have been admirable she has hardly reinvented the genre here, and instead has merely dusted it off, polished it up and given it a dose of 2022 glitz.

'Don't Worry Darling' merits three claps of the Odeon Online clapperboard from a potential five claps.

-Steve, at Odeon Online-

THE OLD GUARD : Sunday 12th July 2020.

In these very trying and testing times for us all that has seen many cinema's, Odeon's, and movie theatres around the world close their doors for the foreseeable future because of the escalating threat of the COVID-19 Coronavirus taking an ever increasing hold on the world at large, many film and television productions halted in their tracks indefinitely, and new film releases pushed back to some future date when some sense of movie going normalcy is expected to resume, I have, needless to say, had to adapt to this new world order. And so with my usual Reviews of the latest cinematic releases being curtailed, instead I will post my Review of the latest release movies showing on Netflix until such time as the regular outing to my local multiplex or independent theatre can be reinstated.

In the last few weeks then, a number of new feature films have landed at Netflix - of which I review as below 'The Old Guard' which went live on the streaming service on 10th July and which I saw from the comfort of my own home on Sunday 12th July.

'THE OLD GUARD' is an American superhero film (but not as we know it!) Directed by Gina Prince-Bythewood the American film-maker, Writer and occasional Producer whose previous directorial outings take in 'Love & Basketball' in 2000, 'The Secret Life of Bees' in 2008 and 'Beyond the Lights' in 2014. This film is based on the 2017 comic book of the same name by Greg Rucka, is Co-Produced by its lead star Charlize Theron, cost in the region of US$70M to produce and has garnered generally positive Reviews so far.

We are initially introduced to Andromache of Scythia (Andy for short, as played by Charlize Theron), Booker (Matthias Schoenaerts), Joe (Marwan Kenzari), and Nicky (Luca Marinelli) who are all centuries old warriors with healing abilities that mean they can defy death by regenerating their wounds now matter how fatal, and are therefore immortal. They come together for the first time in over a year and we learn that Andy is by far the oldest and the first of their kind. Booker was around during the Napoleonic Wars and is the youngest, and both Joe and Nicky fought each other during the Crusades killing each other several times but are now firm friends and have each others backs - always and forever. Over the course of the centuries they have individually and collectively used their vast wealth of experiences to help those in need and at times changed the course of history for the better.

Booker tells them that former CIA operative James Copley (Chiwetel Ejiofor) has a job for them to extract a group of kidnapped children in South Sudan - the youngest of which is eight, the oldest fourteen years of age. Andy is very reluctant, but is persuaded by Booker and the others to go ahead with it. During the mission, they make their way to an underground bunker where the children are being held captive, only to be ambushed and outnumbered and shot to smithereens with not a single kidnapped child in sight. Within minutes, the bullets all self extract and their wounds all self heal much to the astonishment of their attackers. Rising up, the four all dispense with their attackers and then realise that there is camera trained on their every move. Copley it seems sold them out to expose their supposed immortality.

In the meantime in Afghanistan, while on active duty US Marine Nile Freeman (KiKi Layne) while leading a small squad of female soldiers to infiltrate a hiding target and return him alive shoots her target twice in the chest after he shot at her. Trying to lend medical aid, her target in his last dying breaths slices at her throat with a concealed blade. Presumed dead, she soon thereafter in a medical tent, recovers without any physical signs of injury much to the bewilderment of her entire unit, and herself. The four board a train carriage to get them out of South Sudan and while napping, they together with Freeman, all share the same dream, so alerting the four to the presence of a new fresh young immortal. Despite their weariness from their last mission, Andy jumps the train and goes off in search of Freeman which Nicky had drawn a pencil likeness of from his dreams memory, her army regiment badge and other snippets of information that they could recall from their shared yet separate dream experience.

In London, Copley brings the evidence of the fours immortality to Steven Merrick (Harry Melling) the youngest CEO of a big pharmaceutical company touting a groundbreaking cancer busting drug and with it the means to prolong life for decades, and his head Researcher Dr. Meta Kozak (Anamaria Marinca). Merrick is very excited about what he sees on the recording from Copley and considers this his one way ticket to furthering his research into immortality and prolonging life for all, and therefore adding sizeably to his already massive profits. He sends his own private army to locate the four, capture them and bring them in so that he can conduct his own experiments into their abilities, and ultimately get well ahead of the competition.

Andy extracts Freeman, needing to shoot her in the head first (from which she quickly recovers), and then they board a flight in which Freeman goes head to head and toe to toe in a fist fight mid-flight with Andy because she cannot comprehend the enormity of what is happening to her. When Andy overpowers her by breaking her leg and her arm, and then witnessing her self healing powers for the first time, she relents and begins to listen to reason. Andy takes Freeman to a small abandoned church about fifty miles outside of Paris, France, where the other three are all lying low. There she asks how old each of them are and they all respond with their own stories, except Andy who will not divulge just how old she is, except that she is very old.

They tell Freeman the story of Quynh (Van Veronica Ngo) - the first of Andy's comrades who fought together many centuries ago who was later captured by priests and accused of witchcraft and sorcery, taken from Andy and buried alive in an iron maiden coffin somewhere at sea where she has been continually drowning for the past five hundred years. The group also tell her that they are not truly immortal, and that their self healing abilities can cease at anytime without warning.

Later that evening, the church is raided by Merrick's small army. Joe and Nicky are taken, leaving a badly injured Booker suffering from a grenade explosion injury to his stomach, from which needless to say he recovers. Andy and Freeman were outside talking at the time of the surprise attack. Hearing an exchange of gunfire, Andy goes inside and quickly dispenses with all of Merrick's henchmen, but not before being stabbed in the shoulder. Leaving the carnage behind them at the church, they drive to a secret cave that contains all of Andy's gathered artefacts from centuries past. Her stab wound to her shoulder has not healed so she visits an all night chemist for some bandages and temporary stitching, while Booker attempts to locate Copley.

Finding Copley at a residence in Surrey, England, the three all prepare to raid the home and confront Copley. Freeman however, declines choosing to visit her family instead of accepting her destiny which is to outlive all of her family, friends and loved ones. Andy and Booker confront Copley in his home. Booker shoots Copley in her lower side putting his case forward for doing so so that Merrick can bring an end to their immortality through his research. Merrick's henchmen arrive en masse and disarm Andy and Booker who has now come to realise that Andy's bullet wound is not healing. Copley's mindset changes when he learns that Merrick is prepared to torture the four of them for as long as it takes to advance his studies of them. Freeman realises as she is about to board a train, that Booker had sold the group out and rocks up to Copley's house after the horse has bolted. She does however, convince him to aid her in their rescue mission to Merrick's HQ in the city of London, where the four are now being experimented on.

Copley, using his card access to gain entry into Merrick's HQ, enters an unmonitored part of the building with Freeman. She then tells him to turn back because it's all too dangerous for him to be around, and no matter what the consequences are she'll be walking out of there regardless. After a shoot out Freeman rescues the bound four immortals who ultimately take out all of Merrick's heavily armed security force while protecting Andy from any further injuries.

Merrick meanwhile has made  a quick exit, or so it seems, in a lift. The others give chase leaving Andy and Freeman to pause for a moment in reflection. Merrick shows up wielding a gun at them both. Through some quick thinking Merrick is disabled, has Andy's double edged curved battle axe impaled in his neck and is catapulted with Freeman through the already smashed window of the penthouse suite multiple storeys above the street, into the roof of a car parked below. Needless to say Merrick is very dead, and Freeman is a twisted contorted blood-soaked mess of a woman who quickly self heals and walks out of the wreckage.
   

Meeting in a London Pub on the banks of the River Thames, Andy, Joe, Nicky and Freeman discuss what level of punishment to bestow upon Booker for his act of betrayal, while Booker stands on the rivers edge outside pondering his fate. Andy emerges and says that he is forbidden from contacting the others for the next one hundred years and to meet with them all again on this day one hundred years from now. Booker and Andy embrace and he tells her that he is unlikely to see her again for fear that she will inevitably succumb to any future life threatening injury now. As she walks away having bid her farewell, she replies, 'have faith!'. Soon afterwards the four meet with Copley who tells them how he was able to track them down piecing together historical records, old photos, newspaper articles and snippets of information gathered from all over the place. He also tells them how their missions in the past had a far more positive and often worldwide reaching beneficial impact than they ever could have imagined. This gives the group a renewed faith and focus in their mission as Andy tells Copley that from this point forward he will keep their existence a secret, wiping all records and accounts of their pursuits from all sources, to which he replies that he'll 'be honoured'.

Six months later, and a very drunken Booker is stumbling as he returns to his apartment in Paris. Upon entering he is surprised and shocked to see Quynh staring back at him, smiling, saying 'it's nice to finally meet you!'

Here Director Prince-Bythewood gets the jump on the upcoming 25th instalment in the MCU due for release in February 2021 with 'The Eternals' about a group of humanoid immortals who have inhabited Earth for about seven thousand years. Here, these humans only superhero power is that they are immortal (well almost) and have learned over the past centuries to wield a sword, a battle axe, a dagger, shoot, punch, kick and fight their way out of any conflict and keep on going back for more no matter how many times they get put down. The action set pieces are straight out of the 'John Wick' school of close quarter combat but are delivered in such a way for it still to be fresh and exciting and not over extended to the point of gratuitous boredom. The film is also peppered with sentiment and a real sense of camaraderie, long lasting companionship and a mutual respect and trust for each other as back stories are filled, feelings of deep rooted friendship are revealed and emotions are charged. Charlize Theron is on form again doing her ass-kicking gun totting fist fighting thing just as we have witnessed previously in 'Aeon Flux', 'Mad Max : Fury Road' and 'Atomic Blonde' and proving that she is capable of turning her hand to just about any character type having come straight off the back of 'Bombshell'. The other performances are all equally strong all adding weight to their character driven roles underscored by some finely choreographed action sequences. Prince-Bythewood has left the ending wide open for a sequel although at this stage has not confirmed if this is even on the cards, but regardless of that outcome, here she has crafted a grounded relatable story of immortal warriors in the modern world that combines heart, action, drama and tension in equal measure that could teach a thing or two to her contemporaries at the MCU and the DCEU.

'The Old Guard' merits four claps of the Odeon Online clapperboard, from a possible five claps.

-Steve, at Odeon Online-